Synopsis
The dreaming spires of Oxford University, where Bentleys are driven into rivers and champagne is guzzled like water. The hottest invitation is to the Riot Club, a world where the bright, priveleged and wealthy take their first steps in becoming the future masters of the universe.
Metrics
Movie Details
France Releases: |
January 2nd, 2015 (Wide) |
Video Release: |
August 18th, 2015 by Mpi Home Video |
MPAA Rating: |
R for language, disturbing and violent behavior, sexual content, nudity and drug use. (Rating bulletin 2359, 2/4/2015) |
Running Time: |
107 minutes |
Keywords: |
Early / Simultaneous Video-on-Demand release, Spoiled Child, Fraternity/Sorority |
Source: | Based on Play |
Genre: | Drama |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: |
Film 4, HanWay Films, BFI, Universal Pictures International, Pinewood Pictures, Blueprint Films |
Production Countries: |
United Kingdom |
Languages: |
English |
April 1st, 2015
While We're Young has set a new record for 2015 earning the best per theater average for a film that opened in 2015 with an average of $56,922 in four theaters. The most negative thing you can say about this result was that it wasn't that unexpected, as several Noah Baumbach films have earned similar opening weekend per theaters averages. Up next was the first of two wide releases in the $10,000 club, Home, with an average of $14,053. The Salt of the Earth earned an average of $11,234 in four theaters. This is excellent for a documentary. The final film in the $10,000 club was the second wide release on this week's list, Get Hard, which pulled in an average of $10,647.
More...
March 27th, 2015
It's a pretty good week as far as limited releases are concerned with a number of them earning excellent reviews. Unfortunately, the biggest in terms of cast and theater count is Serena, but its reviews are among the worst of the week. Hopefully films like Serena (Reviews) or Man from Reno (Reviews) can pick up the slack.
More...
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue
are available through our research services. For more information, please contact us at research@the-numbers.com.
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits