Spain Box Office for El Regreso de Mary Poppins (2018)

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Mary Poppins Returns
Theatrical Performance (US$)
Spain Box Office $11,037,571Details
Worldwide Box Office $345,606,500Details
Home Market Performance
North America DVD Sales $8,522,049 Details
North America Blu-ray Sales $23,352,376 Details
Total North America Video Sales $31,874,425
Further financial details...

  1. Summary
  2. News
  3. Box Office
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  6. Cast & Crew
  7. Trailer

Synopsis

The mysterious Mary Poppins returns to Depression-era London to visit Jane and her brother Michael, now a father of three, and helps them rediscover the joy they knew as children.

Metrics

Movie Details

Production Budget:$130,000,000
Spain Releases: December 21st, 2018 (Wide), released as El Regreso de Mary Poppins
Video Release: March 12th, 2019 by Walt Disney Home Entertainment
MPAA Rating: PG for some mild thematic elements and brief action.
(Rating bulletin 2538 (Cert #51649), 8/1/2018)
Running Time: 130 minutes
Franchise: Mary Poppins
Keywords: 1930s, Supernatural, Nanny, World War II, Delayed Sequel, Sequels Without Their Original Stars, Animated Sequences, IMAX: DMR, Family Musical
Source:Based on Fiction Book/Short Story
Genre:Musical
Production Method:Animation/Live Action
Creative Type:Kids Fiction
Production/Financing Companies: Walt Disney Pictures, Lucamar, Marc Platt Productions
Production Countries: United States
Languages: English

Home Market Releases for March 12th, 2019

March 13th, 2019

The Forbidden Photos Of A Lady Above Suspicion

It’s not a good week on the home market. There are some big releases, like Fantastic Beasts: The Crimes of Grindelwald, but none of them are good. There are a couple of contenders for Pick of the Week, but the The Adventures of Rocky and Bullwinkle and Friends: The Complete Series DVD is a re-release at a more reasonable price, while it is worth waiting to get the The Miseducation of Cameron Post: Special Edition Blu-ray. In the end, I went with a late screener, The Forbidden Photos Of A Lady Above Suspicion: Collector’s Edition Blu-ray. It is definitely the best bet for fans of Giallo and / or Film Noir. More...

2018 Awards Season: Oscars: And the Winner is... Green Book for Best Picture

February 24th, 2019

Green Book

It’s Oscar night and we will be live blogging the show. We will announce the winners and have our reactions as they happen, while keeping track of how our readers did in predicting the outcomes. More...

2018 Awards Season: Oscars Nominations: Final Look

February 24th, 2019

The Favourite

It’s Oscar Day, and we will be live blogging the show. Before that, let’s take a last look at the nominations with a few annotations. in Italics are those that have received the most votes from our readers so far in our Oscar contest (which is open to new entries until noon, Pacific, today—enter now!). Bold films are those films I think will win. Meanwhile, those that are Underlined are those I want to win. Not all categories have underlined nominees, because not all categories have someone I’m cheering for, or because there are two nominees I couldn’t pick between. For example, I would be happy with half of the Best Picture nominees winning. More...

2018 Awards Season: Oscar Nominations

January 23rd, 2019

The Favourite

The Oscar nominations were announced yesterday starting at just after 5 am Pacific time. They do this every year for reasons no one has been able to adequately explain to me. Because it was the day after a long weekend, it took a bit of time to get all the normal work done and digest the results. And there were some interesting results to digest. No one film led the way with total nominations, as two films, The Favourite and Roma tied with 10 nominations each. More...

2018 - Awards Season: BAFTA - Nominations

January 12th, 2019

The Favorite

The BAFTA nominations were announced and The Favorite led the way with 12 nominations. Sometimes the BAFTAs are a really good indicator for who will do well on Oscar night. Other times their bias to British films is too much. I think this year will be an example of the latter and I don't think The Favourite is suddenly an Oscar favorite. That said, there’s still some things you can learn here. More...

International Box Office: Bumblebee Bounces to the Top

January 9th, 2019

Bumblebee

Bumblebee rose to first place with $82.7 million in 62 markets for totals of $192.0 million internationally and $289.6 million worldwide. It was able to earn first place thank in part due to its first place debut in China, where it earned $58.06 million over the weekend for a total opening of $59.26 million. The film needs to make more than $150 million in China to have a secure future there. Granted, films in China tend to have short legs, but Transformers has usually been the exception, so I’m cautiously optimistic for its chances. More...

International Box Office: Aquaman Cracks $750 million Worldwide

January 3rd, 2019

Aquaman

Aquaman remained the top draw on the international market with $88.4 million on 23,360 screens in 78 markets for totals of $562.4 million internationally and $751.4 million worldwide. The film’s biggest new market was Australia where it opened with $7.94 million on 632 screens over the weekend for a total opening $11.04 million. Its biggest market overall is China where it added $11.45 million over the weekend to its running tally, which now sits at $261.28 million after four weeks of release. It overtook Suicide Squad for third place in the D.C.E.U. and it is not done yet. More...

Weekend Wrap-Up: Aquaman Ends the Year on Top

January 2nd, 2019

Aquaman

Due to the holidays, there was a delay in getting final numbers from major studios for the weekend box office, but the last of them have finally arrived. Aquaman dominated with $52.11 million over the three-day weekend, while it cracked $200 million on New Year’s Day. Mary Poppings Returns isn’t matching expectations, but it is still having a profitable run. Meanwhile, both Bumblebee and Spider-Man: Into The Spider-Verse are overcoming incredible competition to dig out profitable runs of their own. Overall, the weekend box office hit $188 million, which is 6.2% higher than last weekend, and while it is 3.5% lower than the same weekend last year, this is still better than expected. It will take a long time to get the final yearly results, not until the MPAA’s state of the industry report in April, but preliminary results have 2018 beating 2017 by 8.4% or $920 million at $11.91 billion to $10.99 billion. More...

International Box Office: Aquaman Surfs to $400 million Internationally

December 27th, 2018

Aquaman

Aquaman had another significant expansion helping it keep first place with $95.2 million on 31,900 screens in 70 markets for totals of $415.5 million internationally and, including updated Domestic tallies, the global take is $488.2 million worldwide. It is ahead of every other film in the D.C.E.U. on the international chart, which is impressive. Its biggest new market was South Korea, where it earned first place with $7.94 million on 1,272 screens for a total opening of $10.08 million. It also opened in first place in France with $6.6 million on 607 screens, as well as in Germany with $4.9 million 805. The film’s biggest market overall was China, where it slipped to second with $23.41 million on 12,000 screens for a three-week total of $233.59 million. More...

Friday Estimates: Aquaman Easily Tops Chart, Bumblebee tops Struggling Mary Poppins

December 22nd, 2018

Aquaman

Friday was not as potent as midnight previews led us to believe it would be. That said, Aquaman still had an impressive $28.0 million opening day. This does include the previous night’s $9.0 million in previews, but not last weekend’s $4.7 million in previews, giving the film a $32.7 million running tally. The film’s reviews remain in the overall positive level and it earned an A minus from CinemaScore, so it should have relatively good legs over the weekend, for a comic book movie. We predicted an opening weekend of $67 million and I think the film will top that, by one or two million dollars. It is more than enough for Warner Bros. to continue with the new direction DCEU is taking. More...

Thursday Night Previews: Aquaman Torpedoes the Competition, Mary Poppins has a Quiet Return

December 21st, 2018

Aquaman

Aquaman earned $9.0 million during Thursday’s previews, which is a little lower than the $11.0 million Wonder Woman opened with. However, the film also had $4.7 million in earlier paid previews, which undoubtedly lowered last night’s figure a little bit. Its reviews continue to be good, but not great, so it won’t have amazing legs over the weekend, but after a start like this, topping Star Wars: The Last Jedi’s $71.56 million haul from last year is a lot more likely. In fact, $80 million over three-days is a realistic goal to aim for. More...

Weekend Predictions: Will Aquaman Swim to Victory, or will Mary Poppins Return to Top Spot?

December 19th, 2018

Mary Poppins Returns

It is a busy week, as there are seven films opening wide over the next seven days. Not all of these will be hits—the competition is just too great for that. However, there could be a real race for Christmas champion this year. Because of its fast start in China and its strong pre-sales numbers, many believe Aquaman will top earlier expectations and earn first place over the three-day weekend. However, I think Mary Poppins Returns will be number one over the full week, partially because it should earn a bigger boost over Christmas, but also because it is opening two days early. Meanwhile, Bumblebee’s surprisingly strong reviews are lifting its box office potential. More...

Weekend Estimates: Spider-Man is too much for just one Universe

December 16th, 2018

Spider-Man: Into The Spider-Verse

Sony’s estimates have Spider-Man: Into The Spider-Verse earning $35.4 million over the weekend. Its reviews and its A plus from CinemaScore should both helps its legs, as will the upcoming holidays. On the other hand, it does have direct competition next weekend, more or less. Aquaman will attack it from the super hero side of things, while Mary Poppins Returns will take from its family film side. That said, with a start like this, $100 million domestically is practically guaranteed, while $150 million is a solid goal to aim for. More...

2018 - Awards Season: SAG - Nominations

December 12th, 2018

A Star is Born

The Screen Actors Guild were the third group to announce their nominations for this awards season. There’s not a lot of surprises on this week’s list. A Star is Born led the way with four nominations, while The Favourite was right behind with three. More...

2018 - Awards Season: Golden Globes - Nominations

December 6th, 2018

Vice

The Golden Globes nominations are the second major Awards Season set to come out. It is still very early in the year and the predictive value of the Golden Globes is a little suspect, but there are still some things to learn here. For example Vice led the way with six nominations, so its Oscar chances have gone up, but don’t expect it to lead the way when the Oscars nominations are announced. More...

2018 Preview: December

December 1st, 2018

Mary Poppins Returns

November turned out to be a really, really good month. I thought 2018’s lead over 2017 would shrink, potentially by $200 million to $300 million. However, the lead actually managed to grow a little bit, thanks to hits like Ralph Breaks the Internet, Dr. Seuss’ The Grinch, Fantastic Beasts: The Crimes of Grindelwald, and Bohemian Rhapsody. December has an equal number of potential hits, led by Mary Poppins Returns, which some think will top $300 million. Additionally, Spider-man Into the Spider-Verse, Aquaman, Bumblebee, and Holmes and Watson all have a realistic shot at $100 million or more. On the other hand, last December was stronger, at least on top. The Last Jedi earned more than $500 million just during December, which is more than any December release this year will earn in total. It could be more than the top two films earn in total. 2018 will win the in year-over-year competition; however, its lead won’t be as large as it is at the start of the month. More...

Mary Poppins Returns Trailer

September 17th, 2018

Musical adventure starring Emily Blunt opens December 19 ... Full Movie Details.

The mysterious Mary Poppins returns to Depression-era London to visit Jane and her brother Michael, now a father of three, and helps them rediscover the joy they knew as children. More...

Mary Poppins Returns Teaser Trailer

September 4th, 2018

Musical starring Emily Blunt opens December 19 ... Full Movie Details.

The mysterious Mary Poppins returns to Depression-era London to visit Jane and her brother Michael, now a father of three, and helps them rediscover the joy they knew as children. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2018/12/21 2 $1,644,471   421 $3,906   $1,644,471 1
2018/12/28 2 $1,702,505 +4% 369 $4,614   $5,353,304 2
2019/01/04 2 $758,294 -55% 360 $2,106   $7,691,709 3
2019/01/11 3 $728,556 -4% 344 $2,118   $8,851,791 4
2019/01/18 6 $508,392 -30% 312 $1,629   $9,650,000 5
2019/01/25 8 $348,616 -31% 288 $1,210   $10,125,902 6
2019/02/01 10 $276,608 -21% 266 $1,040   $10,525,294 7
2019/02/08 14 $155,694 -44% 197 $790   $10,654,301 8
2019/02/15 15 $96,863 -38% 155 $625   $10,719,314 9
2019/02/22 19 $43,968 -55% 114 $386   $10,862,744 10
2019/03/01 20 $34,790 -21% 81 $430   $10,944,733 11

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 1/25/2019 $440,000 0 0 0 $1,477,945 4/13/2019
Australia 1/1/2019 $2,888,934 521 521 2368 $15,026,522 9/9/2024
Belgium 12/21/2018 $500,000 0 0 0 $2,700,000 1/27/2019
Brazil 12/21/2018 $500,000 0 0 0 $1,717,512 4/13/2019
Bulgaria 12/21/2018 $49,237 0 0 0 $261,500 2/11/2019
Czech Republic 12/21/2018 $44,866 110 110 307 $196,086 1/24/2019
France 12/21/2018 $2,000,000 0 0 0 $11,455,926 6/21/2019
Germany 12/21/2018 $1,900,000 0 0 0 $10,399,682 6/14/2019
India 1/4/2019 $0 0 0 0 $280,963 2/16/2019
Indonesia 12/28/2018 $0 0 0 0 $1,527,249 1/20/2019
Italy 12/20/2018 $3,022,545 0 40 106 $14,682,728 5/18/2019
Japan 2/1/2019 $1,700,785 0 0 0 $10,607,555 5/18/2019
Lithuania 12/28/2018 $23,958 97 97 147 $51,703 3/5/2019
Mexico 12/25/2018 $1,029,842 0 0 0 $3,804,294 2/16/2019
Netherlands 12/21/2018 $253,714 132 170 831 $2,058,530 6/14/2019
New Zealand 1/1/2019 $0 0 1 1 $1,401,915 8/19/2024
North America 12/19/2018 $23,523,121 4,090 4,090 24,355 $171,958,438
Poland 12/21/2018 $0 0 0 0 $1,162,184 6/8/2019
Portugal 12/21/2018 $130,983 92 92 339 $690,930 2/28/2019
Russia (CIS) 1/3/2019 $2,023,754 885 885 2409 $3,692,347 3/30/2019
Slovakia 12/28/2018 $30,133 53 53 120 $67,067 4/2/2019
South Korea 2/15/2019 $2,239 0 573 903 $1,606,916 4/6/2019
Spain 12/21/2018 $1,644,471 421 421 2907 $11,037,571 6/21/2019
Switzerland 12/20/2018 $0 0 0 0 $2,100,000 1/27/2019
Taiwan 2/1/2019 $113,052 0 0 0 $582,893 3/15/2019
Turkey 12/28/2018 $44,988 66 66 164 $136,940 1/31/2019
United Kingdom 12/21/2018 $10,374,767 735 740 6774 $56,293,052 4/10/2024
 
Rest of World $18,628,052
 
Worldwide Total$345,606,500 9/9/2024

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Lead Ensemble Members

Emily Blunt    Mary Poppins
Colin Firth    William Weatherall Wilkins/Wolf
Lin-Manuel Miranda    Jack
Julie Walters    Ellen
Meryl Streep    Topsy Turvy-Poppins

Supporting Cast

Ben Whishaw    Michael Banks
Emily Mortimer    Jane Banks
Angela Lansbury    Balloon Lady
Dick Van Dyke    Mr. Dawes Jr.
Pixie Davies    Annabel Banks
Joel Dawson    George Banks
Nathanael Saleh    John Banks
David Warner    Admiral Boom
Jeremy Swift    Gooding/Badger
Tarik Frimpong    Angus
Kobna Holdbrook-Smith    Frye/Weasel
Jim Norton    Mr. Binnacle
Edward Hibbert    Umbrella
Chris O'Dowd    Shamus the Coachman
Mark Addy    Clyde the Horse
Noma Dumezweni    Miss Penny Farthing

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Rob Marshall    Director
David Magee    Screenwriter
David Magee    Screen Story by
Rob Marshall    Screen Story by
John DeLuca    Screen Story by
P.L. Travers    Story by
Rob Marshall    Producer
John DeLuca    Producer
Marc Platt    Producer
Callum McDougall    Executive Producer
Dion Beebe    Director of Photography
John Myhre    Production Designer
Wyatt Smith    Editor
Sandy Powell    Costume Designer
Marc Shaiman    Composer
Scott Wittman    Song Writer
Marc Shaiman    Song Writer
Mike Higham    Music Supervisor
Paul Gemignani    Music Supervisor
Mike Higham    Executive Music Producer
Gordon Sim    Set Decorator

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.