Netherlands Box Office for Serenity (2019)

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Serenity
Theatrical Performance (US$)
Netherlands Box Office $260,862Details
Worldwide Box Office $13,008,804Details
Home Market Performance
North America DVD Sales $1,130,233 Details
North America Blu-ray Sales $613,430 Details
Total North America Video Sales $1,743,663
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Baker Dill is a fishing boat captain leading tours off a tranquil, tropical enclave called Plymouth Island. His quiet life is shattered, however, when his ex-wife Karen tracks him down with a desperate plea for help. She begs Dill to save her—and their young son— from her new, violent husband by taking him out to sea on a fishing excursion, only to throw him to the sharks and leave him for dead. Karen’s appearance thrusts Dill back into a life he’d tried to forget, and as he struggles between right and wrong, his world is plunged into a new reality that may not be all that it seems.

Metrics

Movie Details

Production Budget:$25,000,000
Netherlands Releases: January 25th, 2019 (Wide)
Video Release: April 30th, 2019 by Universal Home Entertainment
MPAA Rating: R for language throughout, sexual content, and some bloody images.
(Rating bulletin 2544 (Cert #51662), 9/12/2018)
Running Time: 103 minutes
Keywords: Film Noir, The Past Catching up with You, Betrayal, On a Boat, Relationships Gone Wrong, Domestic Abuse, Surprise Twist, Video Game, Fishing, Crime Thriller, Famously Bad
Source:Original Screenplay
Genre:Thriller/Suspense
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Global Road Entertainment, Aviron Pictures, Starlings Entertainment, Nebulastar Films, Shoebox Films
Production Countries: United States
Languages: English

Home Market Releases for April 30, 2019

April 30th, 2019

Police Story Double-Feature

The spring doldrums continue with very few major releases and almost no big hits arriving on the home market this week. There are a couple of titles competing for Pick of the Week: Police Story Double-Shot and Arctic. Both are worth owning, but I went with Police Story as the Pick of the Week. More...

Home Market Releases for April 23rd, 2019

April 24th, 2019

A Face in the Crowd

It is another slow week on the home market, but that gave me a chance to complete a couple of late reviews. The best release on this week’s list is A Face in the Crowd and it is the Pick of the Week. However, both of the late reviews, On the Basis of Sex and Willie Dynamite, are worth picking up. More...

Weekend Predictions: Can Dumbo Soar Like the Original Did?

March 29th, 2019

Dumbo

Dumbo essentially has the weekend to itself and should earn first place with ease. Both The Beach Bum and Unplanned are opening in just over 1,000 theaters, but neither is expected to be a major player at the box office. Finally, Hotel Mumbai is expanding into nearly 1,000 theaters and could reach the top ten. At least one of these smaller films will reach the top ten; in fact, all three of them could reach the top ten. However, this is due to really weak competition, not any box office strength these films possess. This weekend last year, Ready Player One led the way with $41 million, while Acrimony earned second place with $17 million. There’s a chance Dumbo will earn more than those two films earned. There’s also a chance Us and Captain Marvel will match those two films at the box office. It should be a good weekend for 2019 in the year-over-year comparison. More...

Weekend Wrap-Up: Super Bowl Wasn’t Super and Neither was the Box Office

February 5th, 2019

Miss Bala

The Super Bowl broke records, but not in a good way. (Lowest scoring Super Bowl... ever.) Even so, the Super Bowl still had a devastating effect on the box office leading to arguably the worst Super Bowl weekend box office results since 1999. More on that year later. As expected, Glass earned first place on the weekend box office chart with $9.55 million, but it is never a good sign when the number one film earns less than $10 million. The best / only new release was Miss Bala, which only managed $6.86 million. Overall, the box office fell 27% from last week down to just $72 million. Hopefully this is the worst weekend of the entire year. Worse still, this was 24% lower than the same weekend last year. Year-to-date, 2019 has pulled in $866 million, which is $160 million or 16% lower than 2018’s pace. This is the worst start in terms of raw dollars since 2012 and the worst start in terms of tickets sold since 1999. However, the box office will pick up in March and while I don’t think we’ll match last year’s record pace, we also won’t see a once in a decade slump either. More...

Weekend Wrap-Up: January Ends on a Quiet Note

January 29th, 2019

Glass

2019 has been off to a slow start and that certainly didn’t change this past weekend. Glass and the holdovers held up better than expected, but the two new releases, The Kid Who Would Be King and Serenity, both went nowhere. This led to the weekend box office haul falling below the $100 million mark at just $97 million. This is 25% lower than last weekend and 31% lower than the same weekend last year, when Maze Runner: The Death Cure opened with $24.17 million. That’s more than this week’s two releases will earn combined. It’s going to be another bad week for 2019. Year-to-date, 2019 is already down by $100 million; $764 million to $871 million and it’s not going to get better in February. More...

Weekend Estimates: Glass and Others put a Ceiling on New Releases

January 27th, 2019

The Kid Who Would Be King

Glass bounced back after a weak Friday earning an estimated $19.05 million over the weekend for a two-week total of $73.59 million. This is even better than our original prediction. It’s practically guaranteed to get to $100 million domestically, while it is doing a little better internationally. This weekend it pulled in $23.6 million for a two-week total of $89.1 million. The film has yet to open in China and when it does, it will get past $250 million worldwide. More...

Friday Estimates: 2019 Continues its Cold Start

January 26th, 2019

The Kid Who Would Be King

It was a Friday to forget, and it’s going to be another bad weekend at the box office. Glass fell 69% from its opening Friday to $4.98 million this Friday. This is a sharper decline than anticipated, but even so, it should still earn a little more than $16 million over the full weekend, keeping it on pace for $100 million domestically. In other words, while this is a faster decline than predicted, it is not so fast that anyone should panic. More...

Thursday Night Previews: No News is Good News, Right?

January 25th, 2019

The Kid Who Would Be King

Neither The Kid Who Would Be King nor Serenity held Thursday previews, so there’s nothing to report on that front. That said, early industry tracking suggests I was a little too optimistic with The Kid Who Would Be King and it will likely have to settle for third place with under $10 million. As expected, Serenity is in a fight for fifth place and if it stumbles even a little over the rest of the weekend, it could land below the Mendoza Line. More...

Weekend Predictions: It Looks Like it will be a Serene Weekend

January 25th, 2019

The Kid Who Would Be King

The weekend after a long weekend is rarely a good weekend to release a movie and there are only two films attempting this challenge this week. The Kid Who Would Be King is a live-action family film and those rarely do well at the box office. Serenity is... a movie... that... If what I read about the film’s surprise twist is correct, then this film could earn a D or worse from CinemaScore. Glass will remain at the top of the box office, unless something truly strange happens. Meanwhile, this weekend last year, Maze Runner: The Death Cure opened with $24.17 million. That’s more than this week’s two releases will earn combined. It’s going to be another bad week for 2019. More...

Preview: January

January 1st, 2019

Glass

December would have been an excellent month, except it had to be compared to Star Wars: The Last Jedi. The top four movies of this December might not finish with as much as that movie made. That said, the year ended on an overall positive note finishing with a lead of close to $800 million over 2017. Unfortunately, 2019 is going to get off to a slow start. Not only are there very few films opening wide this month, only one of them, Glass, is expected to be a midlevel hit or better. Granted, Glass is expected to earn more than $100 million domestically, which is something no film released last January could do. However, The Last Jedi and Jumanji: Welcome to the Jungle both had such incredible legs that 2019 will still get off to a slower start, even if it has stronger new releases. More...

Serenity Trailer

August 18th, 2018

Thriller starring Matthew McConaughey and Anne Hathaway opens October 19 ... Full Movie Details.

A fishing boat captain’s mysterious past, in the form of a glamorous woman, crashes up against his simple life on a small island in the Caribbean and ensnares him in a new reality that might not be all it seems. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2019/01/25 15 $93,201   54 $1,726   $93,201 1
2019/02/01 19 $59,629 -36% 53 $1,125   $184,133 2
2019/02/08 26 $29,213 -51% 49 $596   $226,714 3

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 3/1/2019 $35,719 72 72 72 $70,010 3/30/2019
Bulgaria 1/25/2019 $53,657 0 0 0 $182,234 3/12/2019
China 12/20/2019 $67,209 0 0 0 $67,209 12/28/2019
Czech Republic 2/1/2019 $38,316 71 71 108 $59,943 2/12/2019
Italy 7/18/2019 $436,157 0 2 2 $1,514,327 10/19/2022
Lithuania 2/1/2019 $23,529 83 83 123 $54,646 2/26/2019
Mexico 3/1/2019 $517,485 0 0 0 $973,765 3/11/2019
Netherlands 1/25/2019 $93,201 54 54 177 $260,862 3/9/2019
North America 1/25/2019 $4,415,403 2,561 2,561 5,505 $8,547,045
Portugal 1/25/2019 $72,996 47 47 104 $141,077 2/21/2019
Russia (CIS) 1/24/2019 $555,642 642 642 1486 $981,053 3/9/2019
Slovakia 2/1/2019 $50,723 71 71 109 $96,394 2/20/2019
Spain 7/12/2019 $60,422 69 69 138 $60,239 7/25/2019
 
Worldwide Total$13,008,804 10/19/2022

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Matthew McConaughey    Baker Dill
Anne Hathaway    Karen Zariakas

Supporting Cast

Jason Clarke    Frank Zariakas
Diane Lane    Constance
Djimon Hounsou    Duke
Jeremy Strong    Reid Miller
Rafael Sayegh    Patrick Dill
Garion Dowds    Samson
Kenneth Fok    Lionel
Robert Hobbs    Ape
Edeen Bhugeloo    Mike
Vinaya Sungkur    Consuella
Guillaume Silavant    Man at the Bar

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Steven Knight    Director
Steven Knight    Screenwriter
Greg Shapiro    Producer
Guy Heeley    Producer
Steven Knight    Producer
Stuart Ford    Executive Producer
Deborah Zipser    Executive Producer
Karine Martin    Executive Producer
David Lipman    Executive Producer
Jeffrey Stentz    Executive Producer
Carsten Lorenz    Executive Producer
Paul Webster    Executive Producer
David Dinerstein    Executive Producer
Jason Resnick    Executive Producer
William Sadler    Executive Producer
Andreas Habermeyer    Co-Producer
Jess Hall    Director of Photography
Andrew McAlpine    Production Designer
Laura Jennings    Editor
Danny Glicker    Costume Designer
Benjamin Wallfisch    Composer