South Korea Box Office for The Last Suit (2017)
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Synopsis
At 88, Abraham Bursztein is seeing his place in the world rapidly disappear. His kids have sold his Buenos Aires residence, set him up to move to a retirement home, and disagree on how to handle his fading health. But Abraham survived the Holocaust, made a successful life in a foreign land, and isn’t about to quietly fade away. Instead, he plots a secret one-way trip to Poland, where he plans to find the Christian friend who saved him from certain death at the end of World War II, and to keep his promise to return one day. Comedic and poignant in equal measure, from Argentina to Spain, across Germany and finally to Poland, Abraham is on his own but also accompanied by the characters he meets along the way, who both help him and need his help. A standout among these is the iconic Spanish actress Angela Molina, as the proprietor of the Madrid hotel where he stays.
Metrics
Movie Details
| South Korea Releases: |
September 6th, 2018 (Wide), released as The Last Suit |
| MPAA Rating: |
Not Rated |
| Running Time: |
86 minutes |
| Keywords: |
Autumn Years, Jewish, Set in Buenos Aires, Set in Argentina, Set in Poland, World War II, Holocaust, Holocaust Survivor |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: |
Argentina, Spain |
| Languages: |
Spanish |
September 21st, 2018
It is not a particularly busy week for limited releases, as there are only nine films on the main list. However, several of them could do very well at the box office. Of these, I’m the most bullish about Colette and The Sisters Brothers, but there are two documentaries, Love, Gilda and Nothing Like a Dame, that could also open in the $10,000 club. All four could earn some Awards Season glory.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|
| 2018/09/07 |
19 |
$10,540 |
|
20 |
$527 |
$13,162 |
1 |
| 2018/09/14 |
- |
$4,277 |
-59% |
13 |
$329 |
$25,290 |
2 |
| 2018/09/21 |
- |
$3,358 |
-21% |
3 |
$1,119 |
$31,001 |
3 |
Box Office Summary Per Territory
| Territory |
Release
Date |
Opening
Weekend |
Opening
Weekend
Screens |
Maximum
Screens |
Theatrical
Engagements |
Total
Box Office |
Report
Date |
| Argentina |
1/26/2018 |
$73,944 |
0 |
0 |
0 |
$226,128 |
1/1/2019 |
| Australia |
10/27/2017 |
$0 |
0 |
4 |
8 |
$50,449 |
8/30/2018 |
| North America |
9/21/2018 |
$27,549 |
6 |
6 |
18 |
$73,548 |
|
| South Korea |
9/6/2018 |
$10,540 |
20 |
20 |
36 |
$38,002 |
10/18/2018 |
| Spain |
10/6/2017 |
$39,566 |
55 |
55 |
120 |
$183,850 |
11/27/2017 |
| |
| Worldwide Total | $571,977 |
1/1/2019 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue
are available through our research services. For more information, please contact us at research@the-numbers.com.
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
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