Turkey Box Office for Soğuk İntikam (2019)

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Cold Pursuit
Theatrical Performance (US$)
Turkey Box Office $67,090Details
Worldwide Box Office $62,599,159Details
Home Market Performance
North America DVD Sales $2,561,483 Details
North America Blu-ray Sales $3,092,237 Details
Total North America Video Sales $5,653,720
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

A family man’s quiet life with his wife is upended following the mysterious death of their son. Nels’ search for justice turns into a vengeful hunt for Viking, a drug lord he believes is connected to the death. As one by one each of Viking's associates “disappear,” Nels goes from upstanding citizen to ice-cold vigilante, letting nothing— and no one—get in his way.

Metrics

Movie Details

Production Budget:$60,000,000
Turkey Releases: March 22nd, 2019 (Wide), released as Soğuk İntikam
Video Release: May 14th, 2019 by Lionsgate Home Entertainment
MPAA Rating: R for strong violence, drug material, and some language including sexual references.
(Rating bulletin 2560 (Cert #51744), 1/9/2019)
Running Time: 118 minutes
Keywords: Drug Dealer, Revenge, Crime Boss, Set in Colorado, Remake, Foreign-Language Remake, Death of a Son or Daughter, Drug Overdose, Action Thriller
Source:Based on Movie
Genre:Thriller/Suspense
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: StudioCanal, MAS , Paradox, Summit Entertainment
Production Countries: United States
Languages: English

Weekend Wrap-Up: Alita Battles Disbelievers and Wins

February 20th, 2019

Alita: Battle Angel

The weekend wasn’t as bad as it could have been, at least not at the top. Alita: Battle Angel topped all but the most bullish expectations with $42.25 million from Thursday through Sunday. Isn’t It Romantic matched expectations nearly perfectly, while Happy Death Day 2U struggled, but should still break even, eventually. Overall, the box office rose 8.4% from last weekend, but plummet 57% from the same weekend last year. On the positive side, that was the weekend Black Panther debuted, so we knew a drop-off like this was to be expected. On the negative side, as of the end of business on Monday, 2019 was behind 2018’s pace by a margin of over $350 million or nearly 23%. 2019 will need to turn things around soon if it wants any chance of completing a comeback. Hell, it will need to turn things around soon if it wants any chance to avoid a worst-in-a-decade end result. More...

Weekend Wrap-up: 2019 Continues its Slump

February 12th, 2019

The Lego Movie 2: The Second Part

The Lego Movie 2: The Second Part missed expectations over the weekend, leading to yet another disappointing overall performance at the box office. Granted, the box office did climb by 55% from last weekend to $112 million. However, last weekend was the worst weekend at the box office in more than a year. Additionally, $112 million is still 20% lower than the same weekend last year. Year-to-date, 2019 has pulled in $1.01 billion; however, this is still 15% lower than last year’s pace and the slowest pace since 2011, in terms of raw dollars. If we go by ticket sales, we have to look all the way back to 1999 to find a slower start to the year. More...

Weekend Estimates: Lego Tops Chart, but Fails to Match the Original

February 10th, 2019

The Lego Movie 2: The Second Part

The Lego Movie 2: The Second Part reportedly cost $99 million to make and it will earn that much domestically, so it will very likely make a profit and Warner Bros. will be fine. That said, it is estimated to only manage $34.4 million over the weekend, which is about 40% lower than expectations and almost exactly 50% lower than the first film opened with. Its reviews are 84% positive, while it managed an A minus from CinemaScore, so it really should have done better than this. This hopefully isn’t a sign that the overall box office is unhealthy, but just a sign that WB has pushed the franchise too much too soon. Internationally, the film started with $18.1 million in 63 markets. This includes a first place, $5.2 million on 1,301 screens in the U.K. It also managed first place in Russia with $1.7 million on 2,493 screens. On the other hand, it only managed fourth place in Brazil with just $707,000 on 854 screens, which is the weakest start in the franchise. More...

Friday Estimates: New Releases Receive a Cold Welcome

February 9th, 2019

The Lego Movie 2: The Second Part

Friday’s box office can best be described as “What happened?” Thursday previews looked promising, but then the Friday numbers arrived and it looks like most of the new releases will miss expectations. This includes The Lego Movie 2: The Second Part, which opened with $8.5 million on Friday, $9.1 million including its paid previews from January. This is well below expectations and puts the film on pace for about $32 million over the weekend. Its reviews are 85% positive, but its early CinemaScore is just A minus, which isn’t particularly good for a family film. Next weekend is a long weekend, so I think it will still get to $100 million domestically, which is more than it cost to make. However, a lot of people thought it had a real shot at $200 million domestically, so this is a real disappointment. More...

Thursday Night Previews: Lego Lifts Off with $2.1 million in Combined Previews

February 8th, 2019

The Lego Movie 2: The Second Part

The Lego Movie 2: The Second Part got off to a solid start with $2.1 million in previews. This includes $1.5 million last night and $600,000 from the January paid preview. This is a good result for a family film opening without the benefit of a school holiday. Granted, The Lego Batman Movie opened with $2.2 million during its previews in 2017, but as a comic book movie, it had more drawing power with adults and would be slightly more front-loaded. We don’t know for sure if The Second Part will make up the difference over the full weekend and match our $55 million prediction, but we will have a better idea tomorrow when the Friday estimates show up. More...

Weekend Predictions: Can Lego Save 2019?

February 8th, 2019

The Lego Movie 2: The Second Part

I’m of two minds when it comes to this weekend. On the one hand, The Lego Movie 2: The Second Part should be the biggest hit of the year so far and could be the first true monster hit of the year. On the other hand, it might not be enough to keep pace with last year. Only one other new release, What Men Want, has a shot at $20 million, while the other two releases, Cold Pursuit and The Prodigy, might not reach $10 million. This weekend last year, wasn’t quite as strong when it came to new releases, but it had a massive advantage when it came to holdovers. I think 2019 has a small advantage here, but I’ve been burned before, so I won’t be too surprised if 2019 loses in the year-over-year comparison, again. More...

Preview: February

February 1st, 2019

The Lego Movie 2: The Second Part

2019 got off to a slow start as the biggest release of January, Glass, missed expectations and as a result, 2019 lost every weekend in the year-over-year comparison. Unfortunately, 2019 isn’t going to turn things around this month, as last February, Black Panther broke all of the records. That doesn’t mean there are no bright spots this month. Both The Lego Movie 2: The Second Part and How to Train Your Dragon: The Hidden World are virtually guaranteed to reach $100 million domestically, while I wouldn’t be too surprised if one or both hit $200 million. Meanwhile, there are several midlevel hits, one of which could turn into a surprise $100 million hit. That said, there’s a chance all nine movies opening this month combined will earn less than Black Panther did last year. More...

Cold Pursuit Trailer

October 26th, 2018

Thriller starring Liam Neeson opens February 8 ... Full Movie Details. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2019/03/22 10 $31,256   92 $340   $31,256 1
2019/03/29 16 $12,687 -59% 80 $159   $59,001 2
2019/04/05 - $745 -94% 8 $93   $67,090 3

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 2/22/2019 $207,336 190 190 527 $589,783 4/19/2019
Australia 2/8/2019 $720,255 240 240 927 $1,776,352 3/26/2019
Brazil 3/15/2019 $432,184 316 316 467 $708,517 3/30/2019
Bulgaria 2/22/2019 $44,912 0 0 0 $155,810 4/17/2019
China 9/6/2019 $610,000 22818 22818 22818 $750,853 10/9/2019
Czech Republic 2/22/2019 $53,456 80 80 139 $113,396 3/19/2019
France 3/1/2019 $1,223,281 300 300 873 $2,383,631 3/23/2019
Germany 3/1/2019 $1,066,833 0 0 0 $2,832,980 3/23/2019
Italy 2/21/2019 $878,873 0 17 17 $1,593,528 3/30/2019
Lithuania 2/8/2019 $17,189 50 50 79 $36,620 2/26/2019
Mexico 2/22/2019 $1,406,095 0 0 0 $3,646,440 3/11/2019
Netherlands 2/22/2019 $397,586 100 101 584 $1,465,286 5/4/2019
North America 2/8/2019 $11,030,233 2,630 2,630 11,048 $32,138,862
Portugal 2/8/2019 $238,383 69 69 285 $699,641 3/26/2019
Russia (CIS) 2/7/2019 $360,105 496 496 845 $586,272 3/9/2019
Slovakia 2/22/2019 $59,241 68 68 118 $134,095 3/26/2019
South Korea 2/20/2019 $344,696 470 470 524 $668,108 4/25/2019
Spain 5/10/2019 $0 0 309 1079 $2,069,775 8/29/2019
Turkey 3/22/2019 $31,256 92 92 180 $67,090 4/12/2019
United Kingdom 2/22/2019 $825,123 417 417 1113 $2,268,489 3/13/2019
 
Rest of World $7,913,631
 
Worldwide Total$62,599,159 10/9/2019

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Liam Neeson    Nelson “Nels” Coxman

Supporting Cast

Tom Bateman    Viking
Tom Jackson    White Bull
Emmy Rossum    Kim Dash
Domenick Lombardozzi    Mustang
Julia Jones    Aya
John Doman    Gip
Laura Dern    Mrs. Coxman
Micheál Richardson    Kyle Coxman
Michael Eklund    Speedo
Bradley Stryker    Limbo
Wesley MacInnes    Dante
Nicholas Holmes    Ryan
Jim Shield    Jaded Coroner
Aleks Paunovic    Detective Osgard
Glenn Ennis    Night Club Bouncer
Benjamin Hollingsworth    Dexter
Chris Cook    Ski Bum
Venus Terzo    Mother
Dani Alvarado    Daughter
Michael Adamthwaite    Santa
William Forsythe    Brock
Elizabeth Thai    Ahn
David O Hara    Sly
Gus Halper    Bone
Elysia Rotaru    Diner Waitress
Kyle Nobess    Simon Legrew
Victor Jr Zinck    Drunken Ski Dude
Raoul Trujillo    Thorpe
Nathaniel Arcand    Smoke
Glen Gould    War Dog
Mitchell Saddleback    Avalanche
Christopher Logan    Shiv
Bart Anderson    Blizzard Bartender
Gary Sekhon    Denver Cabbie
Arnold Pinnock    The Eskimo
Ben Cotton    Windex
Emily Maddison    Gorgeous Woman
Glenn Wrage    Kurt
Michael Bean    Parson
Ben Sullivan    Teen
Travis MacDonald    Ski Lift Attendant
Manna Nichols    Minya
Loretta Walsh    Resort Clerk
Nels Lennarson    Chuck Schalm
Max Montesi    Paragliding Instructor
Peter Strand Rumple    Viking’s Thug

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Hans Petter Moland    Director
Frank Baldwin    Screenwriter
Kim Fupz Aakeson    Story based on the movie “Kraftidioten” by
Michael Shamberg    Producer
Ameet Shukla    Producer
Finn Gjerdrum    Producer
Stein B. Kvae    Producer
Paul Schwartzman    Executive Producer
Michael Dreyer    Executive Producer
Ron Halpern    Executive Producer
Didier Lupfer    Executive Producer
Shana Eddy-Grou    Executive Producer
George Fenton    Composer
Philip Ogaard    Director of Photography
Jorgen Stangebye Larsen    Production Designer
Nicolai Moland    Editor
Anne Pedersen    Costume Designer
Avy Kaufman    Casting Director
Warren Carr    Unit Production Manager
Michael Dreyer    Unit Production Manager
Jason Furukawa    First Assistant Director
Emily Silver    Second Assistant Director
Nicolai Moland    Associate Producer
Mark Vanselow    Second Unit Director
Mark Vanselow    Stunt Coordinator
Owen Walstrom    Stunt Coordinator
Tania Blunden    Post-Production Supervisor
Emma Zee    Post-Production Supervisor
Ian Neil    Music Supervisor
Kendelle Elliott    Supervising Art Director
Gwendolyn Margetson    Art Director
Michael Toby    Set Designer
Gaby Miegeville-Little    Set Designer
Daniel Kobylka    Set Designer
Sara-Jo Baugh    Set Designer
Peter Lando    Set Decorator
Corey Jones    Script Supervisor
Shelly Shaw    Sets Supervisor
Robert Spina    Hairstylist
Krista Young    Make up
Jim Greenhorn    Sound Mixer
Jason Paradis    Special Effects Coordinator
Dan Kuzmenko    Location Manager
Brian Dunne    Location Manager
Jason Nolan    Location Manager
Jimmy Boyle    Supervising Sound Editor
Jimmy Boyle    Sound Designer
Gisle Tveito    Sound Designer
Nigel Mills    Sound Designer
Steve Little    Supervising Dialogue and ADR Editor
Nigel Mills    Supervising Dialogue and ADR Editor
Rowan Watson    Sound Effects Editor
Glen Gathard    Foley Mixer
Mike Dowson    Re-recording Mixer
Max Walsh    Re-recording Mixer
Simon Hughes    Visual Effects Supervisor
Dillan Nicholls    Visual Effects Supervisor
Tim Caplan    Visual Effects Executive Producer
Noga Alon Stein    Visual Effects Producer
Jan Guilfoyle    Visual Effects Producer
Drew Jones    Visual Effects Producer
Dan Carey    Music Producer
Dan Carey    Additional Music
Graham Sutton    Music Editor
Nick Wollage    Score Mixer

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.