Portugal Box Office for The Beach Bum: A Vida Numa Boa (2019)

← Go to main The Beach Bum page

The Beach Bum
Theatrical Performance (US$)
Portugal Box Office $22,992Details
Worldwide Box Office $4,267,808Details
Home Market Performance
North America DVD Sales $101,778 Details
North America Blu-ray Sales $165,072 Details
Total North America Video Sales $266,850
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

THE BEACH BUM follows the misadventures of Moondog, a rebellious rogue who always lives life by his own rules.

Metrics

Movie Details

Production Budget:$5,000,000
Portugal Releases: May 10th, 2019 (Wide), released as The Beach Bum: A Vida Numa Boa
Video Release: June 18th, 2019 by Universal Home Entertainment
MPAA Rating: R for pervasive drug and alcohol use, language throughout, nudity and some strong sexual content.
(Rating bulletin 2556 (Cert #51935), 12/5/2018)
Running Time: 95 minutes
Keywords: Set in Florida, Narcotics, Writing and Writers, Infidelity, Relationships Gone Wrong, Dysfunctional Family, Death of a Spouse or Fiancée / Fiancé, Young Child Dealing with the Death of a Parent, Drunk Driver, Accidental Death, Stoner Comedy
Source:Original Screenplay
Genre:Comedy
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Neon Films, VICE, Riverstone Pictures, SPK Pictures, Rocket Science, Iconoclast Films, Anonymous Content, Le Grisbi
Production Countries: United States
Languages: English

Home Market Releases for June 18th, 2019

June 19th, 2019

Us

It is a shallow week with a lot of films on the main list that would be secondary Blu-ray releases on a normal week. There are only two contenders for Pick of the Week: Us and Killing Eve: Season Two. The Us Blu-ray screener hasn’t arrived yet, but it is still Pick of the Week, even with an unknown quality of extras. More...

Weekend Wrap-Up: Dumbo Marches to the Top

April 2nd, 2019

Dumbo

Dumbo wasn’t able to match expectations, but it still topped the chart over the weekend with $45.99 million. This isn’t enough for this weekend to match last weekend, as it fell 7.3% to $137 million. This is better than the same weekend last year by a tiny 0.6%, but anything that keeps 2019’s winning streak alive is good news in my book. Year-to-date, 2019 is still behind 2018 by practically the same margin as it was last weekend. In fact, the margin in raw dollars rose to $470 million, while the percent gap dipped below 17% at $2.34 billion to $2.81 billion. Hopefully things will improve in April. More...

Weekend Estimates: Dumbo Tops Chart with $45 million

March 31st, 2019

Dumbo

Dumbo will open in first place with over the weekend with an estimated $45.0 million. This is lower than expected and not a strong opening for a film that reportedly cost $170 million to make. It did marginally better internationally, earning $71.0 million, but it is also playing in all major markets, so it has almost nowhere to expand at this point. Going forward, the film should have decent legs, in part because it is a family film. Also, while its reviews are not going to be a major asset, it did earn an A minus from CinemaScore, so its word-of-mouth is going to be better than its critical reception. However, unless it has really long legs, it is going to be a real challenge to pay for that production budget any time soon. Part of the reason I think this film is struggling is “Franchise Fatigue”. Granted, I’m not sure I would call Disney’s Live Action Remakes a real franchise, not unless they start doing some crossovers to unite the universe. (Don’t do that. Please don’t do that.) However, I do think it is susceptible to the same fatigue and this is a real problem for Disney, because they have two more major releases for this year, plus about a dozen further releases in various stages of development. More...

Friday Estimates: Dumbo Flies, But Doesn’t Reach Blockbuster Heights

March 30th, 2019

Dumbo

Dumbo opened with $15.32 million on Friday. This is weaker than expected, but hardly a bad start. Its reviews are merely mixed, while it got an A minus from CinemaScore, so its legs should be decent. I don’t think it will reach $50 million over the weekend, so it will miss even low end expectations. That said, a $46 million opening is more than enough to get it to $100 million domestically and if it can find an audience internationally, it will break even sometime during its home market run. More...

Thursday Night Previews: Dumbo Doesn’t Fly High During Previews

March 29th, 2019

Dumbo

Dumbo earned $2.6 million during its previews, which is on the low end of expectations. It is just a fraction of the $16.3 million Beauty and the Beast managed in 2017. Additionally, this film’s reviews are the weaker and this could also affect its legs. On the other hand, Beauty and the Beast had such massive buzz is was destined to be more front-loaded that Dumbo will be. I still think Dumbo will miss our $58 million prediction, but I don’t think it will be as bad as this number first makes it appear. More...

Weekend Predictions: Can Dumbo Soar Like the Original Did?

March 29th, 2019

Dumbo

Dumbo essentially has the weekend to itself and should earn first place with ease. Both The Beach Bum and Unplanned are opening in just over 1,000 theaters, but neither is expected to be a major player at the box office. Finally, Hotel Mumbai is expanding into nearly 1,000 theaters and could reach the top ten. At least one of these smaller films will reach the top ten; in fact, all three of them could reach the top ten. However, this is due to really weak competition, not any box office strength these films possess. This weekend last year, Ready Player One led the way with $41 million, while Acrimony earned second place with $17 million. There’s a chance Dumbo will earn more than those two films earned. There’s also a chance Us and Captain Marvel will match those two films at the box office. It should be a good weekend for 2019 in the year-over-year comparison. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2019/05/10 12 $10,556   27 $391   $10,556 1
2019/05/17 24 $2,854 -73% 18 $159   $21,451 2
2019/05/24 - $401 -86% 3 $134   $22,992 3

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Czech Republic 5/3/2019 $16,891 65 65 65 $17,203 5/6/2019
Lithuania 3/29/2019 $6,268 40 40 58 $12,304 4/16/2019
Netherlands 3/29/2019 $37,553 45 45 111 $107,574 5/31/2019
New Zealand 11/14/2019 $491 3 3 10 $1,722 10/19/2022
North America 3/29/2019 $1,763,070 1,100 1,100 2,320 $3,502,600
Portugal 5/10/2019 $10,556 27 27 48 $22,992 5/28/2019
Russia (CIS) 3/21/2019 $0 0 599 1051 $556,786 5/18/2019
Slovakia 5/3/2019 $23,793 55 55 108 $46,627 5/21/2019
 
Worldwide Total$4,267,808 10/19/2022

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Lead Ensemble Members

Matthew McConaughey    Moondog
Snoop Dogg    Lingerie
Isla Fisher    Minnie
Zac Efron    Flicker
Martin Lawrence    Captain Wack
Stefania LaVie Owen    Heather
Donovan St V. Williams    Lingerie’s Pilot

Supporting Cast

Jimmy Buffett    Himself
Jonah Hill    Lewis
Clinton Archambault    Lawyer
Jerry Ascione    Homeless Man
Josh Rosen    Reporter
Tonya Oliver    Drug Counselor
Chela Arias    Cuban Maid
Ricardo Matallana    Jose the Pool Boy
Josh Ritter    Groom
Karla Goodwin    Maria
Alan Frankel    Tourist Father
Debra Cohen    Tourist Mother
Hunter Rearden    Kid 1
Lefty Korine    Kid 2
Todd Mitchell    Lingerie’s Yacht Guard 1
Devon James    Lingerie’s Yacht Guard 2
Barrie Mizerski    Pulitzer Announcer
John Morris    Cash Register Guy
A. Ali Flores    Neck Brace Guy
Andrea Bennetti    Prostitute 1
Jenny Ariza    Prostitute 2
London Seabreeze    Topless Woman 1
Vanessa Marie    Topless Woman 2
Arthur Bivens    Priest
Sharon Pfeiffer    Sexy Older Woman
Sandro Paes    Tuba Player
Dustin Greer    Robber 1
Daniele Cecere    Tourist Teenager
Francis Allen    Pulitzer Announcer 2
Tom Dodson    Pulitzer Prize Guest
Steven Brack    Drug Counselor
Cougar MacDowall    Jake
Grant Koo    Groom
Ellen Marguerite Cullivan    Funeral/Bar/Pulitzer Prize Guest
Mei-lin HoSang    Tourist Kid
Nicholas Ryan Hernandez    Tourist
Stephen L. Cohen    Armed Guard #1
Megan Seely    Waitress
Nicholas Simmons    Armed Guard #1
Jarrett Ricker    Yacht Club Guy
Paul Homza    Homeless Guy 2
Frenchi Firecracker    Drug Counselor
David Bennett    Homeless Phil
Rob Goodman    Homeless Guy 3
Sheila Friedman    Pulitzer Prize Guest/Hospital Waiting Room Visitor
Ricky Diaz    Jonathan/Best Man
Erik Stone    Bouncer
Jamil Malik    Court Bailiff
Ashae Reagan    Wedding Guest
Tracy Echeverri    Pulitzer Prize Guest
Peter Alexander    Student
Kailyn Blanco    Tourist Kid
Timothy Mark Davis    Groomsman

Cameos

Bertie Higgins    Himself

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Harmony Korine    Director
Harmony Korine    Screenwriter
John Lesher    Producer
Charles-Marie Anthonioz    Producer
Mourad Belkeddar    Producer
Nicolas Lhermitte    Producer
Steve Golin    Producer
Karl Spoerri    Executive Producer
Marc Schmidheiny    Executive Producer
Nik Bower    Executive Producer
Deepak Nayar    Executive Producer
Will Weiske    Executive Producer
Thorsten Schumacher    Executive Producer
Chara Gelardin    Executive Producer
Emmeline Yang Hankins*    Executive Producer
Eddy Moretti    Executive Producer
Shane Smith    Executive Producer
Danny Gabai    Executive Producer
Judd Allison    Co-Producer
Benoît Debie    Director of Photography
Elliott Hostetter    Production Designer
Douglas Crise    Editor
John Debney    Composer
Linda Cohen    Music Supervisor
Heidi Bivens    Costume Designer
Mary Vernieu    Casting Director
Marisol Roncali    Casting Director