| Theatrical Performance (US$) | ||
| Australia Box Office | $35,098 | Details |
| Worldwide Box Office | $57,347 | Details |
| Further financial details... | ||
| Australia Releases: | July 17th, 2020 (Wide), released as House Of Cardin July 30th, 2020 (Limited) |
| Running Time: | 95 minutes |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Ebersole Hughes Company |
| Production Countries: | France, United States |
| Languages: | English, French, Italian, Japanese |
August 28th, 2020
-1-News.jpg)
It is a poor week generally for limited releases, with only a couple earning any real buzz: The Courier and Fatima. With actual wide releases this week, the competition is much greater than it’s been for months, which makes conditions challenging for these releases, to say the least. On the bright side, while things are still tough, this week sees a more typical mix of independent and genre films than we’ve seen recently. Here’s a rundown of the films that are doing their bit to help move the theatrical market back towards nomalcy.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2020/07/17 | - | $1,034 | 8 | $129 | $2,070 | 1 | |
| 2020/07/24 | - | $6,241 | +504% | 14 | $446 | $8,341 | 2 |
| 2020/07/31 | - | $3,878 | -38% | 17 | $228 | $15,110 | 3 |
| 2020/08/07 | - | $2,903 | -25% | 10 | $290 | $21,171 | 4 |
| 2020/08/14 | - | $1,305 | -55% | 7 | $186 | $24,123 | 5 |
| 2020/08/21 | - | $1,302 | n/c | 5 | $260 | $26,967 | 6 |
| 2020/09/11 | - | $984 | 2 | $492 | $30,096 | 9 | |
| 2020/10/09 | - | $284 | 1 | $284 | $31,234 | 13 | |
| 2020/11/13 | - | $225 | 1 | $225 | $31,858 | 18 | |
| 2020/11/20 | - | $83 | -63% | 1 | $83 | $32,562 | 19 |
| 2020/12/04 | - | $58 | 1 | $58 | $33,438 | 21 | |
| 2021/02/26 | - | $27 | 1 | $27 | $34,732 | 33 | |
| 2021/03/05 | - | $94 | +248% | 1 | $94 | $34,578 | 34 |
| 2021/03/12 | - | $60 | -36% | 1 | $60 | $35,140 | 35 |
| 2021/03/19 | - | $60 | n/c | 1 | $60 | $35,098 | 36 |
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 7/30/2020 | $1,034 | 8 | 17 | 71 | $35,098 | 10/19/2022 |
| Lithuania | 10/29/2021 | $0 | 0 | 4 | 8 | $3,552 | 1/12/2022 |
| New Zealand | 7/30/2020 | $744 | 5 | 18 | 87 | $18,697 | 11/28/2022 |
| North America | 8/28/2020 | $0 | 0 | 0 | 0 | $0 | |
| Worldwide Total | $57,347 | 11/28/2022 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
| P. David Ebersole | Director | |
| Todd Hughes | Director | |
| P. David Ebersole | Producer | |
| Todd Hughes | Producer | |
| Cori Coppola | Producer | |
| Margret Raven | Executive Producer | |
| Matthew Gonders | Executive Producer | |
| Mel Mel Sukekawa-Mooring | Editor | |
| Brad Comfort | Editor | |
| James Peter Moffatt | Composer |
