Synopsis
Well into their 30s, Juan Nuñez and Benjamín Wilson still can’t seem to finish veterinary school or leave their parents’ homes. Instead, they wallow in comfortable limbo in the district of Satelite, Mexico City’s version of an American suburb. On a fateful Christmas Eve, however, they decide it’s finally time to distinguish themselves by executing the most infamous cultural artifacts heist in all of Mexican history. Excusing themselves from the traditional family dinners and seizing on the holiday’s lax security—not to mention the sheer improbability of their crime—they loot Mexico’s iconic National Anthropology Museum of its most precious pieces and embark upon a misadventure that will forever change their lives. The magnitude of the theft exceeds the amateur thieves’ expectations, and by the very next morning they realize, too late, the full scope and implications of their actions. Stumbling through the next steps of their ill-conceived plan, they leave everything behind and set off on a journey that takes them from the Mayan ruins of Palenque to the decadent underworld of Acapulco Bay in a futile effort to fence treasures so valuable and recognizable that no one dares acquire them.
Metrics
Movie Details
| Mexico Releases: |
October 26th, 2018 (Wide) |
| Video Release: |
January 21st, 2020 by Kino Lorber |
| MPAA Rating: |
Not Rated |
| Running Time: |
128 minutes |
| Keywords: |
1980s, Museum, Set in Mexico, Heist |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: |
YouTube , Panorama Global, Detalle Films, Ring Cine , Distant Horizon, Serendipity Point Films, EFO Films, Secretaria De Cultura, Panorama Films |
| Production Countries: |
Mexico |
| Languages: |
English, Spanish |
September 20th, 2018
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It was a crowded week on the theater average chart with five films in the $10,000 club. This includes Museum, which led the way with $16,554 in its lone theater. Hal actually jumped into the $10,000 club with $12,150 in one theater during its second weekend of release. Lizzie was the widest release in the $10,000 club with an average of $11,895 in four theaters. Science Fair was next with $11,231 in one theater. Another documentary, The Dawn Wall, was next with an average of $10,829 in two theaters.
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September 16th, 2018
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This isn’t a great weekend at the box office, as three of the four new releases are missing expectations, according to studio Sunday morning estimates, as well as the biggest holdover. The Predator will come out on top with $24.0 million over the weekend, but, while that’s not bad for a September release, there’s not a lot to be excited about either. Its reviews are just 34% positive, while it only managed a C plus from CinemaScore, both of which suggest short legs. It is way too early to tell how it will perform internationally, but it only managed fourth place in South Korea with a total opening of $1.2 million on 572 screens. That’s not good and the film needs to be a major hit outside of the domestic market if it is to break even any time soon.
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September 14th, 2018
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Every week, I have to decide which limited releases to talk about in the main list of this column. Usually I limit myself to those with double-digit reviews on Rotten Tomatoes. Last week, there were so few limited releases to talk about, I included some that I wouldn’t normally include. This week, there are about 30 films coming out in limited release, so I have to be extra judicious and cut some films just to keep the list manageable. Unfortunately, it feels like a case of quantity over quality. There are some movies that are getting excellent reviews, but a lot of movies that had strong pre-release buzz are disappointing critically. There are some I’m interested in, like I Think We’re Alone Now, but that’s more for the cast than the reviews. Mandy is one of the best films, but it is playing on Video on Demand, so I don’t expect it will do well at the box office. There are also several documentaries, with Science Fair being the one I want to see the most.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|
| 2018/10/26 |
5 |
$515,459 |
|
0 |
|
$52,472 |
1 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue
are available through our research services. For more information, please contact us at research@the-numbers.com.
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
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