February 5th, 2019
We are finally getting to the massive fall hits on the home market, as Dr. Seuss’ The Grinch hits the home market this week. It is the biggest release, but not the best. The Pick of the Week was a coin toss between Maquia: When The Promised Flower Blooms and Widows. In the end, the latter won, but both are worth buying.
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January 9th, 2019
Directors Guild of America announced their theatrical nominations this week and we are starting to see some real patterns emerge and I think the Oscar picture is getting clearer.
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December 6th, 2018
The Golden Globes nominations are the second major Awards Season set to come out. It is still very early in the year and the predictive value of the Golden Globes is a little suspect, but there are still some things to learn here. For example Vice led the way with six nominations, so its Oscar chances have gone up, but don’t expect it to lead the way when the Oscars nominations are announced.
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November 20th, 2018
At Eternity’s Gate led the weekend chart with an average of $23,214 in four theaters. The overall box office leader, Fantastic Beasts: The Crimes of Grindelwald, was next with an average of $14,932. Green Book debuted with an average of $12,817 in 25 theaters. This would normally be a good start for a limited release, especially one playing in 25 theaters. However, it isn’t good enough to justify a wide expansion on Wednesday.
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November 16th, 2018
This week is filled with films that are earning reviews that are good, but likely not quite good enough to thrive in limited release. There are a few exceptions, mostly documentaries. This leaves Green Book as the only film that has a real shot at mainstream success. In fact, given its reviews, it could earn some Awards Season success.
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November 15th, 2018
Fantastic Beasts: The Crimes of Grindelwald is the latest installment in the Harry Potter franchise, but sadly, its reviews are, by far, the worst in the franchise. It should still have no trouble earning first place and will very likely break even just on its international numbers, but this is still troubling for its future. The second biggest release of the week is Instant Family and its reviews are good, but not great. They are certainly fine for a family comedy. Widows is the best-reviewed new release, but its buzz is quiet enough that it will barely finish in the top five. Meanwhile, A Private War is expanding nationwide and that could help it earn a spot in the top ten, but I wouldn’t bet on it. This weekend last year, Justice League opened with $93.84 million, while Wonder debuted in second place with $27.55 million. Add in The Star’s $9.81 million opening and the three wide releases pulled in $130 million. There’s no way the new releases this year will match that and 2018 will likely lose in the year-over-year comparison.
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November 7th, 2018
Boy Erased led the way on the theater average chart earning an average of $41,411 in five theaters. This was nearly three times the second place film, A Private War, which earned an average of $15,123 in four theaters. The only other film in the $10,000 club was the overall box office leader, Bohemian Rhapsody, with an average of $12,765.
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November 3rd, 2018
Bohemian Rhapsody dominated the Friday box office chart with $18.4 million. This is better than our prediction, but not quite as good as some were expecting after Thursday’s previews. Its reviews are good, but not great, while it earned an A from CinemaScore and a 4.5 out of 5 from PostTrak, so audiences clearly like the film more than critics did. The film could come close to $50 million over the weekend, but it probably won’t quite get there.
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November 2nd, 2018
There are a few limited releases on this week’s list that could do well in theaters; A Private War, Bodied, and Boy Erased should do well. On the other hand, if you are not interested in heading out to the theaters, Possum is a great choice for Video on Demand.
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November 1st, 2018
October continued 2018’s phenomenal box office run, for the most part. There were a couple of films that missed expectations by $10 million or more, but on the other hand, Vemon and Halloween were smash hits and are now the first and second biggest October debuts of all time. Furthermore, 2018’s lead over 2017 is, as I’m writing this, just shy of $1 billion and if 2018 can maintain this lead, it will be one of the biggest year-over-year increases of all time. It won’t. The fun times end now. Why is that? Last November was amazing. There were only eight wide releases, but six of them earned more than $100 million. Three of those hit $200 million, including Thor: Ragnarok, which earned over $300 million. This year, there are a lot more movies opening in November, but it is a case of quantity over quality. No movie is expected to come close to $300 million and it would take a bit of luck just to have five $100 million hits. The film I’m looking forward to the most is Ralph Breaks the Internet, while it, Dr. Seuss’ The Grinch, and Fantastic Beasts: The Crimes of Grindelwald are all aiming for $200 million this month. Fortunately, even if 2018 is behind 2017’s pace by around $300 million, 2018 has built up such a large lead that it should still go into December with an insurmountable lead at the box office.
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August 28th, 2018
Real-life drama starring Rosamund Pike opens November 2 ... Full Movie Details.
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