United Kingdom Box Office for The Possession of Hannah Grace (2018)

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The Possession of Hannah Grace
Theatrical Performance (US$)
United Kingdom Box Office $448,282Details
Worldwide Box Office $42,873,730Details
Home Market Performance
North America DVD Sales $929,856 Details
North America Blu-ray Sales $532,603 Details
Total North America Video Sales $1,462,459
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

A shocking exorcism spirals out of control, claiming the life of a young woman. Months later, Megan Reed is working the graveyard shift in the morgue when she takes delivery of a disfigured cadaver. Locked alone inside the basement corridors, Megan begins to experience horrifying visions and starts to suspect that the body may be possessed by a ruthless demonic force.

Metrics

Movie Details

Production Budget:$6,000,000
United Kingdom Releases: November 30th, 2018 (Wide)
Video Release: February 19th, 2019 by Sony Pictures Home Entertainment
MPAA Rating: R for gruesome images and terror throughout.
(Rating bulletin 2549 (Cert #50779), 10/17/2018)
Running Time: 85 minutes
Keywords: Supernatural, Security Guard, Possessed, Rehab / Former Addict, Supernatural Horror
Source:Original Screenplay
Genre:Horror
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Broken Road, Screen Gems
Production Countries: United States
Languages: English

Home Market Releases for February 26th, 2019

February 26th, 2019

Ralph Breaks the Internet

This week’s list includes a number of releases that are worth picking up, mostly of the smaller variety. There’s a foreign-language import, Border; a mostly forgotten comedy from the 1980s, Used Cars; a good movie that is busted Oscar-bait, Mary Queen of Scots; and an Anime slice of life, Love Live! Sunshine!!: Season Two. However, for most people, it’s the two biggest releases that are also the best: The Little Mermaid and Ralph Breaks the Internet. For me, Ralph Breaks the Internet on Blu-ray or 4K Ultra HD is the clear Pick of the Week. More...

Home Market Releases for February 19th, 2019

February 20th, 2019

Can You Ever Forgive Me?

The fall smash hits and the Oscar contenders are starting to come out in full force, making it a great time on the home market. This week, we have one of the biggest hits of the fall, A Star is Born; one of the best movies of the year, Can You Ever Forgive Me?; and the Anime that arguably solidified Moe as powerhouse genre, K-ON: Complete Collection Premium Box Set. Of the three, I like K-ON the most, but I admit that price will scare away a lot of people, so Can You Ever Forgive Me? is the better choice for Pick of the Week. More...

Weekend Wrap-Up: The Calm before the Winter Storm

December 11th, 2018

Ralph Breaks the Internet

There were no new releases / expansions / re-releases in the top five over the weekend. In fact, there were no such films in the top ten. Not a single film in the top five even switched positions, so there’s almost nothing to talk about. Ralph Breaks the Internet held on a tiny bit better than predicted, but that didn’t stop the overall box office falling 27% from last weekend to $84 million. This is still ahead of the same weekend last year, but by a tiny 1.5% margin. Year-to-date, 2018’s margin over 2017 barely changed and currently sits at 10.7% or $1.04 billion at $10.82 billion to $9.77 billion. More...

Weekend Wrap-Up: Ralph Wins, Most Holdovers Hold Strong

December 4th, 2018

Ralph Breaks the Internet

The post-holiday weekend matched expectations, more or less. Ralph Breaks the Internet led the way with $25.57 million over the weekend. The Possession of Hannah Grace opened better than expected and earned more than it cost to make, so if it can find an audience on the home market, it could break even. Overall, the box office fell almost exactly $100 million from last weekend, but it is a post holiday weekend, so this 47% drop-off is not unexpected. More importantly, this is 9.5% above the same weekend last year, which continues 2018’s winning streak. 2018’s lead over 2017 is basically within a rounding error of where it was last week at $10.8 million / $1.05 billion at $10.70 billion to $9.65 billion. More...

Weekend Estimates: Ralph Slips, Still Strong, Hannah Tops Expectations, Still Soft

December 2nd, 2018

Ralph Breaks the Internet

Ralph Breaks the Internet will retain top spot on the weekend box office chart with an estimated $25.8 million for a two-week total of $119.3 million. Granted, this is lower than we predicted, but not so much lower than anyone at Disney should be panicking. Internationally, the film added an estimated $33.7 million in 27 markets, lifting its international total to $87.7 million after two weeks of release. Its only major market opening of the weekend was the U.K. where it reportedly earned $5.2 million. This is less than Wreck-It Ralph opened with, but that film debuted during the school holidays, so it got a boost. Ralph Breaks the Internet should have longer than average legs thanks to Christmas, but I don’t think it will match its predecessor in this market. More...

Friday Estimates: Ralph has a mostly Graceful Decline

December 1st, 2018

Ralph Breaks the Internet

Ralph Breaks the Internet remained in top spot on the box office chart on Friday earning $5.74 million. This is 74% lower than its opening Friday; granted, that was a holiday, so a sharp decline was practically guranteed, but this is still sharper than anticipated. Look for $25 million over the weekend, which is weaker than our prediction and puts $200 million in jeopardy. It will need help over the Christmas break to get there. More...

Thursday Night Previews: Grace has a Lively Debut

November 30th, 2018

The Possession of Hannah Grace

The Possession of Hannah Grace started its box office run with $625,000 during its previews. This isn’t a huge amount, but it is nearly double what I was expecting. Granted, its reviews are not going to help its legs, but it could compete for a spot in the top five with $7 million over the full weekend. That would be a great start for a film that is rumored to cost just $20 million to make and advertise. More...

Weekend Predictions: New Releases don’t look Very Graceful

November 29th, 2018

The Possession of Hannah Grace

It’s the weekend after Thanksgiving long weekend, which is one of the worst weekends for a wide release. This weekend, The Possession of Hannah Grace is the only new release and it is only opening in 1,700 theaters. This means Ralph Breaks the Internet will have no trouble remaining in first place. In fact, the top five from last weekend will remain nearly the same. A couple might switch places, but that’s it. This weekend last year, Coco remained in top spot with just under $28 million, while there were no new releases / semi-wide expansions that managed to grab a spot in the top five. Its holdovers vs. holdovers, which gives 2018 a small advantage. More...

2018 Preview: November

November 1st, 2018

Ralph Breaks the Internet

October continued 2018’s phenomenal box office run, for the most part. There were a couple of films that missed expectations by $10 million or more, but on the other hand, Vemon and Halloween were smash hits and are now the first and second biggest October debuts of all time. Furthermore, 2018’s lead over 2017 is, as I’m writing this, just shy of $1 billion and if 2018 can maintain this lead, it will be one of the biggest year-over-year increases of all time. It won’t. The fun times end now. Why is that? Last November was amazing. There were only eight wide releases, but six of them earned more than $100 million. Three of those hit $200 million, including Thor: Ragnarok, which earned over $300 million. This year, there are a lot more movies opening in November, but it is a case of quantity over quality. No movie is expected to come close to $300 million and it would take a bit of luck just to have five $100 million hits. The film I’m looking forward to the most is Ralph Breaks the Internet, while it, Dr. Seuss’ The Grinch, and Fantastic Beasts: The Crimes of Grindelwald are all aiming for $200 million this month. Fortunately, even if 2018 is behind 2017’s pace by around $300 million, 2018 has built up such a large lead that it should still go into December with an insurmountable lead at the box office. More...

The Possession of Hannah Grace Trailer

October 16th, 2018

Horror movie starring Kirby Johnson and Shay Mitchell opens November 30 ... Full Movie Details. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2018/11/30 13 $145,003   154 $942   $145,003 1
2018/12/07 - $62,165 -57% 118 $527   $297,927 2
2018/12/14 - $14,029 -77% 36 $390   $340,303 3
2018/12/21 - $9,013 -36% 22 $410   $362,534 4
2018/12/28 - $11,531 +28% 19 $607   $379,025 5
2019/01/04 - $14,887 +29% 18 $827   $400,696 6
2019/01/11 - $11,398 -23% 16 $712   $421,691 7
2019/01/18 - $7,467 -34% 16 $467   $436,010 8
2019/01/25 - $4,001 -46% 15 $267   $444,070 9
2019/02/01 - $2,023 -49% 13 $156   $448,282 10

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 12/6/2018 $180,888 134 134 459 $678,728 3/26/2019
Aruba 11/29/2018 $994 1 2 3 $5,888 12/12/2018
Bahrain 12/6/2018 $30,313 9 9 16 $86,109 1/10/2019
Belgium 1/2/2019 $223,547 26 26 168 $561,554 2/26/2019
Bolivia 11/29/2018 $30,114 17 17 45 $114,025 1/3/2019
Brazil 11/29/2018 $583,773 404 417 1157 $1,550,824 1/23/2019
Bulgaria 12/7/2018 $18,727 0 14 24 $80,168 3/19/2019
Cambodia 12/17/2018 $22,366 65 65 129 $81,148 1/15/2019
Central America 11/29/2018 $210,340 126 128 334 $615,670 1/3/2019
Chile 12/6/2018 $107,547 52 52 107 $243,805 1/10/2019
Colombia 11/29/2018 $218,267 142 142 419 $740,391 12/27/2018
Curacao 11/29/2018 $2,014 2 2 5 $5,316 12/27/2018
Czech Republic 12/7/2018 $88,465 73 73 213 $248,103 1/23/2019
Dominican Republic 12/6/2018 $0 0 1 4 $21,613 2/8/2019
Ecuador 12/7/2018 $68,629 32 32 112 $240,860 1/10/2019
Egypt 12/5/2018 $51,602 25 25 141 $341,556 2/26/2019
Estonia 12/7/2018 $8,312 10 10 16 $23,053 1/3/2019
France 12/5/2018 $513,546 124 126 512 $1,498,895 1/16/2019
Germany 1/31/2019 $534,300 205 228 1277 $1,528,018 4/16/2019
Greece 11/29/2018 $105,215 74 74 133 $279,519 12/27/2018
India 12/7/2018 $207,509 441 441 450 $318,188 12/27/2018
Indonesia 11/30/2018 $870,440 493 493 1236 $2,713,536 1/3/2019
Iraq 12/6/2018 $18,696 9 9 37 $84,071 1/23/2019
Israel 11/29/2018 $72,338 14 14 74 $281,096 2/5/2019
Italy 1/31/2019 $792,959 0 20 43 $1,505,256 3/19/2019
Jamaica 11/28/2018 $3,521 3 3 4 $6,698 12/12/2018
Jordan 12/6/2018 $15,635 5 5 24 $73,632 1/23/2019
Kenya 11/30/2018 $1,365 9 9 15 $3,651 12/27/2018
Latvia 12/7/2018 $6,373 5 5 12 $22,432 1/3/2019
Lebanon 12/6/2018 $24,220 15 15 26 $41,307 1/10/2019
Lithuania 12/7/2018 $35,821 69 69 171 $118,146 1/3/2019
Malaysia 11/29/2018 $247,772 220 220 551 $607,118 12/27/2018
Mexico 11/30/2018 $896,169 0 65 153 $2,811,881 1/29/2019
Netherlands 11/29/2018 $234,758 66 67 314 $827,729 2/20/2019
North America 11/30/2018 $6,401,744 2,065 2,298 6,087 $14,836,174 10/1/2019
Norway 12/14/2018 $1,267 1 1 1 $1,268 12/27/2018
Oman 12/6/2018 $18,175 8 8 8 $18,176 12/11/2018
Pakistan 11/30/2018 $27,525 31 31 42 $81,427 12/27/2018
Paraguay 12/20/2018 $13,810 16 16 46 $49,383 2/12/2019
Peru 12/6/2018 $144,587 65 65 106 $292,484 1/10/2019
Philippines 1/23/2019 $440,948 212 212 519 $1,077,436 3/5/2019
Poland 12/7/2018 $223,585 93 93 266 $642,666 1/23/2019
Portugal 2/7/2019 $85,039 29 29 103 $290,007 3/26/2019
Qatar 12/6/2018 $33,374 6 6 8 $48,322 12/27/2018
Romania 11/30/2018 $99,847 71 71 225 $293,564 2/12/2019
Russia (CIS) 2/28/2019 $487,894 726 726 1598 $963,870 4/2/2019
Singapore 12/27/2018 $121,797 24 24 77 $313,764 2/6/2019
South Africa 2/1/2019 $30,180 26 27 87 $95,308 3/26/2019
Spain 11/30/2018 $657,034 264 264 1222 $2,330,549 3/19/2019
Suriname 11/29/2018 $1,683 1 1 4 $4,876 12/27/2018
Switzerland 12/5/2018 $28,216 7 22 132 $268,000 4/16/2019
Syria 12/6/2018 $9,229 2 2 7 $22,639 1/3/2019
Thailand 3/21/2019 $181,017 126 126 194 $461,055 4/10/2019
Trinidad 11/28/2018 $17,436 11 11 22 $38,054 12/27/2018
Turkey 3/15/2019 $91,993 172 172 425 $241,828 4/12/2019
Ukraine 12/6/2018 $71,598 155 155 258 $131,163 1/3/2019
United Arab Emirates 12/6/2018 $133,151 41 41 64 $258,624 2/8/2019
United Kingdom 11/30/2018 $145,003 154 154 427 $448,282 2/6/2019
Uruguay 11/29/2018 $17,988 14 16 79 $92,533 3/19/2019
Venezuela 1/4/2019 $97,891 36 36 113 $660,265 3/24/2019
Vietnam 12/21/2018 $185,723 170 170 315 $463,686 1/15/2019
 
Rest of World $88,343
 
Worldwide Total$42,873,730 10/1/2019

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Shay Mitchell    Megan Reed
Kirby Johnson    Hannah Grace

Supporting Cast

Grey Damon    Andrew Kurtz
Nick Thune    Randy
Louis Herthum    Man/Killer/Grainger
Stana Katic    Lisa Roberts
Max McNamara    Dave
Jacob Ming-Trent    Ernie Gainor
James A. Watson Jr    Dr. Henry Lewis
Marianne Bayard    Female Ambulance Driver
Adrian Mompoint    Other Ambulance Driver
Matt Mings    Megan’s Police Partner
Gijs Scholten van Aschat    Father Marcato
Guy Clemens    Father Cunningham
Sean Burns    Junkie
Andrea Lyman    Boston Pedestrian
George Vezina    Background Doctor
Melissa McMeekin    Meeting Host
Robert M. Armstrong    AA Meeting Member
Steven Charette    AA Meeting Member
Je-Kori A. Salmon    AA Meeting Member
Anthony Soohoo    AA Meeting Member
Stephen Spewock    AA Meeting Member
David Pridemore    AA Meeting Member
Jeff Bellin    Morgue Employee
Francine Bouska    Morgue Employee
Edward P. Byrnes    Morgue Employee
Monica Farrington    Morgue Employee
James T. Leeber    Morgue Employee
Robert B. Neville    Morgue Employee
Sarah E. Olson    Morgue Employee
Steven Weisz    Morgue Employee
Robert La Tremouille    Corpse
Kevin Butler    Police Officer
Christina M. Calvao-Medeiros    Police Officer
Edward Mattingly Sr    Police Officer
John E. Meaney    Police Officer
James J. Robinson    Police Officer
Jeffrey Paul Valenti    Police Officer
Shawn Fogarty    Police Officer
Alan Francis    Police Officer
Andrew Perillo    Doctor
Colin Allen    Technician on Phone
Manny Famolare    Paramedic

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Diederik Van Rooijen    Director
Brian Sieve    Screenwriter
Todd Garner    Producer
Sean Robins    Producer
Glenn S. Gainor    Executive Producer
Lennert Hillege    Director of Photography
Paula Loos    Production Designer
Stanley Kolk    Editor
Jake York    Editor
John Frizzell    Composer
Deborah Newhall    Costume Designer
Andrea Ajemian    Co-Producer
Nancy Nayor    Casting Director
Paul Marini    Stunt Coordinator
Glenn S. Gainor    Unit Production Manager
Adam Druxman    First Assistant Director
Kenneth R. Donaldson*    Second Assistant Director
Billy Bonifield    Production Supervisor
Kim Leoleis    Set Decorator
Anthony Raymond    Set Designer
Kelly Cronin    Script Supervisor
Debbie Holbrook    Costume Supervisor
Julie LeShane    Make up
Adrien Morot    Hannah Grace Character Designer and Creator
Ben Bornstein    Special Make-up Effects
Shayna Passaretti    Hairstylist
Kevin Parker    Sound Mixer
John Ruggieri    Special Effects Supervisor
Jamie Merz    Location Manager
Todd E. Miller    Additional Editor
Patrick Gallagher    Assistant Editor
Josh Sgarlata    Assistant Editor
Marc Fishman    Re-recording Mixer
Steven Ticknor    Re-recording Mixer
Steven Ticknor    Supervising Sound Editor
Steven Ticknor    Sound Designer
Claude Letessier    Sound Designer
Joe Iemola    Sound Effects Editor
Bruce Tanis    Sound Effects Editor
Robert C. Jackson    Supervising Dialogue/ADR Editor
Robert Troy    Dialogue Editor
Shawn Kennelly    Foley Mixer
Grant Conway    Music Editor
Kevin Crehan    Music Editor
Nick Cimity    Score Mixer
Phill Driscoll    Score Mixer
Raoul Yorke Bolognini    Visual Effects Producer
Grant Miller    Visual Effects Supervisor
David Lebensfeld    Visual Effects Supervisor
Kieley Culbertson    Visual Effects Producer
Jumanah Shaheen    Visual Effects Producer
Culley Bunker    Visual Effects Supervisor
Kimberly Church    Visual Effects Producer
Thaumar Rep    Visual Effects Supervisor

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.