Poland Box Office for El Secreto de Marrowbone (2017)

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El Secreto de Marrowbone
Theatrical Performance (US$)
Poland Box Office $91,804Details
Worldwide Box Office $12,212,837Details
Home Market Performance
North America DVD Sales $19,987 Details
North America Blu-ray Sales $31,099 Details
Total North America Video Sales $51,086
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Metrics

Movie Details

Poland Releases: February 16th, 2018 (Wide)
Video Release: August 7th, 2018 by Magnolia Home Entertainment
MPAA Rating: R for some violence.
(Rating bulletin 2519 (Cert #51521), 3/21/2018)
Running Time: 110 minutes
Keywords: Early / Simultaneous Video-on-Demand release, Unnamed Character, Young Child Dealing with the Death of a Parent, Voiceover/Narration, 1960s, Life in a Small Town, Isolation Horror, Haunting, Non-Chronological, Mental Illness, Multiple Personality, Surprise Twist
Source:Original Screenplay
Genre:Horror
Production Method:Live Action
Creative Type:Contemporary Fiction
Production Countries: Spain
Languages: English

Home Market Releases for August 7th, 2018

August 8th, 2018

Deadpool 2

It is a deceptively busy week on the home market, and not in a good way. There’s no one big release, at least not on DVD / Blu-ray, but there’s a sea of mediocrity this week. I’m not talking about quality here, but sales rank. There are a lot of films that wouldn’t even be filler during a normal week, but this week are selling well enough to be mentioned. There are several that are worth picking up, including limited releases like Bye Bye Germany and Revenge, classics like The Changeling, and even some Anime titles like Big Fish & Begonia or Tsuredure Children. Deadpool 2 is by far the biggest release of the week and I suspect the Blu-ray will be the Pick of the Week when it comes out, but I don’t want to give it that title until than. As a result, there’s no real winner this week. There were a lot that came close. More...

Theater Averages: Box Office is Full of Grace

April 18th, 2018

Grace Jones: Bloodlight and Bami

Grace Jones: Bloodlight and Bami had the best opening of the limited releases earning an average of $18,724 in three theaters. The only other film in the $10,000 Club was The Rider, which earned an average of $14,081, also in three theaters. More...

Limited and VOD Releases: Who Will be the Limited Releases’ Saving Grace

April 13th, 2018

Grace Jones: Bloodlight and Bami

There are not many limited releases that have a shot at box office success on this week’s list. The biggest ones are either opening too wide, like Beirut, or are already playing on VOD, like Borg vs. McEnroe, Wildling, and others. This leaves Grace Jones: Bloodlight and Bami as the film I think has the best shot at earning some measure of mainstream success. More...

Weekend Box Office Performance

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 3/23/2018 $0 0 0 0 $79,765 1/1/2019
Cambodia 2/19/2018 $0 0 0 0 $4,078 1/1/2019
France 3/7/2018 $485,397 0 79 116 $842,573 6/13/2018
Indonesia 11/10/2017 $0 0 0 0 $18,430 1/1/2019
Japan 4/12/2019 $35,803 12 12 23 $117,897 5/24/2019
Lithuania 11/24/2017 $10,295 35 35 66 $28,219 12/29/2017
Malaysia 2/1/2018 $0 0 0 0 $48,900 4/12/2018
Mexico 7/27/2018 $73,170 0 0 0 $73,170 9/26/2018
North America 4/13/2018 $624 7 7 11 $1,377
Poland 2/16/2018 $13,507 0 0 0 $91,804 1/1/2019
Portugal 3/2/2018 $19,404 27 27 52 $32,147 3/14/2018
Russia (CIS) 11/17/2017 $58,771 251 251 251 $96,604 1/1/2019
Spain 10/27/2017 $1,188,734 358 358 2356 $8,671,428 9/12/2018
Turkey 4/6/2018 $39,241 106 106 138 $69,082 2/26/2019
United Kingdom 7/13/2018 $226,194 383 383 383 $433,698 7/27/2018
 
Rest of World $1,603,665
 
Worldwide Total$12,212,837 5/24/2019

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Production and Technical Credits

Sergio G. Sanchez    Director