Norway Box Office for Jungle Cruise (2021)

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Jungle Cruise
Theatrical Performance (US$)
Norway Box Office $272,199Details
Worldwide Box Office $210,469,803Details
Home Market Performance
North America DVD Sales $3,066,561 Details
North America Blu-ray Sales $5,762,054 Details
Total North America Video Sales $8,828,615
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Dr. Lily Houghton travels from London, England to the Amazon jungle and enlists Frank Wolff’s questionable services to guide her downriver on La Quila—his ramshackle-but-charming boat. Lily is determined to uncover an ancient tree with unparalleled healing abilities—possessing the power to change the future of medicine. Thrust on this epic quest together, the unlikely duo encounters innumerable dangers and supernatural forces, all lurking in the deceptive beauty of the lush rainforest. But as the secrets of the lost tree unfold, the stakes reach even higher for Lily and Frank and their fate—and mankind’s—hangs in the balance.

Metrics

Movie Details

Production Budget:$200,000,000
Norway Releases: July 28th, 2021 (Wide)
Video Release: July 30th, 2021 by Disney+
MPAA Rating: PG-13 for sequences of adventure violence.
(Rating bulletin 2681 (cert #52833), 5/19/2021)
Running Time: 90 minutes
Keywords: Chase Adventure, 1900s, Development Hell, Disrupted by 2020 COVID-19 pandemic, Delayed Release, Jungle, On a Boat, Character's Journey Shown on Map
Source:Based on Theme Park Ride
Genre:Adventure
Production Method:Animation/Live Action
Creative Type:Historical Fiction
Production/Financing Companies: Seven Bucks Productions, Davis Entertainment, Flynn Picture Company, Walt Disney Pictures
Production Countries: United States
Languages: English

Weekend estimates: Encanto leads modest Thanksgiving weekend

November 28th, 2021

Encanto

The first Thanksgiving with a full slate of new releases during the pandemic was full of uncertainty for theater owners. Family audiences have been returning to theaters but remain at about half their usual level, while the older crowd is mostly on the sidelines and at around 30% of its pre-pandemic size. A holiday weekend dominated by family fair like Encanto and Ghostbusters: Afterlife, with a side dish of the older-skewing House of Gucci is a welcome sight, but the big question was who would show. As it turns out, we’re looking at a modest weekend, with audiences hovering around their long term trend rather than rushing back to theaters. More...

Weekend estimates: strong hold for Free Guy keeps it top for second weekend

August 22nd, 2021

Free Guy

Free Guy will fall just 34% in its second weekend, according to Disney’s Sunday-morning projection, and a weekend total of $18.79 million will be enough to keep it at the top of the box office chart. PAW Patrol: The Movie will come in with a solid $13 million in second place, but the other openers are doing much more poorly, leading to a down weekend for the market as a whole. More...

Weekend estimates: Free Guy’s great start makes up for a generally weak market

August 15th, 2021

Free Guy

An impressive $28.4-million opening for Free Guy will more than make up for weakness in the rest of the market to give us a welcome “up” weekend at the box office. Free Guy’s start beats The Suicide Squad’s debut last weekend, which will undoubtedly add fuel to the debate on the viability of releasing major films simultaneously in theaters and on streaming platforms—Free Guy gets a 45-day window before it lands exclusively on Disney+, while The Suicide Squad is already playing on HBO Max. More...

Weekend predictions: The Suicide Squad headed for $30-million-or-so weekend

August 6th, 2021

The Suicide Squad

The Suicide Squad should easily win the weekend at the box office as it goes up against Jungle Cruise (playing in its second weekend), and… not much else. After July’s relative banquet of new releases, August will be more modest in scope, and The Suicide Squad looked at one stage as though it might have had the month almost to itself. Although its recent tracking has been more muted, its Thursday preview numbers point towards an easy win this weekend. This might be the only weekend it tops the charts though. More...

Weekend estimates: Jungle Cruise opens with impressive $34.2 million

August 1st, 2021

Jungle Cruise

Get ready for Big Thunder Mountain Railroad: The Movie everyone. Disney’s strategy of converting its theme park rides into adventure movies is hitting pay dirt again this weekend with Jungle Cruise on its way to a $34.2-million debut, according to the studio’s Sunday morning projection. That’s substantially above our model’s prediction, and it’s not the only movie to be earning more than expected: The Green Knight will earn about $6.8 million this weekend to land in second place. Those two films more than make up for the softness of the returning titles, and we are looking at a welcome “up” weekend for the market as a whole. More...

Weekend predictions: Jungle Cruise should sail choppy waters to the top of the chart

July 30th, 2021

Jungle Cruise

Jungle Cruise enters this weekend as a firm favorite to take the box office crown, even though family films have been performing notably weaker in recent weeks and Disney has the film available for a premium via Disney+. Our model thinks it will do roughly twice the business of the number two film on the chart, and there’s a good chance it’ll do even better than that. With the other two new wide releases not expected to do huge amounts of business though, it’s likely to be a flat weekend for the market as a whole unless Disney’s latest theme-park-ride-turned-movie outperforms expectations. More...

Weekend estimates: Old leads on lackluster weekend

July 25th, 2021

Old

M. Night Shyamalan returns to the top of the box office charts this weekend, but he might be the only person celebrating as every opening and returning film in the top 10 looks set to underperform this weekend. Shyamalan’s new film, Old is coming closest to our model’s prediction with an opening of $16.5 million, which is 12% below what the model expected. Snake Eyes: G.I. Joe Origins will come second with $13.35 million, which is 15% behind expectations. Those results are both well within the model’s margin of error, but the collective performance of the market is troubling. More...

Jungle Cruise Trailer 2

March 10th, 2020

Adventure starring Dwayne Johnson and Emily Blunt opens July 24 ... Full Movie Details.

A movie based on the Walt Disney Land ride of the same name. More...

Jungle Cruise Trailer

October 14th, 2019

Adventure starring Dwayne Johnson and Emily Blunt opens July 24, 2020 ... Full Movie Details. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2021/10/29 - $303   0     $272,199 14

Box Office Summary Per Territory

$00$00$00
Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 7/29/2021 $390,231 0 0 0 $907,566 10/20/2022
Australia 7/29/2021 $1,152,720 372 372 2233 $3,501,140 10/20/2022
Austria 7/29/2021 $0 0 0 0 $647,000 10/20/2022
Belgium 7/28/2021 $0 0 0 0 $1,565,479 10/20/2022
Brazil 7/29/2021 $474,412 0 0 0 $944,591 9/24/2021
China 11/12/2021 $3,250,000 31615 31615 39163 $7,030,860 10/20/2022
Colombia 7/29/2021 $0 0 0 0 $1,064,597 10/20/2022
Czech Republic 7/30/2021 $164,266 132 132 337 $506,431 10/20/2022
Denmark 7/28/2021 $0 0 0 0 $73,978 10/20/2022
Finland 7/30/2021 $0 0 45 160 $361,678 10/20/2022
France 7/29/2021 $1,732,332 538 538 1141 $6,981,917 10/20/2022
Germany 7/29/2021 $786,568 0 0 0 $2,745,851 10/20/2022
Hong Kong 7/29/2021 $1,073,134 0 0 0 $2,368,685 9/17/2021
Iceland 7/30/2021 00$0
India 9/24/2021 $0 0 0 0 $793,742 10/20/2022
Indonesia 10/6/2021 $200,000 0 0 0 $380,859 10/20/2022
Italy 7/28/2021 $805,787 0 0 0 $2,004,813 10/20/2022
Japan 7/30/2021 $1,396,487 0 0 0 $7,744,941 10/20/2022
Lithuania 7/30/2021 $12,145 15 15 42 $53,223 10/20/2022
Malaysia 9/23/2021 $0 0 0 0 $143,260 10/20/2022
Mexico 7/29/2021 $1,063,187 0 0 0 $2,938,726 10/20/2022
Netherlands 7/30/2021 $704,126 232 232 1050 $3,954,213 10/20/2022
New Zealand 7/29/2021 $334,497 96 105 535 $881,440 5/8/2023
North America 7/30/2021 $35,018,731 4,310 4,310 32,108 $116,987,516
Norway 7/28/2021 $0 0 0 0 $272,199 10/20/2022
Peru 8/6/2021 00$0
Poland 7/30/2021 $315,462 0 0 0 $1,495,247 10/20/2022
Portugal 7/30/2021 $110,879 128 128 388 $428,923 10/20/2022
Romania 7/30/2021 $172,128 133 133 665 $703,983 10/20/2022
Russia (CIS) 7/29/2021 $2,962,039 1885 1885 7449 $10,068,882 10/20/2022
Saudi Arabia 8/13/2021 $0 0 0 0 $3,300,000 10/20/2022
Slovakia 7/30/2021 $88,154 63 63 134 $249,596 9/14/2021
South Africa 8/5/2021 00$0
South Korea 7/28/2021 $909,975 820 820 1383 $1,952,204 11/3/2021
Spain 7/30/2021 $877,757 398 398 1759 $4,078,156 10/20/2022
Sweden 7/28/2021 $0 0 0 0 $1,428,300 10/20/2022
Switzerland 7/28/2021 $0 0 0 0 $869,023 10/20/2022
Taiwan 7/30/2021 $192,488 0 0 0 $558,019 9/17/2021
Thailand 10/21/2021 $64,411 0 0 0 $179,942 10/20/2022
Turkey 7/30/2021 $50,474 249 249 685 $341,257 10/20/2022
United Arab Emirates 8/13/2021 $0 0 0 0 $2,600,000 8/16/2021
United Kingdom 7/30/2021 $3,118,602 577 610 5084 $17,361,566 11/15/2021
 
Worldwide Total$210,469,803 5/8/2023

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Lead Ensemble Members

Dwayne Johnson    Frank Wolff
Emily Blunt    Lily Houghton
Edgar Ramirez    Aguirre
Jack Whitehall    MacGregor Houghton
Jesse Plemons    Prince Joachim
Paul Giamatti    Nilo

Supporting Cast

Veronica Falcon    Trader Sam
Dani Rovira    Sancho
Quim Gutierrez    Melchor
Dan Dargan Carter    Gonzalo
Andy Nyman    Sir James Hobbs-Coddington
Raphael Alejandro    Zaqueu
Simone Lockhart    Anna
Pedro Lopez    Chief
Sulem Calderon    Chief’s Daughter
Sebastian Blunt    Society Guard
Mark Ashworth    Society Member
Allan Poppleton    Society Worker
Caroline Paige    Kid Tourist
James Quattrochi    Italian Tourist
Stephen Dunlevy    Middlepart
Philipp Maxmilian    Axel
Romualdo Castillo    Animal Vendor
Pedro Haro    Bird Vendor
Christina Souza    Barmaid
Michael H. Cole    Bus Conductor
Hector Banos    Puka Michuna Warrior
Peter Luis Zimmerman    Puka Michuna Warrior
Travis Gomez    Puka Michuna Warrior
Ismael Herrera    Puka Michuna Warrior
David Lengel    Boat Tourist
Justin Randell Brooke    Boat Tourist
Victoria Blade    Boat Tourist
Brooke Jaye Taylor    Boat Tourist
Vince Pisani    Boat Tourist
Piper Collins    Boat Tourist
Keith Arthur Bolden    Boat Tourist
Chip Steele    Boat Tourist
Ben Jenkin    Proxima

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Jaume Collet-Serra    Director
Michael Green    Screenwriter
Glenn Ficarra    Screenwriter
John Requa    Screenwriter
John Norville    Story by
Josh Goldstein    Story by
Glenn Ficarra    Story by
John Requa    Story by
John Davis    Producer
John Fox    Producer
Beau Flynn    Producer
Dwayne Johnson    Producer
Dany Garcia    Producer
Hiram Garcia    Producer
Scott Sheldon    Executive Producer
Doug Merrifield    Executive Producer
Flavio Labiano    Director of Photography
Jean-Vincent Puzos    Production Designer
Joel Negron    Editor
Paco Delgado    Costume Designer
James Newton Howard    Composer
Jim Berney    Visual Effects Supervisor
Jake Morrison    Visual Effects Supervisor
Mary Vernieu    Casting Director
Marisol Roncali    Casting Director
Doug Merrifield    Unit Production Manager
David H. Venghaus, Jr.    First Assistant Director
Eric Lasko    Second Assistant Director
Marla Neto Henshaw    Visual Effects Producer
Amber Kirsch    Visual Effects Producer
Larry Franco    Consulting Producer
Petra Holtorf-Stratton    Co-Producer
Allan Poppleton    Stunt Coordinator
Allan Poppleton    Fight Choreographer
Lacey Darlene Paulson    Associate Producer
David H. Venghaus, Jr.    Associate Producer
Paul Rubell    Additional Editor
John Gilroy    Additional Editor
Kevin Stermer    Supervising First Assistant Editor
Christian Sharaf    First Assistant Editor
Adam Kimmerlin    First Assistant Editor
Jeanette Surga    Supervising Music Editor
Ethan Van der Ryn    Supervising Sound Editor
Erik Aadahl    Supervising Sound Editor
Ron Bartlett    Re-recording Mixer
Doug Hemphill    Re-recording Mixer
Robert Mazaraki    Production Supervisor
David Lazan    Supervising Art Director
Greg Hooper    Art Director
Drew Monahan    Art Director
Tom Wilkins    Art Director
Larry Dias    Set Decorator
Joel Harlow    Make up
Kimberly Felix-Burke    Make up
Anna Rane    Script Supervisor
Michael Koff    Sound Mixer
Laura Sode Matteson    Supervising Location Manager
Maida Morgan    Location Manager
John Marquis    Sound Designer
Brandon Jones    Sound Designer
Lee Gilmore    Sound Effects Editor
Jason W. Jennings    Sound Effects Editor
Goeun Lee    Sound Effects Editor
Matt Cavanaugh    Sound Effects Editor
Greg ten Bosch    Sound Effects Editor
Casey Genton    Sound Effects Editor
Malte Bieler    Sound Effects Editor
Tim Walston    Sound Effects Editor
Ralph Osborn    Dialogue Editor
Robert Jackson    Dialogue Editor
Jonathan Klein    Supervising Foley Editor
Willard Overstreet    Foley Editor
Richard Duarte    Foley Mixer
Jack Cucci    Foley Mixer
J.D. Schwalm    Special Effects Supervisor
Eric Cook    Special Effects Coordinator
Tim Earls    Set Designer
Robert Fechtman    Set Designer
Thomas Frohling    Set Designer
Jim Hewitt    Set Designer
Luis G. Hoyos    Set Designer
Bria Kinter    Set Designer
Easton Smith    Set Designer
Justin Trudeau    Set Designer
Julie Vash    Set Designer
Dean Wolcott    Set Designer
Eric Sundahl    Set Designer
Aric Cheng    Set Designer

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.