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| Theatrical Performance (US$) | ||
| Spain Box Office | $350,617 | Details |
| Worldwide Box Office | $1,944,253 | Details |
| Further financial details... | ||
| Spain Releases: | June 2nd, 2017 (Wide), released as Marie Curie |
| MPAA Rating: | Not Rated |
| Running Time: | 100 minutes |
| Keywords: | Biography, Research Scientist, Set in France, Infidelity, Archive Footage, 1900s, Nobel Prize, Woman in a Male Dominated Profession |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production Countries: | France, Germany, Poland |
| Languages: | English, French, German, Polish |
July 6th, 2017
The Little Hours led the way on the theater average chart with an average of $30,780 in two theaters. This is Gunpowder and Sky’s first release, which makes its first place finish even more impressive. Last week’s winner, The Big Sick, held on well in second place with an average of $23,267 in 71 theaters. The only other film in the $10,000 club was the overall first place film, Despicable Me 3, which earned an average of $15,993.
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June 30th, 2017
It is not a great week for limited releases, as there are none that are expected to earn any measure of mainstream success. Okja is earning the loudest buzz, but it is playing on Netflix, so its box office chances are close to zero. The Little Hours has the best cast and its reviews are over 80% positive, but black comedies rarely do well in theaters. Finally, The B-Side is earning some of the best reviews, but documentaries rarely escape the art house circuit.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2017/06/02 | 10 | $95,549 | 54 | $1,769 | $95,549 | 1 | |
| 2017/06/09 | 12 | $60,403 | -37% | 61 | $990 | $209,018 | 2 |
| 2017/06/16 | 15 | $34,451 | -43% | 61 | $565 | $280,433 | 3 |
| 2017/06/23 | 22 | $15,544 | -55% | 35 | $444 | $321,405 | 4 |
| 2017/06/30 | 28 | $5,476 | -65% | 14 | $391 | $343,842 | 5 |
| 2017/07/07 | - | $3,532 | -36% | 10 | $353 | $350,617 | 6 |
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Italy | 3/5/2020 | $20,118 | 0 | 6 | 6 | $76,629 | 10/19/2022 |
| North America | 6/30/2017 | $18,600 | 6 | 11 | 48 | $127,993 | |
| Poland | 3/3/2017 | $272,447 | 0 | 0 | 0 | $1,389,014 | 1/1/2019 |
| Spain | 6/2/2017 | $95,549 | 54 | 61 | 235 | $350,617 | 7/13/2017 |
| Worldwide Total | $1,944,253 | 10/19/2022 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
| Marie Noelle | Director |
