United Kingdom Box Office for The Batman (2022)

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The Batman
Theatrical Performance (US$)
United Kingdom Box Office $53,619,162Details
Worldwide Box Office $765,950,479Details
Home Market Performance
North America DVD Sales $3,993,930 Details
North America Blu-ray Sales $13,954,298 Details
Total North America Video Sales $17,948,228
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Metrics

Movie Details

Production Budget:$200,000,000
United Kingdom Releases: March 4th, 2022 (Wide)
September 20th, 2024 (Limited) (Batman 85)
September 20th, 2024 (Wide), released as The Batman (Re: 2024)
Video Release: April 18th, 2022 by Max
MPAA Rating: PG-13 for strong violent and disturbing content, drug content, strong language, and some suggestive material.
(Rating bulletin 2714 (cert #53494), 1/12/2022)
Running Time: 175 minutes
Franchise: Batman
Keywords: Reboot, Action Thriller, Crime, Serial Killer
Source:Based on Comic/Graphic Novel
Genre:Action
Production Method:Live Action
Creative Type:Super Hero
Production/Financing Companies: 6th and Idaho, Dylan Clark Productions, Warner Bros., DC Films
Production Countries: United States
Languages: English

Weekend estimates: Morbius set for disappointing $39.1-million opening

April 3rd, 2022

Morbius

We’re still at the point where new releases are graded on the pandemic curve, but even so Morbius is heading for an opening weekend just on the low side of decent, with Sony projecting this morning that it will make $39.1 million on debut. That’s notably lower than Uncharted’s $44-million opening in February, and breaks a streak of great openings for Sony’s standalone Marvel movies, in particular Venom: Let There Be Carnage, which made $90 million in October last year, when even Disney’s Marvel movies were landing in the $70-million to $80-million range. More...

Weekend predictions: Morbius headed to $40-million debut

April 1st, 2022

Morbius

After a gigantic debut for Spider-Man: No Way Home and a pandemic-record-setting start for Venom: Let There Be Carnage, Sony is looking for a super hero three-peat this weekend with the release of Morbius. While another number one opening is guaranteed, we’re not looking at quite the same kind of numbers this time around, with our model predicting an opening weekend in the $41-million range. More...

Weekend estimates: The Lost City tops with $31 million, RRR makes the top 3

March 27th, 2022

The Lost City

The Lost City looks as though it’ll post a weekend right in line with expectations, with Paramount projecting it’ll earn $31 million at the domestic box office this weekend. That’ll be enough for a comfortable weekend win, ahead of The Batman’s $20.5 million or so. Bollywood blockbuster RRR: Rise, Roar, Revolt will land in third with an impressive $9.5-million projected weekend. More...

Weekend predictions: Lost City has the edge going into the weekend

March 25th, 2022

The Lost City

The Lost City posted a very respectable $2.5 million in previews on Thursday ahead of its official release today, which puts it on course to win the weekend, although its race with The Batman could be close. Infinite Storm isn’t likely to be in the running for a place in the top three, but will provide a bit of extra oomph to the weekend and could help the market as a whole increase from last weekend. And RRR provides us with a wildcard element to keep things interesting for everyone. More...

Weekend estimates: Jujutsu Kaisen headed to $17.7-million weekend, The Batman tops $300 million domestically

March 20th, 2022

The Batman

The Batman will pass $300 million at the domestic box office today, based on Warner Bros. Sunday-morning projection. It’ll be close though: the studio has it reaching $300.1 million today. With Spider-Man: No Way Home likely to surpass $800 million domestically in the next week, things are looking good at the box office right now. Having five new releases in the top 11 also helps, although Jujutsu Kaisen 0: The Movie is the only one of those to really break out. More...

Weekend predictions: The Batman won’t be troubled by newcomers, but Jujutsu Kaisen should finish second

March 18th, 2022

The Batman

The Batman isn’t in much danger of losing top spot at the box office this weekend, in spite of facing competition from four new wide releases. We could, however, see a new film in second place: Jujutsu Kaisen 0: The Movie looks set to post a weekend in the mid teens if it maintains its momentum from an excellent $2.88 million in previews on Thursday. More...

Weekend estimates: The Batman holds well to easily win the weekend

March 13th, 2022

The Batman

The Batman is enjoying a strong second weekend, with Warner Bros. projecting it will fall just 51% from its opening frame, which translates into a decline of only 41% from last Friday, Saturday and Sunday combined. That’s a strong hold for a film that opened as big as it did, and that’s not the only good news at the box office this weekend, with the live event film BTS Permission to Dance on Stage Seoul, and Bollywood hit Radhe Shyam both posting strong earnings, and the seven other films in the top 10 all falling by less than 25% from last weekend. More...

Weekend predictions: The Batman will easily win the weekend, even with a steep drop

March 11th, 2022

The Batman

After earning more than ten times as much as any other film last weekend, and having no competition from new wide releases this weekend, The Batman will cruise to victory at the box office this time around. In fact, it could drop by 90% from its opening and still win the weekend. So the more interesting question is how much it will fall exactly. More...

Weekend estimates: The Batman storms to $128.5-million projected domestic opening

March 6th, 2022

The Batman

The Batman will earn about $130 million at the domestic box office this weekend, according to Warner Bros.’s Sunday morning projection. That would be a great result for a franchise reboot at any time, and it’s downright spectacular by current standards. It’s only the second film to open with more than $100 million since the beginning of 2020 (Spider-Man: No Way Home being the first, of course), and it’s performance narrowly exceeds the $123 million our model would have predicted for the film pre-pandemic. Is the pandemic’s effect on theatergoing beginning to wane? More...

Weekend predictions: $150-million opening on the cards for The Batman

March 4th, 2022

The Batman

The Batman posted an impressive $21.6 million from preview screenings, according to Warner Bros.’ Friday-morning analysis, putting it on track for well over $100 million this weekend and easily the biggest opening since Spider-Man: No Way Home. Based purely on the preview numbers, our model thinks it could top $150 million this weekend, although that forecast needs to be tempered a bit because of the early screenings on Tuesday and Wednesday that are included in that “Thursday previews” number. More...

Weekend predictions: Uncharted unchallenged on slow weekend

February 25th, 2022

Uncharted

With next weekend’s release of The Batman looming large over the market, the major studios are sitting things out this weekend. Studio 666 and Cyrano are both arriving in wide release (just barely so in the case of Cyrano), but neither is likely to challenge Uncharted at the top of the chart. More...

The Batman Trailer

August 24th, 2020

Superhero movie starring Robert Pattinson arrives in theaters on October 1, 2021 ... Full Movie Details. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2022/03/04 1 $17,880,358   706 $25,326   $17,880,358 1
2022/03/11 1 $9,675,232 -46% 715 $13,532   $34,672,564 2
2022/03/18 1 $4,413,073 -54% 703 $6,277   $42,928,640 3
2022/03/25 1 $2,195,914 -50% 683 $3,215   $47,013,737 4
2022/04/01 4 $1,574,277 -28% 617 $2,552   $49,646,332 5
2022/04/08 5 $813,067 -48% 550 $1,478   $51,127,863 6
2022/04/15 8 $417,436 -49% 373 $1,119   $52,382,066 7
2022/04/22 - $199,744 -52% 294 $679   $52,019,072 8
2022/04/29 9 $131,842 -34% 173 $762   $51,099,110 9
2022/05/06 16 $17,618 -87% 65 $271   $50,294,118 10
2022/05/13 - $10,051 -43% 53 $190   $49,898,036 11
2022/05/20 - $17,156 +71% 108 $159   $50,944,381 12
2022/05/27 - $3,688 -79% 26 $142   $51,448,784 13
2022/06/03 - $1,633 -56% 27 $60   $50,972,976 14
2023/04/21 - $19,589   26 $753   $50,685,522 60
2024/08/30 - $1,665   6 $278   $53,605,079 131
2024/09/06 - $1,666 n/c 6 $278   $53,619,162 132
2024/09/20 - $11,908   45 $265   $11,908 134
2024/09/27 - $14,675 +23% 90 $163   $26,740 135
2024/10/11 - $414   1 $414   $73,751 137

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 3/3/2022 $8,490,860 738 738 3646 $25,421,803 4/3/2023
Brazil 3/3/2022 $8,800,000 2367 2427 6728 $18,200,000 10/20/2022
China 3/17/2022 $11,470,000 84132 84132 191104 $24,310,000 6/16/2022
Czech Republic 3/4/2022 $477,564 217 217 654 $1,666,639 10/20/2022
Finland 3/4/2022 $618,033 105 105 603 $2,570,460 10/20/2022
France 3/2/2022 $8,400,000 991 991 2896 $19,300,000 10/20/2022
Germany 3/3/2022 $5,500,000 903 930 2738 $13,500,000 10/20/2022
India 3/4/2022 $3,500,000 1829 1829 1829 $3,500,000 10/20/2022
Indonesia 3/4/2022 $2,600,000 0 0 0 $2,600,000 10/20/2022
Italy 3/3/2022 $4,020,346 0 0 0 $10,744,448 10/20/2022
Japan 3/11/2022 $3,200,000 358 821 1179 $6,400,000 10/20/2022
Lithuania 3/4/2022 $94,907 19 19 80 $387,102 10/20/2022
Mexico 3/3/2022 $10,049,675 0 0 0 $31,208,154 4/27/2022
Netherlands 3/4/2022 $1,628,002 178 178 1268 $5,831,226 5/24/2022
New Zealand 3/3/2022 $715,488 107 114 762 $2,746,250 10/20/2022
North America 3/4/2022 $134,008,624 4,417 4,417 30,031 $369,345,583
Portugal 3/3/2022 $525,713 147 147 762 $1,712,843 5/17/2022
Romania 3/4/2022 $378,192 126 126 601 $1,358,437 5/18/2022
Russia (CIS) 3/3/2022 $0 0 201 1321 $3,824,247 8/3/2022
Saudi Arabia 3/4/2022 $2,600,000 0 229 229 $6,200,000 10/20/2022
Slovakia 3/3/2022 $210,704 82 82 250 $593,327 5/3/2022
South Korea 3/1/2022 $1,992,076 2345 2345 5949 $7,042,524 9/5/2024
Spain 3/4/2022 $3,715,210 378 397 2489 $11,373,302 5/6/2022
Turkey 3/4/2022 $803,594 828 828 2730 $5,169,545 10/20/2022
United Kingdom 3/4/2022 $17,880,358 706 715 5267 $53,619,162 10/16/2024
 
Rest of World $137,325,427
 
Worldwide Total$765,950,479 10/16/2024

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Robert Pattinson    Bruce Wayne / Batman
Zoë Kravitz    Selina Kyle / Catwoman
Colin Farrell    Oswald “Oz” Cobblepot / Penguin
Paul Dano    Edward Nashton / Riddler

Supporting Cast

Jeffrey Wright    James Gordon
John Turturro    Carmine Falcone
Andy Serkis    Alfred Pennyworth
Peter Sarsgaard    District Attorney Gil Colson
Barry Keoghan    Stanley Merkel
Jayme Lawson    Bella Reál
Gil Perez-Abraham    Officer Martinez
Peter McDonald    Kenzie
Con O’Neill    Chief Mackenzie Bock
Alex Ferns    Commissioner Pete Savage
Rupert Penry-Jones    Mayor Don Mitchell, Jr.
Kosha Engler    Mrs. Mitchell
Archie Barnes    Mitchell’s Son
Janine Harouni    Carla
Hana Harouni    Annika
Joseph Walker    Young Riddler
Luke Roberts    Thomas Wayne
Oscar Novak    Young Bruce Wayne
Stella Stocker    Martha Wayne
Sandra Dickinson    Dory
Jack Bennett    Travis
Andre Nightingale    Ritchie
Richard James Neale    Glen
Lorraine Tai    Cheri
Joseph Balderrama    Lead Detective
James Eeles    Another Officer
Angela Yeoh    Forensic Photographer
Leemore Marrett Jr    Muscle Cop
Ezra Elliott    Tactical Medic
Itoya Osagiede    Hushed G.C.P.D. Detective
Stewart Alexander    FBI Leader
Adam Rojko Vega    SWAT (City Hall)
Heider Ali    Officer (City Hall)
Marcus Onilude    Traffic Cop (City Hall)
Elena Saurel    Detective on Phone
Ed Kear    Surly Cop
Sid Sagar    Digital Forensic Cop
Amanda Blake    Command Crisis Tech
Todd Boyce    Fire Marshall
Brandon Bassir    Young Officer
Will Austin    Traffic Cop
Chabris Napier-Lawrence    Cop (Mayor’s Memorial)
Douglas Russell    Bitter Nobody
Charlie Carver    The Twins
Max Carver    The Twins
Phil Aizlewood    Falcone Bodyguard
Mark Killeen    Vinnie
Philip Shaun McGuinness    Elevator Guard
Lorna Brown    Doctor
Elliot Warren    Train Gang Leader
Jay Lycurgo    Train Gang Young Member
Stefan Race    Train Gang Member #1
Elijah Baker    Train Gang Member #2
Craige Middleburg    Train Gang Member #3
Akie Kotabe    Lone Train Passenger
Spike Fearn    Vandal
Urielle Klein-Mekongo    Cashier
Bronson Webb    Hooded Gunman
Madeleine Gray    Injured Woman
Ste Johnston    Paparazzi
Arthur Lee    Paparazzo
Parry Glasspool    Scared Drophead
Jordan Coulson    Man in Suit
Hadas Gold    Newscaster
Pat Battle    Newscaster
Bobby Cuza    Newscaster
Dean Meminger    Newscaster
Roma Torre    Newscaster
Mike Capozzola    Mediator
Amanda Hurwitz    Counterwoman
Joshua Eldridge-Smith    Patrol Cop
Daniel Rainford    Suspicious Man
Nathalie Armin    ATF Leader
Jose Palma    Command Post #1
Kazeem Tosin Amore    Command Post #2

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Matt Reeves    Director
Matt Reeves    Screenwriter
Peter Craig    Screenwriter
Dylan Clark    Producer
Matt Reeves    Producer
Michael E. Uslan    Executive Producer
Walter Hamada    Executive Producer
Chantal Nong    Executive Producer
Simon Emanuel    Executive Producer
James Chinlund    Production Designer
William Hoy    Editor
Tyler Nelson    Editor
Michael Giacchino    Composer
Greig Fraser    Cinematographer
Bob Kane    Character Creator
Bill Finger    Character Creator
George Drakoulias    Music Supervisor
Dan Lemmon    Visual Effects Supervisor
Jacqueline Durran    Costume Designer
Cindy Tolan    Casting Director
Lucy Bevan    Casting Director
Samantha White    Unit Production Manager
Simon Emanuel    Unit Production Manager
Toby Hefferman    First Assistant Director
Toby Hefferman    Associate Producer
Alex Bicknell    Visual Effects Producer
Bryan A. Searing    Visual Effects Producer
Robert Alonzo    Second Unit Director
Robert Alonzo    Supervising Stunt Coordinator
Stephen Griffin    Stunt Coordinator
Samuel Le    Stunt Coordinator
Jake Dewitt    Stunt Coordinator
Adam Sorin    Associate Producer
Grant Armstrong    Supervising Art Director
James Lewis    Art Director
Gary Jopling    Art Director
Oliver Benson    Art Director
Matthew Kerly    Art Director
Joe Howard    Art Director
Arwel Evans    Art Director
Tad Davis    Art Director
Laura Ng    Art Director
Chris Sanford    Set Designer
Stuart Wilson    Sound Mixer
Kimi Webber    Script Supervisor
Matthew Simpson    First Assistant Editor
Ben Insler    First Assistant Editor
Jens Baylis    First Assistant Editor
Will Files    Supervising Sound Editor
Douglas Murray    Supervising Sound Editor
Andy Nelson    Re-recording Mixer
Will Files    Re-recording Mixer
Chris Terhune    Sound Designer
Lee Gilmore    Sound Designer
Craig Henighan    Sound Designer
Diego Perez    Sound Effects Editor
Phil Barrie    Sound Effects Editor
Jacob Riehle    Dialogue Editor
Darrin Mann    Foley Mixer
Neil Murphy    Costume Supervisor
Norma Webb    Make up
Paula Price    Hairstylist
Lee Sandales    Set Decorator
Mark Somner    Supervising Location Manager/Covid Compliance
David O’Reilly    Location Manager
Peter Bardsley    Location Manager
Lee Robertson    Location Manager
Jasmine Burridge    Location Manager
Tom Beltrandi    Location Manager
Kevin Jackson    Location Manager
Martin Henderson    Location Manager
Dominic Tuohy    Special Effects Supervisor
Paul Apelgren    Music Editor
Joe E. Rand    Music Editor
Mick Giacchino    Additional Music
Paul Apelgren    Additional Music
Peter Cobbin    Score Recordist
Kirsty Whalley    Score Recordist
Peter Cobbin    Score Mixer
Kirsty Whalley    Score Mixer

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.