Germany Box Office for The New Mutants (2020)

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The New Mutants
Theatrical Performance (US$)
Germany Box Office $1,720,249Details
Worldwide Box Office $47,535,251Details
Home Market Performance
North America DVD Sales $2,131,476 Details
North America Blu-ray Sales $4,690,215 Details
Total North America Video Sales $6,821,691
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Five young people demonstrate special powers are brought to a secret institution to undergo treatments they are told will cure them of the dangers of their powers. Invited by Dr. Cecilia Reyes to share their stories about when their powers first manifested, the five “patients” come to understand that they are in a class of people called mutants, who have historically been marginalized and feared. As they relive their origin stories, their memories seem to turn into terrifying realities. Soon, they question what is real and what isn’t, and it becomes clear that the institution isn’t what it seems. Now the question is—why are they being held captive? And who is trying to destroy them?

Metrics

Movie Details

Production Budget:$67,000,000
Germany Releases: September 10th, 2020 (Wide)
Video Release: November 17th, 2020 by Fox Home Entertainment
MPAA Rating: PG-13 for violent content, some disturbing/bloody images, some strong language, thematic elements and suggestive material.
(Rating bulletin 2619 (Cert #51297), 3/4/2020)
Running Time: 98 minutes
Franchise: X-Men
Keywords: Marvel Comics, The Past Catching up with You, Survival Horror, Mutants, Medical Crimes, 2010s, Delayed Release, Disrupted by 2020 COVID-19 pandemic, Development Hell
Source:Based on Comic/Graphic Novel
Genre:Horror
Production Method:Live Action
Creative Type:Super Hero
Production/Financing Companies: Marvel Studios, Kinberg Genre, Donners’ Company, TSG Entertainment, 20th Century Fox, Genre Films, Sunswept Entertainment
Production Countries: United States
Languages: English

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Weekend estimates: Honest Thief wins weekend with $3.7 million

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Weekend estimates: The War with Grandpa pulls off surprise win

October 11th, 2020

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Weekend estimates: Tenet still top, reaches $300 million worldwide, Hocus Pocus surprises

October 4th, 2020

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The best that can be said about this weekend at the box office is that a movie is doing better than expected. However, to put that in perspective, the movie in question is a re-release of a film that opened in fourth place back in 1993, and earned four times as much on its original opening weekend (when ticket prices were less than half what they are now) as it did this weekend. The movie, of course, is Hocus Pocus, and its $1.925 million weekend is a welcome surprise for a film that will presumably be drawing more of a family audience than the other films in release right now (Disney has not reported any demographic information for the film). More...

Weekend estimates: Tenet leads lackluster weekend

September 27th, 2020

Tenet

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Weekend estimates: Infidel posts solid opening, under the circumstances

September 20th, 2020

Infidel

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Here are the details… More...

Weekend estimates: Mulan posts disappointing $23.2 million opening in China, Tenet crosses $200 million worldwide

September 13th, 2020

Mulan

The return of major new theatrical releases in the United States is great news for the industry, but this past few days have shown just how tough it will be to recover from the effects of the pandemic. After Tenet’s seemingly not-too-good, not-too-bad opening last weekend, two studios revealed what they really thought at end of the week, with Warner Bros. pushing Wonder Woman 1984 back to December 25, and Universal shifting Candyman to sometime in 2021. Clearly business isn’t good enough (yet) to support movies that could be very profitable under normal circumstances.

Warner Bros. and Universal do earn some credit for sticking with a theatrical strategy for the films, at least for now. Disney, meanwhile, have (amongst other things) been criticized for releasing Mulan on Disney+ here in the United States, and didn’t get the best of news this weekend for their international theatrical strategy, as the film rolled out in China with a modest $23.2 million.

New numbers for Tenet, and an opening weekend estimate for The Broken Hearts Gallery also give us new insight into progress in the domestic market.

Here’s a round-up of the weekend numbers released so far. More...

Weekend prediction: The Broken Hearts Gallery

September 10th, 2020

The Broken Hearts Gallery

With theaters slowly reopening in North America, albeit with significant capacity restrictions, and new releases returning to theaters after a long, lonely, Summer, we thought it was time to take a look at our weekend predictions. Traditionally, these have been compiled through a combination of research and judgment, much like the predictions you’ll see on many web sites, trade publications, and newspapers. While our predictions have always stacked up well compared to everyone else, going forwards we wanted to do something that more closely embodies the ethos of The Numbers: providing objective, data-based analysis of the movie industry.

I’m pleased to announce our new weekend previews, which will be based on a model we’re developing that uses our huge database of movie box office and metadata to predict the weekend box office for movies currently playing in theaters. The prediction model debuts this week with an analysis of Sony’s The Broken Hearts Gallery, and we’ll be refining and expanding the model and predictions over the weeks to come. More...

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September 6th, 2020

Tenet

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Warner Bros. is reporting $20.2 million from 2,810 locations domestically for Tenet “through the Labor Day holiday weekend” (which presumably means including previews and projected grosses for Sunday and Monday), and another $58.3 million internationally, for an international total of $126 million and a global cume of $146.2 million so far.

Disney is claiming a strong opening for Mulan in a handful of small international markets, with $5.9 million for the weekend. The real action for that movie is online, of course, for which no figures have been reported, or are expected.

Here are the details to date. More...

Weekend Predictions: Tenet Set to Tame a Chaotic Box Office

September 2nd, 2020

Tenet

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Weekend Estimates: New Mutants Posts $7 Million Opening

August 30th, 2020

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Although the war for survival of the theatrical business is only beginning, The New Mutants is at least winning a small early battle by posting an opening weekend that is in line with expectations. In fact, the film will exactly hit our pre-weekend prediction of $7 million, according to Disney’s Sunday morning projection.

Beyond the top-line number, signals are mixed. Mutants’ theater average of $2,903 is better than Unhinged’s $2,206 last weekend, but its box office fell on both Saturday and Sunday, suggesting poor word of mouth. Unhinged itself is down 35% from last weekend, even though it gained an extra 508 theaters. The other new releases were weak (although what a joy to see something new). More...

Weekend Predictions: A Slate of New Releases

August 28th, 2020

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Weekend Wrap-Up: Unhinged Begins to Pry Open the Box Office

August 25th, 2020

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August 1st, 2020

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It has been a long time since we’ve seen a theatrical release from a major studio in North America, but that grim record may finally change in August. While there are only three major releases still on the calendar, and things remain in flux, it seems likely that at least one of them will open on their current release date.

That assumption is based partly on Warner Bros.’ decision to go ahead with Tenet’s release on September 3, and United Artists’ release of Bill and Ted Face the Music in theaters and VOD on September 1. With theaters steadily opening internationally, the pressure to release new films has become too great, even while the pandemic continues to rage in the United States. Even if expectations are very low domestically, it makes sense to start releasing films that have some international appeal, can lure moviegoers back to theaters in small numbers in the US, and then can make back more money from domestic video releases.

In the first part of this month’s preview, we look at the films that are lined up to open in August. Tomorrow, we’ll analyze what it’ll take to get box office earnings close to normal, and how long we can expect that to take, at least in countries that are bringing the pandemic under control. More...

The New Mutants Trailer

January 6th, 2020

X-Men horror movie starring Anya Taylor-Joy, Maisie Williams, Charlie Heaton, Henry Zaga, and Blu Hunt opens April 3 ... Full Movie Details. More...

The New Mutants Trailer

October 13th, 2017

Superhero horror movie starring Anya Taylor-Joy and Maisie Williams opens April 13, 2018 ... Full Movie Details. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2020/09/11 4 $392,892   440 $893   $392,892 1
2020/09/18 3 $308,071 -22% 445 $692   $795,134 2
2020/09/25 4 $278,520 -10% 457 $609   $1,134,398 3
2020/10/02 7 $209,750 -25% 350 $599   $1,414,752 4
2020/10/09 12 $108,033 -48% 288 $375   $1,582,792 5
2020/10/16 13 $64,542 -40% 198 $326   $1,663,798 6

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 4/1/2021 $46,193 0 0 0 $107,735 10/20/2022
Australia 9/3/2020 $357,344 258 258 1062 $1,196,825 12/29/2020
Brazil 10/22/2020 $181,582 0 0 0 $993,261 5/25/2021
Czech Republic 8/28/2020 $79,194 55 86 279 $166,562 10/19/2022
France 8/28/2020 $1,100,000 0 426 608 $3,114,676 5/28/2021
Germany 9/10/2020 $392,892 440 457 2178 $1,720,249 2/1/2021
Hong Kong 9/3/2020 $265,870 0 0 0 $398,040 10/2/2020
India 10/30/2020 $5,815 0 0 0 $16,814 12/1/2020
Indonesia 12/31/2020 $0 0 0 0 $261,254 10/20/2022
Italy 9/4/2020 $246,184 0 0 0 $739,202 10/19/2022
Lithuania 9/4/2020 $10,758 14 14 27 $21,422 9/30/2020
Mexico 9/4/2020 $551,053 0 0 0 $2,940,357 12/29/2020
Netherlands 9/4/2020 $205,866 105 106 563 $826,088 10/19/2022
New Zealand 9/3/2020 $69,777 74 76 427 $285,439 10/19/2022
North America 8/28/2020 $7,037,017 2,412 2,754 20,198 $23,855,569 6/17/2024
Poland 8/26/2020 $87,337 231 231 462 $308,333 10/20/2022
Portugal 8/27/2020 $47,828 77 77 260 $172,737 10/20/2020
Romania 9/18/2020 $37,074 101 101 337 $119,173 3/24/2021
Russia (CIS) 9/3/2020 $421,034 851 865 2676 $1,179,041 10/20/2022
Slovakia 9/11/2020 $28,712 67 67 165 $71,393 10/13/2020
South Korea 9/11/2020 $273,971 803 803 983 $470,131 10/2/2020
Spain 8/28/2020 $287,886 312 312 1276 $1,375,133 10/30/2020
Taiwan 8/28/2020 $400,000 0 0 0 $625,284 9/17/2021
Thailand 8/28/2020 $200,000 0 0 0 $200,000 10/19/2022
Turkey 9/11/2020 $16,604 311 311 1011 $95,768 10/19/2022
United Kingdom 9/4/2020 $908,066 538 542 2221 $2,204,439 11/13/2020
 
Rest of World $4,070,326
 
Worldwide Total$47,535,251 6/17/2024

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Lead Ensemble Members

Anya Taylor-Joy    Illyana Rasputina/Magik
Maisie Williams    Rahne Sinclair/Wolfsbane
Charlie Heaton    Sam Guthrie / Cannonball
Henry Zaga    Roberto da Costa / Sunspot
Blu Hunt    Danielle Moonstar / Mirage

Supporting Cast

Alice Braga    Cecilia Reyes
Happy Anderson    Reverend Craig Sinclair

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Josh Boone    Director
Knate Lee*    Screenwriter
Josh Boone    Screenwriter
Chris Claremont    Story by
Bob McLeod    Story by
Simon Kinberg    Producer
Karen Rosenfelt    Producer
Lauren Shuler Donner    Producer
Robb Sullivan    Editor
Matthew Rundell    Editor
Andrew Buckland    Editor
Mark Snow    Composer
Peter Deming    Director of Photography
Anthony Raymond    Set Designer
Season Kent    Music Supervisor

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.