Synopsis
It's Christmas Eve in Tinseltown and Sin-Dee is back on the block. Upon hearing that her pimp boyfriend hasn't been faithful during the 28 days she was locked up, the working girl and her best friend, Alexandra, embark on a mission to get to the bottom of the scandalous rumor. Their rip-roaring odyssey leads them through various subcultures of Los Angeles, including an Armenian family dealing with their own repercussions of infidelity.
Metrics
Movie Details
| United Kingdom Releases: |
November 13th, 2015 (Wide) |
| Video Release: |
November 10th, 2015 by Magnolia Home Entertainment |
| MPAA Rating: |
R for strong and disturbing sexual content, graphic nudity, language throughout, and drug use.
(Rating bulletin 2373, 5/13/2015) |
| Running Time: |
87 minutes |
| Keywords: |
LGBTQ+, Life on the Outside, Prostitution, Relationships Gone Wrong, One Day, Christmas, Christmas in November, Set in Los Angeles, Set in California |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: |
Through Films, Magnolia Pictures, Duplass Brothers, Cre Films, Freestyle Picture Co. |
| Production Countries: |
United States |
| Languages: |
English |
November 25th, 2015
Awards Season begins with the Independent Spirit Awards nominations. There were definitely some surprise nominees this year, but that also meant there were some unfortunate snubs as well. The overall leader was Carol, which just opened this past weekend. This is great timing and should help its box office numbers, as well as its chances throughout Awards Season. Its six nominations were one ahead of Beasts of No Nation and Spotlight. (One of Spotlight's was the Robert Altman Award, which has no nominations, just one winner.)
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November 9th, 2015
There are a couple of big hits on this week's list of new releases. Terminator: Genisys was a monster hit internationally, but it failed to live up to expectations here. On the other hand, Trainwreck earned $100 million here, but barely made a peep internationally. Of these two films, Trainwreck is the only one worth picking up. In fact, it is a Contender for Pick of the Week. However, I'm still waiting for the screener and I hate to give out this title when a screener is on its way. Because of that, I'm going with Better Call Saul: Season One as the Best of the Best, but it isn't the only other title worth picking up.
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July 14th, 2015
The $10,000 club was busier that it was last week with four films earning a per theater average of more than $10,000. This includes the overall number one film, Minions, which earned an average of $26,905 in over 4,000 theaters. The best limited release was Tangerine with an average $15,171 in four theaters. I thought this might be a little too niche to find a large audience, but perhaps I was wrong. Up next is Baahubali: The Beginning, which was also a surprise hit with an average of $13,559 in 236 theaters. It is very rare for a Bollywood film to do that well. The final film in the $10,000 club was Do I Sound Gay? with $11,000 in its lone theater.
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July 10th, 2015
Very few movies on this week's list have a real shot at box office success. Stations of the Cross and Tangerine are both earning amazing reviews, but both are niche market releases. Many movies are also earning good reviews, like What We Did on Our Holiday, but are playing on VOD, so they likely won't find audiences in theaters.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|
| 2015/11/13 |
26 |
$28,306 |
|
15 |
$1,887 |
$28,306 |
1 |
| 2015/11/20 |
28 |
$17,011 |
-40% |
10 |
$1,701 |
$68,088 |
2 |
| 2015/11/27 |
41 |
$4,002 |
-76% |
8 |
$500 |
$83,351 |
3 |
| 2015/12/04 |
57 |
$1,313 |
-67% |
2 |
$657 |
$86,295 |
4 |
| 2015/12/11 |
- |
$2,772 |
+111% |
5 |
$554 |
$91,407 |
5 |
| 2015/12/18 |
54 |
$661 |
-76% |
2 |
$331 |
$95,538 |
6 |
| 2015/12/25 |
48 |
$58 |
-91% |
1 |
$58 |
$97,366 |
7 |
| 2016/01/01 |
58 |
$228 |
+293% |
1 |
$228 |
$98,109 |
8 |
| 2016/01/08 |
65 |
$170 |
-25% |
1 |
$170 |
$98,631 |
9 |
| 2016/01/15 |
60 |
$307 |
+81% |
1 |
$307 |
$100,129 |
10 |
| 2016/01/22 |
61 |
$478 |
+56% |
2 |
$239 |
$100,607 |
11 |
| 2016/01/29 |
82 |
$224 |
-53% |
1 |
$224 |
$110,352 |
12 |
| 2016/02/19 |
86 |
$252 |
|
1 |
$252 |
$113,805 |
15 |
| 2016/02/26 |
78 |
$706 |
+180% |
2 |
$353 |
$115,130 |
16 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue
are available through our research services. For more information, please contact us at research@the-numbers.com.
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
