Romania Box Office for The Intern (2015)

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The Intern poster
Theatrical Performance (US$)
Romania Box Office $518,904Details
Worldwide Box Office $197,115,710Details
Home Market Performance
North America DVD Sales $10,161,369 Details
North America Blu-ray Sales $4,230,285 Details
Total North America Video Sales $14,391,654
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Ben Whittaker, is a 70-year-old widower who has discovered that retirement isn’t all it’s cracked up to be. Seizing an opportunity to get back in the game, he becomes a senior intern at an online fashion site, founded and run by Jules Ostin.

Metrics

Movie Details

Production Budget:$40,000,000
Romania Releases: September 25th, 2015 (Wide)
Video Release: December 22nd, 2015 by Warner Home Video
MPAA Rating: PG-13 for some suggestive content and brief strong language.
(Rating bulletin 2368, 4/8/2015)
Running Time: 121 minutes
Keywords: Autumn Years, Retirement, Out of Retirement, Entrepreneur, Internet, Fashion, Comedy Drama
Source:Original Screenplay
Genre:Comedy
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Waverly Films
Production Countries: United States
Languages: English

Home Market Releases for December 22nd, 2015

December 20th, 2015

The Brain That Wouldn't Die

There are two major reasons conspiring to make this week's list of home market releases terrible. Firstly, Christmas is on Friday. Even if you pre-ordered something on this list now, there's a good chance it won't get to you in time for Christmas. Secondly, the Steam Winter Sale begins on Tuesday. Of the films on this week's short list, The Brain That Wouldn't Die is the "best", for a certain definition of that word. It's a very entertaining bad movie and the Blu-ray even has the MST3K episode as an extra. More...

International Box Office: Spectre has Spectacular Start

November 5th, 2015

Spectre

Spectre opened in first place with $80.4 million during its seven-day opening weekend. That doesn't seem like a huge amount, especially considering some of the opening weekends we've seen on the international stage this year. However, there is a mitigating factor. It was only playing in six markets. This includes the U.K., where the film broke records with $62.82 million in 651 theaters. This is equivalent to a $300 million opening week here, which would be the record for a seven-day box office here. We shouldn't get too ahead of ourselves, as Bond films have a natural affinity for that market. It does mean Spectre has a real shot at a $100 million opening weekend here. More...

Thursday Night Previews: Burnt Out

October 30th, 2015

Burnt

Two of the three wide releases had Thursday previews, with Burnt having the bigger of the two films' launches. Bigger is a relative term. It only managed $250,000 during its previews, which is bad news. Its bad news for the studio, as this doesn't bode well for its box office chances. It is also bad new for me, because this is so low it is hard to find other films to compare it with. It is about 10% lower than The Green Inferno, which is about as close a match as I could find, but those two films share almost none of their respective audiences. The Intern is a closer match as far as audiences are concerned. That film earned $650,000 during its previews on its way to a $24.90 million opening weekend. Burnt has worse reviews, so it likely won't have the same internal multiplier. Even so, it should make between $7 million and $9 million, which is a little higher than predicted, but not enough to keep the studio happy. More...

International Box Office: Martian Completes Another Orbit

October 28th, 2015

The Martian

The Martian returned to first place with $30.0 million in 73 markets for totals of $218.8 million internationally and $385.0 million worldwide. The film's only major market opening was in France where it earned second place with $6.81 million on 560 screens. It also remained in first place in South Korea with $3.99 million on 731 screens over the weekend for a three-week total of $28.43 million. I don't know if it has broken even yet, but it is very close to getting there. More...

International Box Office: Ant-Man is Big Man in China

October 22nd, 2015

Ant-Man

Ant-Man made a triumphant return to the international chart with a first place, $43.5 million run in 3 markets for totals of $275.9 million internationally and $454.7 million worldwide. Nearly all of this weekend haul came from China, where the film opened in first place with $42.77 million. (Some are reporting it came in second place to Goodbye Mr. Loser, but they are comparing the film's weekly total to Ant-Man's opening weekend.) Depending on how much money the film cost to advertise worldwide, it might have broken even already. If not, it will get there very early in its home market run. More...

International Box Office: Milestones for The Martian

October 14th, 2015

The Martian

The Martian remained in first place with $58.1 million in 75 markets for totals of $119.0 million internationally and $227.7 million worldwide. $200 million worldwide was the minimum needed for the studio to save face. If it can get to $300 million worldwide, then we start talking about profitability. I don't see a way it won't get to $300 million, perhaps as early as this time next week, while $500 million worldwide is a reasonable goal to aim for. Its biggest new market of the weekend was South Korea where it earned first place with $11.09 million on 1,132 screens over the weekend for a total opening of $13.00 million. It also dominated the chart in Russia with $8.18 million on 2,246 screens. On the other hand, it only managed second place in Germany with $3.85 million on 676 screens. As far as holdovers go, the film remained in first place in the U.K. with $5.96 million in 582 theaters over the weekend for a two-week total of $20.44 million. This is about on par with its run here, which bodes well for its worldwide total. More...

Weekend Wrap-Up: Box Office Celebrates Double-Milestone on Top

October 13th, 2015

The Martian

There was some great news at the box office this weekend, as both The Martian and Hotel Transylvania 2 reached the century mark. On the other hand, Pan bombed performing even worse than expected. I don't think there's really any controversy in saying it bombed, as the $150 million movie opened with less than Alexander and the Terrible Horrible No Good Very Bad Day made last year. The overall depth was also weak, which led to the box office falling 21% from last week and 20% from last year. 2015 is still way ahead of 2014, $8.30 billion to $7.87 billion, and it would take a serious collapse for that lead to evaporate before the end of the year. More...

Weekend Predictions: Will Pan Pan Out?

October 9th, 2015

Pan

The only wide release of the week is Pan, which is being described as critically panned, because entertainment writers have a pathological need to use puns. I hate puns and I'm still guilty of this. Despite being the only new release, Pan isn't expected to open in first place, or even second place. The Martian is expected to repeat on top, while Hotel Transylvania 2 should have another strong hold remaining in second place. This weekend last year was in some ways the polar opposite, as there were four new releases in the top ten, plus another that opened in eleventh place. However, the result was the same, as Gone Girl remained in first place. The Martian should top Gone Girl's performance, while Hotel Transylvania 2 and Pan should match Dracula Untold and Alexander and the Terrible Horrible No Good Very Bad Day. However, after that, 2014's depth seems too strong and 2015 will likely lose in the year-over-year comparison. That's fine, as 2015's lead is huge and there are still a few (nearly) guaranteed monster hits left to open this year. More...

International Box Office: Mars is in Ascension

October 8th, 2015

The Martian

The Martian opened in first place with $45.2 million on 9,299 screens in 50 markets. This includes a first place, 10.01 million opening on 582 theaters in the U.K. This was the biggest opening for both the director and the star. The film had a similarly strong opening in Australia earning first place with $4.28 million on 582 screens. It also earned first place in Hong Kong ($2.26 million on 70 screens) and Taiwan ($1.68 million on 137 screens). It only managed second place in Italy with $2.53 million on 464 screens and in Mexico with $2.9 million on 1,757, while it debuted in third place in Brazil with $1.82 million on 507. Overall, the film it doing about as well internationally as it did here, which is good news for Fox. More...

Weekend Wrap-Up: Martian and Transylvania Help Box Office Remain Strong

October 6th, 2015

The Martian

It was an interesting weekend as The Martian was in a tight race with Gravity for Biggest October Weekend. It didn't quite set the record, but it came close enough to be the big story all weekend. Hotel Transylvania 2 held on better than expected, which helped the overall box office grow 8.3% from last week to $149 million. More importantly, the top two films this year were well ahead of the top two films last year, Gone Girl and Annabelle. This helped the overall box office grow 1.8% from the same weekend last year. Most people were not expecting that. Year-to-date, 2015 now has a 6.0% lead over 2014 at $8.14 billion to $7.68 billion. It would take a relatively serious collapse for 2015 to not come out on top at the end of the year. More...

Weekend Predictions: Will Martian's Opening be Out of This World?

October 2nd, 2015

The Martian

The Martian is the only true wide release this week, but it might not be the only new release in the top ten. The Sci-fi adventure film is earning award-worthy reviews and is also being praised for being an inspiring portrayal of science on the big screen. Sicario is expanding its theater count to 2,500, which should push it into the top five. The Walk opened in IMAX screens on Wednesday, but it missed the top ten place and it will likely fall. This weekend last year, Gone Girl and Annabelle both opened with between $37 million and $38 million. The Martian will open with more than either of those films opened with. However, it won't open with more than both of them combined. We will need good growth from Sicario and solid legs from Hotel Transylvania 2 to match last year's result. More...

International Box Office: Lost Finds Its Way to the Top

October 1st, 2015

Lost in Hong Kong

Lost in Hong Kong opened in first place in China and internationally with $106.80 million. This is better than Monster Hunt opened with, so if it has the same legs, the box office record in China will fall for the third time this year. Speaking of records, the overall Chinese box office rose to $5 billion with three months left in the year. This is amazing. More...

Weekend Wrap-Up: Hotel Transylvania Climbs into the Record Book

September 28th, 2015

Everest

Hotel Transylvania 2 was surprisingly strong this past weekend, topping expectations and entering the record book. It wasn't the only new release of the week. The Intern matched expectations nearly perfectly. On the other hand, Everest struggled and The Green Inferno barely made a peep. The overall box office pulled in $138 million, which is 22% higher than last weekend and 29% higher than the same weekend last year. 2015's lead over 2014 has grown to $470 million or 6.3%. This year we have a running tally of $7.96 billion compared to $7.49 billion from last year. There's just three months left in the year, so 2015's lead looks safer and safer every passing weekend. More...

Weekend Estimates: Hotel Transylvania 2 Breaks September Record

September 27th, 2015

Hotel Transylvania 2

Hotel Transylvania 2 is off to an impressive start this weekend with a new record weekend for September, according to Sony’s estimate released on Sunday. The animated comedy is expected to earn $47.5 million, beating the record held by the first film in the franchise, which debuted with $42.5 million this time in 2012. It’s also on the high end of expectations, which had it coming in the high 30s or low 40s. It’s a welcome turnaround for Adam Sandler, after a string of flops, but even more so for Sony Pictures, which has had a dismal year so far, with no film earning more than Pixels $76.7 million before now. More...

Friday Estimates: Hotel Fully Booked

September 26th, 2015

Hotel Transylvania 2

As expected, Hotel Transylvania 2 earned first place on Friday, but it did so with an unexpectedly strong result. The film pulled in $13.25 million for the day; by comparison, this is 21% higher than the first film’s debut. Sequels do tend to be a little more front loaded than the original film, but this is still a fantastic start. For instance, Cloudy with a Chance of Meatballs had a 3.72 internal multiplier of (weekend box office divided by Friday box office) while its sequel had an internal multiplier of 3.68. Granted, that's a tiny drop, but the reviews of these two films dropped dramatically, which likely had some effect. On the other hand, the two Hotel Transylvania films have earned nearly identical reviews. Hotel Transylvania earned an internal multiplier of 3.88, so if that drops to about 3.7, then Hotel Transylvania 2 would pull in about $49 million over the weekend. That's seems excessive. On the other hand, even earning just over $42.5 million and breaking the September record would be disappointing after an opening day like this. More...

Weekend Predictions: Busy September Weekend is Quantity Over Quality

September 25th, 2015

The Intern

There are two wide releases this week, a wide expansion, and a semi-wide release. That's a lot of films to talk about. Of the three new films, none of them are earning more than 50% positive reviews. This is sadly typical of this time of year. Hotel Transylvania 2 is easily the biggest new release of the week and the only film with a shot at $40 million. The second wide release, The Intern, and the wide expansion, Everest, should be in a tight race for second place with $20 million each. On the other hand, The Green Inferno, the semi-wide release, is staring down the barrel of the Mendoza Line. If you look at the top three films from last year and compare them to the top three films from this year, they look about the same. The Equalizer's opening is on low the end of Hotel Transylvania 2's range of expectations. Additionally, the depth this year looks better than last year. 2015 should end the month on a high note in the year-over-year comparison. More...

2015 Preview: September

September 1st, 2015

Hotel Transylvania 2

As September begins, the box office is in a slump. August was terrible and only Straight Outta Compton escaped with its dignity intact. Fortunately, we expected August to be terrible, so the box office isn't any lower than anticipated. As for September, there are two wide releases expected to earn more than $100 million, which is better than most years. Those two films are Maze Runner: The Scorch Trials and Hotel Transylvania 2, both sequels. There are four other films that could become midlevel hits, so we have good depth as well. By comparison, last September there were also two $100 million hits, The Maze Runner and The Equalizer. However, there were only two midlevel hits, so it appears this year has better depth. Frankly, 2015 has such a large lead over 2014 that all it needs to do is maintain pace for the rest of the year to be considered a success. If September can help 2015 grow its lead, then the overall industry should be very happy. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2015/09/25 2 $109,761   55 $1,996   $109,761 1
2015/10/02 4 $68,732 -37% 40 $1,718   $230,222 2
2015/10/09 5 $52,143 -24% 34 $1,534   $312,045 3
2015/10/16 8 $36,409 -30% 35 $1,040   $368,676 4
2015/10/23 10 $18,054 -50% 22 $821   $389,004 5
2015/11/06 9 $11,367   14 $812   $416,666 7
2015/11/13 9 $12,325 +8% 12 $1,027   $433,368 8

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 9/24/2015 $424,367 55 55 206 $1,301,285 12/30/2018
Australia 10/2/2015 $1,402,125 305 305 1757 $6,717,201 6/9/2016
Austria 9/25/2015 $169,387 63 63 315 $736,034 6/9/2016
Belgium 9/30/2015 $185,587 45 49 205 $854,260 12/8/2015
Bolivia 10/1/2015 $0 0 4 4 $34,617 12/30/2018
Brazil 9/24/2015 $568,352 181 181 610 $2,258,044 12/16/2015
Bulgaria 9/25/2015 $27,191 0 23 85 $141,454 12/30/2018
Central America 10/1/2015 $0 0 24 36 $500,239 12/16/2015
Chile 10/29/2015 $75,532 33 33 114 $307,795 12/31/2018
Colombia 10/15/2015 $161,461 84 84 169 $606,280 12/30/2018
Croatia 9/24/2015 $0 0 6 6 $155,334 12/30/2018
Czech Republic 10/22/2015 $50,199 60 60 118 $221,627 12/30/2018
Denmark 10/1/2015 $231,172 96 96 169 $1,837,624 12/1/2015
Ecuador 10/2/2015 $0 0 38 59 $227,618 12/30/2018
Estonia 9/25/2015 $26,047 8 9 29 $113,210 11/10/2015
Finland 9/25/2015 $68,464 49 49 216 $345,831 12/16/2015
France 10/7/2015 $1,015,496 282 282 773 $2,597,353 10/27/2015
Germany 9/24/2015 $1,205,780 517 529 2260 $4,953,126 12/1/2015
Greece 10/8/2015 $148,374 44 51 120 $443,530 10/27/2015
Hong Kong 9/24/2015 $688,183 35 36 245 $3,936,786 12/21/2015
Hungary 9/24/2015 $160,185 0 44 88 $795,321 12/30/2018
Iceland 9/25/2015 $9,717 8 8 14 $48,411 12/30/2018
Indonesia 9/25/2015 $131,964 101 101 141 $406,069 12/30/2018
Iraq 9/24/2015 $4,143 2 2 9 $17,577 12/30/2018
Israel 10/1/2015 $0 0 29 267 $1,778,538 12/30/2018
Italy 10/15/2015 $936,962 252 273 768 $2,580,052 6/9/2016
Japan 10/10/2015 $1,277,597 272 274 1448 $14,015,444 12/1/2015
Latvia 9/25/2015 $0 0 7 9 $101,642 12/30/2018
Lebanon 9/24/2015 $40,453 5 5 30 $436,240 12/30/2018
Lithuania 9/25/2015 $23,599 85 85 90 $65,115 10/17/2015
Malaysia 9/24/2015 $83,479 49 49 143 $241,451 10/27/2015
Mexico 10/1/2015 $1,039,230 0 331 376 $5,940,670 11/25/2015
Netherlands 9/24/2015 $299,336 88 89 652 $1,684,789 11/25/2015
New Zealand 9/25/2015 $144,302 63 67 408 $614,969 12/21/2015
North America 9/25/2015 $17,728,313 3,305 3,320 19,850 $75,764,672 4/21/2016
Peru 10/8/2015 $0 0 24 74 $586,717 12/30/2018
Philippines 9/24/2015 $0 0 77 88 $462,188 12/30/2018
Portugal 10/1/2015 $146,438 49 50 284 $754,647 12/21/2015
Romania 9/25/2015 $109,761 55 55 212 $518,904 12/30/2018
Russia (CIS) 9/24/2015 $1,364,206 923 923 2632 $4,434,498 12/30/2018
Serbia and Montenegro 9/24/2015 $0 0 1 1 $71,931 12/30/2018
Singapore 9/24/2015 $371,088 31 31 142 $1,227,995 12/1/2015
Slovakia 9/24/2015 $64,516 59 59 127 $199,250 10/28/2015
Slovenia 9/25/2015 $10,029 14 14 42 $27,068 10/16/2015
South Africa 9/25/2015 $73,314 55 55 185 $425,571 10/20/2015
South Korea 9/24/2015 $2,365,552 481 659 3490 $24,746,984 9/22/2016
Spain 10/30/2015 $686,017 231 252 1208 $3,307,843 6/9/2016
Sweden 10/9/2015 $0 0 89 177 $1,008,546 12/1/2015
Switzerland 9/24/2015 $187,345 47 68 287 $1,142,225 11/17/2015
Taiwan 9/25/2015 $762,442 53 84 611 $7,687,807 12/21/2015
Thailand 10/15/2015 $129,235 53 53 214 $713,665 12/1/2015
Turkey 9/25/2015 $111,323 79 79 269 $694,564 2/26/2019
Ukraine 9/24/2015 $148,959 150 150 441 $494,226 12/30/2018
United Arab Emirates 9/24/2015 $309,317 27 27 105 $1,519,432 12/31/2018
United Kingdom 10/2/2015 $1,154,463 431 431 1480 $4,394,340 6/9/2016
Uruguay 10/15/2015 $25,043 10 10 57 $131,656 12/30/2018
Venezuela 10/23/2015 $117,497 19 33 112 $2,866,948 12/21/2015
Vietnam 9/25/2015 $39,441 47 47 53 $111,779 12/30/2018
 
Rest of World $6,806,718
 
Worldwide Total$197,115,710 2/26/2019

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Robert De Niro    Ben
Anne Hathaway    Jules

Supporting Cast

Rene Russo    Fiona
Anders Holm    Matt
Jojo Kushner    Paige
Andrew Rannells    Cameron
Adam DeVine    Jason
Zack Pearlman    Davis
Jason Orley    Lewis
Christina Scherer    Becky
Nat Wolff    Justin
Linda Lavin    Patty
Celia Weston    Doris
Steve Vinovich    Miles
C.J. Wilson    Mike
Mary Kay Place    Jule's Mom
Erin Mackey    Jane
Christina Brucato    Emily
Wallis Currie-Wood    ATF Interviewer #1
Molly Bernard    ATF Interviewer #2
Paulina Singer    ATF Receptionist
Annie Funke    ATF Creative Team
Christine Evangelista    ATF Creative Team
Julee Cerda    ATF Creative Team
Peter Vack    ATF Creative Team
Nikki Granatell    ATF Creative Team
Liza Binkley    ATF Creative Team
Eshan Bay    ATF Tech Team
Caitlin Kinnunen    ATF Tech Team
Tristan Griffin    ATF Tech Team
Sydney Morton    Customer Service Rep
Brandon Tyler Harris    Customer Service Rep
Elena Shaddow    Customer Service Rep
Liz Holtan    Customer Service Rep
Claire Saunders    Mailroom Intern
G. Keith Alexander    Senior Intern
Susan Feldman    Couple in Elevator
Mark D. Sikes*    Couple in Elevator
Drena De Niro    Hotel Manager
Max Von Essen    Businessman at Starbucks
George Merrick    Businessman at Starbucks
Casey Benjamin    Mom at School
Ruby Motz    Child at School
Emma Angstadt    Maddie
Eliud Kauffman    Warehouse Foreman
Jenny Fellner    Barista
Sean Kleier    Bartender
Elliot Villar    Escalade Driver
Tiffany Chen    Tai Chi Instructor

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Nancy Meyers    Director
Nancy Meyers    Screenwriter
Nancy Meyers    Producer
Suzanne Farwell    Producer
Celia Costas    Executive Producer
Stephen Goldblatt    Director of Photography
Kristi Zea    Production Designer
Robert Leighton    Editor
Randall Poster    Music Supervisor
George Drakoulias    Music Supervisor
Theodore Shapiro    Composer
Jacqueline Demeterio    Costume Designer
Bernard Telsey    Casting Director
Laray Mayfield    Casting Director
Tiffany Little Canfield    Casting Director
Deb Dyer    Co-Producer
Jeffrey JP Wetzel*    Co-Producer
Deb Dyer    Unit Production Manager
Jeffrey JP Wetzel*    First Assistant Director
Derek Wimble    Second Assistant Director
Kevin Tent    Additional Editor
Mary Bailey    Script Supervisor
Corinne Villa    First Assistant Film Editor
Danny Miller    First Assistant Film Editor
Zach Fine    Assistant Editor
W. Steven Graham    Supervising Art Director
Doug Huszti    Art Director
Susan Bode-Tyson*    Set Decorator
Mark Agnes    Costume Supervisor
Mandy Lyons    Hairstylist
Christine Fennell-Harlan    Hairstylist
Louise McCarthy    Make up
Joanna McCarthy    Make up
Stefan Mentz    Associate Producer
Christin Mizelle    Associate Producer
David Vaccari    Additional Casting-Casting Associate
Jennifer Yoo    Additional Casting-Casting Assistant
Conrad Woolfe    Additional Casting-Casting Assistant
Bruce Jones    Visual Effects Supervisor
Mark Russell    Visual Effects Supervisor
Hameed Shaukat    Visual Effects Supervisor
Mitchell Ferm    Visual Effects Producer
Dennis Drummond    Supervising Sound Editor
Sean Massey    Supervising Sound Editor
Andrew Silver    Supervising Music Editor
Tateum Kohut    Re-recording Mixer
Greg Orloff    Re-recording Mixer
Lisa Rodgers    Post-Production Supervisor
Heidi Vogel    Post-Production Supervisor
Katrina Schiller    Music Editor
Alison Fisher    Dialogue Editor
Jamey Scott    Sound Effects Editor
Alex Hillkurtz    Second Unit Director
G. A. Aguilar    Second Unit Director
Bruce Jones    Second Unit Director
John Silvestri    First Assistant Director
Christopher Surgent    First Assistant Director
Travis Rehwaldt    Second Assistant Director
Victor Paguia    Stunt Coordinator

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.