The Misandrists (2018)

The Misandrists
Theatrical Performance
Domestic Box Office $26,123Details
Further financial details...

Synopsis

When an injured male leftist on the run discovers the remote stronghold of the Female Liberation Army—a radical feminist terrorist group whose mission is to usher in a female world order— one of the members takes pity on him and hides him in the basement. However, the man in the basement is just one of many secrets threatening to disrupt the FLA’s mission from within. Balancing sharp social commentary and salacious popcorn entertainment, iconic filmmaker Bruce LaBruce has created an experience that’s a blast to watch and just as much fun to dissect afterwards.

Metrics

Opening Weekend:$3,278 (12.5% of total gross)
Legs:7.97 (domestic box office/biggest weekend)
Domestic Share:100.0% (domestic box office/worldwide)
Theater counts:1 opening theaters/5 max. theaters, 3.6 weeks average run per theater
Infl. Adj. Dom. BO $30,906

Latest Ranking on Cumulative Box Office Lists


Movie Details

Domestic Releases: May 25th, 2018 (Limited) by Cartilage Films
MPAA Rating: Not Rated
Running Time: 91 minutes
Comparisons: Create your own comparison chart…
Keywords: Terrorism, Fugitive / On the Run, Feminism, Set in Germany, LGBTQ+, Political, Revolution, Scene in End Credits, Kidnap
Source:Original Screenplay
Genre:Comedy
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Cartilage Films
Production Countries: Germany
Languages: English

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
May 25, 2018 77 $3,278   1 $3,278   $3,278 1
Jun 1, 2018 80 $2,262 -31% 1 $2,262   $7,997 2
Jun 15, 2018 78 $1,455   3 $485   $12,308 4
Jun 22, 2018 72 $1,906 +31% 5 $381   $15,710 5
Jun 29, 2018 85 $891 -53% 2 $446   $18,930 6
Jul 6, 2018 79 $1,402 +57% 2 $701   $20,948 7
Jul 13, 2018 72 $1,739 +24% 2 $870   $23,879 8
Jul 27, 2018 87 $346   2 $173   $25,316 10

Daily Box Office Performance

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
May 25, 2018 75 $5,735   1 $5,735   $5,735 1
Jun 1, 2018 78 $3,543 -38% 1 $3,543   $9,278 2
Jun 8, 2018 85 $1,575 -56% 2 $788   $10,853 3
Jun 15, 2018 74 $2,951 +87% 3 $984   $13,804 4
Jun 22, 2018 67 $4,235 +44% 5 $847   $18,039 5
Jun 29, 2018 87 $1,507 -64% 2 $754   $19,546 6
Jul 6, 2018 77 $2,594 +72% 2 $1,297   $22,140 7
Jul 13, 2018 70 $2,830 +9% 2 $1,415   $24,970 8
Jul 27, 2018 83 $1,153   2 $577   $26,123 10

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Lead Ensemble Members

Susanne Sachße    Big Mother
Viva Ruiz    Sister Dagmar
Kembra Pfahler    Sister Kembra
Caprice Crawford    Sister Barbara
Grete Gehrke    Sister Grete
Kita Updike    Isolde
Victoire Laly    Ute
Lo-Fi Cherry    Editha
Olivia Kundisch    Hilde
Serenity Rosa    Ursula
Sam Dye    Antje
Lina Bembe    Helga
Barb Ara    Petra

Supporting Cast

Til Schindler    Volker
Dominik Hermanns    Cop
Jorge Benavides    Projectionist

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Bruce LaBruce    Director
Bruce LaBruce    Screenwriter
Paula Alamillo Rodriguez    Producer
Jurgen Bruning    Producer
Sonja Klümper    Producer
Bruce LaBruce    Producer
Carla Arocha    Associate Producer
Christopher B.P. Mahoney    Associate Producer
Alexandre Dieval    Executive Producer
Claus Matthes    Executive Producer
Bjorn Koll    Executive Producer
James Carman    Director of Photography
Desi Santiago    Production Designer
Ramona Petersen    Costume Designer
Manuela Schinina    Sound Mixer
Judy Landkammer    Editor
Manuela Schinina    Sound Designer

Theater Averages: 2001 Re-Release Remains Tops

May 30th, 2018

Solo: A Star Wars Movie

2001: A Space Odyssey remained in first place on the theater average chart with $24,810 in four theaters. The number one film, Solo: A Star Wars Movie, was next with an average of $19,270. The Gospel According to Andre earned an average of $11,951 in four theaters. First Reformed remained in the $10,000 club with an average of $10,064 in 29 theaters during its second weekend of release. More...

Limited and VOD Releases: Now and Then

May 25th, 2018

First Reformed

It is a slow week, both in terms of total releases and in terms of quality releases. The Gospel According to Andre and Summer 1993 are both earning great reviews, but will likely be relegated to the art house circuit. The film with the best chance of box office success is Who We Are Now, but even then it has an uphill battle. More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

When an injured male leftist on the run discovers the remote stronghold of the Female Liberation Army—a radical feminist terrorist group whose mission is to usher in a female world order— one of the members takes pity on him and hides him in the basement. However, the man in the basement is just one of many secrets threatening to disrupt the FLA’s mission from within. Balancing sharp social commentary and salacious popcorn entertainment, iconic filmmaker Bruce LaBruce has created an experience that’s a blast to watch and just as much fun to dissect afterwards.

Metrics

Opening Weekend:$3,278 (12.5% of total gross)
Legs:7.97 (domestic box office/biggest weekend)
Domestic Share:100.0% (domestic box office/worldwide)
Theater counts:1 opening theaters/5 max. theaters, 3.6 weeks average run per theater
Infl. Adj. Dom. BO $30,906

Latest Ranking on Cumulative Box Office Lists


Movie Details

Domestic Releases: May 25th, 2018 (Limited) by Cartilage Films
MPAA Rating: Not Rated
Running Time: 91 minutes
Comparisons: Create your own comparison chart…
Keywords: Terrorism, Fugitive / On the Run, Feminism, Set in Germany, LGBTQ+, Political, Revolution, Scene in End Credits, Kidnap
Source:Original Screenplay
Genre:Comedy
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Cartilage Films
Production Countries: Germany
Languages: English

Lead Ensemble Members

Susanne Sachße    Big Mother
Viva Ruiz    Sister Dagmar
Kembra Pfahler    Sister Kembra
Caprice Crawford    Sister Barbara
Grete Gehrke    Sister Grete
Kita Updike    Isolde
Victoire Laly    Ute
Lo-Fi Cherry    Editha
Olivia Kundisch    Hilde
Serenity Rosa    Ursula
Sam Dye    Antje
Lina Bembe    Helga
Barb Ara    Petra

Supporting Cast

Til Schindler    Volker
Dominik Hermanns    Cop
Jorge Benavides    Projectionist

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Bruce LaBruce    Director
Bruce LaBruce    Screenwriter
Paula Alamillo Rodriguez    Producer
Jurgen Bruning    Producer
Sonja Klümper    Producer
Bruce LaBruce    Producer
Carla Arocha    Associate Producer
Christopher B.P. Mahoney    Associate Producer
Alexandre Dieval    Executive Producer
Claus Matthes    Executive Producer
Bjorn Koll    Executive Producer
James Carman    Director of Photography
Desi Santiago    Production Designer
Ramona Petersen    Costume Designer
Manuela Schinina    Sound Mixer
Judy Landkammer    Editor
Manuela Schinina    Sound Designer

Theater Averages: 2001 Re-Release Remains Tops

May 30th, 2018

Solo: A Star Wars Movie

2001: A Space Odyssey remained in first place on the theater average chart with $24,810 in four theaters. The number one film, Solo: A Star Wars Movie, was next with an average of $19,270. The Gospel According to Andre earned an average of $11,951 in four theaters. First Reformed remained in the $10,000 club with an average of $10,064 in 29 theaters during its second weekend of release. More...

Limited and VOD Releases: Now and Then

May 25th, 2018

First Reformed

It is a slow week, both in terms of total releases and in terms of quality releases. The Gospel According to Andre and Summer 1993 are both earning great reviews, but will likely be relegated to the art house circuit. The film with the best chance of box office success is Who We Are Now, but even then it has an uphill battle. More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
May 25, 2018 77 $3,278   1 $3,278   $3,278 1
Jun 1, 2018 80 $2,262 -31% 1 $2,262   $7,997 2
Jun 15, 2018 78 $1,455   3 $485   $12,308 4
Jun 22, 2018 72 $1,906 +31% 5 $381   $15,710 5
Jun 29, 2018 85 $891 -53% 2 $446   $18,930 6
Jul 6, 2018 79 $1,402 +57% 2 $701   $20,948 7
Jul 13, 2018 72 $1,739 +24% 2 $870   $23,879 8
Jul 27, 2018 87 $346   2 $173   $25,316 10

Daily Box Office Performance

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
May 25, 2018 75 $5,735   1 $5,735   $5,735 1
Jun 1, 2018 78 $3,543 -38% 1 $3,543   $9,278 2
Jun 8, 2018 85 $1,575 -56% 2 $788   $10,853 3
Jun 15, 2018 74 $2,951 +87% 3 $984   $13,804 4
Jun 22, 2018 67 $4,235 +44% 5 $847   $18,039 5
Jun 29, 2018 87 $1,507 -64% 2 $754   $19,546 6
Jul 6, 2018 77 $2,594 +72% 2 $1,297   $22,140 7
Jul 13, 2018 70 $2,830 +9% 2 $1,415   $24,970 8
Jul 27, 2018 83 $1,153   2 $577   $26,123 10

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.