Australia Box Office for Journey's End (2018)

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Journey’s End
Theatrical Performance (US$)
Australia Box Office $96,180Details
Worldwide Box Office $979,521Details
Home Market Performance
North America DVD Sales $58,751 Details
North America Blu-ray Sales $55,678 Details
Total North America Video Sales $114,429
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Metrics

Movie Details

Australia Releases: October 26th, 2018 (Wide), released as Journey's End
Video Release: July 3rd, 2018 by Cinedigm
MPAA Rating: R for some language and war images.
(Rating bulletin 2508 (Cert #51388), 1/3/2018)
Keywords: World War I, 1910s, PTSD, Addiction, Set in France, War
Source:Based on Play
Genre:Drama
Production Method:Live Action
Creative Type:Historical Fiction
Production/Financing Companies: BFI, Wales Screen, Metro International , British Film Company, Umedia, Fluidity Films, Third Wednesday Films, Anyway Productions
Production Countries: United Kingdom
Languages: English

Home Market Releases for July 3rd, 2018

July 3rd, 2018

Blockers

We are deep into the summer doldrums on the home market. Blockers is the biggest first-run release of the week, and also the best. The DVD or Blu-ray Combo Pack is a contender for Pick of the Week, thanks in part to the lack of competition. It’s not the only contender, as both Dietrich and von Sternberg in Hollywood: The Criterion Collection and JoJo’s Bizarre Adventure: Set 2: Stardust Crusades Arc are also worthy of that title. In the end, I rolled a dice and Blockers came out on top. More...

Theater Averages: Flower Doesn’t Smell as Sweet as Stalin

March 20th, 2018

Flower

The Death of Stalin remained in first place on the theater average chart with an average of $16,791 in 32 theaters, while Flower was right behind with an average of $16,306 in 3 theaters. Keep the Change did really well for a rom com with $12,445 in its lone theater. I Can Only Imagine opened semi-wide managing an average of $10,507. More...

Limited and VOD Releases: Journey to a Theater to see These Limited Releases

March 16th, 2018

Journey’s End

It’s a relatively slow week for limited releases, at least those not going to VOD release. In fact, if I were strict about the 10 review limit, there would be as many secondary VOD releases as there are entries in the main list. That’s not to say there are no films worth seeing in theaters. Keep The Change and Ramen Heads are on the top of my list. However, Journey’s End is likely the only film that will find success in theaters. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2018/10/26 - $1,016   5 $203   $1,128 1
2018/11/02 - $2,645 +160% 14 $189   $6,209 2
2018/11/09 20 $33,605 +1,171% 104 $323   $41,895 3
2018/11/16 - $14,346 -57% 135 $106   $84,058 4
2018/11/23 - $1,607 -89% 5 $321   $93,003 5
2018/11/30 - $894 -44% 2 $447   $96,180 6

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 10/26/2018 $1,016 5 135 265 $96,180 12/3/2018
North America 3/16/2018 $12,700 2 35 83 $148,275
South Korea 11/28/2018 $11,629 61 61 61 $31,664 12/12/2018
United Kingdom 2/2/2018 $175,111 95 95 295 $703,402 5/16/2018
 
Worldwide Total$979,521 12/12/2018

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Uncategorized

Sam Claflin    Captain Stanhope
Paul Bettany   
Stephen Graham   
Asa Butterfield    Lieutenant Raleigh
Toby Jones   
Tom Sturridge   

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Saul Dibb    Director
Simon Reade    Screenwriter
Guy de Beaujeu    Producer