| Theatrical Performance (US$) | ||
| Lithuania Box Office | $3,295 | Details |
| Worldwide Box Office | $2,887,681 | Details |
| Further financial details... | ||
| Lithuania Releases: | April 5th, 2019 (Wide), released as Pasaulis priklauso tau |
| Video Release: | November 30th, 2018 by Netflix |
| Running Time: | 100 minutes |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | France |
| Languages: | French |
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2019/04/05 | 26 | $901 | 7 | $129 | $901 | 1 | |
| 2019/04/12 | 27 | $541 | -40% | 4 | $135 | $2,561 | 2 |
| 2019/06/14 | 26 | $63 | 1 | $63 | $3,319 | 11 | |
| 2019/07/26 | 35 | $4 | 1 | $4 | $3,295 | 17 |
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| France | 8/17/2018 | $919,125 | 0 | 0 | 0 | $2,598,161 | 9/20/2018 |
| Lithuania | 4/5/2019 | $901 | 7 | 7 | 13 | $3,295 | 7/30/2019 |
| Portugal | 5/2/2019 | $1,683 | 5 | 5 | 10 | $2,643 | 5/14/2019 |
| Russia (CIS) | 9/13/2018 | $48,171 | 295 | 295 | 295 | $82,729 | 1/1/2019 |
| United Kingdom | 4/26/2019 | $4,791 | 2 | 2 | 2 | $4,791 | 5/2/2019 |
| Rest of World | $196,062 | ||||||
| Worldwide Total | $2,887,681 | 7/30/2019 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
| Karim Leklou | Farès | |
| Vincent Cassel | Henri |
| Isabelle Adjani | ||
| Oulaya Amamra | ||
| Francois Damiens |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
| Romain Gavras | Director |
