| Theatrical Performance (US$) | ||
| Russia (CIS) Box Office | $16,020 | Details |
| Worldwide Box Office | $32,078,517 | Details |
| Home Market Performance | ||
| North America Blu-ray Sales | $86,539 | Details |
| Total North America Video Sales | $86,539 | |
| Further financial details... | ||
| Russia (CIS) Releases: | January 19th, 2018 (Wide) |
| Video Release: | September 26th, 2017 by Criterion |
| MPAA Rating: | R for aberrant sexuality including violence, and for language |
| Running Time: | 131 minutes |
| Keywords: | Erotic Drama |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | France |
| Languages: | French, German |
September 27th, 2017
Transformers: The Last Knight is the biggest release of the week and it has scared away a lot of the competition, but it’s garbage and should be avoided. There are no big releases that are pick of the week contenders, but some smaller ones fit the bill, including David Lynch: The Art Life: The Criterion Collection, HYOUKA: Part Two, and Shameless: The Complete Seventh Season. All are amazing and worth checking out, but none have many extras, so it is up to the role of the dice to determine the Pick of the Week. ... And it’s HYOUKA.
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| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| New Zealand | 11/28/2002 | $0 | 0 | 1 | 1 | $207 | 10/20/2022 |
| North America | 3/29/2002 | $29,671 | 3 | 19 | 286 | $1,900,282 | |
| Portugal | 11/10/2001 | $0 | 0 | 1 | 1 | $1,046 | 6/22/2021 |
| Russia (CIS) | 1/19/2018 | $10,505 | 0 | 0 | 0 | $16,020 | 1/1/2019 |
| South Korea | 12/20/2002 | $0 | 0 | 1 | 1 | $30,160,962 | 7/13/2018 |
| Worldwide Total | $32,078,517 | 10/20/2022 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
| Isabelle Huppert | ||
| Benoit Magimel |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
| Michael Haneke | Director |
