| Theatrical Performance (US$) | ||
| Slovakia Box Office | $88,370 | Details |
| Worldwide Box Office | $135,801 | Details |
| Further financial details... | ||
| Slovakia Releases: | March 2nd, 2018 (Wide) |
| Running Time: | 113 minutes |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Titanic, Coop99, Infilm Praha |
| Production Countries: | Austria, Czech Republic, Slovakia |
| Languages: | German, Slovak |
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2018/03/02 | 7 | $37,514 | 63 | $595 | $39,671 | 1 | |
| 2018/03/09 | 11 | $15,752 | -58% | 39 | $404 | $69,288 | 2 |
| 2018/03/16 | 18 | $5,067 | -68% | 15 | $338 | $81,819 | 3 |
| 2018/03/23 | - | $1,953 | -61% | 7 | $279 | $86,256 | 4 |
| 2018/03/30 | 19 | $1,800 | -8% | 8 | $225 | $88,370 | 5 |
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Argentina | 10/5/2018 | $0 | 0 | 0 | 0 | $15,019 | 12/11/2018 |
| Czech Republic | 3/16/2018 | $19,470 | 85 | 85 | 85 | $21,993 | 1/1/2019 |
| Slovakia | 3/2/2018 | $37,514 | 63 | 63 | 132 | $88,370 | 4/3/2018 |
| Spain | 9/18/2020 | $10,419 | 22 | 22 | 22 | $10,419 | 9/24/2020 |
| Worldwide Total | $135,801 | 9/24/2020 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
| Peter Simonischek | ||
| Jiri Menzel | Ali Ungár |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
| Martin Sulik | Director |
