Australia Box Office for How Long Will I Love You (2018)

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How Long Will I Love U
Theatrical Performance (US$)
Australia Box Office $548,940Details
Worldwide Box Office $133,650,584Details
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

A man and a woman living in the same apartment nearly twenty years apart wake one day to find their timelines have merged. Now they’re stuck with one another, unless they can work together long enough to find a way back to their normal lives… if destiny will allow it.

Metrics

Movie Details

Australia Releases: May 18th, 2018 (Wide), released as How Long Will I Love You
MPAA Rating: Not Rated
Running Time: 101 minutes
Keywords: Set in China, Time Travel, Romance, 1990s, Romantic Comedy
Source:Remake
Genre:Romantic Comedy
Production Method:Live Action
Creative Type:Fantasy
Production/Financing Companies: Khorgos Youth Enlight Pictures
Production Countries: China
Languages: Mandarin

International Box Office: Deadpool Reclaims Top Spot with Solo Slipping to Second

June 5th, 2018

Deadpool 2

Deadpool 2 returned to first place with $41.6 million in 79 markets for totals of $344.00 million internationally and $598.51 million worldwide. It opened in first place in Japan with $5.5 million, which is close to 30% better than the original managed in its opening there. More...

Theater Averages: 2001 Re-Release Remains Tops

May 30th, 2018

Solo: A Star Wars Movie

2001: A Space Odyssey remained in first place on the theater average chart with $24,810 in four theaters. The number one film, Solo: A Star Wars Movie, was next with an average of $19,270. The Gospel According to Andre earned an average of $11,951 in four theaters. First Reformed remained in the $10,000 club with an average of $10,064 in 29 theaters during its second weekend of release. More...

International Box Office: Solo Doesn’t Soar, Still Tops Chart with $65.0 million

May 30th, 2018

Solo: A Star Wars Story

Solo: A Star Wars Story earned first place on the international chart with $65.0 million in 54 markets; however, this is about half what the film needed to make to be a undisputed financial success. The film only cracked $10 million in one market, the U.K. where it made $10.3 million. However, China was close behind with $9.71 million over the weekend and $9.84 million including previews. More...

Weekend Estimates: Solo Opens Lower than Expected with $101 million, Still Dominates Competition

May 27th, 2018

Solo: A Star Wars Story

Solo: A Star Wars Story opened with an estimated $83 million / $101 million over the three-day / four-day weekend. It had the best Memorial Day long weekend since 2014, when X-Men: Days of Future Past opened with $111 million over four days. In fact, this result is the fourth best Memorial Day long weekend opening in the past decade. That said, it was much lower than expected and some are calling it a box office failure. That’s complicated. The film was originally going to cost $150 million to make, making it the cheapest installment in the new Star Wars franchise. However, they reportedly had to reshoot 70% of the movie, which lifted the price to $250 million. The box office needed to break even during the film’s initial push into the home market rose from about $500 million to $650 million. And with an initial international debut of $65.0 million in 54 markets, this film is just not going to get there. The unending talk of behind-the-scenes trouble seems to have hurt the film’s box office chances and even its good reviews and its A minus from CinemaScore won’t be enough to turn things around. That said, it is far from a complete disaster and the franchise will continue, although it might be wise for Disney to not release so many installments in the franchise so quickly. Three in 18 months is a bit too much. This isn’t the MCU. More...

International Box Office: Deadpool Piles Up $300 million in Cash

May 23rd, 2018

Deadpool 2

Deadpool 2 dominated the international box office with $174.9 million on 25,091 screens in 82 markets, for a worldwide opening of $300.4 million. The studio’s share of this opening weekend is close to $140 million, which is significantly more than the film’s $110 million production budget. The film’s biggest market was the U.K., where it earned $17.48 million in 636 theaters. In South Korea, the film earned $11.84 million on 1,576 screens over the weekend for a total opening of $16.73 million. Russia wasn’t far behind, with $11.61 million on 1,477 and it cracked $10 million in Australia, if you include previews, as it pulled in $9.48 million on 602 screens for a total opening of $11.45 million. The film has yet to open in Japan, but there’s no rational way this film won’t break even before it reaches the home market. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2018/05/18 9 $119,069   21 $5,670   $119,069 1
2018/05/25 9 $145,227 +22% 19 $7,644   $342,725 2
2018/06/01 13 $72,736 -50% 17 $4,279   $471,359 3
2018/06/08 19 $37,650 -48% 15 $2,510   $538,851 4
2018/06/15 - $5,481 -85% 9 $609   $548,940 5

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 5/18/2018 $119,069 21 21 81 $548,940 6/18/2018
China 5/13/2018 $2,357 0 92595 313958 $132,200,000 9/1/2020
New Zealand 5/18/2018 $15,451 6 6 25 $105,077 6/25/2018
North America 5/25/2018 $204,733 23 32 99 $746,933
South Korea 11/13/2019 $28,713 126 126 126 $49,634 11/21/2019
 
Worldwide Total$133,650,584 9/1/2020

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Tong Liya   
Ia Ying Yei   

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Su Lun    Director
Su Lun    Screenwriter
Xu Zheng    Producer
Ron Chan    Editor