Steven Rogers

Best known as a Screenwriter based on credits in that role in 7 films, with $519,923,295 worldwide aggregate box office (rank #610)
Best-known technical roles: Stepmom (Screenwriter), P.S. I Love You (Screenwriter), Love the Coopers (Screenwriter), Hope Floats (Screenwriter), Love the Coopers (Executive Producer)
Most productive collaborators: Hilary Swank, Richard LaGravenese, Jessie Nelson, Harry Connick, Jr., Gerard Butler
                                    

  1. Summary
  2. News
  3. Acting Credits
  4. Technical Credits

Career Summary


  MoviesDomestic
Box Office		International
Box Office		Worldwide
Box Office
In Technical RolesScreenwriter7$278,980,111$240,943,184$519,923,295
Producer2$0$0$0
Story Creator1$47,095,453$23,842,325$70,937,778
Executive Producer1$26,302,731$17,960,682$44,263,413

Latest Ranking on Selected Box Office Record Lists


RecordRankAmount
Top Grossing Executive Producer at the Domestic Box Office (Rank 3,001-3,100) 3,068 $26,302,731
Top Grossing Screenwriter at the Domestic Box Office (Rank 401-500) 472 $278,980,111
Top Grossing Story Creator at the Domestic Box Office (Rank 1,201-1,300) 1,291 $47,095,453
Top Grossing Executive Producer at the International Box Office (Rank 3,301-3,400) 3,337 $17,960,682
Top Grossing Screenwriter at the International Box Office (Rank 701-800) 730 $240,943,184
Top Grossing Story Creator at the International Box Office (Rank 1,501-1,600) 1,540 $23,842,325
Top Grossing Executive Producer at the Worldwide Box Office (Rank 3,201-3,300) 3,276 $44,263,413
Top Grossing Screenwriter at the Worldwide Box Office (Rank 601-700) 610 $519,923,295
Top Grossing Story Creator at the Worldwide Box Office (Rank 1,401-1,500) 1,434 $70,937,778

See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.


2015 Preview: November

November 1st, 2015

The Hunger Games: Mockingjay - Part 2

October has come to an end and everyone should be happy about that. Except for The Martian, there were no serious hits that opened last month. There were more outright bombs than even midlevel hits. Fortunately, October of last year wasn't spectacular either, so 2015 maintains a healthy lead over 2014. Even more fortunately, November looks fantastic. There are four films that have the potential to earn $200 million or more. The biggest of these is the final Hunger Games movie, which should reach $400 million. Spectre has a real shot at $300 million and could be the biggest hit in the franchise. Meanwhile, nearly every November there's an animated kids movie that becomes a monster hit. This year, The Peanuts Movie and The Good Dinosaur are both aiming for that box office milestone. The last time we didn't have a family film that earned at least $100 million in November was 2011 and that's because there were four family films that opened in the final two weeks of the month and that much competition meant they cannibalized each other. Both of these has a shot at $200 million and if neither of them reached $200 million, I would be shocked. Meanwhile, last November was a good month at the top with three monster hits: The Hunger Games: Mockingjay, Part 1, Big Hero 6, and Interstellar. However, after those three films, there were not much positive to talk about. It really looks like 2015 will match 2014 at the top, plus it could have better depth. I might be a little too optimistic, but I think November is going to be a great month at the box office. More...

All Acting Credits



All Technical Credits

Announced (Undated)

Everything’s Going to Be Great

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Release
Date		TitleRoleDomestic
Box Office		International
Box Office		Worldwide
Box Office
Nov 13, 2015Love the Coopers Screenwriter
Executive Producer		 $26,302,731$17,960,682$44,263,413
Sep 3, 2010We Are Family Screenwriter $638,144$7,040,003$7,678,147
Dec 21, 2007P.S. I Love You Screenwriter $53,695,808$102,073,870$155,769,678
Dec 25, 2001Kate and Leopold Story Creator
Screenwriter		 $47,095,453$23,842,325$70,937,778
Dec 25, 1998Stepmom Screenwriter $91,137,662$68,607,617$159,745,279
May 29, 1998Hope Floats Screenwriter $60,110,313$21,418,687$81,529,000
 
Averages $46,496,685$40,157,197$86,653,883
Totals 6 $278,980,111$240,943,184$519,923,295


Writer Credits


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Release
Date		TitleOpening
Weekend		Maximum
Theaters		Domestic
Box Office		Worldwide
Box Office		Domestic
Share
Nov 13, 2015Love the Coopers $8,317,5452,603$26,302,731$44,263,41359.4%
Sep 3, 2010We Are Family $297,90778$638,144$7,678,1478.3%
Dec 21, 2007P.S. I Love You $6,481,2212,471$53,695,808$155,769,67834.5%
Dec 25, 2001Kate and Leopold $9,725,4082,467$47,095,453$70,937,77866.4%
Dec 25, 1998Stepmom $19,142,4402,749$91,137,662$159,745,27957.1%
May 29, 1998Hope Floats $14,210,4642,404$60,110,313$81,529,00073.7%
 
Averages $9,695,8312,129$46,496,685$86,653,88349.9%
Totals 6 $278,980,111$519,923,295

Latest Ranking on All Technical Box Office Record Lists


RecordRankAmount
Top Grossing Executive Producer at the Domestic Box Office (Rank 3,001-3,100) 3,068 $26,302,731
Top Grossing Screenwriter at the Domestic Box Office (Rank 401-500) 472 $278,980,111
Top Grossing Story Creator at the Domestic Box Office (Rank 1,201-1,300) 1,291 $47,095,453
Top Grossing Executive Producer at the International Box Office (Rank 3,301-3,400) 3,337 $17,960,682
Top Grossing Screenwriter at the International Box Office (Rank 701-800) 730 $240,943,184
Top Grossing Story Creator at the International Box Office (Rank 1,501-1,600) 1,540 $23,842,325
Top Grossing Executive Producer at the Worldwide Box Office (Rank 3,201-3,300) 3,276 $44,263,413
Top Grossing Screenwriter at the Worldwide Box Office (Rank 601-700) 610 $519,923,295
Top Grossing Story Creator at the Worldwide Box Office (Rank 1,401-1,500) 1,434 $70,937,778