Malaysia Box Office for Parker (2013)
← Go to main Parker page
| Theatrical Performance (US$) |
| Malaysia Box Office |
$728,843 | Details |
| Worldwide Box Office |
$48,543,388 | Details |
| Home Market Performance |
| North America DVD Sales |
$8,494,644 |
Details |
| North America Blu-ray Sales |
$3,025,358 |
Details |
| Total North America Video Sales |
$11,520,002 | |
| Further financial details... |
- Summary
- News
- Box Office
- Worldwide
- Full Financials
- Cast & Crew
- Trailer
Synopsis
Parker is a professional thief who lives by a personal code of ethics: Don’t steal from people who can’t afford it and don't hurt people who don't deserve it. But on his latest heist, his crew double crosses him, steals his stash, and leaves him for dead.
Determined to make sure they regret it, Parker tracks them to PalmBeach, playground of the rich and famous, where the crew is planning their biggest heist ever. Donning the disguise of a rich Texan, Parker takes on an unlikely partner, Leslie, a savvy insider, who's short on cash, but big on looks, smarts and ambition. Together, they devise a plan to hijack the score, take everyone down and get away clean.
Metrics
Movie Details
| Production Budget: | $35,000,000 |
| Malaysia Releases: |
January 24th, 2013 (Wide) |
| Video Release: |
May 21st, 2013 by Sony Pictures Home Entertainment |
| MPAA Rating: |
R for strong violence, language throughout and brief sexual content/nudity.
(Rating bulletin 2244, 10/10/2012) |
| Running Time: |
108 minutes |
| Keywords: |
Heist, No Honor Among Thieves, Revenge, Confidence Men, Crime Thriller, Delayed Release, Left for Dead, False Identity |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: |
Incentive Filmed Entertainment, Sierra Pictures, Alexander/Mitchell, Current Entertainment, Sidney Kimmel Entertainment, Anvil Films |
| Production Countries: |
United States |
| Languages: |
English |
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|
| 2013/01/25 |
2 |
$304,233 |
|
67 |
$4,541 |
$304,233 |
1 |
| 2013/02/01 |
2 |
$180,262 |
-41% |
67 |
$2,690 |
$597,909 |
2 |
| 2013/02/08 |
2 |
$16,218 |
-91% |
15 |
$1,081 |
$671,635 |
3 |
| 2013/02/15 |
3 |
$14,485 |
-11% |
15 |
$966 |
$713,074 |
4 |
| 2013/02/22 |
7 |
$1,919 |
-87% |
1 |
$1,919 |
$719,607 |
5 |
| 2013/03/01 |
8 |
$2,317 |
+21% |
1 |
$2,317 |
$727,296 |
6 |
| 2013/03/08 |
9 |
$696 |
-70% |
1 |
$696 |
$728,843 |
7 |
Box Office Summary Per Territory
| Territory |
Release
Date |
Opening
Weekend |
Opening
Weekend
Screens |
Maximum
Screens |
Theatrical
Engagements |
Total
Box Office |
Report
Date |
| Argentina |
3/14/2013 |
$114,413 |
33 |
33 |
80 |
$322,656 |
12/30/2018 |
| Austria |
2/7/2013 |
$209,145 |
38 |
38 |
149 |
$586,714 |
12/14/2015 |
| Belgium |
4/17/2013 |
$83,820 |
21 |
27 |
48 |
$164,093 |
12/14/2015 |
| Bolivia |
12/5/2013 |
$10,091 |
6 |
6 |
11 |
$21,756 |
12/30/2018 |
| Brazil |
3/22/2013 |
$289,348 |
106 |
106 |
203 |
$533,362 |
12/14/2015 |
| Bulgaria |
2/1/2013 |
$59,168 |
19 |
19 |
84 |
$318,411 |
12/30/2018 |
| Croatia |
1/24/2013 |
$14,565 |
8 |
12 |
35 |
$58,714 |
12/30/2018 |
| Denmark |
2/28/2013 |
$41,215 |
19 |
19 |
33 |
$70,963 |
12/14/2015 |
| Egypt |
2/20/2013 |
$28,564 |
5 |
7 |
45 |
$186,416 |
12/30/2018 |
| Finland |
2/22/2013 |
$35,194 |
21 |
21 |
31 |
$72,612 |
12/14/2015 |
| France |
4/17/2013 |
$858,735 |
145 |
146 |
291 |
$1,603,917 |
12/14/2015 |
| Germany |
2/7/2013 |
$1,150,650 |
239 |
313 |
1289 |
$3,097,973 |
12/14/2015 |
| Hong Kong |
3/14/2013 |
$0 |
0 |
12 |
13 |
$183,563 |
12/14/2015 |
| Hungary |
2/28/2013 |
$63,585 |
29 |
29 |
116 |
$164,903 |
12/30/2018 |
| Iceland |
2/1/2013 |
$14,510 |
7 |
7 |
15 |
$45,998 |
12/30/2018 |
| Italy |
5/8/2014 |
$0 |
0 |
37 |
37 |
$566,174 |
12/17/2015 |
| Latvia |
3/1/2013 |
$6,947 |
1 |
2 |
8 |
$145,314 |
12/30/2018 |
| Lebanon |
2/21/2013 |
$92,436 |
13 |
13 |
56 |
$318,457 |
12/30/2018 |
| Lithuania |
3/1/2013 |
$0 |
0 |
4 |
18 |
$52,959 |
12/14/2015 |
| Malaysia |
1/24/2013 |
$304,233 |
67 |
67 |
167 |
$728,843 |
12/14/2015 |
| Mexico |
3/1/2013 |
$447,979 |
327 |
327 |
684 |
$1,512,067 |
12/14/2015 |
| Netherlands |
2/7/2013 |
$204,226 |
34 |
34 |
126 |
$674,540 |
12/14/2015 |
| North America |
1/25/2013 |
$7,008,222 |
2,224 |
2,238 |
7,651 |
$17,616,641 |
12/5/2014 |
| Norway |
2/22/2013 |
$102,482 |
45 |
51 |
162 |
$353,469 |
12/14/2015 |
| Philippines |
1/24/2013 |
$115,840 |
65 |
65 |
105 |
$256,472 |
12/30/2018 |
| Portugal |
1/31/2013 |
$61,893 |
15 |
16 |
61 |
$240,607 |
12/14/2015 |
| Romania |
3/1/2013 |
$131,890 |
28 |
28 |
135 |
$395,245 |
12/30/2018 |
| Russia (CIS) |
1/31/2013 |
$3,538,727 |
800 |
800 |
1380 |
$7,592,544 |
12/30/2018 |
| Singapore |
2/14/2013 |
$104,187 |
17 |
17 |
43 |
$207,248 |
12/14/2015 |
| South Africa |
3/29/2013 |
$231,042 |
65 |
65 |
283 |
$681,364 |
12/14/2015 |
| Spain |
3/8/2013 |
$831,291 |
240 |
240 |
1091 |
$2,397,734 |
12/14/2015 |
| Switzerland |
2/7/2013 |
$218,450 |
28 |
28 |
89 |
$561,863 |
12/14/2015 |
| Taiwan |
4/19/2013 |
$310,192 |
41 |
41 |
81 |
$722,940 |
12/14/2015 |
| Thailand |
1/31/2013 |
$233,490 |
77 |
77 |
155 |
$512,885 |
12/14/2015 |
| Turkey |
1/25/2013 |
$202,132 |
73 |
73 |
263 |
$691,061 |
12/30/2018 |
| United Arab Emirates |
2/28/2013 |
$646,917 |
47 |
47 |
108 |
$1,371,684 |
12/30/2018 |
| United Kingdom |
3/8/2013 |
$855,327 |
301 |
301 |
853 |
$2,616,679 |
12/14/2015 |
| Vietnam |
2/8/2013 |
$8,872 |
12 |
12 |
38 |
$138,159 |
12/30/2018 |
| |
| Rest of World |
$756,388 |
|
| |
| Worldwide Total | $48,543,388 |
12/30/2018 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue
are available through our research services. For more information, please contact us at research@the-numbers.com.
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.
