Hong Kong Box Office for Ready or Not (2019)

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Ready or Not
Theatrical Performance (US$)
Hong Kong Box Office $734,770Details
Worldwide Box Office $56,785,851Details
Home Market Performance
North America DVD Sales $3,612,209 Details
North America Blu-ray Sales $652,409 Details
Total North America Video Sales $4,264,618
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

A young bride joins her new husband’s rich, eccentric family in a time-honored tradition that turns into a lethal game with everyone fighting for their survival.

Metrics

Movie Details

Production Budget:$6,000,000
Hong Kong Releases: September 27th, 2019 (Wide)
Video Release: November 26th, 2019 by Fox Home Entertainment
MPAA Rating: R for violence, bloody images, language throughout, and some drug use.
(Rating bulletin 2581 (Cert #52099), 6/5/2019)
Running Time: 95 minutes
Keywords: Dysfunctional Family, Romance
Source:Original Screenplay
Genre:Black Comedy
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Vinson Pictures, Radio Silence, Mythology Entertainment, TSG Entertainment, Fox Searchlight Pictures
Production Countries: United States
Languages: English

Home Market Releases for December 3rd, 2019

December 4th, 2019

Big Trouble in Little China

Tuesday is the day after Cyber Monday, also know as, “One of the worst days of the year to release something on the home market.” There’s not a lot to talk about, while the biggest release of the week is also one of the biggest disappointments of the year, but the less said about that, the better. As for Pick of the Week contenders, we have Big Trouble in Little China: Collector’s Edition and that’s it. There are a few other releases that are close to that level, but none that reach it. More...

2019 - Holiday Gift Guide - Part I - First-Run Releases and Franchise Box Sets

November 27th, 2019

Avengers: Endgame

It's Thanksgiving weekend, which means Black Friday, Cyber Monday, and of course the first installment of our Holiday Gift Guide. This year, Thanksgiving is as late as it could have been, which means there’s no way to squeeze in four weeks of regular installments of the gift guide, as well as the December monthly preview, etc. So we are going to have a condensed list this year. That said, there weren’t a ton of first-run releases that would have made this list regardless. More...

Weekend Wrap-Up: Almost Nothing Worked on Labor Day Long Weekend

September 4th, 2019

Angel Has Fallen

There were no new wide releases this past weekend and unfortunately, the holdovers weren’t able to take advantage. Angel Has Fallen remained on top, but it did so with only $11.80 million over the three-day weekend. This wasn’t enough to match expectations or last year’s number one film, Crazy Rich Asians. The overall box office fell 18% from last weekend, falling to $89 million. Worse still, this is 10% lower than this weekend last year, putting 2019 behind 2018 by a 6.2% or $510 million at $7.64 billion to $8.15 billion. On the positive note, this is likely the low point of the year and the Fall looks a lot stronger, starting with It: Chapter Two this coming weekend. More...

Weekend Estimates: Everyone Takes it Easy on Labor Day

September 1st, 2019

Angel Has Fallen

There were no wide releases this weekend, so I really thought the holdovers would hold on a lot better than they did. According to estimates, Angel Has Fallen has fallen 46% during its second weekend of release to $11.58 million and is projected to earn $15 million over the four-day weekend. A 46% sophomore stint decline would have been great, if this weren’t a holiday weekend. As it is, it’s a little disappointing, but the film will still do well enough to earn a profit. ... “Profitable disappointment.” How many times can that phrase be used this year? More...

Friday Estimates: Holdovers Also Go on Holiday

August 31st, 2019

Angel Has Fallen

There were no new wide releases on Friday, and sadly the holdovers didn’t thrive as a result. It’s going to be a brutal weekend at the box office. Angel Has Fallen topped the chart on Friday, but wasn’t able to match expectations with $2.9 million. That said, it is still on pace for $15 million over the full four-day weekend for a two-week total of $44 million, which is a good result for this time of year. More...

Weekend Wrap-Up: Angel has a Divine Debut

August 27th, 2019

Angel Has Fallen

Angel Has Fallen led the way at the weekend with $21.38 million. There were some other pleasant surprises in the top ten and this helped the overall box office to a surprise win. It was down 9.6% from last weekend to $108 million; however, this was 5.6% higher than the same weekend last year and we haven’t had many reasons to celebrate in the year-over-year competition, so let’s focus on that. Year-to-date, 2019 is still behind 2018 and is so by nearly identical margins as last weekend at 6.3% or $500 million. This is still a deep hole to try and climb out of, especially since there are only four months left in the year, and I will be happy if we can just cut that gap in half by the end of the year. More...

Weekend Estimates: Angel Doesn’t Fall, Overcome Can’t, Ready Was Ready

August 25th, 2019

Angel Has Fallen

There is some good news to talk about and that’s been depressingly rare this year. Angel Has Fallen is beating expectations with an estimated opening of $21.25 million. This opening is just behind London Has Fallen’s debut. Additionally, Angel has better reviews and matched the previous film’s A minus from CinemaScore, so it should have similar legs. It is too soon to tell how it will do internationally, but given the franchise’s performance so far, I remain optimistic. More...

Friday Estimates: Angel Rises from London

August 24th, 2019

Angel Has Fallen

Angel Has Fallen earned an estimated $7.9 million on Friday. Amazingly, this is an improvement over the $7.51 million earned by London has Fallen during its opening day. Most people, myself included, assumed this film would suffer a deep decline. This film also earned better reviews, while both films earned an A minus from CinemaScore. On the other hand, the film did earn less during the 24-hour Friday period, so that suggests a slightly smaller opening weekend. Even so, it will beat our prediction with just over $21 million. More...

Weekend Predictions: Summer Slows to a Crawl

August 22nd, 2019

Angel Has Fallen

There are three wide releases this week, but only one of them, Angel Has Fallen, is widely expected to do anything at the box office. Overcomer is a faith-based film and those are a risk at the box office, but the people behind this one do have a good track record. Finally there’s Ready or Not, the widest ever release for Fox Searchlight and its reviews are easily the best of the week, but the buzz suggests that won’t be enough to thrive. This weekend last year, Crazy Rich Asians dipped just 6% earning just over $24 million. No film is going to match that figure this week. There’s a chance all three wide releases won’t match that figure this week, combined. More...

2019 Preview: August

August 1st, 2019

Hobbs and Shaw

July bounced back from June with both Spider-Man: Far from Home and The Lion King getting to $1 billion worldwide. Domestically, we are still behind 2018’s pace by more than $400 million, but that’s a substantial improvement over where we were at the start of the month. August should continue this winning streak, at least initially. Hobbs and Shaw could open with close to $100 million, but the only other film opening this month that has a real shot at $100 million in total is Dora and the Lost City of Gold. Last August, both Crazy Rich Asians and The Meg topped $100 million, while Christopher Robin came within 1% of that milestone. This August might be better at the very top, but I don’t think the top three this month will top the top three last month. Maybe if we get a surprise hit, it will, but I’m not willing to bet on that. On the other hand, unless something dramatic happens, 2019 should at least come close to matching last year’s pace and that’s better than most months have done this year. More...

Ready or Not Trailer

June 19th, 2019

Horror movie starring Samara Weaving opens August 23 ... Full Movie Details.

A young bride joins her new husband’s rich, eccentric family in a time-honored tradition that turns into a lethal game with everyone fighting for their survival. More...

Weekend Box Office Performance

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 12/6/2019 $53,029 0 70 132 $216,417 1/20/2020
Australia 10/25/2019 $303,100 255 255 583 $762,416 11/20/2020
Bulgaria 8/23/2019 $29,344 0 0 0 $125,806 10/8/2019
Czech Republic 8/23/2019 $98,343 100 100 231 $319,904 10/19/2022
France 8/30/2019 $1,483,921 0 88 88 $3,721,893 11/24/2019
Germany 9/27/2019 $258,311 0 0 0 $805,779 12/25/2019
Hong Kong 9/27/2019 $0 0 0 0 $734,770 11/10/2019
Italy 9/27/2019 $0 0 0 0 $428,767 12/1/2019
Lithuania 8/23/2019 $22,025 14 14 40 $83,167 9/25/2019
Mexico 9/27/2019 $563,996 0 0 0 $1,211,902 10/19/2022
Netherlands 10/25/2019 $205,511 62 62 275 $767,580 10/19/2022
New Zealand 11/21/2019 $41,825 53 53 154 $114,170 10/19/2022
North America 8/21/2019 $8,015,590 2,855 2,998 10,016 $28,714,231
Poland 10/11/2019 $80,897 0 0 0 $221,213 10/19/2022
Portugal 8/23/2019 $54,885 36 36 98 $167,996 10/8/2019
Romania 10/11/2019 $54,146 67 67 208 $185,262 12/3/2019
Russia (CIS) 8/29/2019 $929,657 731 731 1948 $2,105,492 10/19/2022
Slovakia 8/23/2019 $47,304 63 63 145 $143,490 11/5/2019
Spain 10/11/2019 $244,880 193 193 595 $733,615 12/7/2019
Taiwan 10/11/2019 $293,622 0 0 0 $863,099 1/5/2020
Turkey 10/11/2019 $11,494 50 50 52 $20,192 10/19/2022
United Kingdom 9/27/2019 $1,167,148 425 425 826 $2,448,086 11/17/2019
 
Rest of World $11,890,604
 
Worldwide Total$56,785,851 10/19/2022

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Lead Ensemble Members

Samara Weaving    Grace
Adam Brody    Daniel Le Domas
Mark O'Brien    Alex Le Domas
Henry Czerny    Tony Le Domas
Andie MacDowell    Becky Le Domas
Melanie Scrofano    Emilie Le Domas
Kristian Bruun    Fitch Bradley
Elyse Levesque    Charity Le Domas
Nicky Guadagni    Helene Le Domas
John Ralston    Stevens
Liam MacDonald    Georgie
Ethan Tavares    Gabe

Supporting Cast

Hanneke Talbot    Clara
Celine Tsai    Tina
Daniela Barbosa    Dora
Chase Churchill    Young Alex
Etienne Kellici    Young Daniel
Andrew Anthony    Charles
Elana Dunkelman    Young Helene
Kate Ziegler    Young Becky
James Eddy    Masked Family Member #1
Adam Winlove-Smith    Masked Family Member #2
Alicia Richardson    Police Officer
Nat Faxon    Justin

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Tyler Gillett    Director
Matt Bettinelli-Olpin    Director
Guy Busick    Screenwriter
Ryan Murphy    Screenwriter
Tripp Vinson    Producer
James Vanderbilt    Producer
Bradley J. Fischer    Producer
William Sherak    Producer
Tara Farney    Executive Producer
Tracey Nyberg    Executive Producer
Chad Villella    Executive Producer
Daniel Bekerman    Executive Producer
Brett Jutkiewicz    Director of Photography
Terel Gibson    Editor
Avery Plewes    Costume Designer
Andrew Stearn    Production Designer
Brian Tyler    Composer
Ashley Shields-Muir    Unit Production Manager
Joanna Moore    First Assistant Director
Elliott Kathryn Whittaker    Second Assistant Director
Bradley Greaves    Art Director
Mike Leandro    Set Decorator
Zoe Bigio    Script Supervisor
Trevor Goulet    Sound Mixer
Gregor Hutchison    Post-Production Supervisor
Kathryn Prescott    First Assistant Editor
Mike Twin Jones    Assistant Editor
T.K. Knowles    Associate Producer
John O'Grady    Associate Producer
Adam Stein    Sound Designer
Christian T. Cooke    Re-recording Mixer
Colin McLellan    Re-recording Mixer
Julia Valente    Make up
Claudia Gedge    Make up
Jenny Arbour    Hairstylist
Nathan Rival    Hairstylist
Mark Alleyne    Location Manager
Stephen Van Allen    Special Effects Coordinator
Christa Tazzeo Morson    Visual Effects Executive Producer
Rickey Verma    Visual Effects Supervisor
Davis Saunders    Visual Effects Supervisor
Joe Bracciale    Dialogue/ADR Editor
Kyle Clausen    Music Editor
Kevin Banks    Music Editor
Brian Tyler    Score Producer
Joe Lisanti    Score Producer
Greg Hayes    Score Mixer
Brian Tyler    Score Mixer

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.