Russia (CIS) Box Office for How to be Single (2016)

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How to be Single poster
Theatrical Performance (US$)
Russia (CIS) Box Office $2,321,499Details
Worldwide Box Office $100,003,780Details
Home Market Performance
North America DVD Sales $3,508,173 Details
North America Blu-ray Sales $1,658,218 Details
Total North America Video Sales $5,166,391
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

There’s a right way to be single, a wrong way to be single, and then…there’s Alice. And Robin. Lucy. Meg. Tom. David. New York City is full of lonely hearts seeking the right match, be it a love connection, a hook-up, or something in the middle. And somewhere between the teasing texts and one-night stands, what these unmarrieds all have in common is the need to learn how to be single in a world filled with ever-evolving definitions of love. Sleeping around in the city that never sleeps was never so much fun.

Metrics

Movie Details

Production Budget:$37,000,000
Russia (CIS) Releases: February 11th, 2016 (Wide)
Video Release: May 3rd, 2016 by Warner Home Video
MPAA Rating: R for sexual content and strong language throughout.
(Rating bulletin 2401 (Cert #50108), 11/25/2015)
Running Time: 110 minutes
Keywords: Romance, Set in New York City, Romantic Comedy, Relationships Gone Wrong, Set in New York
Source:Based on Fiction Book/Short Story
Genre:Romantic Comedy
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: New Line Cinema, Metro-Goldwyn-Mayer Pictures, Flower Films, Wrigley Pictures
Production Countries: United States
Languages: English

Home Market Releases for May 24th, 2016

May 24th, 2016

Mustang

There are not a lot of first-run releases on this week's list and none that are contenders for Pick of the Week. That's not to say there are no contenders, but they come from catalog releases, TV on DVD, etc. Buster Keaton: The Shorts Collection 1917-1923 on Blu-ray tops that list. However, I'm going with Mustang on DVD or Blu-ray Combo Pack as the Pick of the Week. The screener arrived late, but it was worth it. More...

Weekend Wrap-Up: Deadpool Cruises to $56.47 million Win

February 23rd, 2016

Deadpool

Deadpool held onto first place with $56.47 million over the weekend, while the best new release, Risen, was well back in third place with $11.80 million. It's not surprising the overall box office fell this weekend when compared to the last weekend. The overall box office fell 41% to $142 million, which is barely more than what Deadpool alone earned last weekend. This was still 19% more than this weekend last year, when Fifty Shades of Grey fell 74%. 2016's year-to-date lead roughly doubled to 3.5% at $1.63 billion to $1.57 billion. More...

Weekend Wrap-Up: Deadpool Assassinates the Competition

February 17th, 2016

Deadpool

Most people thought Deadpool would be a big hit over the weekend. I didn't see a single prediction that said it would be this big. It earned $132.43 million over the three-day weekend, which is more than enough to cover its entire production budget and a healthy chunk of its advertising budget. ... Or at least its initial advertising budget. Needless to say, there is already a sequel in the works. How to be Single had a very solid opening, while Zoolander 2 will need to become a hit on the home market in order to break even. The overall box office rose 150% from last weekend to $239 million over three days. Wow. This weekend last year, Fifty Shades of Grey debuted. Deadpool made almost as much in the four days it was in theaters than Fifty Shades of Grey made in total. It goes without saying that 2016 won the year-over-year comparison. Its 11% difference is impressive. Year-to-date, 2016 has earned $1.44 billion, which is 1.9% more than 2015's running tally at the same stage. More...

Weekend Estimates: Deadpool Smashes February Record with $135m Debut

February 14th, 2016

Deadpool

This weekend last year, Fifty Shades of Grey broke one of the longest-standing records in the business by posting a $85.2 million opening weekend, besting the record for biggest weekend in February that had been held by The Passion of the Christ since 2004. Fifty Shades and, in 2014, The LEGO Movie dispelled the myth that big movies couldn’t open in February, and this year Deadpool is single-handedly making President’s Day weekend look like a Summer holiday weekend with an opening projected by Fox at $135 million for the Friday–Sunday period and $150 million over four days. More...

Friday Estimates: No Grey Zone for Deadpool

February 13th, 2016

Deadpool

Sometimes a movie opens and it takes a while to figure out if it was a financial success or not. Deadpool is not one of those movies. Not only did its previews break a couple of records, it crushed a few more on Friday. Its opening day haul of $47.5 million is a new record for the biggest day in February, topping Fifty Shades of Grey by just over $10 million. It is also the biggest opening day for an R-rated film, topping The Maxtrix Reloaded for that record. It likely won’t have as strong legs as that film, despite its reviews, because the Fanboy Effect is strong with this movie. That said, the film cost just $58 million to make, so unless it cost more than that to advertise, it will break even just on its domestic box office. More...

Thursday Night Previews: Deadpool Has Lively Debut - Updated

February 12th, 2016

Deadpool

Deadpool set two records for biggest February previews and biggest previews for an R-rated film with $12.7 million. ... I think it is safe to assume Deadpool 2 is on its way. The studio was expecting between $60 million and $65 million over the four-day weekend, but studios tend to downplay expectations so they can claim victory, even if the film is a little weaker than anticipated. With the record previews, I think it is safe to say it will top those expectations and even our $75 million prediction seems low. More...

Weekend Predictions: Deadpool Looking for Dead Presidents

February 11th, 2016

Deadpool

It's Valentine's Day weekend and Presidents Day long weekend, so the box office should be very robust, at least compared to last weekend. Deadpool has the best reviews and the best buzz and should have no trouble earning first place at the box office. Zoolander 2 is earning weak reviews, but nostalgia could help during its opening weekend. Finally there's How to be Single, which is a Romantic Comedy. Any romantic film should do well on Valentine's Day, even one earning mixed reviews. This weekend last year, Fifty Shades of Grey came out, which is a movie my mind keeps trying to forget happened. It earned just over $85 million during its opening weekend, but less than that during the rest of its run. Deadpool won't open as fast, but it very likely won't collapse next weekend either. 2016 will lose in the year-over-year comparison in the short run, but perhaps by Monday, the tide will turn. More...

2016 Preview: February

February 1st, 2016

Deadpool

As expected, January was dominated by holdovers with Star Wars: The Force Awakens and The Revenant leading the way. That's not to say there were no new releases that did well, as Ride Along 2 and Kung Fu Panda 3 were hits with moviegoers. Looking forward, there is only one film that looks like a sure hit, Deadpool. There's a slim chance it could be a surprise $200 million hit. There's a much better chance it will be the only $100 million hit. Conversely, last February started with a $100 million hit coming out, The SpongeBob Movie: Sponge Out of Water, while there were two other $100 million movies to come out that month, Fifty Shades of Grey and Kingsman: The Secret Service. Looks like 2016 is going to lose in the year-over-year comparison. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2016/02/12 3 $977,016   838 $1,166   $977,016 1
2016/02/19 7 $325,104 -67% 806 $403   $1,599,844 2
2016/02/26 - $67,389 -79% 240 $281   $1,996,137 3

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 2/11/2016 $172,954 35 35 90 $422,968 12/31/2018
Australia 2/19/2016 $1,945,015 254 270 1463 $7,928,628 6/9/2016
Austria 4/8/2016 $323,349 69 69 138 $643,500 6/9/2016
Belgium 2/10/2016 $349,168 40 40 204 $1,086,235 6/9/2016
Brazil 2/25/2016 $302,467 126 126 261 $603,474 6/9/2016
Bulgaria 2/12/2016 $34,334 35 35 133 $119,219 2/26/2019
Cambodia 3/8/2016 $0 0 3 3 $18,730 12/31/2018
Central America 2/11/2016 $158,848 95 95 181 $318,270 3/15/2016
Chile 2/11/2016 $76,500 25 25 77 $297,974 12/31/2018
Colombia 2/25/2016 $131,023 105 105 184 $294,133 12/31/2018
Croatia 2/11/2016 $58,663 23 23 79 $138,715 12/31/2018
Czech Republic 5/5/2016 $47,045 46 46 126 $212,366 12/31/2018
Denmark 2/11/2016 $220,577 68 68 97 $927,505 6/9/2016
Ecuador 2/19/2016 $45,879 27 27 58 $151,915 12/31/2018
Estonia 2/12/2016 $0 0 11 11 $75,460 6/9/2016
Finland 2/12/2016 $132,325 45 45 200 $568,387 6/9/2016
France 3/2/2016 $1,097,273 187 187 374 $2,443,513 6/9/2016
Germany 4/7/2016 $2,025,444 370 466 836 $4,406,283 6/9/2016
Greece 2/11/2016 $78,075 38 38 62 $167,829 6/9/2016
Hong Kong 2/18/2016 $242,179 33 33 74 $655,422 6/9/2016
Hungary 2/11/2016 $231,687 42 42 294 $791,568 12/31/2018
Iceland 2/12/2016 $0 0 5 5 $47,284 12/31/2018
Iraq 2/18/2016 $4,342 3 3 8 $13,347 12/31/2018
Israel 2/11/2016 $154,914 26 26 148 $658,132 12/31/2018
Italy 2/11/2016 $1,073,274 248 248 500 $2,128,106 6/9/2016
Kenya 2/12/2016 $13,360 15 15 15 $13,360 12/31/2018
Lebanon 2/11/2016 $29,272 5 5 17 $212,407 12/31/2018
Lithuania 2/12/2016 $87,477 250 250 264 $139,100 6/9/2016
Mexico 2/19/2016 $599,730 0 27 27 $1,573,141 9/8/2018
Netherlands 2/11/2016 $581,337 98 98 734 $2,551,644 6/9/2016
New Zealand 2/19/2016 $201,580 72 72 360 $863,458 6/9/2016
North America 2/12/2016 $17,878,911 3,343 3,357 13,088 $46,843,513
Oman 2/18/2016 $2,756 2 2 2 $2,756 12/31/2018
Peru 2/11/2016 $90,281 33 33 68 $218,728 12/31/2018
Philippines 2/11/2016 $215,706 103 103 104 $369,268 12/31/2018
Poland 2/12/2016 $453,078 134 134 134 $453,078 12/31/2018
Portugal 2/11/2016 $130,500 41 41 152 $338,428 6/9/2016
Romania 2/12/2016 $191,081 53 53 53 $191,081 12/31/2018
Russia (CIS) 2/11/2016 $977,016 838 838 1884 $2,321,499 12/31/2018
Serbia and Montenegro 2/11/2016 $0 0 17 34 $49,411 12/31/2018
Singapore 2/18/2016 $292,984 26 29 96 $810,641 6/9/2016
Slovakia 2/11/2016 $94,694 55 55 162 $313,569 6/9/2016
Slovenia 2/11/2016 $25,242 15 15 68 $80,143 6/9/2016
South Africa 2/12/2016 $158,467 73 73 111 $438,988 6/9/2016
Spain 2/12/2016 $629,472 204 208 840 $1,722,977 6/9/2016
Sweden 2/12/2016 $390,813 84 84 323 $1,389,292 6/9/2016
Switzerland 3/2/2016 $70,892 12 56 68 $433,834 6/9/2016
Taiwan 2/8/2016 $779,850 68 73 301 $3,441,656 6/9/2016
Turkey 4/15/2016 $33,524 46 46 96 $114,523 12/31/2018
Ukraine 2/11/2016 $247,526 187 187 446 $487,349 12/31/2018
United Arab Emirates 2/11/2016 $370,166 43 43 97 $863,415 12/31/2018
United Kingdom 2/19/2016 $2,691,536 432 445 2131 $8,598,988 6/9/2016
Uruguay 2/18/2016 $14,257 10 10 23 $39,427 12/31/2018
Venezuela 2/12/2016 $0 0 4 5 $9,143 6/9/2016
 
Worldwide Total$100,003,780 2/26/2019

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Dakota Johnson    Alice
Rebel Wilson    Robin
Alison Brie    Lucy
Leslie Mann    Meg

Supporting Cast

Anders Holm    Tom
Damon Wayans Jr.    David
Nicholas Braun    Josh
Jake Lacy    Ken
Jason Mantzoukas    George
Carla Quevedo    Camille
Colin Jost    Paul
Kay Cannon    Woman Giving Birth
Patrick Boll    Josh's Dad
Brent Morin    Lucy's Date
Mickey Gooch    Robin's Date
Judith Lightfoot Clarke    Josh's Mom
Sarah Ramos    Michelle
Vanessa Rubio    David's Wife
Zani Jones Mbayise    Phoebe
Anna Eilinsfeld    Bachelorette Brittany
Charlotte Kirk    Bachelorette Tiffany
Angela Bellotte    Kati
Kevin Yamada    Alice's Boss
Richie Moriarty    Co-Worker Stan
Paul Laudiero    Co-Worker Law Office
Richard Bumper Walker*    Cafe Waiter
Ali Marsh    Real Estate Broker
Patrick Clark    Cute Guy in Cafe
Diana Oh    Sign In Lady
Eason Rytter    Kid
Ella June Conroy    Little Girl
Katrina Braxton    Nurse
Kate Fahrner    Postpartum Patient
Sipiwe Moyo    Baby Store Customer
Genevieve Adams    Cashier-Baby Store
Julia Mattison    Makeup Sales Lady
Caroline Lowe    Girl Next Door
Murf Meyer    Guy in Underwear
Jonathan Braylock    Cabbie
Dewitt Fleming Jr    Roof Party Guest
Chloe Fontain    Law Party Guest
Dana Fox    Pregnant Bridget
Allan Greenberg    Bill
Roy Koshy    Banker
Anthony Triolo    Banker
Tony Cheng    Banker

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Christian Ditter    Director
Abby Kohn    Screenplay and Screen Story by
Marc Silverstein    Screenplay and Screen Story by
Dana Fox    Screenwriter
John Rickard    Producer
Dana Fox    Producer
Marcus Viscidi    Executive Producer
Nancy Juvonen    Executive Producer
Drew Barrymore    Executive Producer
Richard Brener    Executive Producer
Michael Disco    Executive Producer
Dave Neustadter    Executive Producer
Michele Weiss    Executive Producer
Liz Tuccillo    Based on the book by
Christian Rein    Director of Photography
Steve Saklad    Production Designer
Tia Nolan    Editor
Avy Kaufman    Casting Director
Leah Katznelson    Costume Designer
Fil Eisler    Composer
Season Kent    Music Supervisor
Erica Kay    Unit Production Manager
Stephen X. Apicella    Assistant Director
Matt Power    Second Assistant Director
Katie Silberman    Co-Producer
Chris Shriver    Art Director
Chryss Hionis    Set Decorator
Danny Michael    Sound Mixer
Stefan Mentz    Associate Producer
Rebecca Breckel    Script Supervisor
Nuria Sitja    Make up
Kerrie Smith    Hairstylist
Joseph Bonn    Music Editor
Rick Derby    Assistant Editor
Sharon Perlman    Assistant Editor
Ron Eng    Supervising Sound Editor
Kevin O'Connell    Re-recording Mixer
Gregg Landaker    Re-recording Mixer
Paul Carden    Dialogue Editor
Bernard Weiser    Sound Effects Editor
Darren Barnett    Foley Mixer
James Ashwill    Foley Mixer
Fred Buchholz    Special Effects Coordinator
Chris Jordan    Special Effects
Jon Goracy    Additional Casting-Casting Associate
Barbara McNamara    Additional Casting-Extras Casting
Bruce Jones    Visual Effects Supervisor
Dan Levitan    Visual Effects Supervisor

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.