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| Theatrical Performance (US$) | ||
| South Korea Box Office | $237,511 | Details |
| Worldwide Box Office | $45,986,345 | Details |
| Home Market Performance | ||
| North America DVD Sales | $529,325 | Details |
| North America Blu-ray Sales | $503,196 | Details |
| Total North America Video Sales | $1,032,521 | |
| Further financial details... | ||
After wealthy businessman Qin rats out his corrupt partner in an arms deal gone fatally wrong, he and his family become targets of the world’s deadliest mercenary organization—and the fighting power of Tang’s team is their only hope to survive.
November 22nd, 2020
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Freaky will remain top at the domestic box office this weekend in spite of a steep 66% decline from its opening weekend. Its win at the box office was practically guaranteed going into the weekend, with Vanguard, the only new wide release, playing in a more modest 1,375 theaters for indie distributor Gravitas Ventures (it is now projected to open with $400,000). Freaky’s steep decline was also expected, with our model predicting a $1.56 million weekend and a decline of 57%. The fact that it fell 20% short of that low figure is a measure of how audience attitudes are changing towards the theatrical experience as COVID-19 cases rise steeply across the United States.
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November 20th, 2020
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Vanguard will attempt to dislodge Freaky from its perch atop the domestic box office chart this weekend. Even though the new release stars Jackie Chan and earned around $45 million in its native China, our model thinks it’ll struggle to do so. But that skirmish is a sideshow this weekend as theaters are taking another blow from the surging pandemic and related lockdowns.
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November 15th, 2020
Going into the weekend, hopes were high that Freaky could post the kind box office numbers needed to show momentum in the theatrical market. Instead, it’s falling well short of our prediction, and numbers from the rest of the films in the top six, including a sharp 55% decline by last week’s winner Let Him Go, are also mostly disappointing. Instead of an increase in top six box office this weekend, we’re looking at a market that’s still flat, or even declining. What went wrong?
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2021/01/01 | 3 | $96,842 | 265 | $365 | $169,817 | 1 | |
| 2021/01/08 | 9 | $26,121 | -73% | 174 | $150 | $219,305 | 2 |
| 2021/01/15 | 16 | $9,562 | -63% | 103 | $93 | $238,266 | 3 |
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| China | 1/25/2020 | $131,577 | 0 | 44742 | 104601 | $44,500,000 | 11/26/2020 |
| Netherlands | 11/20/2020 | $48,730 | 33 | 33 | 65 | $95,653 | 10/19/2022 |
| North America | 11/20/2020 | $380,428 | 1,375 | 1,375 | 3,125 | $793,525 | |
| Russia (CIS) | 10/15/2020 | $189,320 | 1014 | 1014 | 1921 | $359,656 | 10/19/2022 |
| South Korea | 12/30/2020 | $96,842 | 265 | 265 | 645 | $237,511 | 2/1/2021 |
| Worldwide Total | $45,986,345 | 10/19/2022 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
| Jackie Chan | Tang Huating | |
| Yang Yang | Lei Zhenyu | |
| Lun Ai | Zhang Kaixuan | |
| Mu Qimiya | Mi Ya | |
| Xu Ruohan | Fareeda | |
| Jackson Lou | ||
| Eyad Hourani |
| Zhu Zhengting | Shendiao |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
| Stanley Tong | Director | |
| Stanley Tong | Screenwriter | |
| Stanley Tong | Producer | |
| Barbie Tung | Producer | |
| Stanley Tong | Executive Producer | |
| Hongfen Jiao | Executive Producer | |
| Edward Cheng | Executive Producer | |
| Yong Zhang | Executive Producer | |
| Jwanwat Ahriyavraromp | Executive Producer | |
| Junming Deng | Executive Producer | |
| Tao Xu | Co-Executive Producer | |
| Chunlin Wang | Co-Executive Producer | |
| Xi Yang | Co-Executive Producer | |
| Xiaoping Jiang | Co-Executive Producer | |
| Zhou Maofei | Co-Executive Producer | |
| Wanghu Zhang | Co-Executive Producer | |
| Yong Zhang | Co-Executive Producer | |
| Yuehui Zhao | Co-Executive Producer | |
| Yunhe Wu | Co-Executive Producer | |
| Yu Xu | Co-Executive Producer | |
| Xiao Yu | Co-Executive Producer | |
| Feng Hu | Co-Executive Producer | |
| Meng Deng | Associate Producer | |
| Juanyu Tao | Associate Producer | |
| Dan Zho | Associate Producer | |
| Liqun Huang | Associate Producer | |
| Aroonkamol Sucharochana | Associate Producer | |
| Rudding Fu | Co-Producer | |
| Yong Zhang | Co-Producer | |
| Katy Chen | Co-Producer | |
| Minfang Wan | Co-Producer | |
| Jasckson Lin | Co-Producer | |
| Wei Xie | Co-Producer | |
| Stanley Tong | Stunt Coordinator | |
| Han Guanhua | Stunt Coordinator | |
| Steve Burgess | Sound Designer | |
| Wang Zhouyuan | Sound Designer | |
| Nathan Wang | Composer | |
| Yau Chi-Wai | Editor | |
| Chi-Wah Lee | Director of Photography | |
| Miriam Chen | Costume Designer | |
| Connie Leung | Costume Designer | |
| James Cheung | Production Designer |
