Germany Box Office for Unsane (2018)

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Unsane
Theatrical Performance (US$)
Germany Box Office $1,321,626Details
Worldwide Box Office $14,296,709Details
Home Market Performance
North America DVD Sales $25,483 Details
North America Blu-ray Sales $187,000 Details
Total North America Video Sales $212,483
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Scarred from the trauma of being stalked, quick-witted Sawyer Valentini has relocated from Boston to Pennsylvania for a new life. As her mother Angela misses her back home and her office job is hardly an ideal employment opportunity, Sawyer remains on edge following her two years of being terrorized. To consult with a therapist, she goes for follow-up treatment at the Highland Creek Behavioral Center. Sawyer’s initial therapy session at the suburban complex run by clinician Ashley Brighterhouse progresses well—until she unwittingly signs herself in for voluntary 24-hour commitment. Unable to leave the premises, Sawyer finds herself in close quarters with previously committed hellion Violet and savvy Nate, who is battling an opioid addiction. Sawyer expects to be out of Highland Creek within hours. But once she catches sight of facility staffer George Shaw, she is terrified and then enraged…because she is convinced that Shaw’s real name is David Strine and that he is her stalker. But is it real or is it a product of her delusion? As none of the doctors and nurses believe she is in danger, and all question her sanity, Sawyer’s stay at Highland Creek is extended indefinitely. Sawyer realizes that in order to survive she will have to battle her demons and fight her way out.

Metrics

Movie Details

Production Budget:$1,500,000
Germany Releases: March 30th, 2018 (Wide)
Video Release: May 29th, 2018 by Universal Home Entertainment
MPAA Rating: R for disturbing behavior, violence, language, and sex references.
(Rating bulletin 2508 (Cert #51299), 1/3/2018)
Running Time: 98 minutes
Keywords: Psychological Horror, Mental Hospital, Stalker, Therapists / Therapy, Mental Illness, Medical Crimes, Kidnap, Young Child Dealing with the Death of a Parent
Source:Original Screenplay
Genre:Thriller/Suspense
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Extension 765, New Regency, Regency Enterprises
Production Countries: United States
Languages: English

Home Market Releases for June 19th, 2018

June 19th, 2018

Dark Matter: Season Three

Summer is the worst time of the year for the home market and this week is no exception. The “biggest” new release of the week is Pacific Rim: Uprising, but it is not worth picking up. There are a few contenders for Pick of the Week, including the final season of Dark Matter; a dark comedy, The Death of Stalin; and an Anime release, Re:Zero - Starting Life in Another World. In the end, I went with Dark Matter as the Pick of the Week. More...

Home Market Releases for May 29th, 2018

May 29th, 2018

Annihilation

This is one of the shortest lists I can remember. Not only are there only 8 releases in the main section, many of them would be secondary releases, at best, during a normal week. That’s not to say there are no releases worth checking out. This list is led by Annihilation on Blu-ray Combo Pack, while the second best new release is ... probably a secondary VOD title? More...

Weekend Wrap-Up: Spielberg’s Decade Best Can’t Save Overall Box Office

April 3rd, 2018

Ready Player One

Ready Player One not only opened in first place over the weekend, but its three-day total of $41.77 million was Steven Spielberg’s best opening weekend as a director in almost exactly a decade. Acrimony was a solid second place finisher with $17.17 million. God’s Not Dead: A Light in Darkness missed the top ten. Overall, the box office rose 4.9% from last weekend hitting $136 million, but this was still 20% lower than the same weekend last year. 2018 is now 4.9% or $150 million behind 2017’s pace at $2.84 billion to $2.99 billion. More...

Weekend Wrap-Up: Uprising Wins, but Falls Compared to Original

March 27th, 2018

Pacific Rim: Uprising

Pacific Rim: Uprising opened in first place over the weekend. In fact, it opened better than expected with $28.12 million. Unfortunately, that’s nowhere near enough compared to its production budget, so it will need international numbers to thrive. Black Panther was finally removed from top spot, but it also held on better than expected with $17.10 million. As for the rest of the new releases, they ranged from serious disappointments like Sherlock Gnomes and Paul, Apostle of Christ, to complete bombs like Midnight Sun and Unsane. The overall box office slipped just 2.0% from last week earning $129 million. However, this is 36% lower than the same weekend last year. 2018’s lead has completely evaporated and it is now $60 million or $2.1% behind 2017’s pace at $2.64 billion to $2.69 billion. I don’t see that improving this coming weekend. More...

Weekend Estimates: Pacific Rim Leads Weak Field of Openers

March 25th, 2018

Pacific Rim: Uprising

Black Panther’s run at the top of the domestic chart will finally come to an end this weekend, with Pacific Rim: Uprising taking over as the most popular film in the US and Canada. The switch over is mostly due to Panther beginning to run out of steam, rather than Uprising showing any particular strength though. Universal’s sci-fi action movie will pick up $28.005 million over its opening weekend in North America, about in line with expectations, but disappointing for a film that cost $150 million to make. Overseas markets, particularly in Asia, are where the box office action is at for this one. More...

Friday Estimates: Pacific Rim Rises to Meet Expectations

March 24th, 2018

Pacific Rim: Uprising

As expected, Pacific Rim: Uprising earned first place on Friday. In fact, its opening day box office of $10.36 million is actually a little better than expected and it is on pace for a $26 million opening weekend. Granted, this is a terrible opening compared to the film’s production budget, which is reportedly in the $155 million to $175 million range. Neither its reviews, nor its B-rating from CinemaScore will help its legs, but this film was never made to win over domestic audiences. It was made to shine in Asia, specifically China. It is too soon to tell for sure if that’s a viable strategy, or if Universal is going to have to suck up massive losses. Based on Friday numbers, the studio is predicting a $65 million opening weekend China alone and a $120.5 million international debut. That’s obviously better than here, but the film will need at least $400 million internationally to break even any time soon. More...

Thursday Night Previews: Pacific Rim Rises with $2.35 million from Previews

March 23rd, 2018

Pacific Rim: Uprising

Pacific Rim: Uprising got off to an okay start with $2.35 million from Thursday previews. Given its reviews and the recent results of films like Tomb Raider and last year’s Power Rangers that puts the film’s projected weekend haul at $26 million. That’s a little higher than we predicted, but close enough to call it a victory. More...

Weekend Predictions: Kaiju vs. Panther

March 22nd, 2018

Pacific Rim: Uprising

Black Panther will finally give up its hold on first place, that is unless something goes horribly wrong for Pacific Rim: Uprising. There are four other wide or semi-wide releases hitting theaters this weekend, which is at least two too many. Sherlock Gnomes and Paul, Apostle of Christ are the only two that have a legitimate shot at the top five. Meanwhile, Midnight Sun and Unsane are just hoping to not miss the top ten. This weekend last year, there were three wide releases that earned a combined $60 million. This is more than the five wide releases this year will earn. Also, Beauty and the Beast remained in second place with $90 million. 2018 has already lost its lead over 2017 and this weekend it is going to get crushed in the year-over-year comparison. More...

2018 Preview: March

March 1st, 2018

Ready Player One

February was an amazing month, thanks mainly to Black Panther, but Fifty Shades Freed and Peter Rabbit were also significant hits and overall the month was a massive improvement over last February. Looking forward, there’s nothing opening in March that will earn as much in total as Black Panther did during its opening weekend. That said, A Wrinkle in Time and Ready Player One should have no trouble getting to $100 million, while Tomb Raider has a 50/50 chance of getting there. Unfortunately, compared to last March, this is still a pittance. There’s a chance that no film opening this March will earn as much in total as Beauty and the Beast opened with last march. We will need Black Panther to have good legs to keep 2018 ahead of 2017 by the end of the month. More...

Unsane Trailer

January 30th, 2018

Psychological horror movie starring Claire Foy, directed by Steven Soderbergh, opens March 23 ... Full Movie Details. More...

Weekend Box Office Performance

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 4/20/2018 $0 0 36 93 $167,128 6/18/2018
France 7/13/2018 $471,867 0 0 0 $1,337,297 8/2/2018
Germany 3/30/2018 $661,030 0 0 0 $1,321,626 6/18/2018
Hong Kong 3/22/2018 $0 0 0 0 $90,071 6/14/2018
Italy 7/5/2018 $13,637 0 0 0 $13,637 7/10/2018
Netherlands 5/4/2018 $89,796 58 58 219 $334,565 6/18/2018
New Zealand 5/11/2018 $5,489 10 10 23 $9,450 5/30/2018
North America 3/23/2018 $3,762,145 2,023 2,023 4,115 $7,690,044 11/1/2019
Russia (CIS) 3/29/2018 $393,027 500 500 1079 $710,578 2/26/2019
Taiwan 3/23/2018 $49,391 0 0 0 $105,240 9/13/2018
United Kingdom 3/23/2018 $677,021 346 346 565 $1,501,094 6/18/2018
 
Rest of World $1,015,979
 
Worldwide Total$14,296,709 11/1/2019

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Claire Foy    Sawyer Valentini

Supporting Cast

Joshua Leonard    David Strine
Jay Pharoah    Nate Hoffman
Juno Temple    Violet
Aimee Mullins    Ashley Brighterhouse
Amy Irving    Angela Valentini
Sarah Stiles    Jill
Marc Kudisch    Bank Manager
Colin Woodell    Mark
Myra Lucretia Taylor    Counselor
Lynda Mauze    Dolores
Zach Cherry    Dennis
Polly McKie    Nurse Boles
Raul Castillo    Jacob
Mike Mihm    Steve
Robert Kelly    Steve’s Partner
Natalie Gold    Female Patient
Sol M. Crespo    Female Patient
Will Brill    Male Patient
Steven Maier    Male Patient
Matthew R. Staley    Medical Technician
Matt Mancini    Medican Technician
Emily Happe    Friendly Nurse
Gibson Frazier    Dr. Hawthorne
Erin Wilhelmi    Hayley
Joseph Reidy    Lawyer
Erika Rolfsrud    Medical Examiner
Elizabeth Goodman    TruthBite Editor

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Steven Soderbergh    Director
Dan Fellman    Executive Producer
Jonathan Bernstein    Screenwriter
James Greer    Screenwriter
Joseph Malloch    Producer
Ken Meyer    Executive Producer
Arnon Milchan    Executive Producer
Joseph Reidy    Co-Executive Producer
Corey Bayes    Co-Producer
Robert Striem    Associate Producer
Peter Andrews    Director of Photography
Mary Ann Bernard    Editor
April Lasky    Production Designer
Susan Lyall    Costume Designer
Carmen Cuba    Casting Director
Joseph Malloch    Unit Production Manager
Joseph Reidy    First Assistant Director
Rachel Jaros    Second Assistant Director
Manny Siverio    Stunt Coordinator
Corey Bayes    Associate Editor
Gus Gustafson    Production Supervisor
Thomas Varga    Sound Mixer
Robert Striem    Location Manager
Kimberly Fischer    Set Decorator
Kristin Lindbeck    Costume Supervisor
Lisa Forst    Make up
JT Franchuk    Hairstylist
Glenfield Payne    Supervising Sound Editor
Josh Berger    Re-recording Mixer
Glenfield Payne    Re-recording Mixer
Josh Berger    Dialogue Editor
Grant Elder    Sound Designer
Gavin Hecker    Foley Mixer
Lesley Robson-Foster    Visual Effects Supervisor
Parker Chehak    Visual Effects Producer
Matt Griffin    Visual Effects Producer
David Wilder Savage    Composer

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.