Netherlands Box Office for Terminator: Dark Fate (2019)

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Terminator: Dark Fate
Theatrical Performance (US$)
Netherlands Box Office $1,368,693Details
Worldwide Box Office $250,367,666Details
Home Market Performance
North America DVD Sales $10,537,936 Details
North America Blu-ray Sales $16,223,795 Details
Total North America Video Sales $26,761,731
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

27 years after the events of Terminator 2: Judgment Day, a new, modified liquid metal Terminator is sent from the future by Skynet in order to terminate Dani Ramos, a hybrid cyborg human, and her friends. Sarah Connor comes to their aid, as well as the original Terminator, for a fight for the future.

Metrics

Movie Details

Production Budget:$185,000,000
Netherlands Releases: November 1st, 2019 (Wide)
Video Release: January 28th, 2020 by Paramount Home Video
MPAA Rating: R for violence throughout, language and brief nudity.
(Rating bulletin 2600 (Cert #52317), 10/16/2019)
Running Time: 128 minutes
Franchise: Terminator
Keywords: IMAX: DMR, Near Future, Time Travel, Robot, Cyborg, Death of a Son or Daughter, Adopted Family, Artificial Intelligence, 2020s, Set in Mexico City, Set in Mexico, Border Town, Border Agents, Non-Chronological, Archival Footage of Previous Installment, Prologue, Voiceover/Narration, Intertitle, Action Thriller
Source:Original Screenplay
Genre:Action
Production Method:Animation/Live Action
Creative Type:Science Fiction
Production/Financing Companies: Paramount Pictures, Skydance Productions, Twentieth Century Fox, Tencent Pictures , TSG Entertainment, Lightstorm Entertainment
Production Countries: United States
Languages: English

Home Market Releases for January 28th, 2020

January 30th, 2020

Parasite

The big winter releases are starting to come out, but the overall quantity of releases is still rather soft. Terminator: Dark Fate is the biggest release of the week, but it isn’t the best. As for the best, it was a close two-way race between Fail Safe and Parasite, with the latter winning by the tiniest of margins. More...

Featured Blu-ray and DVD Review: Terminator: Dark Fate

January 29th, 2020

Terminator: Dark Fate

The first Terminator movie was a relatively low-budget horror movie where the unstoppable killer was a Sci-fi robot instead of some supernatural force. Its sequel was the most expensive movie at the time and a pure action film with cutting edge special effects. What they had in common were stellar reviews and massive profit margins. Unfortunately, the films rapidly got worse in terms of reviews and when it came to box office returns. Terminator: Dark Fate had the worst financial performance in the franchise. Is it also the worst movie? Or were moviegoers unwilling to see it, because they were burned too many times in the past? More...

Disney Decimates the Competition on its way to $13.2 Billion Record in 2019

January 3rd, 2020

Avengers: Endgame

The preliminary final numbers for 2019 have been announced and we had record-breaking results. Overall, the worldwide box office hit $41 billion, with a $30 billion international and $11 billion domestic break-down. Of that total, Disney was responsible for $13.2 billion, or 32% of the worldwide total. This does include its Fox releases, but the studio earned $11.1 billion by itself. This breaks the previous record of $7.6 billion, set by Disney in 2016. It doesn’t just break the previous record; it practically redefines the industry. More...

International Box Office: Frozen II Puts a Chill on the Competition

November 27th, 2019

Frozen II

Frozen II dominated the international box office the way few films manage, earning $228.2 million in 37 markets for a worldwide debut of $358.2 million. This includes a $54.38 million debut in China, which is more than the second place film earned on the worldwide chart. In fact, the movie earned more in South Korea with a total opening of $32.31 million on 2,648 screens, including $28.10 million over the weekend than the second place film on the worldwide chart earned. In the U.K., it pulled in $19.36 million in 671 theaters, while it also cracked $10 million in both Germany ($14.9 million) and France ($13.4 million). Furthermore, the film has yet to open in Italy, Russia, Australia, and Brazil, so it isn’t done yet and should remain on top of the chart for a few weeks. More...

International Box Office: Terminator Tops Production Budget Worldwide

November 14th, 2019

Terminator: Dark Fate

Terminator: Dark Fate will lose money. That is almost guaranteed at this point. However, it did manage to top its production budget at the worldwide box office in just its third weekend of release, meaning it is going to save face, mostly. The film earned $29.9 million in 53 markets over the weekend for totals of $150.9 million internationally and $199.4 million worldwide. This includes a $6.0 million opening in Japan; however, the film opened on Friday and not Saturday, which is the usual opening day in that market. That was still enough for first place over the two-day weekend and more than it made here, given the relative size of the two markets. It also opened in first place in Taiwan with $1.1 million over the three-day weekend and $1.4 million including Thursday. The film’s biggest market remains China, where the film earned $7.21 million over the weekend for a two-week total of $45.85 million. More...

Weekend Wrap-Up: The Box Office is in a Deep Sleep

November 12th, 2019

Midway

It was a weekend to forget with the four new releases earning significantly less than The Grinch opened with last year. Still, the four new releases took the to four spots, meaning there were no powerful holdovers to make up the difference. Midway was the best of the bunch, while Playing with Fire was the biggest positive surprise. Unfortunately, Doctor Sleep missed expectations by a larger margin than those two films beat our predictions, so the good news was drowned out by the bad. Overall, the box office was 5.9% higher than last weekend at $121 million. This is not a reason to celebrate, as last weekend was arguably Halloween weekend, which is one of the worst weekends of the year. More importantly, the weekend was behind the same weekend last year by 28%. 2019 is now behind 2018’s pace by 5.9% or $580 million at $9.32 billion to $9.90 billion. However, and this is important, as bad as 2019 has been doing, we are still ahead of 2017’s pace, both in terms of raw dollars and ticket sales, so there’s no need to panic. While we would prefer to set records every year, being the second best year at the box office is still worth celebrating. More...

Weekend Estimates: Midway Overcomes the Odds to Come out on Top

November 10th, 2019

Midway

Midway wasn’t supposed to be a major hit, and it won’t be, but, sadly for all the other new films, it is opening in first place at the box office. In fact, its weekend estimate is $17.49 million, which is less than 10% above our prediction, but it was able to earn first place with relative ease. The film only managed mixed reviews, but it did earn an A-rating from CinemaScore. Additionally, there are holidays coming up, so it could have surprisingly long legs. The film also opened in China with $4.48 million. It’s hard to use this result as a guide for other markets, as there haven’t been enough American-centric war movies released in China to compare against. More...

Friday Estimates: Midway is the High Point of the Weekend

November 9th, 2019

Midway

Midway made a surprisingly strong debut to earn first place on Friday with an estimated $6.34 million. Its reviews have improved and are currently 40% positive. Granted, this isn’t great, or even merely good, but it is also not so bad that it will be a major drag at the box office. Furthermore, the film scored a solid A-rating from CinemaScore, indicating its target audience loved the movie, especially compared to critics. Add in a more mature target audience and the film should have solid legs, helping it earn close to $18 million during its opening weekend. Granted, the film cost $50 million to make, so it will still need help internationally and on the home market to break even after a start like this, but this is still much better than most people were expecting. More...

Can Doctor Sleep Wake Up the Box Office?

November 7th, 2019

Doctor Sleep

It is not a banner week for stellar new releases. Doctor Sleep is earning good reviews, but not great reviews. Sadly, it is award-worthy compared to most of the other new releases. Last Christmas is earning mixed reviews, but that’s to be expected for a romantic comedy. The less said about Midway or Playing with Fire’s reviews, the better. This weekend last year, The Grinch opened with $67 million, which is likely more than all four new films will open with this year. In fact, last year’s number two film, Bohemian Rhapsody, will likely earn more than any one film will earn this year. 2019 is going to take a beating in the year-over-year competition. More...

International Box Office: Terminator Cracks Century Mark in its Worldwide Debut

November 6th, 2019

Terminator: Dark Fate

Terminator: Dark Fate cracked the $100 million mark worldwide during its first weekend. $101.9 million to be more precise, giving it an early total of $123.6 million so far. Sadly, this is just $72.9 million internationally in 48 markets and that’s just not enough given the film’s production budget. Its biggest market was China, where it opened in second place with $26.84 million over the weekend for a total opening of $28.58 million. The film debuted in first place in South Korea with $7.19 million on 1,315 theaters over the weekend for a total opening of $9.79 million. Had the movie merely cost $100 million, then I would be a lot more happy with this result, but the movie cost a lot more than that and needs close to $500 million worldwide to break even any time soon. I just don’t see that happening. More...

Weekend Wrap-Up: Dark Fate Might have Terminated the Franchise

November 5th, 2019

Terminator: Dark Fate

It was a bad weekend at the box office, with Terminator: Dark Fate missing expectations by a significant degree. Harriet was able to beat expectations, but it wasn’t enough to truly compensate. Furthermore, Arctic Dogs and Motherless Brooklyn were practically non-factors at the box office. The box office did grow 9.5% from last weekend reaching $115 million. More importantly, this was 21% lower than this weekend last year. 2019’s deficit grew to 5.6% or $540 million and is now behind 2018’s pace by $9.15 billion to $9.70 billion. It is important to point out that while 2019 is being crushed by 2018, it is still on pace to be the second largest box office of all time, while its ticket sales are better than 2017’s pace, so as disappointing as the year as been so far, there are still reasons to celebrate. More...

Weekend Estimates: Terminator Tops Chart, but is Far from Lethal

November 3rd, 2019

Terminator: Dark Fate

As expected, Terminator: Dark Fate is going to open in first place over the weekend. Unfortunately, it is failing to match even the low end of expectations with an estimate of $29 million during its opening weekend. Its reviews and its B plus from CinemaScore are not great, but they are better than this opening. The film is doing much better internationally with an estimated $$72.9 million debut, including an estimated $30 million opening in China. However, that’s not enough. The film needs close to $500 million worldwide to break even and since the only major market left to debut in is Japan, it’s not going to get there. More...

Friday Estimates: Holiday Season Starts Without a Lot of Cheer

November 2nd, 2019

Terminator: Dark Fate

Terminator: Dark Fate opened in first place on Friday, but it only made $10.6 million, well below expectations. Its reviews and its B plus from CinemaScore are good, but not great, meaning it won’t have the legs needed to overcome this slow start. Look for about $28 million domestically this weekend. Early reports have it performing better internationally with a likely $30 million debut in China, but again, this is below expectations and not enough given the film’s $185 million production budget. More...

Thursday Night Previews: Terminator Takes in $2.35 million

November 1st, 2019

Terminator: Dark Fate

Terminator: Dark Fate managed $2.35 million from its previews on Thursday. Normally, this wouldn’t be enough to kick-start a strong weekend, but yesterday was Halloween, which is far from a normal day at the box office. Furthermore, its reviews are better than most of the rest of the Terminator franchise, and good enough to have decent legs. It is still too early to tell where it will finish its opening weekend. Halloween is just too big a wildcard to make an accurate guess at this point. We will know more this time tomorrow when the Friday estimates come out. More...

2019 Preview: November

November 1st, 2019

Frozen II

Joker single-handedly saved October. Had the film merely matched expectations, then the month would had suffered a major loss in the year-over-year competition. We sill lost a little ground, but not so much that we will look to October as the reason 2019 missed last year’s pace. As for November, we have some potential monster hits with Frozen II leading the way. If that film doesn’t earn at least $1 billion worldwide, I will be shocked. Additionally, every week has at least one movie coming out that has a somewhat realistic shot at $100 million, although not all of them will get there. Unfortunately, last November was much better, with five films that topped $100 million, including three that earned more than $200 million. I think 2019 will be better at the top, but it just won’t have the depth to keep pace with last year. More...

Weekend Predictions: Halloween Gives Way to the Holiday Season

October 31st, 2019

Terminator: Dark Fate

It’s the first weekend of November, which is the unofficial start of both the Christmas blockbuster season and of Awards Season. There are four films hoping to take advantage of time of year to create some box office success. Of these, only Terminator: Dark Fate is expected to be a true box office hit. It will likely earn more during its opening weekend than any of the rest of the new releases earn in total. I think Harriet will do okay and could even crack $10 million during the weekend. On the other hand, Arctic Dogs still has no reviews and that’s a really bad sign. Finally there’s Motherless Brooklyn, which is opening in well under 2,000 theaters. This weekend last year, Bohemian Rhapsody opened with more than $50 million and even the high end predictions don’t have Terminator: Dark Fate earning that much. It’s going to be another bad week for 2019 in the year-over-year competition. More...

International Box Office: Chinese Movie Fans Have Seen Better Days

October 30th, 2019

Better Days

Better Days opened in first place in China with $86.11 million, which was also enough to give it first place internationally. This is an amazing start, all things considered. The movie was supposed to open in June, but the Chinese censors yanked the film at the last minute, then announced a new release day less than a week before the film opened. It is a minor miracle it was able to do this well. More...

Terminator: Dark Fate Trailer 2

August 30th, 2019

Sci-fi action movie starring Mackenzie Davis, Linda Hamilton, and Arnold Schwarzenegger opens November 1 ... Full Movie Details. More...

Terminator: Dark Fate Trailer

May 23rd, 2019

Sci-fi action movie starring Mackenzie Davis, Linda Hamilton, and Arnold Schwarzenegger opens November 1 ... Full Movie Details. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2019/11/01 2 $557,104   100 $5,571   $557,104 1
2019/11/08 4 $277,911 -50% 100 $2,779   $977,464 2
2019/11/15 9 $140,841 -49% 96 $1,467   $1,191,650 3
2019/11/22 15 $69,747 -50% 71 $982   $1,290,870 4
2019/11/29 22 $27,711 -60% 30 $924   $1,335,330 5

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 11/1/2019 $492,469 0 115 139 $1,356,033 1/20/2020
Australia 10/31/2019 $2,309,952 561 561 1829 $6,185,521 10/19/2022
Brazil 10/31/2019 $1,726,268 0 0 0 $3,964,930 12/28/2019
Bulgaria 10/25/2019 $48,000 0 0 0 $165,330 11/28/2019
China 10/31/2019 $26,840,000 132502 132502 175461 $50,637,864 12/28/2019
Czech Republic 11/1/2019 $275,088 146 146 297 $620,750 10/19/2022
France 10/25/2019 $3,000,000 0 0 0 $7,952,994 12/25/2019
Germany 10/25/2019 $1,400,000 0 0 0 $4,616,361 12/28/2019
Hong Kong 11/1/2019 $1,273,456 0 0 0 $2,524,036 12/28/2019
India 11/1/2019 $1,605,427 0 0 0 $2,552,286 12/1/2019
Indonesia 10/30/2019 $2,330,627 0 0 0 $5,579,832 12/13/2019
Italy 10/31/2019 $1,003,133 0 0 0 $1,699,225 12/7/2019
Japan 11/8/2019 $6,000,000 0 0 0 $21,290,380 12/28/2019
Lithuania 11/1/2019 $64,066 14 14 33 $123,796 11/29/2019
Malaysia 10/25/2019 $1,100,000 0 0 0 $2,100,000 11/5/2019
Mexico 11/1/2019 $2,623,174 0 0 0 $6,774,676 12/28/2019
Netherlands 11/1/2019 $557,104 100 100 397 $1,368,693 12/28/2019
New Zealand 10/31/2019 $271,647 87 87 352 $720,536 10/19/2022
North America 11/1/2019 $29,033,832 4,086 4,086 13,254 $62,253,077
Poland 11/8/2019 $339,738 0 0 0 $798,658 10/19/2022
Portugal 11/1/2019 $296,629 82 82 270 $592,581 12/18/2019
Romania 11/1/2019 $216,891 91 91 303 $558,631 1/8/2020
Russia (CIS) 10/31/2019 $4,527,972 1463 1463 4663 $8,191,513 10/19/2022
Slovakia 11/1/2019 $106,221 69 69 128 $207,812 11/19/2019
Slovenia 11/1/2019 $39,837 35 35 96 $77,882 1/7/2020
South Korea 10/30/2019 $7,192,946 1315 1315 3164 $16,961,440 2/19/2020
Spain 10/31/2019 $1,537,381 347 347 1226 $3,691,198 12/28/2019
Taiwan 11/7/2019 $1,100,000 0 0 0 $2,883,324 12/28/2019
Thailand 10/25/2019 $1,500,000 0 0 0 $2,200,000 11/5/2019
Turkey 11/1/2019 $195,778 282 282 454 $379,543 10/19/2022
United Kingdom 10/25/2019 $3,676,772 575 575 1886 $9,402,325 12/13/2019
 
Rest of World $21,936,439
 
Worldwide Total$250,367,666 10/19/2022

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Arnold Schwarzenegger    T-800 Model 101

Supporting Cast

Linda Hamilton    Sarah Connor
Mackenzie Davis    Grace
Gabriel Luna    T-1000
Natalia Reyes    Dani Ramos
Diego Boneta    Diego Ramos
Enrique Arce   
Edward Furlong    John Connor

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Tim Miller    Director
David S. Goyer    Screenwriter
Justin Rhodes    Screenwriter
Billy Ray    Screenwriter
Charles Eglee    Story by
James Cameron    Story by
Josh Friedman    Story by
David S. Goyer    Story by
Justin Rhodes    Story by
James Cameron    Producer
David Ellison    Producer
Dana Goldberg    Executive Producer
Don Granger    Executive Producer
Edward Cheng    Executive Producer
Tim Miller    Executive Producer
John J. Kelly    Executive Producer
Bonnie Curtis    Executive Producer
Julie Lynn    Executive Producer
Julian Clarke    Editor
Junkie XL*    Composer
Ken Seng    Director of Photography
Neil Corbould    Special Effects Supervisor
Lee Gilmore    Sound Designer

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.