Australia Box Office for The Eagle Huntress (2016)

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The Eagle Huntress
Theatrical Performance (US$)
Australia Box Office $485,964Details
Worldwide Box Office $5,631,241Details
Home Market Performance
North America DVD Sales $374,921 Details
North America Blu-ray Sales $156,943 Details
Total North America Video Sales $531,864
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Follows Aisholopan, a 13-year-old girl, as she trains to become the first female in twelve generations of her Kazakh family to become an eagle hunter, and rises to the pinnacle of a tradition that has been handed down from father to son for centuries. While there are many old Kazakh eagle hunters who vehemently reject the idea of any female taking part in their ancient tradition, Aisholpan’s father Nurgaiv believes that a girl can do anything a boy can, as long as she’s determined. The story begins after Aisholpan has been training with her father’s eagle for many months. As every eagle can only have one master, the time has come for Aisholpan to capture an eagle of her own.

Metrics

Movie Details

Australia Releases: March 17th, 2017 (Wide)
June 16th, 2022 (Limited)
Video Release: February 7th, 2017 by Sony Pictures Home Entertainment
MPAA Rating: G
Running Time: 87 minutes
Keywords: Coming of Age, Father and Daughter, Father’s Footsteps, Animal Lead, Set in Mongolia, Sundance Film Festival 2016, Woman in a Male Dominated Profession, Social and Cultural Documentary, Voiceover/Narration
Source:Based on Real Life Events
Genre:Documentary
Production Method:Live Action
Creative Type:Factual
Production/Financing Companies: Sony Pictures Classics, 19340 Productions, Artemis Rising Foundation, Impact Partners, Shine Global, Warrior Poets, Kissiki Film
Production Countries: Mongolia, United Kingdom, United States
Languages: Kazakh

Home Market Releases for February 07th, 2017

February 7th, 2017

Loving

The winter releases are starting to come out on the home market. Trolls is the biggest such release, but it isn’t the best. It isn’t bad either, but it’s for kids and not adult fans of animation. As for the best, there are a quartet of contenders for Pick of the Week; Loving, The Eagle Huntress, Little Sister, and Two Lovers and a Bear. All four are must haves, while Loving’s Blu-ray Combo Pack is the Pick of the Week. Meanwhile, Two Lovers and a Bear’s DVD is the Puck of the Week for Best Canadian Release. More...

2016 - Awards Season: DGA - Winners

February 5th, 2017

Lion

The last of the Directors Guild of America awards were handed out over the weekend in what was likely a warm venue. On the other hand, I’m dealing with a snow storm that hasn’t really stopped in three days and power outages. Joy. Fortunately, there’s not much to talk about. All three theatrical categories went as expected with La La Land winning yet again. More...

2016 - Awards Season: DGA - Nominations

January 12th, 2017

Lion

The last of the Directors Guild of America nominations were announced and the Oscars are really shaping up to be a one-movie show. That movie is Deadpool. I’m joking of course, but it did get yet another nomination. At this point, it could earn a Best Picture Oscar nomination and I wouldn’t be surprised. The film that is dominating Awards Season is La La Land and frankly I’ve lost count of the number of nominations it has received. More...

2016 - Awards Season: PGA - Nominations

January 11th, 2017

Deadpool

The Producers Guild of America finally finished announcing their nominations. (They spread out their announcements for reasons I’ve never quite understood.) Most of the films on this list have already earned more than a few previous nominations. We appear to be settling into a predictable Awards Season. More...

2016 - Awards Season: BAFTA - Nominations

January 11th, 2017

La La Land

The BAFTA nominations were announced and it should come as no surprise what film lead the way... La La Land with 11 nominations, Nocturnal Animals and Arrival are tied for second with nine nominations a piece. More...

Theater Averages: Hidden Stands Out with Average of $34,329

January 4th, 2017

Hidden Figures

Hidden Figures rose to first place during its first full weekend of release with an average of $34,329 in 25 theaters. It already has more than $2 million and it expands wide on Friday. 20th Century Women was next with an average of $27,800 in four theaters. It isn’t a major player during Awards Season, but it is picking up enough nominations to help it stick around in theaters. Patriots Day was down just 8% earning an average of $21,117 in seven theaters. Last week’s winner, Silence, fell to an average of $20,827 in four theaters. If it has a similar drop next week, it will put its wide release in jeopardy. The best limited release of the week was Paterson, which earned an average of $17,334 in four theaters. Toni Erdmann earned an average of $14,000 in three theaters during its first full week of release. La La Land continues to expand, but remained in the $10,000 club with an average of $12,738. The overall number one film, Rogue One: A Star Wars Story, was next with an average of $11,934, while the second place film, Sing, was right behind with an average of $10,647. More...

Theater Averages: Jackie Tackles Lion Earning Average of $55,743

December 6th, 2016

Jackie

Jackie led the way on the theater average chart with an average of $55,743 in five theaters. Given this start and add in its Oscar buzz and the film has a real shot at expanding wide. Last week’s winner, Lion, fell to second place with an average of $16,651 in seven theaters. Manchester by the Sea continues its impressive run with an average of $14,592 in 156 theaters. It still has room to grow. Miss Sloane earned an average of $11,213 in four theaters. It is reportedly expanding wide this weekend, but that can mean anything from a few hundred theaters to well over 2,000. Finally, Things to Come opened with an average of $11,030 in three theaters. More...

Weekend Estimates: Healthy Arrivals Help Veterans Day Box Office

November 13th, 2016

Doctor Strange

While Doctor Strange and Trolls aren’t really being threatened at the top of the chart this weekend, a few healthy new releases are giving Veterans Day weekend a timely boost at the box office. Arrival is the stand-out performer in wide release, with $24 million from 2,317 theaters and an average over $10,000. The sci-fi drama is a critical darling, but is having a harder time with general audiences who might be expecting something with a few more explosions and laser battles, and its CinemaScore is a B. Its potential long-term performance is a therefore a little hard to gauge at this point, but it would be very surprising for it not to pick up a few more theaters, and it might be decent counter-programming to the explosions and laser battles promised by several other films coming up in the next few weeks. More...

Theater Averages: Loving Loves its Opening Average of $39,904

November 8th, 2016

Loving

Loving led the way on the theater average chart this weekend with an average of $39,904 in four theaters. This isn’t among the best of the year, but it does show the film has room to grow and that should help its Oscar buzz, which in turn will help its box office numbers. The overall number one film, Doctor Strange, was next with an average of $21,911. The only holdover in the $10,000 club was Moonlight, which earned an average of $14,883 in 83 theaters. It still has room to grow, but its chances of expanding truly wide are very limited at this point. The Eagle Huntress was next with an average of $13,144 in four theaters. The final film in the $10,000 club was Trolls at $11,473. More...

Weekend Estimates: Doctor Strange’s $85 Million Gives Industry a Much-Needed Boost

November 6th, 2016

Doctor Strange

After a couple of months of weak box office, and some very disappointing openings, Doctor Strange, Trolls and Hacksaw Ridge are each, in their own way, putting things back on track. Doctor Strange is grabbing the headlines of course, with an impressive $84,989,000 opening projected by Disney on Sunday morning. That’s almost identical to the opening weekend enjoyed by Thor: The Dark World on this weekend back in 2013, and comes without the benefit of being part of an established franchise (putting aside its place in the Marvel Cinematic Universe). More...

Limited and VOD Releases: Loving These Limited Releases

November 4th, 2016

Loving

Last week was a slow week because of Halloween, but we don’t have that excuse this week. That’s not to say there are no top-notch releases this week. Loving has the best shot at box office success and possible even Oscar glory. Meanwhile, there are a pair of documentaries that are worth checking out: The Eagle Huntress and Peter and the Farm. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2017/03/17 16 $73,320   23 $3,188   $73,320 1
2017/03/24 15 $53,128 -28% 23 $2,310   $159,096 2
2017/03/31 20 $40,070 -25% 23 $1,742   $221,190 3
2017/04/07 - $36,303 -9% 27 $1,345   $275,679 4
2017/04/14 - $30,720 -15% 27 $1,138   $333,276 5
2017/04/21 - $14,553 -53% 26 $560   $367,730 6
2017/04/28 29 $13,104 -10% 23 $570   $394,513 7
2017/05/05 - $10,035 -23% 22 $456   $408,313 8
2017/05/12 - $7,530 -25% 16 $471   $418,448 9
2017/05/19 - $4,088 -46% 7 $584   $447,437 10
2017/05/26 - $3,401 -17% 6 $567   $453,554 11
2017/06/02 - $4,075 +20% 6 $679   $458,913 12
2017/06/09 - $1,503 -63% 3 $501   $461,705 13
2017/06/16 - $1,217 -19% 3 $406   $466,332 14
2017/06/23 - $1,048 -14% 2 $524   $468,267 15
2017/06/30 - $1,020 -3% 2 $510   $470,366 16
2017/07/07 - $836 -18% 2 $418   $472,108 17
2017/07/14 - $304 -64% 1 $304   $473,179 18
2022/06/17 - $3,546   1 $3,546   $485,964 275

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 3/17/2017 $73,320 23 27 243 $485,964 6/20/2022
Austria 3/3/2017 $913 1 1 1 $913 3/7/2017
Italy 8/31/2017 $63,480 0 0 0 $81,336 9/5/2017
Netherlands 6/15/2017 $7,985 19 19 55 $35,103 7/4/2017
New Zealand 1/6/2017 $14,231 9 12 79 $129,917 3/27/2017
North America 11/2/2016 $52,574 4 122 886 $3,168,664 11/20/2018
Portugal 6/30/2017 $770 2 2 2 $770 7/7/2017
Slovenia 1/27/2017 $292 1 1 2 $2,031 2/17/2017
Turkey 4/14/2017 $357 0 2 2 $1,372 2/26/2019
United Kingdom 12/16/2016 $20,605 24 50 196 $474,814 4/26/2017
 
Rest of World $1,250,357
 
Worldwide Total$5,631,241 6/20/2022

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Documentary Subject(s)

Nurgaiv Aisholpan    Herself
Rys Nurgaiv    Himself
Kuksyegyen Almagul    Herself
Boshai Dalai Khan    Himself
Bosaga Rys    Himself

Narrator(s)

Daisy Ridley    Narrator

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Otto Bell    Director
Stacey Reiss    Producer
Sharon Chang    Producer
Otto Bell    Producer
Morgan Spurlock    Executive Producer
Jeremy Chilnick    Executive Producer
Daisy Ridley    Executive Producer
Marc H. Simon    Executive Producer
Dan Cogan    Executive Producer
Regina K. Scully    Executive Producer
Barbara Dobkin    Executive Producer
Susan MacLaury    Executive Producer
Sia*    Song Writer
Simon Niblett    Director of Photography
Pierre Takal    Editor
Jeff Peters    Composer
Jenny Raskin    Co-Executive Producer
Asher Svidensky    Co-Producer
Martina Radwan    Additional Camera
Christopher Raymond    Additional Camera
Ben Crossley    Assistant Camera
Andrew Yarme    Sound Recordist
Adam Sonnenfeld    Post-Production Supervisor

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.