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| Theatrical Performance (US$) | ||
| Portugal Box Office | $3,839 | Details |
| Worldwide Box Office | $3,597,152 | Details |
| Further financial details... | ||
| Portugal Releases: | September 20th, 2019 (Wide) |
| MPAA Rating: | Not Rated |
| Running Time: | 145 minutes |
| Franchise: | Housefull |
| Source: | Original Screenplay |
| Genre: | Romantic Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Fox Star Studios, Nadiadwala Grandson Entertainment |
| Production Countries: | India |
| Languages: | Hindi |
November 14th, 2019
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Honey Boy easily led the way on the theater average chart earning just over $300,000 in four theaters for an average of $75,266. Jay and Silent Bob Reboot was way back with an average of $15,613 in 15 theaters during its fourth week of release. Granted, it is a road show with greatly inflated ticket prices, but it also has very limited showings, so this is a fantastic run. The final film in the $10,000 club was Better Days with an opening weekend of nearly $1 million in 70 theaters for an average of $14,136.
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November 7th, 2019
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It appears Netflix will not be reporting box office numbers for The Irishman. We’ve seen reports by third parties that the film earned $350,000 in eight theaters for an opening weekend average of $43,750. The only confirmed member of the $10,000 club was Jay and Silent Bob Reboot, which earned an average of $15,097 in 15 theaters. However, it is a roadshow tour and ticket prices for some shows are greatly inflated. This is still an impressive number, but don’t expect it to expand truly wide.
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October 31st, 2019
There was only one new release in the $10,000 club, No Safe Spaces, which earned $45,548 in its lone theater. While this is a great start, its reviews suggest it won’t stick around long, as the film is preaching to the choir. Jojo Rabbit expanded from five to 55 theaters, but still managed an impressive average of $18,983. Parasite was next with an average $14,158 in 129 theaters during its third weekend of release. Jay and Silent Bob Reboot expanded to 17 theaters, and earned an average of $12,774. It will likely continue to expand, as a lot of shows on its road tour were sold out weeks in advance.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2019/10/25 | 30 | $1,448 | 1 | $1,448 | $1,448 | 6 | |
| 2019/11/01 | 31 | $1,366 | -6% | 2 | $683 | $3,839 | 7 |
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 10/25/2019 | $201,317 | 54 | 54 | 141 | $528,458 | 12/3/2019 |
| Italy | 10/25/2019 | $7,657 | 18 | 18 | 18 | $7,657 | 11/2/2019 |
| New Zealand | 10/25/2019 | $84,534 | 25 | 25 | 87 | $438,906 | 10/19/2022 |
| North America | 10/25/2019 | $904,808 | 315 | 315 | 740 | $2,109,160 | |
| Portugal | 9/20/2019 | $0 | 0 | 2 | 3 | $3,839 | 11/5/2019 |
| United Kingdom | 10/25/2019 | $301,387 | 104 | 104 | 104 | $301,387 | 10/30/2019 |
| Rest of World | $207,745 | ||||||
| Worldwide Total | $3,597,152 | 10/19/2022 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
| Akshay Kumar | Bala/Harry | |
| Riteish Deshmukh | Bangdu Maharaj/Roy | |
| Bobby Deol | Dharamputra/Max | |
| Kriti Sanon | Rajkumari Madhu/Kriti | |
| Pooja Hegde | Rajkumari Mala/Pooja | |
| Kriti Kharbanda | Rajkumari Meena/Neha |
| Chunky Pandey | Pehla Pasta/Akhri Pasta | |
| Rana Daggubati | Raja Gama/Pappu Rangeela | |
| Boman Irani | Batuk Patel |
| Amanda Rosario | Herself |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
| Farhad Samji | Director | |
| Farhad Samji | Screenwriter | |
| Aakash Kaushik | Screenwriter | |
| Madhu Sharma | Screenwriter | |
| Tushar Hiranandani | Screenwriter | |
| Sparsh Khetarpal | Screenwriter | |
| Tasha Bhambra | Screenwriter | |
| Sara Bodinar | Story by | |
| Sajid Nadiadwala | Story by | |
| Rameshwar S. Bhagat | Editor |
