| Best known as a Line Producer based on credits in that role in 5 films, with $28,610,312 worldwide aggregate box office (rank #232) |
| Best-known technical roles: Hyde Park on Hudson (Line Producer), Le Week-End (Line Producer), The Mother (Line Producer), How I Live Now (Line Producer), The Riot Club (Line Producer) |
| Most productive collaborators: Roger Mitchell, Kevin Loader, Jim Broadbent, Hanif Kureishi, Lindsay Duncan |
| Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
|---|---|---|---|---|---|
| In Technical Roles | Line Producer | 5 | $9,729,897 | $18,880,415 | $28,610,312 |
| Record | Rank | Amount |
|---|---|---|
| Top Grossing Line Producer at the Worldwide Box Office (Rank 201-300) | 232 | $28,610,312 |
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
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| Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
|---|---|---|---|---|---|
| Mar 27, 2015 | The Riot Club | Line Producer | $6,041 | $2,591,267 | $2,597,308 |
| Mar 14, 2014 | Le Week-End | Line Producer | $2,225,098 | $8,374,932 | $10,600,030 |
| Nov 8, 2013 | How I Live Now | Line Producer | $60,360 | $1,071,499 | $1,131,859 |
| Dec 7, 2012 | Hyde Park on Hudson | Line Producer | $6,376,145 | $4,866,293 | $11,242,438 |
| May 28, 2004 | The Mother | Line Producer | $1,062,253 | $1,976,424 | $3,038,677 |
| Averages | $1,945,979 | $3,776,083 | $5,722,062 | ||
| Totals | 5 | $9,729,897 | $18,880,415 | $28,610,312 | |
| Record | Rank | Amount |
|---|---|---|
| Top Grossing Line Producer at the Worldwide Box Office (Rank 201-300) | 232 | $28,610,312 |
