Cold Pursuit (2019)

Cold Pursuit
Theatrical Performance
Domestic Box Office $32,138,862Details
International Box Office $30,460,297Details
Worldwide Box Office $62,599,159
Home Market Performance
Est. Domestic DVD Sales $2,561,483 Details
Est. Domestic Blu-ray Sales $3,092,237 Details
Total Est. Domestic Video Sales $5,653,720
Further financial details...

Synopsis

A family man’s quiet life with his wife is upended following the mysterious death of their son. Nels’ search for justice turns into a vengeful hunt for Viking, a drug lord he believes is connected to the death. As one by one each of Viking's associates “disappear,” Nels goes from upstanding citizen to ice-cold vigilante, letting nothing— and no one—get in his way.

Metrics

Opening Weekend:$11,030,233 (34.3% of total gross)
Legs:2.91 (domestic box office/biggest weekend)
Domestic Share:51.3% (domestic box office/worldwide)
Production Budget:$60,000,000 (worldwide box office is 1.0 times production budget)
Theater counts:2,630 opening theaters/2,630 max. theaters, 4.2 weeks average run per theater
Infl. Adj. Dom. BO $37,822,805

Latest Ranking on Cumulative Box Office Lists


Watch Now On

Amazon VOD:Amazon VOD, Amazon VOD, Amazon 4K UHD VOD
iTunes:iTunes
Google Play:Google Play, Google Play, Google Play
Vudu:Vudu

Movie Details

Domestic Releases: February 8th, 2019 (Wide) by Lionsgate
International Releases: February 7th, 2019 (Wide), released as Снегоуборщик (Russia (CIS))
February 8th, 2019 (Wide) (Australia)
February 8th, 2019 (Wide), released as Šaltas kraujas (Lithuania)
February 8th, 2019 (Wide), released as Vingança Perfeita (Portugal)
February 20th, 2019 (Wide) (South Korea)
... Show all releases
Video Release: May 14th, 2019 by Lionsgate Home Entertainment
MPAA Rating: R for strong violence, drug material, and some language including sexual references.
(Rating bulletin 2560 (Cert #51744), 1/9/2019)
Running Time: 118 minutes
Comparisons: vs. The Commuter
Create your own comparison chart…
Keywords: Drug Dealer, Revenge, Crime Boss, Set in Colorado, Remake, Foreign-Language Remake, Death of a Son or Daughter, Drug Overdose, Action Thriller
Source:Based on Movie
Genre:Thriller/Suspense
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: StudioCanal, MAS , Paradox, Summit Entertainment
Production Countries: United States
Languages: English

Ranking on other Records and Milestones

RecordRankAmountChart
Date
Days In
Release
Washington's Birthday (All Movies, 3-Day) 214 $5,977,782 Feb 15, 2019 10
Washington's Birthday (All Movies, 3-Day, Inflation Adjusted) 331 $7,003,817 Feb 15, 2019 10
Washington's Birthday (All Movies, 4-Day, Fri-Mon) 168 $6,946,112 Feb 15, 2019 10
Washington's Birthday (All Movies, 4-Day, Fri-Mon, Inflation Adjusted) 201 $8,138,348 Feb 15, 2019 10

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Feb 8, 2019 3 $11,030,233   2,630 $4,194   $11,030,233 1
Feb 15, 2019 6 $5,977,782 -46% 2,630 $2,273   $21,100,114 2
Feb 22, 2019 8 $3,210,838 -46% 2,320 $1,384   $26,996,405 3
Mar 1, 2019 14 $1,656,170 -48% 1,765 $938   $29,918,299 4
Mar 8, 2019 19 $512,095 -69% 823 $622   $31,114,065 5
Mar 15, 2019 26 $214,901 -58% 376 $572   $31,595,048 6
Mar 22, 2019 31 $117,906 -45% 224 $526   $31,824,425 7
Mar 29, 2019 33 $68,737 -42% 142 $484   $31,950,459 8
Apr 5, 2019 31 $68,325 -1% 118 $579   $32,050,710 9
Apr 12, 2019 41 $40,280 -41% 20 $2,014   $32,121,867 10

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Feb 7, 2019 P $540,000     2,050 $263   $540,000  
Feb 8, 2019 3 $3,649,657     2,630 $1,388   $3,649,657 1
Feb 9, 2019 3 $4,518,364 +24%   2,630 $1,718   $8,168,021 2
Feb 10, 2019 3 $2,862,212 -37%   2,630 $1,088   $11,030,233 3
Feb 11, 2019 3 $812,600 -72%   2,630 $309   $11,842,833 4
Feb 12, 2019 3 $1,216,755 +50%   2,630 $463   $13,059,588 5
Feb 13, 2019 5 $745,851 -39%   2,630 $284   $13,805,439 6
Feb 14, 2019 6 $1,316,893 +77%   2,630 $501   $15,122,332 7
Feb 15, 2019 6 $1,506,184 +14% -59% 2,630 $573   $16,628,516 8
Feb 16, 2019 6 $2,585,411 +72% -43% 2,630 $983   $19,213,927 9
Feb 17, 2019 6 $1,886,187 -27% -34% 2,630 $717   $21,100,114 10
Feb 18, 2019 7 $968,330 -49% +19% 2,630 $368   $22,068,444 11
Feb 19, 2019 6 $777,975 -20% -36% 2,630 $296   $22,846,419 12
Feb 20, 2019 6 $464,626 -40% -38% 2,630 $177   $23,311,045 13
Feb 21, 2019 6 $474,522 +2% -64% 2,630 $180   $23,785,567 14
Feb 22, 2019 9 $869,250 +83% -42% 2,320 $375   $24,654,817 15
Feb 23, 2019 9 $1,478,672 +70% -43% 2,320 $637   $26,133,489 16
Feb 24, 2019 8 $862,916 -42% -54% 2,320 $372   $26,996,405 17
Feb 25, 2019 9 $265,006 -69% -73% 2,320 $114   $27,261,411 18
Feb 26, 2019 8 $470,914 +78% -39% 2,320 $203   $27,732,325 19
Feb 27, 2019 9 $271,699 -42% -42% 2,320 $117   $28,004,024 20
Feb 28, 2019 9 $258,105 -5% -46% 2,320 $111   $28,262,129 21
Mar 1, 2019 13 $424,925 +65% -51% 1,765 $241   $28,687,054 22
Mar 2, 2019 14 $761,133 +79% -49% 1,765 $431   $29,448,187 23
Mar 3, 2019 15 $470,112 -38% -46% 1,765 $266   $29,918,299 24
Mar 4, 2019 15 $148,773 -68% -44% 1,765 $84   $30,067,072 25
Mar 5, 2019 11 $254,689 +71% -46% 1,765 $144   $30,321,761 26
Mar 6, 2019 15 $165,215 -35% -39% 1,765 $94   $30,486,976 27
Mar 7, 2019 14 $114,994 -30% -55% 1,765 $65   $30,601,970 28
Mar 8, 2019 - $140,142 +22% -67% 823 $170   $30,742,112 29
Mar 9, 2019 - $230,745 +65% -70% 823 $280   $30,972,857 30
Mar 10, 2019 - $141,208 -39% -70% 823 $172   $31,114,065 31
Mar 11, 2019 - $58,555 -59% -61% 823 $71   $31,172,620 32
Mar 12, 2019 - $97,262 +66% -62% 823 $118   $31,269,882 33
Mar 13, 2019 - $62,628 -36% -62% 823 $76   $31,332,510 34
Mar 14, 2019 - $47,637 -24% -59% 823 $58   $31,380,147 35
Mar 15, 2019 - $58,639 +23% -58% 376 $156   $31,438,786 36
Mar 16, 2019 - $100,645 +72% -56% 376 $268   $31,539,431 37
Mar 17, 2019 - $55,617 -45% -61% 376 $148   $31,595,048 38
Mar 18, 2019 - $22,282 -60% -62% 376 $59   $31,617,330 39
Mar 19, 2019 - $45,348 +104% -53% 376 $121   $31,662,678 40
Mar 20, 2019 - $24,744 -45% -60% 376 $66   $31,687,422 41
Mar 21, 2019 - $19,097 -23% -60% 376 $51   $31,706,519 42
Mar 22, 2019 - $32,639 +71% -44% 224 $146   $31,739,158 43
Mar 23, 2019 - $53,540 +64% -47% 224 $239   $31,792,698 44
Mar 24, 2019 - $31,727 -41% -43% 224 $142   $31,824,425 45
Mar 25, 2019 - $11,611 -63% -48% 224 $52   $31,836,036 46
Mar 26, 2019 - $18,958 +63% -58% 224 $85   $31,854,994 47
Mar 27, 2019 - $14,812 -22% -40% 224 $66   $31,869,806 48
Mar 28, 2019 - $11,916 -20% -38% 224 $53   $31,881,722 49
Mar 29, 2019 - $18,248 +53% -44% 142 $129   $31,899,970 50
Mar 30, 2019 - $30,992 +70% -42% 142 $218   $31,930,962 51
Mar 31, 2019 - $19,497 -37% -39% 142 $137   $31,950,459 52
Apr 1, 2019 - $7,844 -60% -32% 142 $55   $31,958,303 53
Apr 2, 2019 - $10,695 +36% -44% 142 $75   $31,968,998 54
Apr 3, 2019 - $8,454 -21% -43% 142 $60   $31,977,452 55
Apr 4, 2019 - $4,933 -42% -59% 142 $35   $31,982,385 56
Apr 5, 2019 - $18,546 +276% +2% 118 $157   $32,000,931 57
Apr 6, 2019 - $29,961 +62% -3% 118 $254   $32,030,892 58
Apr 7, 2019 - $19,818 -34% +2% 118 $168   $32,050,710 59
Apr 8, 2019 - $6,338 -68% -19% 118 $54   $32,057,048 60
Apr 9, 2019 - $10,068 +59% -6% 118 $85   $32,067,116 61
Apr 10, 2019 - $7,949 -21% -6% 118 $67   $32,075,065 62
Apr 11, 2019 - $6,522 -18% +32% 118 $55   $32,081,587 63
Apr 12, 2019 - $11,818 +81% -36% 20 $591   $32,093,405 64
Apr 13, 2019 - $18,526 +57% -38% 20 $926   $32,111,931 65
Apr 14, 2019 - $9,936 -46% -50% 20 $497   $32,121,867 66
Apr 15, 2019 - $4,021 -60% -37% 20 $201   $32,125,888 67
Apr 16, 2019 - $5,038 +25% -50% 20 $252   $32,130,926 68
Apr 17, 2019 - $3,431 -32% -57% 20 $172   $32,134,357 69
Apr 18, 2019 - $4,505 +31% -31% 20 $225   $32,138,862 70

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Feb 8, 2019 3 $15,122,332   2,630 $5,750   $15,122,332 1
Feb 15, 2019 6 $8,663,235 -43% 2,630 $3,294   $23,785,567 2
Feb 22, 2019 8 $4,476,562 -48% 2,320 $1,930   $28,262,129 3
Mar 1, 2019 15 $2,339,841 -48% 1,765 $1,326   $30,601,970 4
Mar 8, 2019 19 $778,177 -67% 823 $946   $31,380,147 5
Mar 15, 2019 28 $326,372 -58% 376 $868   $31,706,519 6
Mar 22, 2019 31 $175,203 -46% 224 $782   $31,881,722 7
Mar 29, 2019 32 $100,663 -43% 142 $709   $31,982,385 8
Apr 5, 2019 32 $99,202 -1% 118 $841   $32,081,587 9
Apr 12, 2019 44 $57,275 -42% 20 $2,864   $32,138,862 10

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 2/22/2019 $207,336 190 190 527 $589,783 4/19/2019
Australia 2/8/2019 $720,255 240 240 927 $1,776,352 3/26/2019
Brazil 3/15/2019 $432,184 316 316 467 $708,517 3/30/2019
Bulgaria 2/22/2019 $44,912 0 0 0 $155,810 4/17/2019
China 9/6/2019 $610,000 22,818 22,818 22,818 $750,853 10/9/2019
Czech Republic 2/22/2019 $53,456 80 80 139 $113,396 3/19/2019
France 3/1/2019 $1,223,281 300 300 873 $2,383,631 3/23/2019
Germany 3/1/2019 $1,066,833 0 0 0 $2,832,980 3/23/2019
Italy 2/21/2019 $878,873 0 17 17 $1,593,528 3/30/2019
Lithuania 2/8/2019 $17,189 50 50 79 $36,620 2/26/2019
Mexico 2/22/2019 $1,406,095 0 0 0 $3,646,440 3/11/2019
Netherlands 2/22/2019 $397,586 100 101 584 $1,465,286 5/4/2019
Portugal 2/8/2019 $238,383 69 69 285 $699,641 3/26/2019
Russia (CIS) 2/7/2019 $360,105 496 496 845 $586,272 3/9/2019
Slovakia 2/22/2019 $59,241 68 68 118 $134,095 3/26/2019
South Korea 2/20/2019 $344,696 470 470 524 $668,108 4/25/2019
Spain 5/10/2019 $0 0 309 1,079 $2,069,775 8/29/2019
Turkey 3/22/2019 $31,256 92 92 180 $67,090 4/12/2019
United Kingdom 2/22/2019 $825,123 417 417 1,113 $2,268,489 3/13/2019
 
Rest of World $7,913,631
 
International Total$30,460,297 10/9/2019

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US DVD Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
May 19, 2019162,478 62,478$934,671$934,6711
May 26, 2019424,105-61% 86,583$360,611$1,295,2822
Jun 2, 2019624,071n/c110,654$360,102$1,655,3843
Jun 9, 20191316,943-30% 127,597$253,467$1,908,8514
Jun 16, 2019265,909-65% 133,506$88,399$1,997,2505

Weekly US Blu-ray Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
May 19, 2019181,590 81,590$1,702,287$1,702,2871
May 26, 2019532,526-60% 114,116$671,140$2,373,4272
Jun 2, 2019520,594-37% 134,710$421,690$2,795,1173
Jun 9, 20191115,581-24% 150,291$0$2,795,1174

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Liam Neeson    Nelson “Nels” Coxman

Supporting Cast

Tom Bateman    Viking
Tom Jackson    White Bull
Emmy Rossum    Kim Dash
Domenick Lombardozzi    Mustang
Julia Jones    Aya
John Doman    Gip
Laura Dern    Mrs. Coxman
Micheál Richardson    Kyle Coxman
Michael Eklund    Speedo
Bradley Stryker    Limbo
Wesley MacInnes    Dante
Nicholas Holmes    Ryan
Jim Shield    Jaded Coroner
Aleks Paunovic    Detective Osgard
Glenn Ennis    Night Club Bouncer
Benjamin Hollingsworth    Dexter
Chris Cook    Ski Bum
Venus Terzo    Mother
Dani Alvarado    Daughter
Michael Adamthwaite    Santa
William Forsythe    Brock
Elizabeth Thai    Ahn
David O Hara    Sly
Gus Halper    Bone
Elysia Rotaru    Diner Waitress
Kyle Nobess    Simon Legrew
Victor Jr Zinck    Drunken Ski Dude
Raoul Trujillo    Thorpe
Nathaniel Arcand    Smoke
Glen Gould    War Dog
Mitchell Saddleback    Avalanche
Christopher Logan    Shiv
Bart Anderson    Blizzard Bartender
Gary Sekhon    Denver Cabbie
Arnold Pinnock    The Eskimo
Ben Cotton    Windex
Emily Maddison    Gorgeous Woman
Glenn Wrage    Kurt
Michael Bean    Parson
Ben Sullivan    Teen
Travis MacDonald    Ski Lift Attendant
Manna Nichols    Minya
Loretta Walsh    Resort Clerk
Nels Lennarson    Chuck Schalm
Max Montesi    Paragliding Instructor
Peter Strand Rumple    Viking’s Thug

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Hans Petter Moland    Director
Frank Baldwin    Screenwriter
Kim Fupz Aakeson    Story based on the movie “Kraftidioten” by
Michael Shamberg    Producer
Ameet Shukla    Producer
Finn Gjerdrum    Producer
Stein B. Kvae    Producer
Paul Schwartzman    Executive Producer
Michael Dreyer    Executive Producer
Ron Halpern    Executive Producer
Didier Lupfer    Executive Producer
Shana Eddy-Grou    Executive Producer
George Fenton    Composer
Philip Ogaard    Director of Photography
Jorgen Stangebye Larsen    Production Designer
Nicolai Moland    Editor
Anne Pedersen    Costume Designer
Avy Kaufman    Casting Director
Warren Carr    Unit Production Manager
Michael Dreyer    Unit Production Manager
Jason Furukawa    First Assistant Director
Emily Silver    Second Assistant Director
Nicolai Moland    Associate Producer
Mark Vanselow    Second Unit Director
Mark Vanselow    Stunt Coordinator
Owen Walstrom    Stunt Coordinator
Tania Blunden    Post-Production Supervisor
Emma Zee    Post-Production Supervisor
Ian Neil    Music Supervisor
Kendelle Elliott    Supervising Art Director
Gwendolyn Margetson    Art Director
Michael Toby    Set Designer
Gaby Miegeville-Little    Set Designer
Daniel Kobylka    Set Designer
Sara-Jo Baugh    Set Designer
Peter Lando    Set Decorator
Corey Jones    Script Supervisor
Shelly Shaw    Sets Supervisor
Robert Spina    Hairstylist
Krista Young    Make up
Jim Greenhorn    Sound Mixer
Jason Paradis    Special Effects Coordinator
Dan Kuzmenko    Location Manager
Brian Dunne    Location Manager
Jason Nolan    Location Manager
Jimmy Boyle    Supervising Sound Editor
Jimmy Boyle    Sound Designer
Gisle Tveito    Sound Designer
Nigel Mills    Sound Designer
Steve Little    Supervising Dialogue and ADR Editor
Nigel Mills    Supervising Dialogue and ADR Editor
Rowan Watson    Sound Effects Editor
Glen Gathard    Foley Mixer
Mike Dowson    Re-recording Mixer
Max Walsh    Re-recording Mixer
Simon Hughes    Visual Effects Supervisor
Dillan Nicholls    Visual Effects Supervisor
Tim Caplan    Visual Effects Executive Producer
Noga Alon Stein    Visual Effects Producer
Jan Guilfoyle    Visual Effects Producer
Drew Jones    Visual Effects Producer
Dan Carey    Music Producer
Dan Carey    Additional Music
Graham Sutton    Music Editor
Nick Wollage    Score Mixer

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Weekend Wrap-Up: Alita Battles Disbelievers and Wins

February 20th, 2019

Alita: Battle Angel

The weekend wasn’t as bad as it could have been, at least not at the top. Alita: Battle Angel topped all but the most bullish expectations with $42.25 million from Thursday through Sunday. Isn’t It Romantic matched expectations nearly perfectly, while Happy Death Day 2U struggled, but should still break even, eventually. Overall, the box office rose 8.4% from last weekend, but plummet 57% from the same weekend last year. On the positive side, that was the weekend Black Panther debuted, so we knew a drop-off like this was to be expected. On the negative side, as of the end of business on Monday, 2019 was behind 2018’s pace by a margin of over $350 million or nearly 23%. 2019 will need to turn things around soon if it wants any chance of completing a comeback. Hell, it will need to turn things around soon if it wants any chance to avoid a worst-in-a-decade end result. More...

Weekend Wrap-up: 2019 Continues its Slump

February 12th, 2019

The Lego Movie 2: The Second Part

The Lego Movie 2: The Second Part missed expectations over the weekend, leading to yet another disappointing overall performance at the box office. Granted, the box office did climb by 55% from last weekend to $112 million. However, last weekend was the worst weekend at the box office in more than a year. Additionally, $112 million is still 20% lower than the same weekend last year. Year-to-date, 2019 has pulled in $1.01 billion; however, this is still 15% lower than last year’s pace and the slowest pace since 2011, in terms of raw dollars. If we go by ticket sales, we have to look all the way back to 1999 to find a slower start to the year. More...

Weekend Estimates: Lego Tops Chart, but Fails to Match the Original

February 10th, 2019

The Lego Movie 2: The Second Part

The Lego Movie 2: The Second Part reportedly cost $99 million to make and it will earn that much domestically, so it will very likely make a profit and Warner Bros. will be fine. That said, it is estimated to only manage $34.4 million over the weekend, which is about 40% lower than expectations and almost exactly 50% lower than the first film opened with. Its reviews are 84% positive, while it managed an A minus from CinemaScore, so it really should have done better than this. This hopefully isn’t a sign that the overall box office is unhealthy, but just a sign that WB has pushed the franchise too much too soon. Internationally, the film started with $18.1 million in 63 markets. This includes a first place, $5.2 million on 1,301 screens in the U.K. It also managed first place in Russia with $1.7 million on 2,493 screens. On the other hand, it only managed fourth place in Brazil with just $707,000 on 854 screens, which is the weakest start in the franchise. More...

Friday Estimates: New Releases Receive a Cold Welcome

February 9th, 2019

The Lego Movie 2: The Second Part

Friday’s box office can best be described as “What happened?” Thursday previews looked promising, but then the Friday numbers arrived and it looks like most of the new releases will miss expectations. This includes The Lego Movie 2: The Second Part, which opened with $8.5 million on Friday, $9.1 million including its paid previews from January. This is well below expectations and puts the film on pace for about $32 million over the weekend. Its reviews are 85% positive, but its early CinemaScore is just A minus, which isn’t particularly good for a family film. Next weekend is a long weekend, so I think it will still get to $100 million domestically, which is more than it cost to make. However, a lot of people thought it had a real shot at $200 million domestically, so this is a real disappointment. More...

Thursday Night Previews: Lego Lifts Off with $2.1 million in Combined Previews

February 8th, 2019

The Lego Movie 2: The Second Part

The Lego Movie 2: The Second Part got off to a solid start with $2.1 million in previews. This includes $1.5 million last night and $600,000 from the January paid preview. This is a good result for a family film opening without the benefit of a school holiday. Granted, The Lego Batman Movie opened with $2.2 million during its previews in 2017, but as a comic book movie, it had more drawing power with adults and would be slightly more front-loaded. We don’t know for sure if The Second Part will make up the difference over the full weekend and match our $55 million prediction, but we will have a better idea tomorrow when the Friday estimates show up. More...

Weekend Predictions: Can Lego Save 2019?

February 8th, 2019

The Lego Movie 2: The Second Part

I’m of two minds when it comes to this weekend. On the one hand, The Lego Movie 2: The Second Part should be the biggest hit of the year so far and could be the first true monster hit of the year. On the other hand, it might not be enough to keep pace with last year. Only one other new release, What Men Want, has a shot at $20 million, while the other two releases, Cold Pursuit and The Prodigy, might not reach $10 million. This weekend last year, wasn’t quite as strong when it came to new releases, but it had a massive advantage when it came to holdovers. I think 2019 has a small advantage here, but I’ve been burned before, so I won’t be too surprised if 2019 loses in the year-over-year comparison, again. More...

Preview: February

February 1st, 2019

The Lego Movie 2: The Second Part

2019 got off to a slow start as the biggest release of January, Glass, missed expectations and as a result, 2019 lost every weekend in the year-over-year comparison. Unfortunately, 2019 isn’t going to turn things around this month, as last February, Black Panther broke all of the records. That doesn’t mean there are no bright spots this month. Both The Lego Movie 2: The Second Part and How to Train Your Dragon: The Hidden World are virtually guaranteed to reach $100 million domestically, while I wouldn’t be too surprised if one or both hit $200 million. Meanwhile, there are several midlevel hits, one of which could turn into a surprise $100 million hit. That said, there’s a chance all nine movies opening this month combined will earn less than Black Panther did last year. More...

Cold Pursuit Trailer

October 26th, 2018

Thriller starring Liam Neeson opens February 8 ... Full Movie Details. More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

A family man’s quiet life with his wife is upended following the mysterious death of their son. Nels’ search for justice turns into a vengeful hunt for Viking, a drug lord he believes is connected to the death. As one by one each of Viking's associates “disappear,” Nels goes from upstanding citizen to ice-cold vigilante, letting nothing— and no one—get in his way.

Metrics

Opening Weekend:$11,030,233 (34.3% of total gross)
Legs:2.91 (domestic box office/biggest weekend)
Domestic Share:51.3% (domestic box office/worldwide)
Production Budget:$60,000,000 (worldwide box office is 1.0 times production budget)
Theater counts:2,630 opening theaters/2,630 max. theaters, 4.2 weeks average run per theater
Infl. Adj. Dom. BO $37,822,805

Latest Ranking on Cumulative Box Office Lists


Watch Now On

Amazon VOD:Amazon VOD, Amazon VOD, Amazon 4K UHD VOD
iTunes:iTunes
Google Play:Google Play, Google Play, Google Play
Vudu:Vudu

Movie Details

Domestic Releases: February 8th, 2019 (Wide) by Lionsgate
International Releases: February 7th, 2019 (Wide), released as Снегоуборщик (Russia (CIS))
February 8th, 2019 (Wide) (Australia)
February 8th, 2019 (Wide), released as Šaltas kraujas (Lithuania)
February 8th, 2019 (Wide), released as Vingança Perfeita (Portugal)
February 20th, 2019 (Wide) (South Korea)
... Show all releases
Video Release: May 14th, 2019 by Lionsgate Home Entertainment
MPAA Rating: R for strong violence, drug material, and some language including sexual references.
(Rating bulletin 2560 (Cert #51744), 1/9/2019)
Running Time: 118 minutes
Comparisons: vs. The Commuter
Create your own comparison chart…
Keywords: Drug Dealer, Revenge, Crime Boss, Set in Colorado, Remake, Foreign-Language Remake, Death of a Son or Daughter, Drug Overdose, Action Thriller
Source:Based on Movie
Genre:Thriller/Suspense
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: StudioCanal, MAS , Paradox, Summit Entertainment
Production Countries: United States
Languages: English

Ranking on other Records and Milestones

RecordRankAmountChart
Date
Days In
Release
Washington's Birthday (All Movies, 3-Day) 214 $5,977,782 Feb 15, 2019 10
Washington's Birthday (All Movies, 3-Day, Inflation Adjusted) 331 $7,003,817 Feb 15, 2019 10
Washington's Birthday (All Movies, 4-Day, Fri-Mon) 168 $6,946,112 Feb 15, 2019 10
Washington's Birthday (All Movies, 4-Day, Fri-Mon, Inflation Adjusted) 201 $8,138,348 Feb 15, 2019 10

Leading Cast

Liam Neeson    Nelson “Nels” Coxman

Supporting Cast

Tom Bateman    Viking
Tom Jackson    White Bull
Emmy Rossum    Kim Dash
Domenick Lombardozzi    Mustang
Julia Jones    Aya
John Doman    Gip
Laura Dern    Mrs. Coxman
Micheál Richardson    Kyle Coxman
Michael Eklund    Speedo
Bradley Stryker    Limbo
Wesley MacInnes    Dante
Nicholas Holmes    Ryan
Jim Shield    Jaded Coroner
Aleks Paunovic    Detective Osgard
Glenn Ennis    Night Club Bouncer
Benjamin Hollingsworth    Dexter
Chris Cook    Ski Bum
Venus Terzo    Mother
Dani Alvarado    Daughter
Michael Adamthwaite    Santa
William Forsythe    Brock
Elizabeth Thai    Ahn
David O Hara    Sly
Gus Halper    Bone
Elysia Rotaru    Diner Waitress
Kyle Nobess    Simon Legrew
Victor Jr Zinck    Drunken Ski Dude
Raoul Trujillo    Thorpe
Nathaniel Arcand    Smoke
Glen Gould    War Dog
Mitchell Saddleback    Avalanche
Christopher Logan    Shiv
Bart Anderson    Blizzard Bartender
Gary Sekhon    Denver Cabbie
Arnold Pinnock    The Eskimo
Ben Cotton    Windex
Emily Maddison    Gorgeous Woman
Glenn Wrage    Kurt
Michael Bean    Parson
Ben Sullivan    Teen
Travis MacDonald    Ski Lift Attendant
Manna Nichols    Minya
Loretta Walsh    Resort Clerk
Nels Lennarson    Chuck Schalm
Max Montesi    Paragliding Instructor
Peter Strand Rumple    Viking’s Thug

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Hans Petter Moland    Director
Frank Baldwin    Screenwriter
Kim Fupz Aakeson    Story based on the movie “Kraftidioten” by
Michael Shamberg    Producer
Ameet Shukla    Producer
Finn Gjerdrum    Producer
Stein B. Kvae    Producer
Paul Schwartzman    Executive Producer
Michael Dreyer    Executive Producer
Ron Halpern    Executive Producer
Didier Lupfer    Executive Producer
Shana Eddy-Grou    Executive Producer
George Fenton    Composer
Philip Ogaard    Director of Photography
Jorgen Stangebye Larsen    Production Designer
Nicolai Moland    Editor
Anne Pedersen    Costume Designer
Avy Kaufman    Casting Director
Warren Carr    Unit Production Manager
Michael Dreyer    Unit Production Manager
Jason Furukawa    First Assistant Director
Emily Silver    Second Assistant Director
Nicolai Moland    Associate Producer
Mark Vanselow    Second Unit Director
Mark Vanselow    Stunt Coordinator
Owen Walstrom    Stunt Coordinator
Tania Blunden    Post-Production Supervisor
Emma Zee    Post-Production Supervisor
Ian Neil    Music Supervisor
Kendelle Elliott    Supervising Art Director
Gwendolyn Margetson    Art Director
Michael Toby    Set Designer
Gaby Miegeville-Little    Set Designer
Daniel Kobylka    Set Designer
Sara-Jo Baugh    Set Designer
Peter Lando    Set Decorator
Corey Jones    Script Supervisor
Shelly Shaw    Sets Supervisor
Robert Spina    Hairstylist
Krista Young    Make up
Jim Greenhorn    Sound Mixer
Jason Paradis    Special Effects Coordinator
Dan Kuzmenko    Location Manager
Brian Dunne    Location Manager
Jason Nolan    Location Manager
Jimmy Boyle    Supervising Sound Editor
Jimmy Boyle    Sound Designer
Gisle Tveito    Sound Designer
Nigel Mills    Sound Designer
Steve Little    Supervising Dialogue and ADR Editor
Nigel Mills    Supervising Dialogue and ADR Editor
Rowan Watson    Sound Effects Editor
Glen Gathard    Foley Mixer
Mike Dowson    Re-recording Mixer
Max Walsh    Re-recording Mixer
Simon Hughes    Visual Effects Supervisor
Dillan Nicholls    Visual Effects Supervisor
Tim Caplan    Visual Effects Executive Producer
Noga Alon Stein    Visual Effects Producer
Jan Guilfoyle    Visual Effects Producer
Drew Jones    Visual Effects Producer
Dan Carey    Music Producer
Dan Carey    Additional Music
Graham Sutton    Music Editor
Nick Wollage    Score Mixer

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Weekend Wrap-Up: Alita Battles Disbelievers and Wins

February 20th, 2019

Alita: Battle Angel

The weekend wasn’t as bad as it could have been, at least not at the top. Alita: Battle Angel topped all but the most bullish expectations with $42.25 million from Thursday through Sunday. Isn’t It Romantic matched expectations nearly perfectly, while Happy Death Day 2U struggled, but should still break even, eventually. Overall, the box office rose 8.4% from last weekend, but plummet 57% from the same weekend last year. On the positive side, that was the weekend Black Panther debuted, so we knew a drop-off like this was to be expected. On the negative side, as of the end of business on Monday, 2019 was behind 2018’s pace by a margin of over $350 million or nearly 23%. 2019 will need to turn things around soon if it wants any chance of completing a comeback. Hell, it will need to turn things around soon if it wants any chance to avoid a worst-in-a-decade end result. More...

Weekend Wrap-up: 2019 Continues its Slump

February 12th, 2019

The Lego Movie 2: The Second Part

The Lego Movie 2: The Second Part missed expectations over the weekend, leading to yet another disappointing overall performance at the box office. Granted, the box office did climb by 55% from last weekend to $112 million. However, last weekend was the worst weekend at the box office in more than a year. Additionally, $112 million is still 20% lower than the same weekend last year. Year-to-date, 2019 has pulled in $1.01 billion; however, this is still 15% lower than last year’s pace and the slowest pace since 2011, in terms of raw dollars. If we go by ticket sales, we have to look all the way back to 1999 to find a slower start to the year. More...

Weekend Estimates: Lego Tops Chart, but Fails to Match the Original

February 10th, 2019

The Lego Movie 2: The Second Part

The Lego Movie 2: The Second Part reportedly cost $99 million to make and it will earn that much domestically, so it will very likely make a profit and Warner Bros. will be fine. That said, it is estimated to only manage $34.4 million over the weekend, which is about 40% lower than expectations and almost exactly 50% lower than the first film opened with. Its reviews are 84% positive, while it managed an A minus from CinemaScore, so it really should have done better than this. This hopefully isn’t a sign that the overall box office is unhealthy, but just a sign that WB has pushed the franchise too much too soon. Internationally, the film started with $18.1 million in 63 markets. This includes a first place, $5.2 million on 1,301 screens in the U.K. It also managed first place in Russia with $1.7 million on 2,493 screens. On the other hand, it only managed fourth place in Brazil with just $707,000 on 854 screens, which is the weakest start in the franchise. More...

Friday Estimates: New Releases Receive a Cold Welcome

February 9th, 2019

The Lego Movie 2: The Second Part

Friday’s box office can best be described as “What happened?” Thursday previews looked promising, but then the Friday numbers arrived and it looks like most of the new releases will miss expectations. This includes The Lego Movie 2: The Second Part, which opened with $8.5 million on Friday, $9.1 million including its paid previews from January. This is well below expectations and puts the film on pace for about $32 million over the weekend. Its reviews are 85% positive, but its early CinemaScore is just A minus, which isn’t particularly good for a family film. Next weekend is a long weekend, so I think it will still get to $100 million domestically, which is more than it cost to make. However, a lot of people thought it had a real shot at $200 million domestically, so this is a real disappointment. More...

Thursday Night Previews: Lego Lifts Off with $2.1 million in Combined Previews

February 8th, 2019

The Lego Movie 2: The Second Part

The Lego Movie 2: The Second Part got off to a solid start with $2.1 million in previews. This includes $1.5 million last night and $600,000 from the January paid preview. This is a good result for a family film opening without the benefit of a school holiday. Granted, The Lego Batman Movie opened with $2.2 million during its previews in 2017, but as a comic book movie, it had more drawing power with adults and would be slightly more front-loaded. We don’t know for sure if The Second Part will make up the difference over the full weekend and match our $55 million prediction, but we will have a better idea tomorrow when the Friday estimates show up. More...

Weekend Predictions: Can Lego Save 2019?

February 8th, 2019

The Lego Movie 2: The Second Part

I’m of two minds when it comes to this weekend. On the one hand, The Lego Movie 2: The Second Part should be the biggest hit of the year so far and could be the first true monster hit of the year. On the other hand, it might not be enough to keep pace with last year. Only one other new release, What Men Want, has a shot at $20 million, while the other two releases, Cold Pursuit and The Prodigy, might not reach $10 million. This weekend last year, wasn’t quite as strong when it came to new releases, but it had a massive advantage when it came to holdovers. I think 2019 has a small advantage here, but I’ve been burned before, so I won’t be too surprised if 2019 loses in the year-over-year comparison, again. More...

Preview: February

February 1st, 2019

The Lego Movie 2: The Second Part

2019 got off to a slow start as the biggest release of January, Glass, missed expectations and as a result, 2019 lost every weekend in the year-over-year comparison. Unfortunately, 2019 isn’t going to turn things around this month, as last February, Black Panther broke all of the records. That doesn’t mean there are no bright spots this month. Both The Lego Movie 2: The Second Part and How to Train Your Dragon: The Hidden World are virtually guaranteed to reach $100 million domestically, while I wouldn’t be too surprised if one or both hit $200 million. Meanwhile, there are several midlevel hits, one of which could turn into a surprise $100 million hit. That said, there’s a chance all nine movies opening this month combined will earn less than Black Panther did last year. More...

Cold Pursuit Trailer

October 26th, 2018

Thriller starring Liam Neeson opens February 8 ... Full Movie Details. More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Feb 8, 2019 3 $11,030,233   2,630 $4,194   $11,030,233 1
Feb 15, 2019 6 $5,977,782 -46% 2,630 $2,273   $21,100,114 2
Feb 22, 2019 8 $3,210,838 -46% 2,320 $1,384   $26,996,405 3
Mar 1, 2019 14 $1,656,170 -48% 1,765 $938   $29,918,299 4
Mar 8, 2019 19 $512,095 -69% 823 $622   $31,114,065 5
Mar 15, 2019 26 $214,901 -58% 376 $572   $31,595,048 6
Mar 22, 2019 31 $117,906 -45% 224 $526   $31,824,425 7
Mar 29, 2019 33 $68,737 -42% 142 $484   $31,950,459 8
Apr 5, 2019 31 $68,325 -1% 118 $579   $32,050,710 9
Apr 12, 2019 41 $40,280 -41% 20 $2,014   $32,121,867 10

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Feb 7, 2019 P $540,000     2,050 $263   $540,000  
Feb 8, 2019 3 $3,649,657     2,630 $1,388   $3,649,657 1
Feb 9, 2019 3 $4,518,364 +24%   2,630 $1,718   $8,168,021 2
Feb 10, 2019 3 $2,862,212 -37%   2,630 $1,088   $11,030,233 3
Feb 11, 2019 3 $812,600 -72%   2,630 $309   $11,842,833 4
Feb 12, 2019 3 $1,216,755 +50%   2,630 $463   $13,059,588 5
Feb 13, 2019 5 $745,851 -39%   2,630 $284   $13,805,439 6
Feb 14, 2019 6 $1,316,893 +77%   2,630 $501   $15,122,332 7
Feb 15, 2019 6 $1,506,184 +14% -59% 2,630 $573   $16,628,516 8
Feb 16, 2019 6 $2,585,411 +72% -43% 2,630 $983   $19,213,927 9
Feb 17, 2019 6 $1,886,187 -27% -34% 2,630 $717   $21,100,114 10
Feb 18, 2019 7 $968,330 -49% +19% 2,630 $368   $22,068,444 11
Feb 19, 2019 6 $777,975 -20% -36% 2,630 $296   $22,846,419 12
Feb 20, 2019 6 $464,626 -40% -38% 2,630 $177   $23,311,045 13
Feb 21, 2019 6 $474,522 +2% -64% 2,630 $180   $23,785,567 14
Feb 22, 2019 9 $869,250 +83% -42% 2,320 $375   $24,654,817 15
Feb 23, 2019 9 $1,478,672 +70% -43% 2,320 $637   $26,133,489 16
Feb 24, 2019 8 $862,916 -42% -54% 2,320 $372   $26,996,405 17
Feb 25, 2019 9 $265,006 -69% -73% 2,320 $114   $27,261,411 18
Feb 26, 2019 8 $470,914 +78% -39% 2,320 $203   $27,732,325 19
Feb 27, 2019 9 $271,699 -42% -42% 2,320 $117   $28,004,024 20
Feb 28, 2019 9 $258,105 -5% -46% 2,320 $111   $28,262,129 21
Mar 1, 2019 13 $424,925 +65% -51% 1,765 $241   $28,687,054 22
Mar 2, 2019 14 $761,133 +79% -49% 1,765 $431   $29,448,187 23
Mar 3, 2019 15 $470,112 -38% -46% 1,765 $266   $29,918,299 24
Mar 4, 2019 15 $148,773 -68% -44% 1,765 $84   $30,067,072 25
Mar 5, 2019 11 $254,689 +71% -46% 1,765 $144   $30,321,761 26
Mar 6, 2019 15 $165,215 -35% -39% 1,765 $94   $30,486,976 27
Mar 7, 2019 14 $114,994 -30% -55% 1,765 $65   $30,601,970 28
Mar 8, 2019 - $140,142 +22% -67% 823 $170   $30,742,112 29
Mar 9, 2019 - $230,745 +65% -70% 823 $280   $30,972,857 30
Mar 10, 2019 - $141,208 -39% -70% 823 $172   $31,114,065 31
Mar 11, 2019 - $58,555 -59% -61% 823 $71   $31,172,620 32
Mar 12, 2019 - $97,262 +66% -62% 823 $118   $31,269,882 33
Mar 13, 2019 - $62,628 -36% -62% 823 $76   $31,332,510 34
Mar 14, 2019 - $47,637 -24% -59% 823 $58   $31,380,147 35
Mar 15, 2019 - $58,639 +23% -58% 376 $156   $31,438,786 36
Mar 16, 2019 - $100,645 +72% -56% 376 $268   $31,539,431 37
Mar 17, 2019 - $55,617 -45% -61% 376 $148   $31,595,048 38
Mar 18, 2019 - $22,282 -60% -62% 376 $59   $31,617,330 39
Mar 19, 2019 - $45,348 +104% -53% 376 $121   $31,662,678 40
Mar 20, 2019 - $24,744 -45% -60% 376 $66   $31,687,422 41
Mar 21, 2019 - $19,097 -23% -60% 376 $51   $31,706,519 42
Mar 22, 2019 - $32,639 +71% -44% 224 $146   $31,739,158 43
Mar 23, 2019 - $53,540 +64% -47% 224 $239   $31,792,698 44
Mar 24, 2019 - $31,727 -41% -43% 224 $142   $31,824,425 45
Mar 25, 2019 - $11,611 -63% -48% 224 $52   $31,836,036 46
Mar 26, 2019 - $18,958 +63% -58% 224 $85   $31,854,994 47
Mar 27, 2019 - $14,812 -22% -40% 224 $66   $31,869,806 48
Mar 28, 2019 - $11,916 -20% -38% 224 $53   $31,881,722 49
Mar 29, 2019 - $18,248 +53% -44% 142 $129   $31,899,970 50
Mar 30, 2019 - $30,992 +70% -42% 142 $218   $31,930,962 51
Mar 31, 2019 - $19,497 -37% -39% 142 $137   $31,950,459 52
Apr 1, 2019 - $7,844 -60% -32% 142 $55   $31,958,303 53
Apr 2, 2019 - $10,695 +36% -44% 142 $75   $31,968,998 54
Apr 3, 2019 - $8,454 -21% -43% 142 $60   $31,977,452 55
Apr 4, 2019 - $4,933 -42% -59% 142 $35   $31,982,385 56
Apr 5, 2019 - $18,546 +276% +2% 118 $157   $32,000,931 57
Apr 6, 2019 - $29,961 +62% -3% 118 $254   $32,030,892 58
Apr 7, 2019 - $19,818 -34% +2% 118 $168   $32,050,710 59
Apr 8, 2019 - $6,338 -68% -19% 118 $54   $32,057,048 60
Apr 9, 2019 - $10,068 +59% -6% 118 $85   $32,067,116 61
Apr 10, 2019 - $7,949 -21% -6% 118 $67   $32,075,065 62
Apr 11, 2019 - $6,522 -18% +32% 118 $55   $32,081,587 63
Apr 12, 2019 - $11,818 +81% -36% 20 $591   $32,093,405 64
Apr 13, 2019 - $18,526 +57% -38% 20 $926   $32,111,931 65
Apr 14, 2019 - $9,936 -46% -50% 20 $497   $32,121,867 66
Apr 15, 2019 - $4,021 -60% -37% 20 $201   $32,125,888 67
Apr 16, 2019 - $5,038 +25% -50% 20 $252   $32,130,926 68
Apr 17, 2019 - $3,431 -32% -57% 20 $172   $32,134,357 69
Apr 18, 2019 - $4,505 +31% -31% 20 $225   $32,138,862 70

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Feb 8, 2019 3 $15,122,332   2,630 $5,750   $15,122,332 1
Feb 15, 2019 6 $8,663,235 -43% 2,630 $3,294   $23,785,567 2
Feb 22, 2019 8 $4,476,562 -48% 2,320 $1,930   $28,262,129 3
Mar 1, 2019 15 $2,339,841 -48% 1,765 $1,326   $30,601,970 4
Mar 8, 2019 19 $778,177 -67% 823 $946   $31,380,147 5
Mar 15, 2019 28 $326,372 -58% 376 $868   $31,706,519 6
Mar 22, 2019 31 $175,203 -46% 224 $782   $31,881,722 7
Mar 29, 2019 32 $100,663 -43% 142 $709   $31,982,385 8
Apr 5, 2019 32 $99,202 -1% 118 $841   $32,081,587 9
Apr 12, 2019 44 $57,275 -42% 20 $2,864   $32,138,862 10

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 2/22/2019 $207,336 190 190 527 $589,783 4/19/2019
Australia 2/8/2019 $720,255 240 240 927 $1,776,352 3/26/2019
Brazil 3/15/2019 $432,184 316 316 467 $708,517 3/30/2019
Bulgaria 2/22/2019 $44,912 0 0 0 $155,810 4/17/2019
China 9/6/2019 $610,000 22,818 22,818 22,818 $750,853 10/9/2019
Czech Republic 2/22/2019 $53,456 80 80 139 $113,396 3/19/2019
France 3/1/2019 $1,223,281 300 300 873 $2,383,631 3/23/2019
Germany 3/1/2019 $1,066,833 0 0 0 $2,832,980 3/23/2019
Italy 2/21/2019 $878,873 0 17 17 $1,593,528 3/30/2019
Lithuania 2/8/2019 $17,189 50 50 79 $36,620 2/26/2019
Mexico 2/22/2019 $1,406,095 0 0 0 $3,646,440 3/11/2019
Netherlands 2/22/2019 $397,586 100 101 584 $1,465,286 5/4/2019
Portugal 2/8/2019 $238,383 69 69 285 $699,641 3/26/2019
Russia (CIS) 2/7/2019 $360,105 496 496 845 $586,272 3/9/2019
Slovakia 2/22/2019 $59,241 68 68 118 $134,095 3/26/2019
South Korea 2/20/2019 $344,696 470 470 524 $668,108 4/25/2019
Spain 5/10/2019 $0 0 309 1,079 $2,069,775 8/29/2019
Turkey 3/22/2019 $31,256 92 92 180 $67,090 4/12/2019
United Kingdom 2/22/2019 $825,123 417 417 1,113 $2,268,489 3/13/2019
 
Rest of World $7,913,631
 
International Total$30,460,297 10/9/2019

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US DVD Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
May 19, 2019162,478 62,478$934,671$934,6711
May 26, 2019424,105-61% 86,583$360,611$1,295,2822
Jun 2, 2019624,071n/c110,654$360,102$1,655,3843
Jun 9, 20191316,943-30% 127,597$253,467$1,908,8514
Jun 16, 2019265,909-65% 133,506$88,399$1,997,2505

Weekly US Blu-ray Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
May 19, 2019181,590 81,590$1,702,287$1,702,2871
May 26, 2019532,526-60% 114,116$671,140$2,373,4272
Jun 2, 2019520,594-37% 134,710$421,690$2,795,1173
Jun 9, 20191115,581-24% 150,291$0$2,795,1174

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.