Spain Box Office for Julieta (2016)
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Theatrical Performance (US$) |
Spain Box Office |
$2,409,319 | Details |
Worldwide Box Office |
$22,879,508 | Details |
Home Market Performance |
North America DVD Sales |
$129,773 |
Details |
North America Blu-ray Sales |
$108,947 |
Details |
Total North America Video Sales |
$238,720 | |
Further financial details... |
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Synopsis
Julieta lives in Madrid with her daughter Antía. They both suffer in silence over the loss of Xoan, Antía’s father and Julieta’s husband. But at times grief doesn’t bring people closer, it drives them apart. When Antía turns eighteen she abandons her mother, without a word of explanation. Julieta looks for her in every possible way, but all she discovers is how little she knows of her daughter.
Metrics
Movie Details
Spain Releases: |
April 8th, 2016 (Wide) |
Video Release: |
March 21st, 2017 by Sony Pictures Home Entertainment |
MPAA Rating: |
R for some sexuality/nudity. (Rating bulletin 2428 (Cert #50501), 6/8/2016) |
Running Time: |
98 minutes |
Keywords: |
Set in Spain, Non-Chronological, Dysfunctional Family, Death of a Spouse or Fiancée / Fiancé, Young Child Dealing with the Death of a Parent |
Source: | Original Screenplay |
Genre: | Drama |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: |
El Deseo, FilmNation Entertainment, Echo Lake Entertainment, Blue Lake Media Fund |
Production Countries: |
Spain |
Languages: |
Spanish |
March 21st, 2017
It is an interesting week on the home market with Rogue One: A Star Wars Story dominating the competition. However, it is only coming out on Video on Demand and doesn’t come out till Friday. As for Tuesday releases, there are a few contenders, but no film that immediately jumps out as the Pick of the Week. If you go with quality, extras, and overall audience appeal, then Sing on Blu-ray Combo Pack comes out on top. I would also definitely checkout Insecure: Season One and Lifeboat, if you don’t already own the latter.
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January 11th, 2017
The BAFTA nominations were announced and it should come as no surprise what film lead the way... La La Land with 11 nominations, Nocturnal Animals and Arrival are tied for second with nine nominations a piece.
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December 23rd, 2016
There are a number of limited releases coming out this week spread from Wednesday through Sunday. This includes several that are aiming for Awards Season glory: 20th Century Women, Hidden Figures, Silence, and others. There might be too many great films on this week's list, which means some will not live up to their box office potential.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
2016/04/15 |
5 |
$390,787 |
|
184 |
$2,124 |
$1,352,616 |
2 |
2016/05/06 |
17 |
$68,255 |
|
168 |
$406 |
$2,169,066 |
5 |
2016/05/13 |
20 |
$35,457 |
-48% |
59 |
$601 |
$2,254,597 |
6 |
2016/05/20 |
19 |
$28,718 |
-19% |
36 |
$798 |
$2,290,604 |
7 |
2016/05/27 |
21 |
$17,200 |
-40% |
27 |
$637 |
$2,308,816 |
8 |
2016/06/03 |
28 |
$10,112 |
-41% |
17 |
$595 |
$2,367,997 |
9 |
2016/06/10 |
37 |
$5,566 |
-45% |
10 |
$557 |
$2,368,883 |
10 |
2016/06/17 |
38 |
$4,104 |
-26% |
8 |
$513 |
$2,370,609 |
11 |
2016/06/24 |
37 |
$3,109 |
-24% |
3 |
$1,036 |
$2,348,565 |
12 |
2016/07/01 |
47 |
$1,042 |
-66% |
3 |
$347 |
$2,355,677 |
13 |
2016/07/15 |
48 |
$1,087 |
|
2 |
$544 |
$2,340,159 |
15 |
2016/07/22 |
48 |
$945 |
-13% |
1 |
$945 |
$2,323,011 |
16 |
2016/08/19 |
43 |
$1,329 |
|
3 |
$443 |
$2,405,287 |
20 |
2016/09/02 |
49 |
$1,133 |
|
3 |
$378 |
$2,373,508 |
22 |
2016/09/09 |
38 |
$5,254 |
+364% |
13 |
$404 |
$2,391,980 |
23 |
2016/09/16 |
- |
$5,698 |
+8% |
14 |
$407 |
$2,390,179 |
24 |
2016/09/23 |
46 |
$2,095 |
-63% |
9 |
$233 |
$2,409,319 |
25 |
Box Office Summary Per Territory
Territory |
Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
Argentina |
6/24/2016 |
$140,000 |
34 |
34 |
145 |
$622,909 |
11/30/2018 |
Australia |
10/14/2016 |
$50,457 |
19 |
22 |
155 |
$335,059 |
6/6/2022 |
Bolivia |
7/14/2016 |
| $0 | 00 | 0 | $0 | |
Brazil |
7/8/2016 |
$200,000 |
58 |
100 |
366 |
$905,765 |
11/16/2018 |
Bulgaria |
2/17/2017 |
$10,051 |
0 |
0 |
0 |
$11,289 |
2/26/2019 |
Colombia |
7/8/2016 |
$36,000 |
27 |
27 |
27 |
$36,000 |
12/20/2018 |
Czech Republic |
7/22/2016 |
$10,046 |
32 |
32 |
84 |
$45,364 |
1/1/2019 |
France |
5/27/2016 |
$1,411,670 |
0 |
0 |
0 |
$4,985,061 |
8/17/2018 |
Germany |
8/5/2016 |
$0 |
0 |
0 |
0 |
$747,172 |
8/19/2018 |
Italy |
5/27/2016 |
$655,523 |
0 |
3 |
8 |
$2,476,404 |
11/13/2018 |
Japan |
11/4/2016 |
$0 |
0 |
0 |
0 |
$197,089 |
8/20/2018 |
Lithuania |
9/9/2016 |
$5,190 |
35 |
35 |
73 |
$24,058 |
11/15/2016 |
Mexico |
7/8/2016 |
$120,268 |
81 |
81 |
81 |
$375,676 |
9/8/2018 |
Netherlands |
8/18/2016 |
$71,386 |
32 |
38 |
202 |
$366,892 |
11/19/2018 |
New Zealand |
11/18/2016 |
$12,035 |
12 |
12 |
57 |
$74,378 |
1/31/2017 |
North America |
12/21/2016 |
$0 |
0 |
48 |
237 |
$1,489,848 |
9/11/2019 |
Poland |
9/2/2016 |
$89,786 |
0 |
0 |
0 |
$432,922 |
12/31/2018 |
Portugal |
9/23/2016 |
$35,716 |
30 |
30 |
100 |
$173,537 |
8/3/2017 |
Russia (CIS) |
8/5/2016 |
$109,676 |
155 |
155 |
414 |
$297,006 |
12/31/2018 |
Slovakia |
7/22/2016 |
$4,545 |
40 |
40 |
55 |
$15,133 |
8/25/2016 |
Slovenia |
8/12/2016 |
$0 |
0 |
9 |
24 |
$21,533 |
10/14/2016 |
South Korea |
11/7/2016 |
$0 |
0 |
33 |
81 |
$64,659 |
3/19/2017 |
Spain |
4/8/2016 |
$696,250 |
183 |
246 |
1225 |
$2,409,319 |
11/17/2018 |
Turkey |
10/28/2016 |
$29,165 |
23 |
23 |
71 |
$81,989 |
2/26/2019 |
United Kingdom |
8/26/2016 |
$469,043 |
109 |
109 |
109 |
$1,759,197 |
9/8/2018 |
Uruguay |
7/14/2016 |
| $0 | 00 | 0 | $0 | |
|
Rest of World |
$4,931,249 |
|
|
Worldwide Total | $22,879,508 |
6/6/2022 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue
are available through our research services. For more information, please contact us at research@the-numbers.com.
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.