Bolivia Box Office for Promising Young Woman (2020)

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Promising Young Woman
Theatrical Performance (US$)
Bolivia Box Office $5,000Details
Worldwide Box Office $18,854,166Details
Home Market Performance
North America DVD Sales $674,457 Details
North America Blu-ray Sales $840,106 Details
Total North America Video Sales $1,514,563
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Everyone said Cassie was a promising young woman… until a mysterious event abruptly derailed her future. But nothing in Cassie’s life is what it appears to be: she’s wickedly smart, tantalizingly cunning, and she’s living a secret double life by night. Now, an unexpected encounter is about to give Cassie a chance to right the wrongs of the past.

Metrics

Movie Details

Bolivia Releases: April 9th, 2021 (Wide)
Video Release: January 15th, 2021 by Universal Home Entertainment
MPAA Rating: R for strong violence including sexual assault, language throughout, some sexual material and drug use.
(Rating bulletin 2621 (Cert #52187), 3/18/2020)
Running Time: 113 minutes
Keywords: Sundance Film Festival 2020, Revenge, 2021 Oscars Best Picture Nominee
Source:Original Screenplay
Genre:Black Comedy
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: FilmNation Entertainment, LuckyChap Entertainment, Focus Features
Production Countries: United Kingdom, United States
Languages: English

Weekend predictions: The Little Things should easily win the weekend

January 29th, 2021

The Little Things

This weekend’s release of The Little Things continues Warner Bros.’ strategy of launching major films simultaneously in theaters and on HBO Max, following the Christmastime launch of Wonder Woman 1984. The studio can argue that its experiment has paid off so far, with Wonder Woman posting a decent opening, given the state of the pandemic, and also driving new subscribers to the service. Little Things will be more of test though, since it’s not a major franchise release and isn’t high on the list of most-anticipated movies of the year.

It does, however, come with an impeccable pedigree, and our model is quite enthusiastic about its chances.

More...

Weekend estimates: Marksman topples Wonder Woman

January 17th, 2021

The Marksman

The Marksman will win the battle at the top of the box office chart this weekend, according to studio estimates released on Sunday. The action thriller is projected to earn $3.225 million over the three-day part of the weekend, and Open Road expects it to add another $480,000 tomorrow for a four-day opening of $3,705,000. Its debut is comfortably ahead of our Friday prediction, but a little behind Honest Thief, which earned $3.6 million over its three-day opening weekend back in October. The decline is most likely a reflection of the worsening pandemic conditions over the past few months, but Open Road shared some interesting demographic details that shed more light on how the market is evolving at the moment. More...

Weekend predictions: Marksman and Wonder Woman in head-to-head battle

January 15th, 2021

The Marksman

MLK Weekend could have a close race at the box office as new release The Marksman goes head-to-head with Wonder Woman 1984. Our model thinks Wonder Woman has the edge, but it’s likely to be a close-run thing. Liam Neeson has an impeccable pedigree when it comes to action thrillers—this isn’t even his first outing in such a film during the pandemic—and Honest Thief beat expectations with a $3.6-million opening weekend back in October. Here’s what the model thinks about Marksman

More...

Weekend estimates: Wonder Woman stays top over New Year’s Weekend

January 3rd, 2021

Wonder Woman 1984

Wonder Woman 1984 will remain top at the box office this weekend, according to studio estimates released on Sunday morning, but it’ll do so in spite of a sharp fall from its opening weekend. Warner Bros. projects a $5.5-million weekend for the super hero pic, down 67% from last weekend. That’s not a huge fall for a film like this by historical standards, but it is a surprisingly-sharp decline for the New Year weekend, and considerably worse than any other film reporting, many of which increased their box office from Christmas weekend. More...

Weekend predictions: Wonder Woman to dominate Christmas weekend on screen and at home

December 24th, 2020

Wonder Woman 1984

Wonder Woman will take us back to the 1980s, and possibly forward to the mid-2020s this weekend with an unprecedented release wide in theaters and simultaneously on the HBO Max streaming platform. What that means for its box office is, honestly, a mystery. While its performance will be very closely watched, there are so many additional confounding factors—the Christmas weekend, rising cases of COVID-19 around the country, theater closures and seating restrictions—that it would be unwise to draw too many conclusions from its performance. This week’s run of our box office model at least gives us a baseline to work from.

More...

December preview: Wonder Woman heralds the end of the theatrical window (for now?)

December 1st, 2020

Wonder Woman 1984

The worst year for the movie theatrical industry in a century will end with a series of releases that might define the business for the next decade. Only three of the major studios are daring to release films in theaters during what is shaping up to be the height of the COVID-19 pandemic. Sony Pictures is going the traditional route with Monster Hunter getting an exclusive theatrical release on Christmas Day. Universal’s deals with AMC and Cinemark to allow shortened theatrical windows in return for sharing PVOD revenue have prompted it and its specialty division Focus Features to release four films this holiday season. But all eyes (or many of them, anyway) will be on Warner Bros.’ release of Wonder Woman 1984 simultaneously in theaters and on HBO Max.

When the studio announced this release strategy back on November 18 there was speculation that, if it worked out well, they might do the same thing with some of their other upcoming films. Today they threw caution to the wind and announced that all of the studio’s 2021 films will be released in theaters and on HBO Max at the same time (in territories where HBO Max is available). While we’re still digesting the news, here are three quick takes on the rationale for Warner Bros. to make this bold leap. More...

Promising Young Woman trailer

October 12th, 2020

Black comedy starring Carey Mulligan is scheduled to open in theaters on December 25. Full movie details…

Everyone said Cassie was a promising young woman... until a mysterious event abruptly derailed her future. But nothing in Cassie’s life is what it appears to be: she’s wickedly smart, tantalizingly cunning, and she’s living a secret double life by night. Now, an unexpected encounter is about to give Cassie a chance to right the wrongs of the past. More...

Promising Young Woman Trailer

January 28th, 2020

Revenge thriller starring Carey Mulligan opens April 17 ... Full Movie Details.

Everyone said Cassie was a promising young woman... until a mysterious event abruptly derailed her future. But nothing in Cassie’s life is what it appears to be: she’s wickedly smart, tantalizingly cunning, and she’s living a secret double life by night. Now, an unexpected encounter is about to give Cassie a chance to right the wrongs of the past. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2021/04/09 - $5,000   16 $313   $5,000 1

Box Office Summary Per Territory

$00$00
Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 1/1/2021 $0 0 220 2003 $3,572,433 10/20/2022
Austria 8/20/2021 $0 0 0 0 $174,523 3/13/2024
Bolivia 4/9/2021 $5,000 16 16 16 $5,000 10/19/2022
Brazil 4/22/2021 $0 0 95 95 $47,000 5/17/2021
Central America 4/9/2021 $54,000 73 73 73 $54,000 4/12/2021
Croatia 3/5/2021 $14,000 46 46 46 $14,000 3/8/2021
Czech Republic 5/28/2021 $2,256 25 52 125 $12,859 10/20/2022
Denmark 5/14/2021 $74,000 61 61 135 $334,000 6/1/2021
Finland 5/7/2021 $0 0 0 0 $214,647 8/13/2021
France 5/5/2021 $0 0 223 802 $782,651 6/28/2021
Germany 8/19/2021 $257,069 0 0 0 $379,675 8/30/2021
Hong Kong 4/23/2021 $56,000 36 36 36 $56,000 10/20/2022
Hungary 5/21/2021 $10,000 25 25 25 $10,000 10/20/2022
Iceland 5/7/2021 00$0
Italy 6/24/2021 $109,243 0 18 18 $496,677 10/20/2022
Lithuania 4/30/2021 $7,900 14 14 67 $27,818 10/20/2022
Mexico 4/9/2021 $84,317 0 0 0 $266,976 4/27/2021
Netherlands 12/25/2020 $0 0 21 106 $98,022 9/24/2021
New Zealand 1/7/2021 $88,566 70 79 636 $561,314 10/20/2022
North America 12/25/2020 $719,305 1,310 1,448 15,765 $6,460,965 6/13/2022
Norway 5/21/2021 $52,000 65 65 119 $92,000 6/1/2021
Paraguay 4/9/2021 $1,000 0 0 0 $1,000 10/19/2022
Poland 3/5/2021 $111,000 123 130 441 $385,800 9/8/2022
Portugal 4/30/2021 $5,307 18 18 46 $21,921 8/25/2021
Russia (CIS) 1/21/2021 $173,091 632 632 1123 $335,565 10/19/2022
Serbia and Montenegro 5/14/2021 $10,000 32 32 32 $10,000 10/20/2022
Singapore 3/19/2021 $106,000 29 29 29 $106,000 10/20/2022
Slovakia 5/28/2021 $0 0 5 5 $12,465 7/1/2021
South Korea 2/24/2021 $16,047 64 64 139 $59,851 5/6/2021
Spain 4/16/2021 $250,000 223 230 1045 $1,305,598 6/4/2021
Sweden 5/21/2021 $21,000 66 66 101 $45,000 6/1/2021
Switzerland (French Speaking) 5/14/2021 $40,000 22 22 22 $40,000 5/17/2021
Switzerland (German Speaking) 5/14/2021 $52,000 35 37 72 $131,000 6/1/2021
Taiwan 3/12/2021 $113,000 95 95 190 $206,000 10/19/2022
Thailand 4/23/2021 $13,000 37 37 37 $13,000 10/20/2022
Trinidad 4/9/2021 $3,000 4 4 4 $3,000 10/19/2022
United Kingdom 2/12/2021 00$0
 
Rest of World $2,517,406
 
Worldwide Total$18,854,166 3/13/2024

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Carey Mulligan    Cassandra

Supporting Cast

Bo Burnham    Ryan
Alison Brie    Madison
Clancy Brown    Stanley
Jennifer Coolidge    Susan
Laverne Cox    Gail
Connie Britton    Dean Walker
Adam Brody    Jerry
Max Greenfield    Joe
Chris Lowell    Al Monroe
Raymond Nicholson    Jim
Samuel Richardson    Paul
Timothy E. Goodwin    Monty
Alli Hart    Ruby
Loren Paul    Jeff
Scott Aschenbrenner    Jeff’s Friend
Christopher Mintz-Plasse    Neil
Gabriel Oliva    Alfred
Bryan Lillis    Tony
Francisca Estevez    Amber
Lorna Scott    Jean
Casey Adams    George
Vince Lozano    Simon
Molly Shannon    Mrs. Fisher
Mike Horton    Chip
Steve Monroe    Lincoln
Angela Zhou    Todd
Austin Talynn Carpenter    Anastasia

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Emerald Fennell    Director
Emerald Fennell    Screenwriter
Margot Robbie    Producer
Josey McNamara    Producer
Tom Ackerley    Producer
Ben Browning    Producer
Ashley Fox    Producer
Emerald Fennell    Producer
Carey Mulligan    Executive Producer
Glen Basner    Executive Producer
Alison Cohen    Executive Producer
Milan Popelka    Executive Producer
Fiona Walsh Heinz*    Co-Producer
Benjamin Kracun    Director of Photography
Michael T. Perry    Production Designer
Frederic Thoraval    Editor
Nancy Steiner    Costume Designer
Susan Jacobs    Music Supervisor
Anthony Willis    Composer
Mary Vernieu    Casting Director
Lindsay Graham-Ahanonu*    Casting Director
Emily Freund    Additional Editor
Tim Pedegana    Post-Production Supervisor
Frederic DuBois    Supervising Sound Editor
Liz Klockzkowski    Art Director
Rae Deslich    Set Decorator
Claudia Sarbu    Costume Supervisor
Robert Eber    Sound Mixer
Renetta G. Amador    Script Supervisor
Angela Wells    Make up
Daniel Curet    Hairstylist
Kieron Estrada    Location Manager
Rob Nokes    Dialogue Editor
Ryan Collison    Foley Mixer
Connor Nagy    Foley Mixer
Nick Seaman    Foley Editor
Laura Heinzinger    Foley Editor
Frederic DuBois    Re-recording Mixer
Scott Weber    Re-recording Mixer
John Stewart    Visual Effects Supervisor
Gregory D Liegey    Visual Effects Supervisor
Chapel Folger    Visual Effects Producer
Philip Tallman    Music Editor
Phil McGowan    Score Mixer

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.