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| Theatrical Performance (US$) | ||
| United Kingdom Box Office | $14,416 | Details |
| Worldwide Box Office | $287,781 | Details |
| Further financial details... | ||
| United Kingdom Releases: | June 30th, 2017 (Wide) |
| Video Release: | May 9th, 2017 by Virgil Films and Entertainment |
| MPAA Rating: | Not Rated |
| Running Time: | 86 minutes |
| Keywords: | Whistleblowers, Hackers, Betrayal, Biography, Internet, Exile |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Showtime Documentary Films, Praxis |
| Production Countries: | United States |
| Languages: | English |
May 10th, 2017
Not only did Guardians of the Galaxy Vol 2 earn first place on the weekend box office chart, it was also the top film on the theater average chart earning an average of $33,704. This is the fourth best result of the year so far, second best for a wide release. (Beauty and the Beast is still the best of the year with an average of $41,508.) Second place went to the re-release of Stalker with $20,540 in its lone theater. The Lovers was the only other film in the $10,000 club with an average of $16,572 in four theaters.
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May 7th, 2017
It’s the first weekend in May, and that means it’s time for another installment from the Marvel Cinematic Universe. Two years ago Avengers: Age of Ultron blasted out the gates with $191 million. Last year, Captain America: Civil War debuted with $179 million. And now, this weekend, Guardians of the Galaxy Vol 2 will launch with a shade over $145 million, according to Disney’s Sunday morning estimate. The steady decline in opening numbers for those three films raises a few questions about the long-term future of the franchise, but there is no universe in which $145 million isn’t a great performance.
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May 5th, 2017
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It is one of those weeks where it is hard to find a film with high box office potential. Last Men in Aleppo is the best movie, but as a documentary, it likely won’t expand significantly. Chuck has a great cast, but it’s reviews are merely good. Maybe The Lovers will do the best.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2017/06/30 | - | $14,416 | 19 | $759 | $14,416 | 1 |
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 6/16/2017 | $2,182 | 2 | 2 | 4 | $4,964 | 6/26/2017 |
| North America | 5/5/2017 | $76,327 | 34 | 45 | 118 | $200,219 | 9/28/2018 |
| United Kingdom | 6/30/2017 | $14,416 | 19 | 19 | 19 | $14,416 | 7/5/2017 |
| Rest of World | $68,182 | ||||||
| Worldwide Total | $287,781 | 9/28/2018 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
| Julian Assange | Himself |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
| Laura Poitras | Director | |
| Laura Poitras | Producer | |
| Brenda Coughlin | Producer | |
| Yoni Golijov | Producer | |
| Jonah Greenstein | Co-Producer | |
| Melody London | Editor | |
| Erin Casper | Editor | |
| Laura Poitras | Editor | |
| Kirsten Johnson | Cinematographer | |
| Laura Poitras | Cinematographer | |
| Katy Scoggin | Cinematographer | |
| Jeremy Flower | Composer | |
| Sam Esmail | Executive Producer | |
| Vinnie Malhotra | Executive Producer | |
| Charlotte Cook | Executive Producer | |
| A.J. Schnack | Executive Producer |
