Slovenia Box Office for VRNITEV V DEŽELO ZOMBIJEV (2019)

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Zombieland: Double Tap
Theatrical Performance (US$)
Slovenia Box Office $35,436Details
Worldwide Box Office $125,213,018Details
Home Market Performance
North America DVD Sales $6,749,622 Details
North America Blu-ray Sales $9,898,265 Details
Total North America Video Sales $16,647,887
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

After a fight between Columbus and Wichita creates a deep rift in the make-shift family that causes Little Rock to leave with a strange man, the group must band together to find Little Rock and mend the family ties. Facing new kinds of zombies along the way, the group are forced to adjust their strategies until they find an incredible new zombie hunter known only as Nevada.

Metrics

Movie Details

Production Budget:$48,000,000
Slovenia Releases: October 17th, 2019 (Wide), released as VRNITEV V DEŽELO ZOMBIJEV
Video Release: December 24th, 2019 by Columbia Pictures Home Entertainment
February 24th, 2020 by Sony Pictures
MPAA Rating: R for bloody violence, language throughout, some drug and sexual content.
(Rating bulletin 2596 (Cert #51942), 9/18/2019)
Running Time: 93 minutes
Franchise: Zombieland
Keywords: Zombies, Delayed Sequel, Fictionalized Version of Yourself, Road Trip, Romance, Horror Comedy
Source:Original Screenplay
Genre:Comedy
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Columbia Pictures, Pariah Productions, 2.0 Entertainment
Production Countries: United States
Languages: English

Home Market Releases for January 21st, 2020

January 21st, 2020

Pain & Glory

It’s an odd week for the home market, as there are four wide releases coming out this week, which is more than most weeks. However, none of them were $100 million hits domestically, so it feels slow on top. That said, The Addams Family did come close to that mark and Zombieland: Double Tap was a solid midlevel hit. As for high quality releases, Jay And Silent Bob Reboot will very likely please fans of the franchise, but I’m unsure about its ability draw in newcomers. Finally, the Pain & Glory is the best of the best and only the lack of substantial extras prevents it from winning Pick of the Week with ease. Zombieland: Double Tap has much better extras, so it a contender for Pick of the Week as well. Pain & Glory does win, but it is relatively close. More...

Home Market Releases for December 24th, 2019

December 26th, 2019

Judy

This year, Christmas Eve landed on a Tuesday. Christmas Eve is the busiest shopping day of the year, but that’s most people buying last minute groceries and the rest of the retail sector suffers as a result. This is true this year and there are so few releases to talk about that there will only be two sections in this week’s report: the main section and VOD releases. Judy is the only release on this week’s list that a majority will have heard of. It is also the best new release of the week. More...

Friday Estimates: Holiday Season Starts Without a Lot of Cheer

November 2nd, 2019

Terminator: Dark Fate

Terminator: Dark Fate opened in first place on Friday, but it only made $10.6 million, well below expectations. Its reviews and its B plus from CinemaScore are good, but not great, meaning it won’t have the legs needed to overcome this slow start. Look for about $28 million domestically this weekend. Early reports have it performing better internationally with a likely $30 million debut in China, but again, this is below expectations and not enough given the film’s $185 million production budget. More...

Weekend Wrap-Up: Maleficent Holds Off Joker for Top Spot

October 28th, 2019

Maleficent: Mistress of Evil

It was a super close race for top spot on the weekend box office chart with Maleficent: Mistress of Evil and Joker neck-and-neck. In fact, they changed positions over the weekend and even reversed positions from the weekend estimates. Both of these films topped expectations by a small degree, as did most of the new releases. Unfortunately, this wasn’t enough, as the box office fell 24% from last weekend to $105 million. This is also lower than the same weekend last year, but by a tiny 0.7% margin. I’m not going to get upset about a decline this small, but it does mean 2019 has fallen further behind 2018’s pace with the deficit growing to $520 million / 5.4% at $9.00 billion to $9.52 billion. More...

Weekend Estimates: Joker Wrestles First Place from Maleficent, Probably

October 27th, 2019

Joker

Joker is returning to first place on the weekend chart with $18.9 million, which is a tiny bit ahead of expectations. However, it is in a close enough race with Maleficent: Mistress of Evil that the pair could switch places when the final numbers show up tomorrow and I wouldn’t be too surprised. Internationally, the film is earning an estimated $47.8 million on 14,000 screens in 79 markets for totals of $571.5 million internationally and $849.1 million worldwide. It is now the highest-grossing R-rated film of all time worldwide, and is on pace to become the first R-rated film to reach $1 billion globally. More...

Friday Estimates: Joker Returns to the Top

October 26th, 2019

Joker

Joker wasn’t gone from top spot for long, as it earned first place on Friday with $5.46 million, putting it on pace for close to $19 million over the weekend. This is very close to our prediction, but it is ranking better, due to marginally-weaker-than-expected competition. It also reportedly became the highest grossing R-rated movie of all time, at least worldwide. It is not going to catch up to The Passion of the Christ domestically. More...

Weekend Predictions: Halloween Scares Away Wide Releases

October 25th, 2019

Black and Blue

The final weekend before Halloween is rarely a good time to release a film and the paltry selection of new releases on this list shows this year will be no different. The Current War: Director’s Cut is the only film earning good reviews, but it is opening in the fewest theaters by far. Countdown has the worst reviews, but it is a horror film opening just before Halloween, so its opening weekend could be okay. Black and Blue is in the middle in terms of reviews, theater count, and box office chances. Sadly, it is very likely all three films will open below $10 million over the weekend. There’s a slim chance none of them open in the top five. By comparison, this weekend last year saw only one wide release, Hunter Killer, which bombed. This year will be much better in terms of new releases, but none of the holdovers will match Halloween on top. 2019 does have much better depth, so I think we will get a small win in the year-over-year comparison. More...

Weekend Wrap-Up: It Took a Trio of Hits for 2019 to Win

October 22nd, 2019

Maleficent: Mistress of Evil

The weekend went about as well as expected, overall. Maleficent: Mistress of Evil didn’t open as well as expected, but Zombieland: Double Tap helped make up the difference. The overall box office was still down 6.5% from last weekend at $140 million; however, this was 5.3% higher than the same weekend last year and that is a much more important number. 2019 is still behind 2018’s pace by 5.3% or $500 million at $8.86 billion to $9.35 billion, but that’s not as bad as it has been this year. More...

Weekend Estimates: Maleficent Leads the way, but Box Office is a Team Effort

October 20th, 2019

Maleficent: Mistress of Evil

Maleficent: Mistress of Evil did bounce back on Saturday and that is helping it earn an estimated $36.0 million during its opening weekend. It is still missing expectations, but by a more reasonable margin. Its internal multiplier is about the same as the first film managed, despite this film earning weaker reviews. Audience reactions were the same, as both films earned an A-rating from CinemaScore. As for the movies international numbers, it is pulling in $117.0 million, but it also opened everywhere, so it needed a monster start and I’m not sure this was it. The film did have a faster opening that its predecessor did in China with $22.4 million, while it cracked $10 million in Russia with an an opening of $10.7 million. The film cost $185 million to make, so this is not a fast enough start to break even in the short term, but with Disney+ starting next month, it could break even eventually. More...

Friday Estimates: Maleficent isn’t Evil, but it is far from Good

October 19th, 2019

Maleficent: Mistress of Evil

Maleficent: Mistress of Evil wasn’t expected to be a monster hit, but its previews gave reason to be optimistic. That optimism is gone as a result of Friday’s estimates. The film pulled in just $12.5 million on Friday, meaning it will have to have nearly as good legs as the original had just to avoid opening below the low end of expectations. That seems unlikely, especially with its weaker reviews, although it did manage the same A rating from CinemaScore. Maybe it will really bounce back today, but we won’t really know till the weekend estimates come out tomorrow. More...

Thursday Night Previews: Zombieland Shows Signs of Life

October 18th, 2019

Maleficent: Mistress of Evil

Zombieland: Double Tap had the better previews of the two wide releases earning $2.85 million last night. Solid reviews should also help the film’s legs during its opening weekend and it should have no trouble topping Zombieland’s debut and our $25 million prediction. In fact, it has a shot at $30 million over the full weekend. More...

Weekend Predictions: Can a Dynamic Duo of Sequels Stop the Joker?

October 18th, 2019

Maleficent: Mistress of Evil

There are two wide releases this week and both of them are delayed sequels. Maleficent: Mistress of Evil is widely expected to top the box office chart this weekend, but it is also widely expected to fail to match the original by a huge margin. On the other hand, Zombieland: Double Tap will likely only manage third place, but it has a real shot at matching Zombieland, at least in terms of raw dollars. By comparison, this weekend last year saw the near record-setting debut of Halloween. (It would have set the October record, had Venom not set it two weeks earlier.) I really thought 2019 would have a chance to win in the year-over-year comparison, but unless Maleficent: Mistress of Evil really beats expectations, that’s not going to happen. More...

2019 Preview: October

October 1st, 2019

Joker

September ended on a bit of a weak note, but overall the month was excellent helping 2019 gain some ground on 2018. Can October continue this trend? There are certainly some potential box office hits coming out this month, starting with Joker, which opens the first weekend of the month and should be the biggest hit of the month. Maleficent: Mistress of Evil is aiming for $150 million and should be a hit, even if it doesn’t match the original at the box office. There are also a handful of films with an outside shot at getting to $100 million and I wouldn’t be shocked if one of them made it to that milestone. Meanwhile, last October, Venom broke records during its opening weekend, while A Star is Born had stellar legs helping both earn more than $200 million domestically. I don’t think the top two films will be able to match that this year, but we do have better depth, for the most part, so perhaps 2019 will continue its winning ways and close ground, at least by a little bit. More...

Zombieland: Double Tap Trailer

July 26th, 2019

Action comedy starring Woody Harrelson, Jesse Eisenberg, Emma Stone, and Abigail Breslin opens October 18 ... Full Movie Details.

After a fight between Columbus and Wichita creates a deep rift in the make-shift family that causes Little Rock to leave with a strange man, the group must band together to find Little Rock and mend the family ties. Facing new kinds of zombies along the way, the group are forced to adjust their strategies until they find an incredible new zombie hunter known only as Nevada. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2019/10/18 6 $10,288   14 $735   $13,262 1
2019/10/25 9 $5,432 -47% 7 $776   $22,552 2
2019/11/01 10 $7,765 +43% 10 $777   $31,813 3
2019/11/08 16 $1,667 -79% 5 $333   $33,439 4
2019/11/15 18 $731 -56% 5 $146   $34,408 5
2019/11/22 - $395 -46% 1 $395   $35,022 6
2019/11/29 20 $289 -27% 1 $289   $35,090 7
2019/12/06 - $43 -85% 1 $43   $35,436 8

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 10/24/2019 $91,275 82 82 179 $183,002 12/10/2019
Aruba 10/17/2019 $3,265 4 4 5 $4,598 10/29/2019
Australia 10/18/2019 $1,329,107 289 289 1428 $4,269,971 7/28/2020
Austria 11/8/2019 $164,100 63 63 356 $648,111 1/29/2020
Bahrain 10/17/2019 $34,937 11 11 25 $84,942 11/19/2019
Belgium 11/6/2019 $117,687 37 37 130 $318,892 12/10/2019
Bolivia 12/5/2019 $26,309 22 22 48 $69,206 12/31/2019
Brazil 10/24/2019 $492,417 540 540 1137 $1,040,409 10/19/2022
Cambodia 10/23/2019 $12,934 71 71 106 $37,718 11/12/2019
Central America 12/5/2019 $118,560 165 165 352 $351,285 12/31/2019
Chile 11/28/2019 $39,192 47 47 88 $77,833 12/18/2019
Colombia 11/28/2019 $146,507 169 169 390 $452,229 1/8/2020
Croatia 10/17/2019 $26,290 54 54 127 $71,481 11/19/2019
Curacao 10/17/2019 $481 2 2 6 $2,182 11/12/2019
Czech Republic 10/24/2019 $117,422 109 109 215 $342,701 10/19/2022
Denmark 10/24/2019 $114,487 53 53 183 $379,468 1/15/2020
Dominican Republic 10/24/2019 $7,270 23 23 29 $11,168 11/5/2019
East Africa 10/17/2019 $4,562 4 4 24 $12,436 12/10/2019
Ecuador 10/31/2019 $68,273 44 44 148 $199,880 12/3/2019
Egypt 10/17/2019 $24,191 24 24 57 $78,222 11/26/2019
Estonia 10/25/2019 $28,906 22 22 56 $87,408 12/18/2019
Finland 10/25/2019 $65,366 50 50 161 $207,323 1/29/2020
France 10/30/2019 $1,918,456 367 367 1588 $4,568,787 12/18/2019
Germany 11/7/2019 $1,141,710 368 396 2815 $4,506,189 3/23/2020
Greece 11/7/2019 $22,535 50 50 76 $47,555 11/26/2019
Hong Kong 10/24/2019 $303,535 128 128 229 $574,099 11/19/2019
Hungary 10/17/2019 $105,332 46 68 208 $358,862 10/19/2022
Iceland 10/25/2019 $20,369 9 9 27 $85,788 12/10/2019
India 10/18/2019 $133,260 400 400 419 $227,301 11/13/2019
Indonesia 10/23/2019 $955,372 589 589 964 $1,351,244 11/19/2019
Iraq 10/17/2019 $13,524 8 8 25 $28,939 11/19/2019
Israel 10/17/2019 $128,605 31 31 127 $349,760 10/19/2022
Italy 11/14/2019 $493,217 0 24 28 $847,241 12/18/2019
Japan 11/22/2019 $329,805 172 183 546 $1,163,993 12/27/2019
Jordan 10/17/2019 $12,474 5 5 16 $41,722 11/12/2019
Kuwait 10/17/2019 $83,535 21 21 33 $156,234 11/5/2019
Latvia 10/25/2019 $13,089 10 10 20 $35,500 11/26/2019
Lebanon 10/17/2019 $2,257 13 13 29 $15,457 11/19/2019
Lithuania 10/25/2019 $18,670 13 13 24 $42,142 11/13/2019
Malaysia 10/31/2019 $373,452 480 480 873 $828,974 12/3/2019
Mexico 10/25/2019 $755,945 0 281 625 $3,075,704 10/19/2022
Middle East Region 10/17/2019 $163,145 8 9 29 $633,457 11/19/2019
Mongolia 11/8/2019 $15,271 9 9 28 $40,586 12/3/2019
Netherlands 11/22/2019 $150,032 67 67 306 $442,331 10/19/2022
New Zealand 10/17/2019 $178,279 76 77 292 $492,279 10/19/2022
North America 10/18/2019 $26,803,104 3,468 3,468 12,445 $73,118,130 7/20/2022
Norway 10/25/2019 $98,057 118 118 276 $273,038 12/18/2019
Oman 10/17/2019 $24,192 17 17 32 $46,129 11/5/2019
Pakistan 10/18/2019 $12,659 52 52 70 $26,807 11/5/2019
Paraguay 11/7/2019 $4,972 20 20 30 $9,848 12/3/2019
Peru 12/5/2019 $171,921 135 135 264 $547,177 1/15/2020
Philippines 10/23/2019 $371,994 159 159 249 $667,688 11/26/2019
Poland 10/18/2019 $92,575 108 108 319 $253,698 10/19/2022
Portugal 10/24/2019 $68,354 49 49 138 $185,384 12/4/2019
Qatar 10/17/2019 $53,662 18 18 32 $101,683 11/12/2019
Romania 10/25/2019 $58,462 78 78 215 $159,517 12/10/2019
Russia (CIS) 10/24/2019 $2,128,711 1036 1045 2793 $4,566,828 10/19/2022
Serbia and Montenegro 10/17/2019 $5,720 27 27 50 $15,717 11/12/2019
Singapore 10/31/2019 $178,260 29 29 88 $388,624 12/3/2019
Slovakia 10/25/2019 $66,277 70 70 117 $158,069 10/19/2022
Slovenia 10/17/2019 $10,288 14 14 44 $35,436 12/10/2019
South Africa 10/25/2019 $9,089 6 8 37 $37,490 12/10/2019
South Korea 11/13/2019 $507,134 548 548 624 $1,004,638 12/18/2019
Spain 10/18/2019 $694,284 304 315 1112 $2,074,770 12/18/2019
Suriname 10/17/2019 $0 0 1 1 $545 10/29/2019
Sweden 10/18/2019 $119,984 77 77 270 $411,884 12/18/2019
Switzerland 10/30/2019 $42,686 16 48 193 $468,985 12/27/2019
Syria 10/17/2019 $4,275 1 2 6 $12,383 11/12/2019
Taiwan 10/9/2019 $183,302 69 69 175 $459,485 11/5/2019
Thailand 10/31/2019 $253,343 131 131 252 $661,803 10/19/2022
Trinidad 10/16/2019 $12,880 14 14 31 $27,345 11/19/2019
Ukraine 10/24/2019 $314,535 281 281 666 $682,056 11/26/2019
United Arab Emirates 10/17/2019 $207,884 56 56 113 $428,120 11/19/2019
United Kingdom 10/18/2019 $1,603,035 446 474 1992 $5,806,127 12/18/2019
Uruguay 12/5/2019 $9,724 19 19 45 $29,127 1/22/2020
Venezuela 10/25/2019 $7,061 53 53 128 $26,062 12/3/2019
Vietnam 10/25/2019 $192,088 213 213 430 $397,834 11/19/2019
 
Rest of World $3,285,982
 
Worldwide Total$125,213,018 10/19/2022

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Woody Harrelson    Tallahassee
Jesse Eisenberg    Columbus
Emma Stone    Wichita
Abigail Breslin    Little Rock

Supporting Cast

Rosario Dawson    Nevada
Zoey Deutch    Madison
Luke Wilson    Albuquerque
Avan Jogia    Berkeley
Thomas Middleditch    Flagstaff
Victoria Hall    Babylonian Gatekeeper
Victor Rivera    Civil War Bearded Guy
Ian Gregg    Bowel Blast Guy
Devin Mojica    Cool Hat Guy
Rachel Luttrell    Terrifield Woman in the Snow
John Dixon    Homer Zombie in Snow
Ronny A. Mathew    Scared Lab Tech
Jess Durham    Beatrix Hawking
David Fleischer    Exoculated Scientist
Jenin Gonzalez    Survivor With Flashlight
Felix Betancourt    Ninja Zombie
Lucas Fleischer    Dave Sanderman
Gianni Biasetti, Jr.    Haybale Z
Ari Loeb    T-800 Z
Anthony Dilio    Matteo Bianchi
Julia Vasi    Publicist
Al Roker    Reporter
Lili Estefan    Reporter
Joshua Alex Horowitz    Reporter
Grace Randolph    Reporter

Cameos

Bill Murray    Himself

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Ruben Fleischer    Director
Rhett Reese    Screenwriter
Paul Wernick    Screenwriter
David Callaham    Screenwriter
Gavin Polone    Producer
Paul Wernick    Executive Producer
Rhett Reese    Executive Producer
Rebecca Rivo    Executive Producer
Ruben Fleischer    Executive Producer
John Papsidera    Casting Director
David Bernad    Executive Producer
Jack Heller    Executive Producer
Doug Belgrad    Executive Producer
Chung-Hoon Chung    Director of Photography
Martin Whist    Production Designer
Dirk Westervelt    Editor
David Sardy    Composer
Gabe Hilfer    Music Supervisor
Paul Linden    Visual Effects Supervisor
Christine Wada    Costume Designer
Martin Klebba    Stunt Coordinator
Rebecca Rivo    Unit Production Manager
Will Greenfield    Unit Production Manager
K.C. Hodenfield    First Assistant Director
Michael Saunders    Second Assistant Director
Steve Dellerson    Visual Effects Producer
Paul Kelly    Art Director
Sean Jennings    Art Director
Lauren Abiouness    Art Director
Matthew Gatlin    Art Director
Claudia Bonfe    Set Decorator
Katherine Steets    Script Supervisor
Sarah Mays    Make up
Leo Satkovich    Make up
Rox Hodenfield    Hairstylist
Melizah Wheat    Hairstylist
Tony Gardner    Special Make-up Effects
Thomas Floutz    Special Make-up Effects
Andre Freitas    Special Make-up Effects
Bill Corso    Special Make-up Effects
Eric Garcia    Special Make-up Effects
Matt Sprunger    Special Make-up Effects
Mary H. Ellis    Sound Mixer
J.D. Schwalm    Special Effects Supervisor
Jeff Wicker    Special Effects Coordinator
Matt Chamberlin    Location Manager
Kenneth Yu    Production Supervisor
Markos Rounthwaite    Stunt Coordinator
Glenn Foster    Stunt Coordinator
Chris Ward    Set Designer
Silvia Mahapatra    Set Designer
Robert Fechtman    Set Designer
Ernie Avila    Set Designer
Rhett Reese    Character Creator
Paul Wernick    Character Creator
Markos Rounthwaite    Second Unit Director
Harry B. III Miller    Additional Editor
Matt Evans    First Assistant Editor
Kevin O'Connell    Re-recording Mixer
Will Files    Re-recording Mixer
Kami Asgar    Supervising Sound Editor
Erin Oakley    Supervising Sound Editor
Casey Genton    Sound Designer
Chris Terhune    Sound Effects Editor
Hector Gika    Sound Effects Editor
Sam Fan    Sound Effects Editor
Lindsey Alvarez    Dialogue Editor
Michael Hertlein    Dialogue Editor
Robert Chen    Dialogue Editor
Robert Troy    Dialogue Editor
Brendan Hill    Foley Editor
Adam Shaw    Foley Editor
Jamie Famularo    Foley Editor
Harvey James    Foley Editor
Brendan Croxon    Foley Mixer
Ryan Squires    Foley Recordist
Casey Genton    Additional Sound Re-recording Mixer
Jim Schultz    Music Editor
Mary Parker    Music Editor
Christopher Waegner    Visual Effects Supervisor

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.