Hong Kong Box Office for Inferno (2016)

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Inferno
Theatrical Performance (US$)
Hong Kong Box Office $1,603,676Details
Worldwide Box Office $219,519,367Details
Home Market Performance
North America DVD Sales $6,091,323 Details
North America Blu-ray Sales $4,938,275 Details
Total North America Video Sales $11,029,598
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Robert Langdon, the famous symbologist, is on a trail of clues tied to the great Dante himself. When he wakes up in an Italian hospital with amnesia, he teams up with Sienna Brooks, a doctor he hopes will help him recover his memories. Together, they race across Europe and against the clock to foil a deadly global plot.

Metrics

Movie Details

Production Budget:$75,000,000
Hong Kong Releases: November 3rd, 2016 (Wide)
Video Release: January 24th, 2017 by Columbia Pictures Home Entertainment
MPAA Rating: PG-13 for sequences of action and violence, disturbing images, some language, thematic elements and brief sensuality.
(Rating bulletin 2430 (Cert #49739), 6/22/2016)
Running Time: 121 minutes
Franchise: Da Vinci Code
Keywords: Delayed Sequel, Conspiracy Theory, Faulty Memory, IMAX: DMR, Action Thriller
Source:Based on Fiction Book/Short Story
Genre:Thriller/Suspense
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Image Entertainment, Columbia Pictures, LStar Capital, Brian Grazer Productions
Production Countries: United States
Languages: English

Home Market Releases for January 24th, 2017

January 23rd, 2017

The Handmaiden

It’s not a particularly good week for top-notch releases. There are only three contenders for Pick of the Week, one of which doesn’t come out till next week. I was able to review Pinocchio a week early. The others are a classic from the 1970s, The Man Who Fell To Earth on Blu-ray Combo Pack, and an import from South Korea, The Handmaiden on DVD. Even though The Handmaiden is only coming out on DVD, it is still the best and is this week’s Pick of the Week. More...

International Box Office: Strange More Incredible Than The Hulk with $118.7 million

November 9th, 2016

Doctor Strange

Doctor Strange added $118.7 million in 54 markets for totals of $240.4 million internationally and $325.5 million worldwide. It has already overtaken The Incredible Hulk in the MCU and is rapidly closing in on Captain America: The First Avenger. This weekend, the film debuted in first place in China with $44.12 million, including some previews, as well as in Brazil with $7.9 million. The film also expanded wide in Russia earning $8.49 million over the weekend for a total of $15.63 million. On the downside, the film has already opened in all major markets, except for Japan, where it doesn’t open until January. With what it has pulled in so far, anything less than $600 million will be seen as troubling, while anything more than $750 million will be seen as a success. More...

Weekend Wrap-Up: Nothing Strange about the Doctor’s $85.06 million Opening Weekend

November 7th, 2016

Doctor Strange

Doctor Strange’s opening weekend was off by 0.069% when compared to our prediction. I think that gives us reason to brag. Both Trolls and Hacksaw Ridge beat expectations by a relatively significant margin. Overall, the weekend box office rose 115% from last weekend to $191 million. That’s 18% more than the same weekend last year. Year-to-date, 2016’s lead over 2015 increased to 5.6% or $490 million at $9.28 billion to $8.79 billion. If 2016 can maintain this lead until Rogue One comes out, then 2016 will win in the end. More...

Friday Estimates: Doctor Strange Heals the Box Office with $32.56 million

November 5th, 2016

Doctor Strange

As expected, Doctor Strange dominated the Friday box office chart with $32.56 million. This is 19% higher than Spectre’s opening day was last year, which is great news. Granted, Doctor Strange had much better previews, so the actual 24-hour Friday numbers are much closer. On the other hand, Doctor Strange’s reviews remain 90% positive, while its CinemaScore is an impressive A. Spectre earned 65% positive reviews and an A- from CinemaScore. If the two films have the same internal multiplier, then Doctor Strange will open with $84 million. However, the Fanboy Effect will likely keep it to just above $80 million. This is still a great start and another smash hit from the Marvel Cinematic Universe. More...

Weekend Predictions: Will Audiences Find Doctor Too Strange?

November 3rd, 2016

Doctor Strange

Doctor Strange is the latest installment in the Marvel Cinematic Universe and arguably the strangest one. It is widely expected to dominate the box office this weekend. Trolls is expected to open way back in second place, but still have a strong showing. The final wide release of the week is Hacksaw Ridge, which appears to be getting lost in the crowd. This weekend last year. Spectre and The Peanuts Movie had a one-two punch that earned a combined $115 million. I think Doctor Strange / Trolls will top that figure giving 2016 the win in the year-over-year comparison. More...

International Box Office: Nothing Strange About Doctor’s $86.0 million International Debut

November 3rd, 2016

Doctor Strange

Doctor Strange started its international run in first place with $86.0 million in 33 markets. This is 49% better than Ant-Man’s debuts in these markets. If the film does as well here, it would earn $85 million this coming weekend. The film’s biggest international market was South Korea, where it debuted with $12.95 million on 1,500 screens over the weekend for a total opening of $18.05 million. It dominated the weekend box office there. It earned an easy first place in the U.K. with $11.29 million in 602 theaters. The film also opened in first place in France ($5.7 million); Australia ($4.90 million); Germany ($4.8 million); and Mexico ($4.67 million). If the film does as well during the rest of its international run, it will earn just over $500 million internationally. However, since its reviews are better than Ant-Man’s reviews were, it could have even better legs. We will know more this time next week. More...

Contest: Burn it Down: Winning Announcement

November 2nd, 2016

Inferno

The winners of our Burn it Down contest contest were determined and the entrants with the closest predictions for Inferno's opening weekend were... More...

Weekend Wrap-Up: Madea puts out Inferno’s Fire earning $17.22 million

November 1st, 2016

Tyler Perry’s Boo! A Madea Halloween

Halloween helped boost Tyler Perry’s Boo! A Madea Halloween’s numbers over the weekend allowing it to earn first place with $17.22 million. This was much better than the $14.86 million Inferno opened with. While Halloween didn’t happen until Monday, the holiday still had a negative effect on the box office, as it fell 29% to just $88 million. That’s worse than anticipated. Compared to the same weekend last year, 2016 was better by 17%, but it’s hard to spin this as a real victory. Year-to-date, 2016’s lead over 2015 barely budged at $9.06 billion to $8.69 billion. That said, if 2016 can just maintain this lead till Rogue One debuts, then we should have at least some growth at the end of the year. More...

Weekend Estimates: Madea Defeats Feeble Inferno

October 30th, 2016

Tyler Perry’s Boo! A Madea Halloween

What was meant to be the weekend that the Fall Season started in earnest has turned into a damp squib, with Inferno not just failing to hit expectations, but not even topping the chart. With just $15 million expected this weekend, according to Sony’s Sunday morning projection, the franchise has shown a dismal downward trajectory at the domestic box office. The Da Vinci Code opened with $77 million in 2006; Angels & Demons debuted with $46 million in 2009; and now Inferno will earn less on its opening weekend than either of its predecessors made on their opening days.

The weak opening for Inferno follows a string of so-so results for films over the past couple of months. Perhaps the reality show that is our presidential election is dragging down theatrical business? More...

Friday Estimates: Inferno Generates Little Heat with $5.6 million

October 29th, 2016

Inferno

As expected, Inferno earned first place on Friday. However, it was unexpectedly weak at just $5.6 million. Even strong legs over the weekend would result in an opening of just over $15 million. Given its reviews and its B+ rating from CinemaScore, it won’t have strong legs. Just over $14 million seems more likely at this point. Although it is aimed at a more mature crowd, so that could help. Plus, it is performing much better internationally, so it could break even regardless of how much it makes domestically. More...

Thursday Night Previews: Inferno Sparks, but Doesn’t Catch Fire with $800,000

October 28th, 2016

Inferno

Inferno got off to a slow start with midnight previews earning just $800,000. That’s well below the other thrillers that have opened this month. In fact, it is on par with Deepwater Horizon’s previews at the end of September. That film earned just over $20 million, which isn’t a bad opening, but it isn’t a great opening for a film that cost $75 million to make. Things get worse for Inferno, as it has terrible reviews and it is part of a franchise, so its legs will likely be shorter. At the moment, it is on pace for a sub-$20 million debut; however, that might change when we see Friday’s estimates. Maybe it will bounce back, or maybe things will get worse. More...

Weekend Predictions: Will Inferno Catch Fire over the Weekend?

October 27th, 2016

Inferno

There’s only one wide release this week, Inferno, and it should have no trouble earning first place. On the other hand, it won’t come close to matching the other two films in the Da Vinci Code franchise. Tyler Perry’s Boo! A Madea Halloween earned first place last week, but Madea movies tend to have short legs, so it could see a large drop-off this weekend. Or perhaps Halloween will help it thrive. This weekend last year, Halloween landed on a Saturday. It comes as no surprise that this was a disaster for the box office. The “best” new release, Burnt opened outside of the top five with just $5 million. The two and a half wide releases earned a combined $10 million last year. This year, there’s a small chance Inferno will earn $10 million during its opening day. There’s almost no chance 2016 won’t crush 2015 in the year-over-year comparison. More...

International Box Office: Jack Reaches for the Top earning $31.5 million

October 27th, 2016

Jack Reacher: Never Go Back

Jack Reacher: Never Go Back opened in first place internationally with $31.5 million in 31 markets. Its biggest market was China, where it earned $5.56 million, including previews. The film’s second biggest market was in the U.K. where it earned $3.28 million in 519 theaters. This is lower than it opened here, given the relative size of the two markets, and much lower than the $5.75 million the first film opened with. Granted, that film opened in the U.K. right around Christmas, but overall Never Go Back is underperforming. This is really bad news for Paramount Pictures, as they’ve had a bad year with a number of high-profile, high-cost movies failing to break even and really can’t afford another misstep. More...

Contest: Within Reach: Winning Announcement

October 26th, 2016

Jack Reacher: Never Go Back

The winners of our Within Reach contest were determined and the entrants with the closest predictions for Jack Reacher: Never Go Back opening weekend were... More...

Contest: Burn It Down

October 20th, 2016

Inferno

There is only one film opening wide next week, Inferno, so obviously it is the only choice for the target film in this week's Box Office Prediction contest. In order to win, one must simply predict the opening weekend box office number for Inferno

We are back to the usual Halloween Trick or Treat prizes. After determining the three winners, two will be given horror movies, the “Treats”, while the third will be given a movie so bad it is scary it was made, the “Trick”.

Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will be one of three winners. Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will be the second of three winners. Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will be the third of three winners.

Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay! More...

International Box Office: Inferno Burns Bright with $49.75 million

October 19th, 2016

Inferno

Inferno started its international run in first place with $49.75 million on 12,293 screens in 64 markets. However, its individual markets are a bit of a mess. On the low end, the film only managed second place in the U.K. with $3.62 million on 591 screens, while it also had to settle for second place in Australia with $1.73 million on 266. Given the size of those two markets, this is like opening with just under $20 million here. On the other hand, the film earned first place in Italy ($5.07 million on 679 screens); Russia ($4.81 million on 2,032); and Germany ($4.09 million on 768). Those markets suggest a $40 million to $50 million opening here. Sadly, I think the lower end is more likely here. More...

2016 Preview: October

October 1st, 2016

The Girl on the Train

September is over and we should all be glad about that. Unless the final weekend brings a surprise $100 million hit or two, 2016’s lead over 2015 will shrink over the month. There were some bright spots, most notably Sully, which will be the biggest hit of the month. On the other hand, we had more outright bombs than even midlevel hits. Sadly, October isn’t much better. There are a couple of films that could be $100 million hits, but most of the films will struggle to become midlevel hits. Both Inferno and The Girl on the Train are aiming for $100 million. One of them might get there too. If both get there, then October will be seen as a success. By comparison, last October was led by The Martian; however, because of a misalignment in the calendar, The Martian’s opening weekend actually lines up with the final weekend in September. It had great legs, so that will help 2015 early in the month, but the rest of the month was terrible last year and I think 2016 will come out ahead as a result. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2016/11/04 - $824,849   114 $7,236   $824,849 1
2016/11/11 - $360,384 -56% 102 $3,533   $1,392,632 2
2016/11/18 - $64,707 -82% 31 $2,087   $1,551,259 3
2016/11/25 - $26,461 -59% 13 $2,035   $1,587,835 4
2016/12/02 - $3,416 -87% 3 $1,139   $1,599,360 5
2016/12/09 - $925 -73% 2 $463   $1,603,676 6

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 10/13/2016 $669,793 227 227 643 $1,985,039 11/30/2018
Aruba 10/27/2016 $7,278 4 4 13 $23,516 12/31/2018
Australia 10/14/2016 $1,689,400 384 384 1228 $4,030,884 10/17/2022
Austria 10/14/2016 $518,813 87 88 472 $1,721,585 12/20/2016
Bahrain 10/13/2016 $109,047 9 9 20 $237,797 12/31/2018
Belgium 10/19/2016 $508,554 79 79 460 $1,915,629 12/20/2016
Bolivia 10/13/2016 $57,126 28 28 81 $215,344 12/31/2018
Brazil 10/13/2016 $3,844,833 598 773 2736 $10,327,371 12/13/2016
Bulgaria 10/14/2016 $138,064 61 61 260 $492,161 2/26/2019
Cambodia 10/21/2016 $11,277 44 44 70 $20,566 12/31/2018
Central America 10/13/2016 $494,223 212 212 455 $1,248,682 11/22/2016
Chile 10/13/2016 $388,714 94 94 268 $1,152,920 12/31/2018
China 10/27/2016 $12,590,000 55540 55540 63542 $20,161,930 11/29/2016
Colombia 10/13/2016 $692,812 233 233 636 $1,856,957 12/31/2018
Croatia 10/20/2016 $116,174 51 51 139 $371,842 12/31/2018
Curacao 10/27/2016 $4,202 3 3 9 $11,760 12/31/2018
Czech Republic 10/13/2016 $272,538 100 100 347 $802,069 12/31/2018
Denmark 10/13/2016 $796,956 102 103 484 $2,570,419 12/20/2016
Dominican Republic 10/27/2016 $0 0 17 19 $121,076 12/31/2018
East Africa 10/14/2016 $1,504 1 1 3 $5,738 11/1/2016
Ecuador 10/14/2016 $184,748 44 44 167 $618,464 12/31/2018
Egypt 10/13/2016 $193,153 18 18 91 $465,702 12/31/2018
Estonia 10/14/2016 $68,550 10 13 50 $195,321 12/13/2016
Finland 10/14/2016 $423,417 95 95 420 $1,512,208 1/18/2017
France 11/9/2016 $3,125,543 566 566 2488 $7,006,066 12/20/2016
Germany 10/13/2016 $4,086,119 768 768 4178 $14,453,514 1/4/2017
Ghana 10/14/2016 $3,407 3 3 17 $9,965 12/31/2018
Greece 10/13/2016 $600,631 138 138 399 $1,840,501 12/6/2016
Hong Kong 11/3/2016 $824,849 114 114 265 $1,603,676 12/13/2016
Hungary 10/13/2016 $404,442 66 73 288 $1,167,973 12/31/2018
Iceland 10/14/2016 $39,774 10 10 30 $114,157 12/31/2018
India 10/14/2016 $1,362,561 1025 1025 1594 $2,455,817 11/29/2016
Indonesia 10/12/2016 $1,283,383 318 318 710 $2,120,571 12/20/2018
Iraq 10/13/2016 $32,361 5 5 21 $88,099 12/31/2018
Israel 10/13/2016 $262,935 1 39 115 $698,123 12/31/2018
Italy 10/13/2016 $4,950,910 679 749 2571 $13,938,143 12/20/2016
Jamaica 10/26/2016 $3,984 4 4 7 $22,037 12/31/2018
Japan 10/28/2016 $3,379,025 372 483 2560 $14,456,437 1/10/2017
Jordan 10/13/2016 $68,405 7 7 32 $169,588 12/31/2018
Kenya 10/14/2016 $17,131 16 16 41 $38,182 12/31/2018
Kuwait 10/13/2016 $247,351 17 17 32 $393,234 12/31/2018
Latvia 10/14/2016 $59,900 10 10 40 $178,300 12/31/2018
Lebanon 10/13/2016 $130,839 17 17 50 $295,338 12/31/2018
Lithuania 10/14/2016 $43,415 91 91 275 $151,868 11/23/2016
Malaysia 10/13/2016 $629,263 161 161 470 $1,097,471 12/6/2016
Mexico 10/14/2016 $2,540,136 1275 1275 2429 $6,343,785 12/6/2016
Netherlands 10/13/2016 $1,193,589 125 127 1136 $5,539,767 1/18/2017
New Zealand 10/14/2016 $269,527 85 85 342 $629,407 12/6/2016
Nigeria 10/14/2016 $25,170 27 27 110 $87,922 12/31/2018
North America 10/28/2016 $14,860,425 3,576 3,576 11,459 $34,343,574
Norway 10/21/2016 $318,423 160 160 366 $874,438 12/20/2016
Oman 10/13/2016 $104,094 10 10 21 $172,029 12/31/2018
Pakistan 10/14/2016 $30,200 28 28 38 $53,833 12/31/2018
Paraguay 10/13/2016 $0 0 4 8 $58,466 12/31/2018
Peru 10/13/2016 $392,261 97 97 249 $1,030,518 12/31/2018
Philippines 10/12/2016 $860,105 206 206 305 $1,336,616 12/31/2018
Poland 10/14/2016 $1,055,954 187 187 895 $3,296,336 12/31/2018
Portugal 10/13/2016 $481,840 86 86 421 $1,579,870 12/20/2016
Qatar 10/13/2016 $185,679 11 11 20 $302,611 12/31/2018
Romania 10/12/2016 $293,275 69 69 296 $871,681 12/31/2018
Russia (CIS) 10/13/2016 $4,818,106 1196 1196 3553 $9,265,309 12/31/2018
Serbia and Montenegro 10/13/2016 $32,241 20 20 67 $147,017 12/31/2018
Singapore 10/13/2016 $612,105 65 65 182 $1,189,473 12/20/2016
Slovakia 10/13/2016 $166,295 69 69 221 $432,768 12/21/2016
Slovenia 10/13/2016 $45,549 20 20 78 $158,902 12/22/2016
South Africa 12/9/2016 $112,168 62 62 135 $446,188 1/18/2017
South Korea 10/5/2016 $0 0 753 1382 $5,013,643 11/29/2016
Spain 10/14/2016 $2,019,634 524 524 1980 $6,156,483 1/18/2017
Suriname 10/27/2016 $440 1 1 4 $1,317 12/31/2018
Sweden 10/14/2016 $834,795 190 190 524 $2,397,901 12/13/2016
Switzerland 10/13/2016 $603,730 97 97 577 $2,384,082 12/20/2016
Syria 10/13/2016 $7,026 1 2 8 $26,060 12/31/2018
Taiwan 10/12/2016 $1,532,819 180 180 431 $2,818,938 11/29/2016
Thailand 11/10/2016 $364,445 179 179 270 $1,044,583 12/13/2016
Trinidad 10/26/2016 $34,215 18 18 41 $56,569 12/31/2018
Turkey 10/14/2016 $697,656 420 420 1439 $2,452,996 12/31/2018
Ukraine 10/13/2016 $707,347 266 266 767 $1,349,068 12/31/2018
United Arab Emirates 10/13/2016 $1,179,970 90 90 170 $2,082,480 12/31/2018
United Kingdom 10/14/2016 $3,620,218 555 560 2081 $10,153,263 12/20/2016
Uruguay 10/13/2016 $60,650 22 22 72 $175,222 12/31/2018
Venezuela 10/14/2016 $53,366 69 69 254 $248,917 11/29/2016
Vietnam 10/14/2016 $274,126 108 108 224 $633,295 12/31/2018
 
Worldwide Total$219,519,367 10/17/2022

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Lead Ensemble Members

Tom Hanks    Robert Langdon
Felicity Jones    Dr. Sienna Brooks
Irrfan Khan    Harry Sims aka The Provost
Omar Sy    Christoph Bruder
Ben Foster    Bertrand Zobrist
Sidse Babett Knudsen    Elizabeth Sinskey

Supporting Cast

Ana Ularu    Vayentha
Ida Darvish    Marta Alvarez
Paolo Antonio Simioni    Dr. Marconi
Alessandro Grimaldi    Florence Hospital Taxi Driver
Fausto Maria Sciarappa    Parker
Robin Mugnaini    Apartment Carabinieri Captain
Paul Ritter    CRC Tech Arbogast
Vincenzo Tanassi    Boboli Gardens Policeman
Alessandro Fabrizi    Gallery Guard
Simone Mariani    Security Director
Gábor Urmai    Ignazio Busoni
Jon Donahue    Richard
Fortunato Cerlino    Entrance Museum Guard
Attila Arpa    Local CRC Agent
Kata Sarbo    Florence Airport Gate Agent
Francesca Inaudi    Venice Museum Guide
Maria Grazia Mandruzzato    Roma Merchant
Philip Arditti    Professor (Istanbul)
Mehmet Ergen    Mirsat
Vincent Riotta    Death Mask Guard
Luca Fiorilli    Video Technician
Cristian Stelluti    Bouchard Agent
Alberto Basaluzzo    Bouchard Agent
Gabor Nagypal    Student (Istanbul)
Gianni Annoni    Video Room Guard
Yang Haiwen    CRC Tech
Mirjam Novak    CRC Tech
Rebecka Sternberg    CRC Tech
Sardar Tagirovsky    CRC Tech
Gabor Atlasz    Handless Beggar
Gabor Diossi    Handless Beggar
Peter Schueller    Concert Patron
Lili Gesler    Concert Patron
Felipe Torres Urso    Concert Patron
Emilio Dino Conti    Death Mask Hall Guard
Mario Acampa    Death Mask Hall Guard
Pasquale Corrente    Angry Motorist
Kerem Ozen    Turkish Control Tower Agent
Xavier Laurent    Bouchard French Agent
Büyükkol Mehmet Onur    Turkish WHO Agent
Balint Adorjani    Turkist WHO Agent
Zsolt Pall    WHO Cistern Agent
Peter Linka    WHO Cistern Agent

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Ron Howard    Director
David Koepp    Screenwriter
Brian Grazer    Producer
Dan Brown    Based on the novel by
Dan Brown    Executive Producer
Anna Culp    Executive Producer
Bill Connor    Executive Producer
David Householter    Executive Producer
Michael De Luca    Producer
Andrea Giannetti    Producer
Nina Gold    Casting Director
Julian Day    Costume Designer
Jody Johnson    Visual Effects Supervisor
Dana Robin    Unit Production Manager
David Householter    Unit Production Manager
William M. Connor    First Assistant Director
Kristen Ploucha    Second Assistant Director
Wade Eastwood    Second Unit Director
Wade Eastwood    Stunt Coordinator
Phil Sims    Supervising Art Director
Bence Erdelyi    Art Director
Zsuzsi Kismarty Lechner    Art Director
Marton Voros    Art Director
Jille Azis    Set Decorator
Gabriella Winkler    Script Supervisor
Simon Davis    First Assistant Editor
Andreas Fehrle    Assistant Editor
Chris Jenkins    Re-recording Mixer
David Giammarco    Re-recording Mixer
Daniel Pagan    Supervising Sound Editor
Gabor Hommonay    Costume Supervisor
Sian Turner Miller    Make-up and Hair Designer
Ivan Poharnok    Make-up and Prosthetic Effects Designer
Adrian Bell    Sound Mixer
Dave Watkins    Special Effects Supervisor
Gabor Kiszelly    Special Effects Supervisor
Sam Hutchins    Location Manager
Balint Kovacs    Location Manager
Zoltan Palfalvi    Location Manager
Krisztina Szillagyi    Assistant Art Director
Laszlo Szirmai    Assistant Art Director
Gergely Rieger    Assistant Art Director
Alina Papp    Assistant Art Director
Soren Pederson    Storyboard Artist
Theo Park    Casting Associate
Charles Maynes    Sound Effects Editor

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.