Synopsis
Workshopped with a group of teens from The Bronx over the course of 3 years, Michel Gondry's The We and The I gives an inside look into the dynamics, drama and hilarity that emerge on a real-time bus ride through The Bronx on the last day of school.
Metrics
Movie Details
March 13th, 2013
There were a trio of films to top the $10,000 mark on the per theater chart. Somebody Up There Likes Me earned first place with $34,362 in its one theater. The overall number one film, Oz the Great and Powerful, earned second place with an average of $20,223 in nearly 4,000 theaters. The final film in the $10,000 club was The We and the I, which managed $10,774 in one theater.
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March 10th, 2013
After a dismal showing for Jack the Giant Slayer last weekend, and generally soft box office all year, the industry has been in need of a boost. And it is getting one this weekend, with Oz The Great and Powerful opening to a robust $80.3 million, according to Disney's Sunday estimate. That's the third-biggest March weekend of all time, which is an impressive number of course. But the two films above it, The Hunger Games ($152 million) and Alice in Wonderland ($116 million), show what a true March blowout looks like, and this debut is much closer to The Lorax, which debuted with $70 million this time last year. That film went on to make $214 million domestically, and Oz will likely end up somewhere around that mark. Unless it delivers massive international numbers -- the studio has it at a very solid $69.9 million this weekend -- the film will end up basically a break-even proposition for the studio.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|
| 2012/09/14 |
9 |
$251,433 |
|
65 |
$3,868 |
$251,433 |
1 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue
are available through our research services. For more information, please contact us at research@the-numbers.com.
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
