United Kingdom Box Office for Morgan (2016)

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Morgan
Theatrical Performance (US$)
United Kingdom Box Office $257,595Details
Worldwide Box Office $7,298,786Details
Home Market Performance
North America DVD Sales $265,656 Details
North America Blu-ray Sales $632,007 Details
Total North America Video Sales $897,663
Further financial details...

  1. Summary
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  6. Cast & Crew
  7. Trailer

Synopsis

A corporate troubleshooter is sent to a remote, top-secret location, where she is to investigate and evaluate a terrifying accident. She learns the event was triggered by a seemingly innocent “human,” who presents a mystery of both infinite promise and incalculable danger.

Metrics

Movie Details

Production Budget:$8,000,000
United Kingdom Releases: September 2nd, 2016 (Wide)
Video Release: December 2nd, 2016 by Fox Home Entertainment
MPAA Rating: R for brutal violence, and some language.
(Rating bulletin 2427 (Cert #50439), 6/1/2016)
Running Time: 120 minutes
Keywords: Scientific Breakthrough, Scientific Experiment Gone Awry, Corporate Malfeasance, Surprise Twist, Robot, Psychological Thriller
Source:Original Screenplay
Genre:Thriller/Suspense
Production Method:Live Action
Creative Type:Science Fiction
Production/Financing Companies: 20th Century Fox, Scott Free Films
Production Countries: United States
Languages: English

Home Market Releases for December 13th, 2016

December 12th, 2016

The Twilight Zone

This is a strange week on the home market. We have one of the biggest domestic hits of the year, Suicide Squad, but it is one of the worst movies I’ve seen this year. (Granted, I’ve done fewer reviews this year and skipped a lot of terrible looking movies, like Independence Day: Resurgence, Warcraft, Gods of Egypt, Allegiant... Ben Hur, The Huntsman, The Legend of Tarzan. I could keep going. Wow! It was a bad year for $100 million movies.) After Suicide Squad, the next biggest release according to Amazon is the Chicago Cubs 2016 World Series Collector's Edition Blu-ray. That’s a huge drop in sales. As far as quality is concerned, I have to give a shout out to that World Series Blu-ray. Real fans want full games and this one provides them. On the other hand, I personally find baseball boring to watch. Unfortunately, there’s no one release that stands out as an obvious Pick of the Week, but instead we have a lot of releases that are close, but wouldn’t be close enough during a good week. The Twilight Zone: The Complete Series on Blu-ray is the best, assuming you didn’t grab the individual seasons when they came out. More...

Contest: Don’t Sully Your Reputation: Winning Announcement

September 14th, 2016

Sully

The winners of our Don’t Sully Your Reputation contest were determined and the entrants with the closest predictions for Morgan opening weekend were... More...

Weekend Predictions: The Real Work Begins

September 8th, 2016

Morgan

The weekend after the Labor Day long weekend is often the worst weekend of the year. However, this year there two films opening wide that have a real shot at $20 million or more. Sully is Oscar-bait, but it is opening a little too early for that role and its reviews are a little below where they need to be. When the Bough Breaks is a thriller aimed at African-Americans and this time of year has become the perfect time to release such a film. Those two films should earn $50 million combined. Unfortunately, there are two other films coming out this week. The Wild Life is a third-tier animated film, while The Disappointments Room isn’t even opening truly wide. There’s a chance neither of them will reach the top five. The Disappointments Room likely won’t reach the top ten. This weekend last year, the top two films were The Perfect Guy and The Visit, which combined earned just over $50 million at the box office. It should be a really close race in the year-over-year competition. More...

Contest: Doing Hard Labor: Winning Announcement

September 7th, 2016

Morgan

The winners of our Doing Hard Labor contest were determined and the entrants with the closest predictions for Morgan opening weekend were... More...

Weekend Wrap-Up: Breathe Blows Away the New Releases

September 7th, 2016

Don’t Breathe

The Labor Day long weekend wasn’t even close with Don’t Breathe earning more over three days than any other film earned over four. There were a couple of other major stories as Suicide Squad hit $300 million on Monday and Bad Moms hit $100 million on Saturday. Given the production budgets of those two films, the latter has a lot more reasons to celebrate. As for the new releases, the studios will just be hoping no one remembers them in a few weeks. The Light Between Oceans missed the top five, while Morgan missed the top ten. The overall box office fell 16% to $99 million over the three-day weekend and $127 million including Monday. This is 8.9% higher than the same weekend last year. Year-to-date, 2016’s lead over 2015 grew to $500 million at $7.98 billion to $7.48 billion. That’s a lead of 6.7%. It would take a real collapse for 2016 to lose at this rate. More...

Weekend Estimates: Don’t Breathe Wins Long, Slow Weekend

September 4th, 2016

Don’t Breathe

Don’t Breathe is pulling off an easy win at the box office this weekend, and will become in the process the first horror film to win two straight weekends since Ouija did so, with some help from Halloween, in 2014. With an estimated 3-day $15.7 million, Don’t Breathe is ahead of Suicide Squad, which will stay in the top two for a fifth straight weekend with $10 million or so. Its total stands at $297 million as of Sunday, and will pass $300 million tomorrow. The relative success of those two films prompts a question… where are the new releases? More...

Friday Estimates: New Releases are a Stain on the Box Office

September 3rd, 2016

No Manches Frida

Labor Day long weekend is rarely a great time at the box office, but I wasn’t prepared for this. Neither of the new releases reached the top five on the Friday box office chart, leaving Don’t Breathe the clear winner for the day with $4.18 million. This is down just 58% from its opening Friday, so it will easily top predictions. It looks like it will earn more over three days ($14 million) than we predicted it would earn over four ($13 million). More...

Thursday Night Previews: Throwing Shade on Light and Morgan

September 2nd, 2016

The Light Between Oceans

This will be the shortest Thursday Night Previews column I’ve ever written, as no numbers were released. That’s a really bad sign for The Light Between Oceans and especially Morgan. Horror / thrillers tend to do well in previews, certainly better than dramas do. Assuming the numbers are not just really late because of the holiday, which is a safe assumption, then the weekend box office could be tragic. I’ll keep an eye out for numbers and I’ll update this story if any show up. More...

Weekend Predictions: With Labor Day Comes the Fall

September 1st, 2016

Morgan

Summer officially ends this week with Labor Day long weekend. For a lot of families, this is the last long weekend before school starts. (For other families, school has already started.) There are two films opening wide-ish this weekend. I thought Morgan would open in 2,500 theaters, but it is only opening in 2,020. That will hurt its box office chances. The Light Between Oceans is only opening in 1,500 theaters, which might prevent it from reaching the top five over the weekend. Don’t Breathe will likely remain in first place over the weekend, but I think Morgan will be closer than most people expected it to be. This weekend last year there was not a single film to earn more than $10 million over the three-day weekend. I think Don’t Breathe will top that, while Morgan will be relatively close. This should give 2016 the advantage in the year-over-year competition. More...

2016 Preview: September

September 1st, 2016

The Magnificent Seven

August continued to pad 2016’s lead over 2015 in the year-over-year comparison. It managed this feat almost entirely due to Suicide Squad, which is on pace to hit $300 million. The next best film was Sausage Party, which might make $100 million, if it gets a push over the top. September won’t be as strong as that. This is no surprise, as the month is one of the biggest dumping grounds on the calendar. That said, studios have been working to make the end of the month a lot more productive and there are a few potential hits. The biggest of these is The Magnificent Seven, which is expected to crack $100 million, maybe even $150 million. Meanwhile, Sully and Storks both have a limited chance at $100 million. Last September, the biggest release of the month was Hotel Transylvania 2 with pulled in $169.70 million. I don’t think The Magnificent Seven will match that, so we might need a surprise $100 million hit for 2016 to come out on top. More...

Contest: Hold Your Breath: Winning Announcement

August 31st, 2016

Don’t Breathe

The winners of our Hold Your Breath contest were determined and the entrants with the closest predictions for Hold Your Breath opening weekend were... More...

Morgan Trailer

August 26th, 2016

Sci-fi thriller starring Kate Mara, directed by Luke Scott opens September 2 ... Full Movie Details.

A corporate troubleshooter is sent to a remote, top-secret location, where she is to investigate and evaluate a terrifying accident. She learns the event was triggered by a seemingly innocent “human,” who presents a mystery of both infinite promise and incalculable danger. More...

Contest: Doing Hard Labor

August 25th, 2016

Morgan

Next weekend is Labor Day, which is historically one of the worst long weekends at the box office. There are two wide releases debuting, Morgan and The Light Between Oceans. While the latter will likely have better legs, Morgan should start faster and because of that, it is the target film in this week's Box Office Prediction contest. In order to win, one must simply predict the opening weekend box office number for Morgan.

Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a Frankenprize consisting of a previously reviewed full-season TV on DVD release, two previously reviewed movies, or three single-disc kids DVDs. Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will also win a Frankenprize consisting of a previously reviewed full-season TV on DVD release, two previously reviewed movies, or three single-disc kids DVDs. Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will win the final Frankenprize, as described above.

Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay! Note: It is a long weekend, but we only use the three-day, Friday through Sunday box office for this contest. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2016/09/02 - $257,595   397 $649   $257,595 1

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 11/18/2016 $2,609 4 5 16 $9,411 12/12/2016
France 9/30/2016 $348,877 0 0 0 $570,286 8/17/2018
Germany 12/2/2016 $177,032 0 0 0 $177,032 8/19/2018
Lithuania 9/2/2016 $8,154 87 87 114 $20,347 9/21/2016
Mexico 9/9/2016 $173,828 0 0 0 $173,828 9/8/2018
North America 9/2/2016 $2,012,709 2,020 2,020 4,192 $3,915,251 4/2/2018
Poland 9/9/2016 $74,128 0 0 0 $172,513 11/18/2018
Russia (CIS) 9/9/2016 $180,695 517 517 1104 $332,311 12/31/2018
Spain 9/16/2016 $172,288 168 168 372 $350,444 10/13/2016
United Kingdom 9/2/2016 $257,595 397 397 397 $257,595 9/7/2016
 
Rest of World $1,319,768
 
Worldwide Total$7,298,786 12/31/2018

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Kate Mara    Lee Weathers
Anya Taylor-Joy    Morgan

Supporting Cast

Toby Jones    Dr. Simon Ziegler
Rose Leslie    Dr. Amy Menser
Boyd Holbrook    Skip Vronsky
Michelle Yeoh    Dr. Lui Cheng
Jennifer Jason Leigh    Dr. Kathy Grieff
Paul Giamatti    Dr. Alan Shapiro
Michael Yare    Ted Brenner
Chris Sullivan    Dr. Darren Finch
Vinette Robinson    Dr. Brenda Finch
Brian Cox    Jim Byrce
Crispin Belfrage    Charles Grimes
Amybeth McNulty    Morgan Age 10
Jonathan Aris    David Chance
Charlotte Asprey    Executive Assistant

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Luke Scott    Director
Seth W. Owen    Screenwriter
Ridley Scott    Producer
Michael Schaefer    Producer
Mark Huffam    Producer
Aidan Elliott    Executive Producer
George Heller    Executive Producer
Elishia Holmes    Executive Producer
Mark Patten    Director of Photography
Tom McCullagh    Production Designer
Laura Jennings    Editor
Max Richter    Composer
Stefano De Nardis    Costume Designer
Carmen Cuba    Casting Director
Paul Herbert    Stunt Coordinator
James Smith    Unit Production Manager
Will Dodds    First Assistant Director
Tom Mulberge    Second Assistant Director
Fiona Gavin    Supervising Art Director
John Merry    Art Director
Will Simpson    Story Artist
Elaine McLenachan    Set Decorator
Maria Mulhall    Third Assistant Director
Andrea Bamford    Script Supervisor
Derek Hehir    Sound Mixer
Emma Zee    Post-Production Supervisor
James Devlin    First Assistant Editor
Stephanie McCutcheon    Second Assistant Editor
Beaumont Lowenthal    Second Assistant Editor
Markus Stemler    Sound Designer
Mark Taylor    Supervising Sound Editor
Matthew Collinge    Supervising Sound Editor
Sarah Robinson    Costume Supervisor
Naomi Liston    Location Manager
Simon Cockren    Special Effects Supervisor
Alex Boyd    Production Manager
Christina Medigovich    Additional Casting-Casting Associate
Angela Barson    Visual Effects Supervisor
Catherine Duncan    Visual Effects Producer
Lucy Ainsworth-Taylor    Visual Effects Executive Producer
Mike Dowson    Re-recording Mixer
Matthew Collinge    Re-recording Mixer
Adam Mendez    Foley Recordist
Steve Little    Dialogue Editor
Becki Ponting    Dialogue Editor
Tony Lewis    Music Editor
Terry Loane    Second Unit Director

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.