Brazil Box Office for Criminal (2015)

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Criminal poster
Theatrical Performance (US$)
Brazil Box Office $251,718Details
Worldwide Box Office $38,771,262Details
Home Market Performance
North America DVD Sales $4,825,614 Details
North America Blu-ray Sales $3,311,225 Details
Total North America Video Sales $8,136,839
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

The story of the right man in the wrong body. In a last-ditch effort to stop a diabolical plot, a dead CIA operative’s memories, secrets, and skills are implanted into an unpredictable and dangerous death-row inmate in hopes that he will complete the operative’s mission.

Metrics

Movie Details

Production Budget:$31,500,000
Brazil Releases: April 14th, 2016 (Wide)
Video Release: July 12th, 2016 by Lionsgate Home Entertainment
MPAA Rating: R for strong violence and language throughout.
(Rating bulletin 2417 (Cert #49972), 3/23/2016)
Running Time: 113 minutes
Keywords: Secret Agent, C.I.A., Action Thriller, Faulty Memory, Hackers, Anarchists
Source:Original Screenplay
Genre:Action
Production Method:Live Action
Creative Type:Science Fiction
Production/Financing Companies: Summit Entertainment, Millennium Films, Benderspink Productions, Campbell Grobman Films
Production Countries: United Kingdom, United States
Languages: English

Home Market Releases for July 26th, 2016

July 27th, 2016

Sing Street

It’s a rather shallow week on the home market with the biggest release being Batman: The Killing Joke, which is a hot mess. More on that below. As for the best new release of the week, there are a handful of releases that were contenders for Pick of the Week, including Barbershop: The Next Cut, Deadline U.S.A., and Mystery Science Theater 3000: Volume XXXVI. In the end, I picked Sing Street on Blu-ray for that title. More...

Home Market Releases for July 12th, 2016

July 12th, 2016

Green Room

It is a very slow week for the home market. The biggest release of the week is The Divergent: Series Allegiant, which is a movie most people should avoid. (Looking at its box office numbers, most people did avoid it.) As for the best releases, Belladonna Of Sadness is amazing, but the screener arrived late and I don’t like handing out that title when I haven’t had a chance to check out the full release. Fortunately, we do have a backup contender, Everybody Wants Some on Blu-ray Combo Pack. More...

Weekend Wrap-Up: Jungle Sets 2016 Sophomore Record with $61.54 Million

April 26th, 2016

The Huntsman: Winter's War

Both The Jungle Book and The Huntsman: Winter's War were a little weaker than predicted over the weekend. The Jungle Book was still able to earn the biggest sophomore weekend of 2016 at $61.54 million. For The Huntsman: Winter's War, it was a disappointing $19.45 million. Overall, the box office fell 28% to $128 million. However, this was still 32% more than the same weekend last year. Unfortunately, next weekend is going to be damn awful in the year-over-year comparison, because of a misalignment in the weekend. Year-to-date, 2016 has earned $3.37 million, putting it ahead of last year's pace by 8.5% or $260 million. More...

Weekend Wrap-Up: Jungle is King of the Box Office pulling in $103.26 million

April 18th, 2016

The Jungle Book

Wow. As expected, The Jungle Book easily won first place on the box office chart, but did so with a much, much better than anticipated result of $103.26 million during its opening weekend. This is more than the rest of the box office earned. Barbershop: The Next Cut did well as counter-programming earning $20.24 million. On the other hand, Criminal missed the top five and barely managed to avoid the Mendoza Line. The overall box office was $176 million, which was 68% more than last weekend and 47% more than the same weekend last year. Year-to-date, 2016 has earned $3.19 billion at the box office, which is 9.2% / $270 million more than last year's pace. I didn't think 2016 had a chance to top 2015, but I'm really getting optimistic now. More...

Weekend Estimates: Jungle Book projected to top $100 million

April 17th, 2016

The Jungle Book

2016 is shaping up to be just about the perfect year on all fronts for Disney. They started the year with Star Wars at the top of the box office; Zootopia far out-performed expectations; Captain America: Civil War, Alice Through the Looking Glass and Finding Dory position them perfectly for the Summer; and Doctor Strange and Star Wars: Rogue One are two of the most talked about movies coming at the end of the year. (Oh, and they’re slipping a long-awaited Steven Spielberg family-friendly film in the middle of all that.)

All-in-all, this could be a year of studio dominance the likes of which we haven’t seen since, well, last year, when Universal could do no wrong. Their incredible year really took flight at the beginning of April, when Furious 7 posted a monthly record $147 million opening weekend. The Jungle Book won’t hit those heights, but it will most likely be the second film to top $100 million in April, with Disney projecting a weekend of $103.57 million as of Sunday morning. More...

Friday Estimates: Jungle Roars to the Top

April 16th, 2016

The Jungle Book

Friday's box office had some good news, some bad news, and some ugly news. The Jungle Book opened with an amazing $32.41 million on Friday. Given its family-friendly target demographic and its 95% positive reviews, it should have a great internal multiplier. For example, Cinderella opened with $23.00 million during its opening day on the way to an opening weekend of $67.88 million. If The Jungle Book has the same internal multiplier, it will earn $96 million over the weekend. However, films that open bigger have a harder time maintaining those numbers. An opening weekend of $90 million is possible, but I think it will fall just short of that mark. More...

Thursday Night Previews: Jungle Made a Lot of Noise Last Night

April 15th, 2016

The Jungle Book

The Jungle Book has stellar previews pulling in $4.2 million in Thursday. That's not as big as Batman v Superman: Dawn of Justice or Deadpool made earlier this year. However, it is more than the $2.3 million Cinderella earned last year. This bodes well for its weekend run. More...

Weekend Predictions: Welcome to the Jungle

April 15th, 2016

The Jungle Book

Hollywood's attempt to redefine the start of summer as "some time in April" continue this week with the release of The Jungle Book. This film is expected to dominate the box office this weekend and possibly next weekend as well. Barbershop: The Next Cut is also expected to do well, perhaps earning the biggest opening in the franchise, not taking into account inflation. Finally there's Criminal, which should just be happy with a spot in the top five. This weekend last year, Furious 7 led the way, but Paul Blart: Mall Cop 2 and Unfriended were close behind. Fortunately, it looks like The Jungle Book will earn more than those three made combined. 2016 should have a good week on the year-over-year comparison. More...

2016 Preview: April

April 1st, 2016

The Jungle Book

March was a really good month, for the most part. There were a few bombs, but the two biggest films, Zootopia and Batman v Superman: Dawn of Justice, both beat expectations by significant margins, so overall the box office was better than expected. Unfortunately, April is a mess, which makes prognosticating really tough. Every single week has at least one film that either moved, switched from wide to limited release, or disappeared entirely. The Jungle Book appears to be the biggest film of the year, but The Huntsman: Winter's War could also be a $100 million hit. Sadly, last April was led by Furious 7, which earned more than $350 million at the box office. That's very likely more than both The Jungle Book and The Huntsman: Winter's War will make combined. Worse still, there were only four weekends in April last year, meaning the month ends by going head-to-head with The Avengers: Age of Ultron. By the time the month ends, 2016's lead over 2015 might be gone. Let's hope it is not that bad. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2016/04/15 9 $139,035   76 $1,829   $139,035 1

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 5/27/2016 $100,859 52 52 97 $190,834 11/29/2018
Australia 5/20/2016 $3,034 10 10 10 $3,034 6/9/2016
Brazil 4/14/2016 $139,035 76 76 76 $251,718 11/15/2018
Bulgaria 4/15/2016 $15,631 31 31 31 $15,631 12/31/2018
China 5/12/2016 $7,900,000 32538 32538 40702 $15,772,274 8/27/2018
France 5/6/2016 $575,766 0 0 0 $1,260,288 10/2/2018
Greece 4/14/2016 $52,520 47 47 47 $52,520 6/9/2016
Hungary 4/21/2016 $42,669 29 29 58 $77,455 12/31/2018
Iraq 4/14/2016 $6,770 4 4 4 $6,770 12/31/2018
Italy 4/14/2016 $449,529 272 272 544 $1,123,734 11/11/2018
Lebanon 4/14/2016 $14,722 6 6 6 $14,722 12/31/2018
Lithuania 4/22/2016 $0 0 40 44 $28,315 6/9/2016
Mexico 7/22/2016 $437,621 0 0 0 $867,032 8/2/2016
Netherlands 8/24/2016 $41,287 43 43 86 $107,584 9/6/2016
North America 4/15/2016 $5,767,278 2,683 2,683 7,949 $14,708,696 4/4/2017
Oman 4/14/2016 $24,715 7 7 7 $24,715 12/31/2018
Portugal 4/14/2016 $62,971 33 33 132 $191,194 6/9/2016
Russia (CIS) 4/14/2016 $490,391 618 618 1339 $734,639 12/31/2018
Slovenia 4/28/2016 $6,580 13 13 22 $11,701 6/9/2016
South Africa 4/15/2016 $29,359 35 35 35 $29,359 6/9/2016
South Korea 6/22/2016 $332,449 342 342 358 $649,705 7/16/2016
Spain 9/2/2016 $176,964 180 180 391 $380,480 10/6/2016
Taiwan 8/21/2015 $0 0 47 47 $261,980 6/9/2016
Turkey 4/15/2016 $78,303 150 150 242 $229,002 2/26/2019
United Arab Emirates 4/14/2016 $394,884 64 64 64 $394,884 12/31/2018
United Kingdom 4/15/2016 $353,108 277 277 290 $353,108 9/28/2022
 
Rest of World $1,029,888
 
Worldwide Total$38,771,262 9/28/2022

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Lead Ensemble Members

Kevin Costner    Jerico Stewart
Gary Oldman    Quaker Wells
Tommy Lee Jones    Dr. Franks
Alice Eve    Marta Lynch
Gal Gadot    Jill Pope

Supporting Cast

Michael Pitt    Jan Strok (The Dutchmen)
Jordi Molla   
Antje Traue   
Scott Adkins   
Amaury Nolasco    Esteban Ruiza
Danny Webb    Lewis Deane
Colin Salmon    Warden
Ryan Reynolds    Bill Pope
Lara Decaro    Emma Pope
Freddy Bosche    CIA Agent Pfeffer
Emmanuel Imani    CIA Agent #2
Harry Hepple    CIA Tech
Doug Cockle    Extraction Team Leader
Steve Nicolson    SSBN Captain
Gisella Marengo    Luggage Shop Saleswoman
Mark Kempner    Black Cab Driver
Michael Bodie    CIA Officer Laundry Team
Sope Dirisu    SSBN Fire & Control
Joshua James    Higgs
Samantha Coughlan    Navy Officer
David Avery    Kebab Clerk
Joe Fidler    Radio Man Fred Bosh
Michael A. Webber    Pawnbroker
Katharine Gwen    Francoise
Richard Reid    James Osborne
Kelly Clare    Pedestrian
Joanna Brookes    Librarian
Matthew Steer    Librarian Patron
Andrew Byron    Russian Sentry
Elizabeth Ross    Mrs. Franks
James Richard Marshall    Heimdahl’s Guard
Henry Garrett    Air Force Technician
Tim Woodward    Roderick Armstrong
Lotte Rice    Bobby
Nathan Osgood    Professor Callowell
Sarah Middleton    Researcher
Dragos Savulescu    Akhmadov
Tamer Dogem    Kebab Cook
Priyanga Burford    Pharmacist
Diana Dimitrovici    Very Attractive Nurse
Amina Zia    Indian Woman
Rio Fredrika Debolla    Redhead Girl
Steven Brand    News Anchor
Natalie Marie Ames    Female News Anchor
Luca Giorgio Maggiora    Kebab Hooligan #1
Mark Smith*    Kebab Hooligan #2
Louis Tamone    MI-5 Officer
Sophie Ross    CIA Tech #2
Samuel Turner O'Toole    Young Kid
Mark Underwood    Heimdahl’s Man
Ian Burfield    Fisherman/Father

Cameos

Piers Morgan    Himself

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Ariel Vromen    Director
Douglas S. Cook    Screenwriter
David Weisberg    Screenwriter
Matt O'Toole    Producer
Mark Gill    Producer
Christa Campbell    Producer
J.C. Spink    Producer
Jake Weiner    Producer
Boaz Davidson    Executive Producer
John Thompson    Executive Producer
Christine Otal    Executive Producer
Avi Lerner    Executive Producer
Trevor Short    Executive Producer
Lati Grobman    Executive Producer
Douglas Urbanski    Executive Producer
Jason Bloom    Executive Producer
Kevin King-Templeton    Executive Producer
Samuel Hadida    Co-Executive Producer
Victor Hadida    Co-Executive Producer
Paul Ritchie    Co-Producer
Dana Gonzales    Director of Photography
Jon Henson    Production Designer
Danny Rafic    Editor
Jill Taylor    Costume Designer
Brian Tyler    Composer
Keith Power    Composer
Elaine Grainger    Casting Director
Tom Struthers    Stunt Coordinator
Jason Potter    Associate Producer
Wes C. Caefer    Visual Effects Supervisor
Lucy Ward    Script Supervisor
Grant Armstrong    Supervising Art Director
David Hindle    Art Director
Hannah Moseley    Art Director
Robert Wischhusen-Hayes    Set Decorator
Martin Trevis    Sound Mixer
Cristina Sopena    Costume Supervisor
Neil Corbould    Special Effects
Hayley Williams    Special Effects Supervisor
Jason Wheeler    Supervising Location Manager
Nick Oliver    Location Manager
Mark Grimwade    Location Manager
Charlotte Mason    Location Manager
Tom Struthers    Second Unit Director
David Stragmeister    Second Unit Camera
Gary C. Bourgeois    Re-recording Mixer
Kris Casavant    Supervising Sound Editor
Nati Taub    Sound Editor
Ryan Nowak    Sound Designer
Ronen Nagel    Sound Designer
Gord Hillier    Dialogue Editor
Ben Schor    Music Editor
Selena Arizanovic    Music Supervisor
Stanislav Dragiev    Visual Effects Supervisor

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.