Deon Taylor

Best known as a Director based on credits in that role in 11 films, with $94,863,516 worldwide aggregate box office (rank #1,198)
Best-known technical roles: The Intruder (Director), The Intruder (Producer), Black and Blue (Director), Traffik (Director), Traffik (Screenwriter)
Most productive collaborators: Michael Ealy, Roxanne Avent, David Loughery, Meagan Good, Naomie Harris
                                    

  1. Summary
  2. News
  3. Acting Credits
  4. Technical Credits

Career Summary


  MoviesDomestic
Box Office		International
Box Office		Worldwide
Box Office
In Technical RolesDirector11$87,229,567$7,633,949$94,863,516
Producer6$60,184,943$6,916,534$67,101,477
Screenwriter5$23,520,965$1,191,686$24,712,651

Latest Ranking on Selected Box Office Record Lists


RecordRankAmount
Top Grossing Director at the Domestic Box Office (Rank 701-800) 792 $87,229,567
Top Grossing Producer at the Domestic Box Office (Rank 1,501-1,600) 1,571 $60,184,943
Top Grossing Screenwriter at the Domestic Box Office (Rank 2,701-2,800) 2,765 $23,520,965
Top Grossing Director at the International Box Office (Rank 2,801-2,900) 2,837 $7,633,949
Top Grossing Producer at the International Box Office (Rank 3,601-3,700) 3,661 $6,916,534
Top Grossing Screenwriter at the International Box Office (Rank 5,001-5,100) 5,044 $1,191,686
Top Grossing Director at the Worldwide Box Office (Rank 1,101-1,200) 1,198 $94,863,516
Top Grossing Producer at the Worldwide Box Office (Rank 2,101-2,200) 2,193 $67,101,477
Top Grossing Screenwriter at the Worldwide Box Office (Rank 3,601-3,700) 3,691 $24,712,651

See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.


Theater counts: A Man Called Otto holds on as widest release as two new films debut

January 26th, 2023

A Man Called Otto

Our widest releases list this week is close to being a replay of last week with A Man Called Otto still occupying the top spot by playing in 3,957 cinemas. The Tom Hanks comedy-drama has scored just short of $60 million worldwide to date during its four-week run. More...

Monthly preview: October will be a horror show

September 30th, 2020

The War with Grandpa

A month ago, October’s line-up of new releases looked weak, but also suggested the movie industry was planning for a steady recovery. The last few weeks have blown that optimism out the water. Wonder Woman 1984, Death on the Nile, and Candyman have all moved from their planned October release dates, and Black Widow has retreated from the first week of November to May next year. 20th Century Studios (i.e., Disney) threw theaters a tiny bone in the form of The Empty Man, which moved up to October 23, but the message is clear: a recovery in the theatrical business is still a long way away, if it comes at all. More...

2018 Preview: April

April 1st, 2018

Avengers: Infinity War

Well, March has ended and it was a very disappointing month. Black Panther made more than any of the new releases did. The only potential big hit that didn’t miss expectations was Ready Player One. Because of this, 2018 lost its lead over 2017 and is now over $100 million behind last year’s pace. April is usually a terrible month, because it is a dumping ground, especially late in the month. No studio wants to compete with the first monster hit of the Summer. This year, the first monster hit of the summer, Avengers: Infinity War, opens in April. It will make more during its opening weekend than any other April release will make in total. It might make more opening day than any other April release will make in total. The only film that has a real chance to earn more than $100 million is Rampage, a video game adaptation. Last April, The Fate of the Furious earned more than $1.2 billion worldwide, but “only” earned $225.76 million of that domestically. Infinity War should earn more than that opening weekend. The second biggest hit of last April was Smurfs: The Lost Village and Going in Style, both of which earned $45.02 million. If 2018 doesn’t retake the lead by the end of the month, then 2018 is in trouble at the box office. More...

All Acting Credits



All Technical Credits



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Release
Date		TitleRoleDomestic
Box Office		International
Box Office		Worldwide
Box Office
Jan 27, 2023Fear Director
Screenwriter		 $2,138,235$2,138,235
Jun 11, 2021The House Next Door: Meet t… Director
Screenwriter		 $2,893,660$2,893,660
Dec 18, 2020Fatale Director
Producer		 $6,306,897$516,423$6,823,320
Oct 25, 2019Black and Blue Director $22,012,729$717,415$22,730,144
May 3, 2019The Intruder Director
Producer		 $35,388,976$5,208,425$40,597,401
Jul 10, 2018A Swingers Weekend Director
Apr 20, 2018Traffik Director
Producer
Screenwriter		 $9,186,156$375,075$9,561,231
Apr 1, 2016Meet the Blacks Director
Screenwriter
Producer		 $9,097,072$9,097,072
Jan 30, 2015Supremacy Director
Oct 1, 2010Chain Letter Producer
Director
Screenwriter		 $205,842$816,611$1,022,453
 
Averages $10,903,696$1,526,790$11,857,940
Totals 10 $87,229,567$7,633,949$94,863,516


Director Credits


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Release
Date		TitleOpening
Weekend		Maximum
Theaters		Domestic
Box Office		Worldwide
Box Office		Domestic
Share
Jan 27, 2023Fear $1,227,794974$2,138,235$2,138,235100.0%
Jun 11, 2021The House Next Door: M… $1,011,756539$2,893,660$2,893,660100.0%
Dec 18, 2020Fatale $918,1121,222$6,306,897$6,823,32092.4%
Oct 25, 2019Black and Blue $8,376,8462,062$22,012,729$22,730,14496.8%
May 3, 2019The Intruder $10,855,0542,231$35,388,976$40,597,40187.2%
Jul 10, 2018A Swingers Weekend
Apr 20, 2018Traffik $3,941,3381,046$9,186,156$9,561,23196.1%
Apr 1, 2016Meet the Blacks $4,055,9401,015$9,097,072$9,097,072100.0%
Jan 30, 2015Supremacy
Oct 1, 2010Chain Letter $138,788406$205,842$1,022,45320.1%
 
Averages $3,815,7041,187$10,903,696$11,857,94086.6%
Totals 10 $87,229,567$94,863,516


Producer Credits


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Release
Date		TitleOpening
Weekend		Maximum
Theaters		Domestic
Box Office		Worldwide
Box Office		Domestic
Share
Dec 18, 2020Fatale $918,1121,222$6,306,897$6,823,32092.4%
May 3, 2019The Intruder $10,855,0542,231$35,388,976$40,597,40187.2%
Apr 20, 2018Traffik $3,941,3381,046$9,186,156$9,561,23196.1%
Apr 1, 2016Meet the Blacks $4,055,9401,015$9,097,072$9,097,072100.0%
Oct 1, 2010Chain Letter $138,788406$205,842$1,022,45320.1%
 
Averages $3,981,8461,184$12,036,989$13,420,29579.2%
Totals 5 $60,184,943$67,101,477


Writer Credits


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Release
Date		TitleOpening
Weekend		Maximum
Theaters		Domestic
Box Office		Worldwide
Box Office		Domestic
Share
Jan 27, 2023Fear $1,227,794974$2,138,235$2,138,235100.0%
Jun 11, 2021The House Next Door: M… $1,011,756539$2,893,660$2,893,660100.0%
Apr 20, 2018Traffik $3,941,3381,046$9,186,156$9,561,23196.1%
Apr 1, 2016Meet the Blacks $4,055,9401,015$9,097,072$9,097,072100.0%
Oct 1, 2010Chain Letter $138,788406$205,842$1,022,45320.1%
 
Averages $2,075,123796$4,704,193$4,942,53083.2%
Totals 5 $23,520,965$24,712,651

Latest Ranking on All Technical Box Office Record Lists


RecordRankAmount
Top Grossing Director at the Domestic Box Office (Rank 701-800) 792 $87,229,567
Top Grossing Producer at the Domestic Box Office (Rank 1,501-1,600) 1,571 $60,184,943
Top Grossing Screenwriter at the Domestic Box Office (Rank 2,701-2,800) 2,765 $23,520,965
Top Grossing Director at the International Box Office (Rank 2,801-2,900) 2,837 $7,633,949
Top Grossing Producer at the International Box Office (Rank 3,601-3,700) 3,661 $6,916,534
Top Grossing Screenwriter at the International Box Office (Rank 5,001-5,100) 5,044 $1,191,686
Top Grossing Director at the Worldwide Box Office (Rank 1,101-1,200) 1,198 $94,863,516
Top Grossing Producer at the Worldwide Box Office (Rank 2,101-2,200) 2,193 $67,101,477
Top Grossing Screenwriter at the Worldwide Box Office (Rank 3,601-3,700) 3,691 $24,712,651