South Korea Box Office for Ryuichi Sakamoto: Coda (2018)

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Ryuichi Sakamoto: Coda
Theatrical Performance (US$)
South Korea Box Office $106,726Details
Worldwide Box Office $998,885Details
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

One of the most important artists of our era, Ryuichi Sakamoto has had a prolific career spanning over four decades, from techno-pop stardom to Oscar-winning film composer. The evolution of his music has coincided with his life journeys. Following Fukushima, Sakamoto became an iconic figure in Japan’s social movement against nuclear power. As Sakamoto returns to music following cancer, his haunting awareness of life crisis leads to a resounding new masterpiece.

Metrics

Movie Details

South Korea Releases: May 23rd, 2018 (Wide)
Video Release: November 3rd, 2020 by Mubi
MPAA Rating: Not Rated
Running Time: 102 minutes
Keywords: Set in Japan, Composer, Movie Business, House Music / Electronica
Source:Based on Real Life Events
Genre:Documentary
Production Method:Live Action
Creative Type:Factual
Production/Financing Companies: Kadosawa, Alex Digital, Dentsu Music and Entertainment, Cineric, Borderland Media
Production Countries: Japan, United States
Languages: English, Japanese

Theater Averages: Sorry isn’t a Bother

July 12th, 2018

Sorry to Bother You

Sorry to Bother You dominated the theater average chart this week with an average of $45,454 in 16 theaters. As I previously mentioned, this is the sixth-best opening average for a limited release this year. Ant-Man and the Wasp earned top spot on the weekend chart and second place here with an average of $18,025. Three Identical Strangers remained in the $10,000 club with an average of $13,427 in 51 theaters and should have no trouble expanding further. Ryuichi Sakamoto: Coda earned $12,827 in its lone theater, which is excellent for a documentary. Leave No Trace remained in the $10,000 club with an average of $10,892 in 37 theaters. It will continue to expand. More...

Limited and VOD Releases: Nothing to be Sorry About

July 6th, 2018

GLOW: Season Two

It’s a short week for limited releases; however, that doesn’t mean there’s nothing to talk about. Sorry to Bother You is earning some of the best reviews of the week and it has the loudest buzz. Meanwhile, Whitney is playing in over 450 theaters and could reach the top ten. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2018/06/15 11 $26,511   47 $564   $44,419 4
2018/06/22 22 $13,244 -50% 41 $323   $72,588 5
2018/06/29 - $5,969 -55% 16 $373   $85,336 6
2018/07/06 26 $3,955 -34% 11 $360   $92,332 7
2018/08/03 - $893   3 $298   $103,957 11

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 10/26/2018 $12,397 10 10 25 $28,311 4/22/2024
China 12/20/2019 $132,035 0 0 0 $721,945 2/1/2020
North America 7/6/2018 $12,827 1 9 35 $117,460
Portugal 8/15/2024 $761 2 4 8 $6,795 9/4/2024
Russia (CIS) 8/14/2020 $188 1 3 14 $2,638 10/19/2022
South Korea 5/23/2018 $0 0 47 118 $106,726 8/21/2018
United Kingdom 6/29/2018 $15,010 13 13 13 $15,010 7/5/2018
 
Worldwide Total$998,885 9/4/2024

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Documentary Subject(s)

Ryuichi Sakamoto    Himself

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Stephen Schible    Director
Eric Nyari    Producer
Yoshiko Hashimoto    Producer
Neo Sora    Director of Photography
Tom Richmond    Director of Photography
Hisayo Kushida    Editor
Tom Paul    Sound Designer
Tsuguhiko Kadokawa    Executive Producer
Hisaou Wakaizumi    Executive Producer
Shuichi Machida    Executive Producer

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.