United Kingdom Box Office for The Kingmaker (2019)

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The Kingmaker
Theatrical Performance (US$)
United Kingdom Box Office $26,066Details
Worldwide Box Office $352,466Details
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Centered on the indomitable character of Imelda Marcos, The Kingmaker examines, with intimate access, the Marcos family’s improbable return to power in the Philippines. The film explores the disturbing legacy of the Marcos regime and chronicles Imelda's present-day push to help her son, Bongbong, win the vice-presidency. To this end, Imelda confidently rewrites her family’s history of corruption, replacing it with a narrative of a matriarch’s extravagant love for her country. In an age when fake news manipulates elections, Imelda’s comeback story serves as a dark fairy tale.

Metrics

Movie Details

United Kingdom Releases: December 13th, 2019 (Wide)
Video Release: July 21st, 2020 by Showtime Entertainment
MPAA Rating: R for some disturbing violent content.
(Rating bulletin 2600 (Cert #52434), 10/16/2019)
Running Time: 101 minutes
Source:Based on Real Life Events
Genre:Documentary
Production Method:Live Action
Creative Type:Factual
Production/Financing Companies: Showtime Documentary Films, Evergreen Pictures, Artemis Rising Films, Bloomberg, Candescent Films, Impact Partners, Meadow Point Motion Pictures, Meadow Fund, Secret Sauce Media
Production Countries: Denmark, United States
Languages: English

New on Disc: Scoob! Steals the Spotlight

July 21st, 2020

Marriage Story

It is a rather slow on the home market, even compared to what we’ve seen recently. However, there are at least a couple of releases that should do well on the sales chart. Scoob! should easily sell the most units of any release on this week’s list, but Northern Exposure: The Complete Series is getting the jump on next week’s massive flood of TV on DVD releases and that’s clearly helping its sales numbers. That said, neither of these are contenders for Pick of the Week; in fact, there is really only one contender for that title, Marriage Story, which is getting a Criterion Collection release this week. More...

Theater Averages: Honey is in the Money

November 14th, 2019

Honey Boy

Honey Boy easily led the way on the theater average chart earning just over $300,000 in four theaters for an average of $75,266. Jay and Silent Bob Reboot was way back with an average of $15,613 in 15 theaters during its fourth week of release. Granted, it is a road show with greatly inflated ticket prices, but it also has very limited showings, so this is a fantastic run. The final film in the $10,000 club was Better Days with an opening weekend of nearly $1 million in 70 theaters for an average of $14,136. More...

Weekend Estimates: Midway Overcomes the Odds to Come out on Top

November 10th, 2019

Midway

Midway wasn’t supposed to be a major hit, and it won’t be, but, sadly for all the other new films, it is opening in first place at the box office. In fact, its weekend estimate is $17.49 million, which is less than 10% above our prediction, but it was able to earn first place with relative ease. The film only managed mixed reviews, but it did earn an A-rating from CinemaScore. Additionally, there are holidays coming up, so it could have surprisingly long legs. The film also opened in China with $4.48 million. It’s hard to use this result as a guide for other markets, as there haven’t been enough American-centric war movies released in China to compare against. More...

Limited and VOD Releases: As Sweet as Honey

November 8th, 2019

Honey Boy

It is not a good week for limited releases. There were so few films that had 10 or more reviews that I had to bend the normal rule and even then, there are only nine films on the main list. Of these, Honey Boy easily has the best chance of box office success. However, I’m also interested in Good Girls Get High, KonoSuba - God’s Blessing on the Stupidly Long Name, and The Kingmaker. Let’s hope they all find audiences. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2019/12/13 - $26,066   24 $1,086   $26,066 1

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Netherlands 8/14/2020 $33,100 45 45 185 $203,813 10/19/2022
North America 11/8/2019 $19,523 2 18 79 $122,587
United Kingdom 12/13/2019 $26,066 24 24 24 $26,066 12/18/2019
 
Worldwide Total$352,466 10/19/2022

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Documentary Subject(s)

Imelda Marcos    Herself

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Lauren Greenfield    Director
Lauren Greenfield    Screenwriter
Frank Evers    Producer
Lauren Greenfield    Producer
Vinnie Malhotra    Executive Producer
R.J. Cutler    Executive Producer
Geralyn Dreyfous    Executive Producer
Julie Parker Benello    Executive Producer
Dan Cogan    Executive Producer
Bill Haney    Executive Producer
Lilly Hartley    Executive Producer
Patricia Lambrecht    Executive Producer
Nion McEvoy    Executive Producer
Patty Quillin    Executive Producer
Regina K. Scully    Executive Producer
Jamie Wolf    Executive Producer
Jenny Raskin    Co-Executive Producer
Lora Hirschberg    Re-recording Mixer
Rasmus Winther Jensen    Sound Designer
Per K. Kirkegaard    Editor
Jocelyn Pook    Composer
Lars Skree    Cinematographer
Shana Hagan    Cinematographer
Jennifer Kobzik    Co-Producer