Uruguay Box Office for Renoir (2012)

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Renoir poster
Theatrical Performance (US$)
Uruguay Box Office $42,344Details
Worldwide Box Office $6,761,636Details
Further financial details...

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  2. News
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  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Set on the French Riviera in the summer of 1915, Gilles Bourdos' lushly atmospheric drama RENOIR tells the story of celebrated Impressionist painter Pierre-Auguste Renoir, in declining health at age 74, and his middle son Jean, who returns home to convalesce after being wounded in World War I. The elder Renoir is filled with a new, wholly unexpected energy when a young girl miraculously enters his world. Blazing with life, radiantly beautiful, Andrée will become his last model, and the wellspring of a remarkable rejuvenation. At the same time, Jean also falls under the spell of the free-spirited young Andrée. Their beautiful home and majestic countryside grounds reverberate with familial intrigue, as both Renoirs, père et fils, become smitten with the enchanting and headstrong young muse.

Metrics

Movie Details

Uruguay Releases: December 5th, 2013 (Wide)
MPAA Rating: R for sequences of art-related nudity and brief language.
(Rating bulletin 2251, 12/5/2012)
Running Time: 111 minutes
Keywords: Artists, Autumn Years, Returning Soldiers, World War I, Epilogue, Models, Biography
Source:Original Screenplay
Genre:Drama
Production Method:Live Action
Creative Type:Dramatization
Production/Financing Companies: Fidelite, Wild Bunch, Mars Films, France 2 Cinema
Production Countries: France
Languages: French

Per Theater Chart: Much Success for Nothing

June 12th, 2013

Much Ado About Nothing lived up to the hype earning first place on the per theater chart with an average of $34,388 in five theaters. This is enough to suggest significant expansion, but I think it is too "art house" to expand even semi-wide. Dirty Wars opened in second place with an average of $15,876 in four theaters. This is an excellent start for a documentary. The overall box office leader, The Purge, earned third place with an average of $13,430. The final film in the $10,000 club was Before Midnight with an average of $10,123 in 52 theaters during its third weekend of release. More...

Per Theater Chart: Iron Man Ices the Competition

May 7th, 2013

Iron Man 3 dominated the Per Theater Chart earning an average of $40,946 at over 4,000 screens. Two Millenium Films releases were next with The Iceman and What Maisie Knew earning averages of $21,987 and $21,480 respectively. Free the Mind opened with $12,215 in its lone theater. More...

Per Theater Chart: Needing a Bigger Place

April 2nd, 2013

There was a huge selection of films in the $10,000 club, led by The Place Beyond the Pines, which earned an average of $69,864 in four theaters. This is the second-best per theater average for the year thus far, behind only Spring Breakers. Space Station rose back to the $10,000 club with $15,301 in two theaters. This film has amazing legs, even compared to other IMAX films, and pops into the $10,000 from time to time. Room 237 opened with an average of $14,847 in two theaters. This is a good start, but as a documentary its potential to expand is very limited. The overall box office leader, G.I. Joe: Retaliation, earned an average of $10,891 over the three-day portion of its opening weekend. Renoir was right behind with an average of $10,866 in six theaters. Temptation also managed to earn a spot in the $10,000 club with an average of $10,572. More...

Limited Releases: Going Mental for Limited Releases

March 29th, 2013

It's kind of a mixed week when it comes to limited releases. There are quite a few of them, but not many that have good reviews and strong buzz. The best of these is Blancanieves, which I thought opened previously. There are some with good reviews and some with buzz, but not a lot that scream hit. The Place Beyond the Pines probably has the best chance at hitting major milestones. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2013/12/06 11 $3,043   2 $1,522   $42,344 1
2013/12/13 12 $2,457 -19% 2 $1,229   $7,445 2
2013/12/20 15 $1,828 -26% 2 $914   $9,795 3
2013/12/27 14 $1,338 -27% 1 $1,338   $11,246 4

Box Office Summary Per Territory

Territory Release
Date		 Opening
Weekend		 Opening
Weekend
Screens		 Maximum
Screens		 Theatrical
Engagements		 Total
Box Office		 Report
Date
Austria 4/12/2013 $0 0 13 25 $55,315 12/14/2015
Belgium 1/2/2013 $39,638 11 14 84 $128,717 12/14/2015
Brazil 7/5/2013 $0 0 1 1 $180,958 12/13/2015
Chile 6/12/2014 $0 0 2 5 $37,102 12/30/2018
Denmark 1/17/2013 $11,502 7 7 14 $28,594 12/14/2015
France 1/2/2013 $0 0 323 553 $3,010,648 12/14/2015
Germany 2/7/2013 $0 0 75 282 $855,634 12/14/2015
Netherlands 12/20/2012 $5,056 7 7 7 $5,056 12/13/2015
North America 3/29/2013 $65,194 6 86 654 $2,291,047
Switzerland 1/9/2013 $32,986 6 16 34 $126,221 12/14/2015
Uruguay 12/5/2013 $3,043 2 2 7 $42,344 12/30/2018
 
Worldwide Total$6,761,636 12/30/2018

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Michel Bouquet    Pierre-Auguste Renoir
Christa Théret    Andrée Heuschling
Vincent Rottiers    Jean Renoir

Supporting Cast

Thomas Doret    Coco Renoir
Michele Gleizer    Aline Renoir
Romane Bohringer    Gabrielle

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Gilles Bourdos    Director
Jerome Tonnerre    Screenwriter
Michel Spinosa    Screenplay (in collaboration with)
Jacques Renoir    Based on the book "Le Tableau Amoureux"
Alexandre Desplat    Composer
Mark Ping Bing Lee*    Photography
Yannick Kergoat    Editor
François Waledisch    Sound
Valérie Deloof    Sound
Cyril Holtz    Sound
Pascaline Chavanne    Costume Designer
Benoît Barouh    Set Designer
Christophe Marillier    First Assistant Director
Richard Rousseau    Casting Director
Elsa Pharaon    Casting Director
Michel Charvaz    Props
Guy Ribes    Painter
Samuel Amar    Production Manager
Christine de Jekel    Line Producer
Olivier Delbosc    Producer
Marc Missonnier    Producer