Synopsis
When the reclusive Christian takes a job working the night shift at a big box store, his new manager, Bruno from the Beverage Department, teaches him the lay of the land and the delicacy it takes to operate a forklift. Christian becomes enamored by his charming but mysterious co-worker “Sweets Marion”, with whom he begins to share flirtatious break room coffees and conversations. But Marion has secrets of her own and when she suddenly goes on sick leave, Christian is tempted to fall into habits of his dark past.
Metrics
Movie Details
| France Releases: |
August 17th, 2018 (Wide) |
| Video Release: |
September 17th, 2019 by Music Box Films Video |
| MPAA Rating: |
Not Rated |
| Running Time: |
125 minutes |
| Keywords: |
Fired, Romance, Voiceover/Narration, Going Legit, Suicide |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: |
Sommerhaus Filmproduktion, Rotor Film, Departures Film, Zorro Films, MDR, Arte, SWR |
| Production Countries: |
Germany |
| Languages: |
German |
June 20th, 2019
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There were no new releases in the $10,000 club this past weekend. That’s not to say there were no films that reached that mark, but neither of them were new. Paris is Burning is a re-release of a 1991 documentary and it earned $10,839 in its lone theater. Meanwhile, The Last Black Man in San Francisco spent a second weekend in the $10,000 club with an average of $10,581 in 36 theaters.
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June 14th, 2019
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It’s a terrible week for limited releases. Half the films on this week’s list are playing on VOD, while most of the rest have very limited box office chances either due to weak reviews, or because they are foreign-language films. Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese and Plus One are among the two biggest / best releases of the week, but both are playing on VOD, so I don’t think either will find an audience in theaters. In fact, I suspect none of the films on this week’s list will find an audience in theaters.
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Production and Technical Credits
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