The House (2017)

The House
Theatrical Performance
Domestic Box Office $25,584,504Details
International Box Office $5,607,921Details
Worldwide Box Office $31,192,425
Home Market Performance
Est. Domestic DVD Sales $893,698 Details
Est. Domestic Blu-ray Sales $1,490,298 Details
Total Est. Domestic Video Sales $2,383,996
Further financial details...

Synopsis

When Scott and Kate Johansen’s daughter gets into the college of her dreams it’s cause for celebration. That is, until Scott and Kate learn that the scholarship they were counting on didn’t come through, and they’re now on the hook for tuition they can’t begin to afford. With the help of their friend and neighbor Frank—also in need of a major payday—they decide to open an illegal casino in his suburban house, risking everything together on a Vegas-style bacchanal where money flows, inhibitions are checked at the door, and all bets are off.

Metrics

Opening Weekend:$8,724,795 (34.1% of total gross)
Legs:2.93 (domestic box office/biggest weekend)
Domestic Share:82.0% (domestic box office/worldwide)
Production Budget:$40,000,000 (worldwide box office is 0.8 times production budget)
Theater counts:3,134 opening theaters/3,134 max. theaters, 2.9 weeks average run per theater
Infl. Adj. Dom. BO $30,747,039

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 3,301-3,400) 3,319 $25,584,504
All Time International Box Office (Rank 6,201-6,300) 6,297 $5,607,921
All Time Worldwide Box Office (Rank 4,201-4,300) 4,283 $31,192,425
All Time Domestic Box Office for Comedy Movies (Rank 601-700) 666 $25,584,504
All Time International Box Office for Comedy Movies (Rank 1,001-1,100) 1,076 $5,607,921
All Time Worldwide Box Office for Comedy Movies (Rank 701-800) 774 $31,192,425
All Time Domestic Box Office for R Movies (Rank 1,101-1,200) 1,121 $25,584,504
All Time International Box Office for R Movies (Rank 1,501-1,600) 1,584 $5,607,921
All Time Worldwide Box Office for R Movies (Rank 1,301-1,400) 1,324 $31,192,425

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Watch Now On

Amazon VOD:Amazon VOD, Amazon VOD
iTunes:iTunes
Google Play:Google Play
Vudu:Vudu, Vudu

Movie Details

Domestic Releases: June 30th, 2017 (Wide) by Warner Bros.
International Releases: June 30th, 2017 (Wide) (Australia)
June 30th, 2017 (Wide), released as Операция Казино (Bulgaria)
June 30th, 2017 (Wide) (New Zealand)
June 30th, 2017 (Wide) (Slovakia)
June 30th, 2017 (Wide) (United Kingdom)
... Show all releases
Video Release: September 26th, 2017 by Warner Home Video
MPAA Rating: R for language throughout, sexual references, drug use, some violence and brief nudity.
(Rating bulletin 2461 (Cert #50881), 2/1/2017)
Running Time: 88 minutes
Comparisons: vs. Rough Night
Create your own comparison chart…
Keywords: Gambling, Dysfunctional Family, Narcotics, Money Troubles, Farcical / Slapstick Comedy, Government Corruption, Organized Crime
Source:Original Screenplay
Genre:Comedy
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: New Line Cinema, Gary Sanchez Productions, Good Universe, Village Roadshow Productions, RatPac Entertainment, Dune Entertainment
Production Countries: United States
Languages: English

Ranking on other Records and Milestones

RecordRankAmountChart
Date		Days In
Release
Independence Day (All Movies, 3-Day, Inflation Adjusted) 363 $5,940,392 Jul 7, 2017 10

Compare this performance with other movies…

Domestic Cumulative Box Office Records

RecordRankRevenue
All Time Domestic Box Office (Rank 3,301-3,400) 3,319 $25,584,504
All Time Domestic Inflation Adjusted Box Office (Rank 4,101-4,200) 4,189 $30,747,039
All Time Domestic Non-Sequel Box Office (Rank 2,701-2,800) 2,717 $25,584,504
Top 2017 Movies at the Domestic Box Office 91 $25,584,504
All Time Domestic Box Office for Original Screenplay Movies (Rank 1,601-1,700) 1,633 $25,584,504
All Time Domestic Box Office for Live Action Movies (Rank 2,801-2,900) 2,882 $25,584,504
All Time Domestic Box Office for Contemporary Fiction Movies (Rank 1,701-1,800) 1,725 $25,584,504
All Time Domestic Box Office for Comedy Movies (Rank 601-700) 666 $25,584,504
All Time Domestic Box Office for R Movies (Rank 1,101-1,200) 1,121 $25,584,504
All Time Domestic Box Office for Warner Bros. Movies (Rank 501-600) 516 $25,584,504

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Jun 30, 2017 6 $8,724,795   3,134 $2,784   $8,724,795 1
Jul 7, 2017 7 $4,778,272 -45% 3,134 $1,525   $18,593,950 2
Jul 14, 2017 10 $1,732,777 -64% 1,633 $1,061   $23,067,335 3
Jul 21, 2017 15 $430,021 -75% 453 $949   $24,456,269 4
Jul 28, 2017 24 $193,334 -55% 225 $859   $24,908,762 5
Aug 4, 2017 33 $97,859 -49% 124 $789   $25,129,761 6
Aug 11, 2017 33 $130,071 +33% 148 $879   $25,319,339 7
Aug 18, 2017 37 $88,313 -32% 138 $640   $25,469,904 8
Aug 25, 2017 46 $47,153 -47% 95 $496   $25,563,273 9

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Jun 29, 2017 P $800,000     0     $800,000  
Jun 30, 2017 5 $3,353,026     3,134 $1,070   $3,353,026 1
Jul 1, 2017 6 $2,945,371 -12%   3,134 $940   $6,298,397 2
Jul 2, 2017 6 $2,426,398 -18%   3,134 $774   $8,724,795 3
Jul 3, 2017 6 $1,668,229 -31%   3,134 $532   $10,393,024 4
Jul 4, 2017 6 $1,512,056 -9%   3,134 $482   $11,905,080 5
Jul 5, 2017 6 $983,421 -35%   3,134 $314   $12,888,501 6
Jul 6, 2017 6 $927,177 -6%   3,134 $296   $13,815,678 7
Jul 7, 2017 7 $1,525,012 +64% -55% 3,134 $487   $15,340,690 8
Jul 8, 2017 7 $1,914,774 +26% -35% 3,134 $611   $17,255,464 9
Jul 9, 2017 7 $1,338,486 -30% -45% 3,134 $427   $18,593,950 10
Jul 10, 2017 7 $640,377 -52% -62% 3,134 $204   $19,234,327 11
Jul 11, 2017 7 $922,142 +44% -39% 3,134 $294   $20,156,469 12
Jul 12, 2017 7 $673,194 -27% -32% 3,134 $215   $20,829,663 13
Jul 13, 2017 7 $504,895 -25% -46% 3,134 $161   $21,334,558 14
Jul 14, 2017 10 $562,274 +11% -63% 1,633 $344   $21,896,832 15
Jul 15, 2017 9 $707,382 +26% -63% 1,633 $433   $22,604,214 16
Jul 16, 2017 9 $463,121 -35% -65% 1,633 $284   $23,067,335 17
Jul 17, 2017 9 $246,773 -47% -61% 1,633 $151   $23,314,108 18
Jul 18, 2017 9 $333,655 +35% -64% 1,633 $204   $23,647,763 19
Jul 19, 2017 9 $247,267 -26% -63% 1,633 $151   $23,895,030 20
Jul 20, 2017 9 $131,218 -47% -74% 1,633 $80   $24,026,248 21
Jul 21, 2017 14 $133,451 +2% -76% 453 $295   $24,159,699 22
Jul 22, 2017 13 $183,772 +38% -74% 453 $406   $24,343,471 23
Jul 23, 2017 14 $112,798 -39% -76% 453 $249   $24,456,269 24
Jul 24, 2017 14 $64,521 -43% -74% 453 $142   $24,520,790 25
Jul 25, 2017 13 $81,942 +27% -75% 453 $181   $24,602,732 26
Jul 26, 2017 13 $61,456 -25% -75% 453 $136   $24,664,188 27
Jul 27, 2017 14 $51,240 -17% -61% 453 $113   $24,715,428 28
Jul 28, 2017 - $62,137 +21% -53% 225 $276   $24,777,565 29
Jul 29, 2017 - $82,422 +33% -55% 225 $366   $24,859,987 30
Jul 30, 2017 - $48,775 -41% -57% 225 $217   $24,908,762 31
Jul 31, 2017 - $30,140 -38% -53% 225 $134   $24,938,902 32
Aug 1, 2017 - $38,880 +29% -53% 225 $173   $24,977,782 33
Aug 2, 2017 - $31,104 -20% -49% 225 $138   $25,008,886 34
Aug 3, 2017 - $23,016 -26% -55% 225 $102   $25,031,902 35
Aug 4, 2017 - $27,867 +21% -55% 124 $225   $25,059,769 36
Aug 5, 2017 - $38,914 +40% -53% 124 $314   $25,098,683 37
Aug 6, 2017 - $31,078 -20% -36% 124 $251   $25,129,761 38
Aug 7, 2017 - $17,824 -43% -41% 124 $144   $25,147,585 39
Aug 8, 2017 - $17,645 -1% -55% 124 $142   $25,165,230 40
Aug 9, 2017 - $13,763 -22% -56% 124 $111   $25,178,993 41
Aug 10, 2017 - $10,275 -25% -55% 124 $83   $25,189,268 42
Aug 11, 2017 - $40,163 +291% +44% 148 $271   $25,229,431 43
Aug 12, 2017 - $57,284 +43% +47% 148 $387   $25,286,715 44
Aug 13, 2017 - $32,624 -43% +5% 148 $220   $25,319,339 45
Aug 14, 2017 - $15,659 -52% -12% 148 $106   $25,334,998 46
Aug 15, 2017 - $18,007 +15% +2% 148 $122   $25,353,005 47
Aug 16, 2017 - $15,125 -16% +10% 148 $102   $25,368,130 48
Aug 17, 2017 - $13,461 -11% +31% 148 $91   $25,381,591 49
Aug 18, 2017 - $26,117 +94% -35% 138 $189   $25,407,708 50
Aug 19, 2017 - $37,461 +43% -35% 138 $271   $25,445,169 51
Aug 20, 2017 - $24,735 -34% -24% 138 $179   $25,469,904 52
Aug 21, 2017 - $11,625 -53% -26% 138 $84   $25,481,529 53
Aug 22, 2017 - $12,671 +9% -30% 138 $92   $25,494,200 54
Aug 23, 2017 - $10,390 -18% -31% 138 $75   $25,504,590 55
Aug 24, 2017 - $11,530 +11% -14% 138 $84   $25,516,120 56
Aug 25, 2017 - $14,827 +29% -43% 95 $156   $25,530,947 57
Aug 26, 2017 - $17,792 +20% -53% 95 $187   $25,548,739 58
Aug 27, 2017 - $14,534 -18% -41% 95 $153   $25,563,273 59
Aug 28, 2017 - $4,986 -66% -57% 95 $52   $25,568,259 60
Aug 29, 2017 - $5,882 +18% -54% 95 $62   $25,574,141 61
Aug 30, 2017 - $5,176 -12% -50% 95 $54   $25,579,317 62
Aug 31, 2017 - $5,187 n/c -55% 95 $55   $25,584,504 63

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Jun 30, 2017 6 $13,815,678   3,134 $4,408   $13,815,678 1
Jul 7, 2017 7 $7,518,880 -46% 3,134 $2,399   $21,334,558 2
Jul 14, 2017 10 $2,691,690 -64% 1,633 $1,648   $24,026,248 3
Jul 21, 2017 14 $689,180 -74% 453 $1,521   $24,715,428 4
Jul 28, 2017 23 $316,474 -54% 225 $1,407   $25,031,902 5
Aug 4, 2017 32 $157,366 -50% 124 $1,269   $25,189,268 6
Aug 11, 2017 33 $192,323 +22% 148 $1,299   $25,381,591 7
Aug 18, 2017 36 $134,529 -30% 138 $975   $25,516,120 8
Aug 25, 2017 45 $68,384 -49% 95 $720   $25,584,504 9

Box Office Summary Per Territory

Territory Release
Date		 Opening
Weekend		 Opening
Weekend
Screens		 Maximum
Screens		 Theatrical
Engagements		 Total
Box Office		 Report
Date
Australia 6/30/2017 $1,252,137 225 228 915 $3,467,437 8/10/2017
Bulgaria 6/30/2017 $11,952 0 0 0 $41,892 2/26/2019
New Zealand 6/30/2017 $113,885 60 60 172 $292,698 7/17/2017
Slovakia 6/30/2017 $24,180 53 53 86 $49,485 7/21/2017
United Kingdom 6/30/2017 $633,583 407 407 868 $1,424,721 7/19/2017
 
Rest of World $331,688
 
International Total$5,607,921 2/26/2019

International Cumulative Box Office Records

RecordRankRevenue
All Time International Box Office (Rank 6,201-6,300) 6,297 $5,607,921
All Time International Non-Sequel Box Office (Rank 5,401-5,500) 5,442 $5,607,921
All Time International Box Office for Original Screenplay Movies (Rank 3,301-3,400) 3,316 $5,607,921
All Time International Box Office for Live Action Movies (Rank 5,201-5,300) 5,238 $5,607,921
All Time International Box Office for Contemporary Fiction Movies (Rank 3,201-3,300) 3,222 $5,607,921
All Time International Box Office for Comedy Movies (Rank 1,001-1,100) 1,076 $5,607,921
All Time International Box Office for R Movies (Rank 1,501-1,600) 1,584 $5,607,921
All Time International Box Office for Warner Bros. Movies (Rank 401-500) 452 $5,607,921

Worldwide Cumulative Box Office Records

RecordRankRevenue
All Time Worldwide Box Office (Rank 4,201-4,300) 4,283 $31,192,425
All Time Worldwide Non-Sequel Box Office (Rank 3,501-3,600) 3,547 $31,192,425
Top 2017 Movies at the Worldwide Box Office (Rank 101-200) 166 $31,192,425
All Time Worldwide Box Office for Original Screenplay Movies (Rank 2,101-2,200) 2,162 $31,192,425
All Time Worldwide Box Office for Live Action Movies (Rank 3,601-3,700) 3,683 $31,192,425
All Time Worldwide Box Office for Contemporary Fiction Movies (Rank 2,201-2,300) 2,210 $31,192,425
All Time Worldwide Box Office for Comedy Movies (Rank 701-800) 774 $31,192,425
All Time Worldwide Box Office for R Movies (Rank 1,301-1,400) 1,324 $31,192,425
All Time Worldwide Box Office for Warner Bros. Movies (Rank 501-600) 525 $31,192,425

Weekly US DVD Sales

DateRankUnits
this
Week		% ChangeTotal
Units		Spending
this
Week		Total
Spending		Weeks
in
Release
Oct 15, 2017734,469 34,469$275,063$275,0633
Oct 22, 20171512,168-65% 46,637$97,101$372,1644

Weekly US Blu-ray Sales

DateRankUnits
this
Week		% ChangeTotal
Units		Spending
this
Week		Total
Spending		Weeks
in
Release
Oct 15, 2017627,571 27,571$633,865$633,8653
Oct 22, 2017207,673-72% 35,244$174,188$808,0534

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Will Ferrell    Scott Johansen
Amy Poehler    Kate Johansen

Supporting Cast

Jason Mantzoukas    Frank
Nick Kroll    Bob
Jeremy Renner    Tommy
Ryan Simpkins    Alex Johansen
Allison Tolman    Dawn
Rob Huebel    Gambler
Christina Andrea Offley    Davida
Jessie Ennis    Rachel
Rory Scovel    Joe
Lennon Parham    Martha
Cedric Yarbrough    Reggie
Kyle Kinane    Garvey
Michaela Watkins    Raina
Gillian Vigman    Becky
Steve Zissis    Carl Shackler
Alexandra Daddario    Corsica
Andy Buckley    Craig
Wayne Federman    Chip Dave
Ian Roberts    Driver at College Campus
Sam Richardson    Marty
Joe Rowley    Waiter
Jessica St. Clair    Wall Street Guy-Reba
Andrea Savage    Laura
Linda Porter    Old Lady
Ben S. Harris    Shoe Salesman
Sean Patrick Murphy    Sparky
Randall Park    Wall Street Guy-Buckler
Sebastian Maniscalco    Stand-up Comic
Kathleen Meyer    Stripper
Tiffany Tynes    Stripper
Bruna Rubio    Stripper
Natasha Key    Stripper
Javier Del Prado    Craps Dealer

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Andrew J. Cohen*    Director
Nathan Kahane    Producer
Joe Drake    Producer
Brendan O'Brien    Producer
Andrew Jay Cohen    Producer
Jessica Elbaum    Producer
Will Ferrell    Producer
Adam McKay    Producer
Brendan O'Brien    Screenwriter
Andrew Jay Cohen    Screenwriter
Marc S. Fischer    Executive Producer
Chris Henchy    Executive Producer
Spencer Wong    Executive Producer
Toby Emmerich    Executive Producer
Richard Brener    Executive Producer
Michael Disco    Executive Producer
Bruce Berman    Executive Producer
Steven Mnuchin    Executive Producer
Jas Shelton    Director of Photography
Clayton Hartley    Production Designer
Evan Henke    Editor
Mike Sale    Editor
Manish Raval    Music Supervisor
Tom Wolfe    Music Supervisor
Andrew Feltenstein    Composer
John Nau    Composer
Allison Jones    Casting Director
Christopher Oroza    Costume Designer
Marc S. Fischer    Unit Production Manager
Jonathan McGarry    First Assistant Director
Paul Schmitz    Second Assistant Director
Allison Furgal    Production Supervisor
Elliott Glick    Art Director
Lauri Gaffin    Set Decorator
Steve Morantz    Sound Mixer
Frank Salvino    Post-Production Supervisor
Andrey Ragozin    First Assistant Editor
David Raymond    First Assistant Editor
Fernand Bos    Music Editor
Michael J. Benavente    Supervising Sound Editor
Elliott L. Koretz    Supervising Sound Editor
Anna Behlmer    Re-recording Mixer
Terry Porter    Re-recording Mixer
Susan Dudeck    Dialogue Editor
Alison Fisher    Dialogue Editor
Eliza Pollock Zebert*    Dialogue Editor
Christopher T. Welch    Dialogue Editor
Danny Pagan*    Sound Effects Editor
Bruce Barris    Sound Effects Editor
Adam Kopald    Sound Effects Editor
Bill R. Dean    Sound Effects Editor
Eric Norris    Sound Effects Editor
Randy Wilson    Foley Mixer
Ron Mellegers    Foley Mixer
Bruce Jones    Second Unit Director
Ralph Meyer    Location Manager
Gail Bradley    Script Supervisor
Danielle Baker    Costume Supervisor
Autumn Butler    Make up
Elizabeth Hoel-Chang    Make up
Lori McCoy-Bell    Hairstylist
Theodora Katsoulogiannakis    Hairstylist
Bruce Jones    Visual Effects Supervisor
Ben Harris    Casting Associate
Emily Bruntyn    Casting Assistant
Doug Trantow    Score Recordist
Doug Trantow    Score Mixer
Adrea Lavezzoli    Score Coordinator

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Home Market Releases for October 10th, 2017

October 10th, 2017

Maudie

It’s a good week for the home market with top notch releases in nearly every category. Baby Driver is the biggest first run release of the week and one of the best releases. The Lure is a foreign-language film and one of two Criterion Collection releases in competition for Pick of the Week. Maudie is a Canadian limited release that did surprisingly well in theaters. Finally there’s Othello, which first came out more than 60 years ago. The only thing we are missing is a TV on DVD title. As for the winner, I’m giving Pick of the Week to, Othello, while Maudie wins Puck of the Week for Best Canadian Release. More...

Home Market Releases for September 26th, 2017

September 27th, 2017

HYOUKA: Part Two

Transformers: The Last Knight is the biggest release of the week and it has scared away a lot of the competition, but it’s garbage and should be avoided. There are no big releases that are pick of the week contenders, but some smaller ones fit the bill, including David Lynch: The Art Life: The Criterion Collection, HYOUKA: Part Two, and Shameless: The Complete Seventh Season. All are amazing and worth checking out, but none have many extras, so it is up to the role of the dice to determine the Pick of the Week. ... And it’s HYOUKA. More...

Weekend Estimates: Annabelle to the Rescue

August 13th, 2017

Annabelle: Creation

After a series of lackluster weekends at the box office, Annabelle: Creation is doing its bit to clear away the end-of-Summertime blues with a $35 million opening this weekend. That’s right in line with the $37 million Annabelle opened with three years ago, which is an impressive performance for a horror franchise. It’s also the best opening for a horror movie since Split’s $40 million start back in January. The first film in the franchise fell away quite rapidly, and ended up with $84 million in total, so a final total of over $100 million is far from assured, but with a production budget of only $15 million, and probably not much more than $20 million in marketing, this should be a highly profitable movie for Warner Bros., especially since the franchise is popular globally. More...

Weekend Wrap-Up: Spider-Man has Wondrous $117.03 million Opening

July 11th, 2017

Spider-Man: Homecoming

The weekend box office chart held few surprises. Every film in the top five was close to our predictions, while the top two films were a little stronger. This includes Spider-Man: Homecoming, which pulled in $117.03 million during its opening weekend, making it the second fastest debut of the summer. (Only Guardians of the Galaxy Vol 2 is ahead of it in that regard.) Despicable Me 3 held on better than most films this summer and will become a monster hit thanks to its international numbers. Overall, the box office rose by 22% from last weekend hitting $206 million. Unfortunately, this is still 5.1% lower than the same weekend last year. Before the summer began, 2017 had a $200 million lead over 2006. That lead is now down to just $13 million at $5.95 billion to $5.94 billion. This lead could be completely gone by the weekend. More...

Weekend Wrap-Up: Is Despicable Becoming Disposable after $72.43 million Opening?

July 5th, 2017

Despicable Me 3

The weekend box office chart was as predicted, at least in terms of the order. Most of the new releases / top five had weaker openings / sharper declines. Despicable Me 3 still led the way, but with a more subdued $72.43 million. Baby Driver is hoping to earn that much in total after a $20.55 million / $29.58 million opening. This is almost as much as it cost to make. The House, on the other hand, was DOA with just $8.72 million. On the positive side, Monday and Tuesday were much stronger than usual, so rather than looking at the weekend box office and saying it is weaker than anticipated, we could instead say the weekend box office was stretched out over five days. Overall, the box office grew 20% from last week to $169 million. This is down 11% from the same weekend last year, but again, one could argue this is due to a misalignment in the Independence Day holiday. Year-to-date, 2017 is still ahead of 2016, but the lead shrank to under $30 million at $5.64 billion to $5.61 billion. More...

Revised Weekend Estimates: Despicable Shrinks to $72.41 million

July 3rd, 2017

Despicable Me 3

The combination of Canada Day and Independence Day has resulted in some studios not releasing the weekend final numbers today. Some are releasing final numbers, some have updated Sunday’s estimates, while others are just waiting until Wednesday for final results. Despicable Me 3 is in the middle category, as Universal revised its estimate downwards to $72.41 million. This is still a great opening, but it is also a troubling trajectory, as it has fallen a lot from Friday’s Estimates, when it looked like it was going to hit $83 million. Granted, this is still the sixth-biggest opening of the year, so Universal has reason to celebrate, but its internal multiplier suggests short legs for a family film. I think this is a case of franchise fatigue, as its reviews were good, even if they were not as good as the previous Despicable Me films. More...

Weekend Estimates: Despicable Me’s Solid $75 Million Starts July 4 Holiday Week

July 2nd, 2017

Despicable Me 3

With July 4 falling on a Tuesday this year, this is less a holiday weekend, and more the beginning of a holiday week, and it’s bookended by new releases from two of the industry’s most reliable franchises. Despicable Me 3 starts off festivities this weekend with a solid-but-unspectacular $75.4 million from a record-setting 4,529 theaters. Breaking The Twilight Saga: Eclipse’s record for widest opening weekend of all time is no small feat for Universal, but it’s an ominous sign for the franchise that the only film to open in close to this number of theaters and pull in similar numbers at the box office was Shrek Forever After, which opened with $70.8 million in 4,359 theaters back in 2010. That was the last Shrek movie, and this might be a good time for Gru to call it a day. More...

Friday Estimates: Despicable Me 3’s $29.2 million Debut is Top Animated Day of the Year

July 1st, 2017

Despicable Me 3

As expected, Despicable Me 3 earned first place at the box office on Friday with $29.2 million. This is the best single day for an animated film this year. To emphasize, this isn’t just the best opening day, but the best single day, and it should top that on Saturday. The previous record was $23.00 million, earned by The Lego Batman Movie. This film’s reviews are not as good as The Lego Batman Movie’s reviews are (they both earned A minuses from CinemaScore) so it won’t have the same legs. That said, an $83 million opening is still a great start and roughly on par with Despicable Me 2. More...

Thursday Night Previews: Despicable Me 3 Finds $4.1 million During Previews

June 30th, 2017

Despicable Me 3

Despicable Me 3 earned $4.1 million during previews last night, which is both good and bad. It is the best previews for an animated film this year, topping the $2.8 million Cars 3 earned earlier this month. However, it is weaker than the $4.7 million Despicable Me 2 earned and that film was a Wednesday release, so that would have depressed its previews even more, which makes this comparison even worse for Despicable Me 3. The Secret Life of Pets opened on a Friday and earned $5.3 million during its previews. If we use that film as a gauge, then Despicable Me 3 will earn $81 million over the weekend. Despicable Me 3 has earned weaker reviews than those The Secret Life of Pets earned, while it is also a sequel, which tends to hurt legs. We predicted $82 million, but that might be a little optimistic now. It should come close, on the other hand. More...

Weekend Predictions: Can Despicable have a Picable Opening?

June 29th, 2017

Despicable Me 3

Despicable Me 3 should dominate the box office this weekend, which is good news, because the last few weeks have been underwhelming. In fact, we haven’t had a monster hit since Wonder Woman started the month off with a bang. The House is an R-rated comedy, but since the last such film to come out bombed, I’m a little worried about its chances. Baby Driver opened on Wednesday and its early numbers are promising. It won’t be a $100 million hit, but it should earn a solid profit for Sony. This weekend last year, there were no monster hits at the box office, but there was solid depth. This weekend, we should be much stronger on top, while the depth won’t be that much weaker, leading to 2017 ending its mini-losing streak. More...

Contest: Me Me Me

June 23rd, 2017

Despicable Me 3

Despicable Me 3 is going to win next weekend’s box office race. There’s no doubt about that. In fact, it will make more than Baby Driver and The House will make combined. Because of this, it is the only real choice for the target film in this week’s box office prediction contest. In order to win, one must simply predict the opening three-day weekend box office number for Despicable Me 3.

Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a Frankenprise consisting of their choice of either one TV on DVD release, two movies, or a kids package (could be a theatrical release, a couple of single-disc TV on DVD releases, or a full season TV on DVD release). Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will also win a Frankenprize, as described above. Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will win the final Frankenprize, as described above.

Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay! More...

2017 Preview: June

June 1st, 2017

Despicable Me 3

May was a really soft month with only one unqualified hit, Guardians of the Galaxy, Vol. 2, which is climbing towards $375 million domestically. The second biggest hit of the month will be Pirates of the Caribbean: Dead Men Tell No Tales and I would be surprised if it tops $150 million by any serious margin. June looks a lot more profitable. There are five weeks and every week there is at least one film with a great shot at $100 million or more. In fact, there are four films with at least a decent shot at $200 million and we could double the number of $300 million hits released so far this year. Wonder Woman is widely expected to start the month with an explosive debut and pulling in more than $100 million during its opening weekend is more and more likely. That said, Despicable Me 3 will probably end up being the biggest hit overall with over $300 million. Meanwhile, Cars 3 and Transformers: The Last Knight are both aiming for $200 million. Last June was not particularly strong, outside of one hit. Finding Dory earned nearly $500 million domestically, while the second best film, Central Intelligence, barely earned a quarter of that. I don’t think any film will come close to Finding Dory, but there’s a lot more depth this time around and I have high hopes 2017 will extend its lead. More...

The House Trailer

May 23rd, 2017

Comedy starring Will Ferrell and Amy Poehler opens June 30 ... Full Movie Details. More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

When Scott and Kate Johansen’s daughter gets into the college of her dreams it’s cause for celebration. That is, until Scott and Kate learn that the scholarship they were counting on didn’t come through, and they’re now on the hook for tuition they can’t begin to afford. With the help of their friend and neighbor Frank—also in need of a major payday—they decide to open an illegal casino in his suburban house, risking everything together on a Vegas-style bacchanal where money flows, inhibitions are checked at the door, and all bets are off.

Metrics

Opening Weekend:$8,724,795 (34.1% of total gross)
Legs:2.93 (domestic box office/biggest weekend)
Domestic Share:82.0% (domestic box office/worldwide)
Production Budget:$40,000,000 (worldwide box office is 0.8 times production budget)
Theater counts:3,134 opening theaters/3,134 max. theaters, 2.9 weeks average run per theater
Infl. Adj. Dom. BO $30,747,039

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 3,301-3,400) 3,319 $25,584,504
All Time International Box Office (Rank 6,201-6,300) 6,297 $5,607,921
All Time Worldwide Box Office (Rank 4,201-4,300) 4,283 $31,192,425
All Time Domestic Box Office for Comedy Movies (Rank 601-700) 666 $25,584,504
All Time International Box Office for Comedy Movies (Rank 1,001-1,100) 1,076 $5,607,921
All Time Worldwide Box Office for Comedy Movies (Rank 701-800) 774 $31,192,425
All Time Domestic Box Office for R Movies (Rank 1,101-1,200) 1,121 $25,584,504
All Time International Box Office for R Movies (Rank 1,501-1,600) 1,584 $5,607,921
All Time Worldwide Box Office for R Movies (Rank 1,301-1,400) 1,324 $31,192,425

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Watch Now On

Amazon VOD:Amazon VOD, Amazon VOD
iTunes:iTunes
Google Play:Google Play
Vudu:Vudu, Vudu

Movie Details

Domestic Releases: June 30th, 2017 (Wide) by Warner Bros.
International Releases: June 30th, 2017 (Wide) (Australia)
June 30th, 2017 (Wide), released as Операция Казино (Bulgaria)
June 30th, 2017 (Wide) (New Zealand)
June 30th, 2017 (Wide) (Slovakia)
June 30th, 2017 (Wide) (United Kingdom)
... Show all releases
Video Release: September 26th, 2017 by Warner Home Video
MPAA Rating: R for language throughout, sexual references, drug use, some violence and brief nudity.
(Rating bulletin 2461 (Cert #50881), 2/1/2017)
Running Time: 88 minutes
Comparisons: vs. Rough Night
Create your own comparison chart…
Keywords: Gambling, Dysfunctional Family, Narcotics, Money Troubles, Farcical / Slapstick Comedy, Government Corruption, Organized Crime
Source:Original Screenplay
Genre:Comedy
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: New Line Cinema, Gary Sanchez Productions, Good Universe, Village Roadshow Productions, RatPac Entertainment, Dune Entertainment
Production Countries: United States
Languages: English

Ranking on other Records and Milestones

RecordRankAmountChart
Date		Days In
Release
Independence Day (All Movies, 3-Day, Inflation Adjusted) 363 $5,940,392 Jul 7, 2017 10

Leading Cast

Will Ferrell    Scott Johansen
Amy Poehler    Kate Johansen

Supporting Cast

Jason Mantzoukas    Frank
Nick Kroll    Bob
Jeremy Renner    Tommy
Ryan Simpkins    Alex Johansen
Allison Tolman    Dawn
Rob Huebel    Gambler
Christina Andrea Offley    Davida
Jessie Ennis    Rachel
Rory Scovel    Joe
Lennon Parham    Martha
Cedric Yarbrough    Reggie
Kyle Kinane    Garvey
Michaela Watkins    Raina
Gillian Vigman    Becky
Steve Zissis    Carl Shackler
Alexandra Daddario    Corsica
Andy Buckley    Craig
Wayne Federman    Chip Dave
Ian Roberts    Driver at College Campus
Sam Richardson    Marty
Joe Rowley    Waiter
Jessica St. Clair    Wall Street Guy-Reba
Andrea Savage    Laura
Linda Porter    Old Lady
Ben S. Harris    Shoe Salesman
Sean Patrick Murphy    Sparky
Randall Park    Wall Street Guy-Buckler
Sebastian Maniscalco    Stand-up Comic
Kathleen Meyer    Stripper
Tiffany Tynes    Stripper
Bruna Rubio    Stripper
Natasha Key    Stripper
Javier Del Prado    Craps Dealer

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Andrew J. Cohen*    Director
Nathan Kahane    Producer
Joe Drake    Producer
Brendan O'Brien    Producer
Andrew Jay Cohen    Producer
Jessica Elbaum    Producer
Will Ferrell    Producer
Adam McKay    Producer
Brendan O'Brien    Screenwriter
Andrew Jay Cohen    Screenwriter
Marc S. Fischer    Executive Producer
Chris Henchy    Executive Producer
Spencer Wong    Executive Producer
Toby Emmerich    Executive Producer
Richard Brener    Executive Producer
Michael Disco    Executive Producer
Bruce Berman    Executive Producer
Steven Mnuchin    Executive Producer
Jas Shelton    Director of Photography
Clayton Hartley    Production Designer
Evan Henke    Editor
Mike Sale    Editor
Manish Raval    Music Supervisor
Tom Wolfe    Music Supervisor
Andrew Feltenstein    Composer
John Nau    Composer
Allison Jones    Casting Director
Christopher Oroza    Costume Designer
Marc S. Fischer    Unit Production Manager
Jonathan McGarry    First Assistant Director
Paul Schmitz    Second Assistant Director
Allison Furgal    Production Supervisor
Elliott Glick    Art Director
Lauri Gaffin    Set Decorator
Steve Morantz    Sound Mixer
Frank Salvino    Post-Production Supervisor
Andrey Ragozin    First Assistant Editor
David Raymond    First Assistant Editor
Fernand Bos    Music Editor
Michael J. Benavente    Supervising Sound Editor
Elliott L. Koretz    Supervising Sound Editor
Anna Behlmer    Re-recording Mixer
Terry Porter    Re-recording Mixer
Susan Dudeck    Dialogue Editor
Alison Fisher    Dialogue Editor
Eliza Pollock Zebert*    Dialogue Editor
Christopher T. Welch    Dialogue Editor
Danny Pagan*    Sound Effects Editor
Bruce Barris    Sound Effects Editor
Adam Kopald    Sound Effects Editor
Bill R. Dean    Sound Effects Editor
Eric Norris    Sound Effects Editor
Randy Wilson    Foley Mixer
Ron Mellegers    Foley Mixer
Bruce Jones    Second Unit Director
Ralph Meyer    Location Manager
Gail Bradley    Script Supervisor
Danielle Baker    Costume Supervisor
Autumn Butler    Make up
Elizabeth Hoel-Chang    Make up
Lori McCoy-Bell    Hairstylist
Theodora Katsoulogiannakis    Hairstylist
Bruce Jones    Visual Effects Supervisor
Ben Harris    Casting Associate
Emily Bruntyn    Casting Assistant
Doug Trantow    Score Recordist
Doug Trantow    Score Mixer
Adrea Lavezzoli    Score Coordinator

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Home Market Releases for October 10th, 2017

October 10th, 2017

Maudie

It’s a good week for the home market with top notch releases in nearly every category. Baby Driver is the biggest first run release of the week and one of the best releases. The Lure is a foreign-language film and one of two Criterion Collection releases in competition for Pick of the Week. Maudie is a Canadian limited release that did surprisingly well in theaters. Finally there’s Othello, which first came out more than 60 years ago. The only thing we are missing is a TV on DVD title. As for the winner, I’m giving Pick of the Week to, Othello, while Maudie wins Puck of the Week for Best Canadian Release. More...

Home Market Releases for September 26th, 2017

September 27th, 2017

HYOUKA: Part Two

Transformers: The Last Knight is the biggest release of the week and it has scared away a lot of the competition, but it’s garbage and should be avoided. There are no big releases that are pick of the week contenders, but some smaller ones fit the bill, including David Lynch: The Art Life: The Criterion Collection, HYOUKA: Part Two, and Shameless: The Complete Seventh Season. All are amazing and worth checking out, but none have many extras, so it is up to the role of the dice to determine the Pick of the Week. ... And it’s HYOUKA. More...

Weekend Estimates: Annabelle to the Rescue

August 13th, 2017

Annabelle: Creation

After a series of lackluster weekends at the box office, Annabelle: Creation is doing its bit to clear away the end-of-Summertime blues with a $35 million opening this weekend. That’s right in line with the $37 million Annabelle opened with three years ago, which is an impressive performance for a horror franchise. It’s also the best opening for a horror movie since Split’s $40 million start back in January. The first film in the franchise fell away quite rapidly, and ended up with $84 million in total, so a final total of over $100 million is far from assured, but with a production budget of only $15 million, and probably not much more than $20 million in marketing, this should be a highly profitable movie for Warner Bros., especially since the franchise is popular globally. More...

Weekend Wrap-Up: Spider-Man has Wondrous $117.03 million Opening

July 11th, 2017

Spider-Man: Homecoming

The weekend box office chart held few surprises. Every film in the top five was close to our predictions, while the top two films were a little stronger. This includes Spider-Man: Homecoming, which pulled in $117.03 million during its opening weekend, making it the second fastest debut of the summer. (Only Guardians of the Galaxy Vol 2 is ahead of it in that regard.) Despicable Me 3 held on better than most films this summer and will become a monster hit thanks to its international numbers. Overall, the box office rose by 22% from last weekend hitting $206 million. Unfortunately, this is still 5.1% lower than the same weekend last year. Before the summer began, 2017 had a $200 million lead over 2006. That lead is now down to just $13 million at $5.95 billion to $5.94 billion. This lead could be completely gone by the weekend. More...

Weekend Wrap-Up: Is Despicable Becoming Disposable after $72.43 million Opening?

July 5th, 2017

Despicable Me 3

The weekend box office chart was as predicted, at least in terms of the order. Most of the new releases / top five had weaker openings / sharper declines. Despicable Me 3 still led the way, but with a more subdued $72.43 million. Baby Driver is hoping to earn that much in total after a $20.55 million / $29.58 million opening. This is almost as much as it cost to make. The House, on the other hand, was DOA with just $8.72 million. On the positive side, Monday and Tuesday were much stronger than usual, so rather than looking at the weekend box office and saying it is weaker than anticipated, we could instead say the weekend box office was stretched out over five days. Overall, the box office grew 20% from last week to $169 million. This is down 11% from the same weekend last year, but again, one could argue this is due to a misalignment in the Independence Day holiday. Year-to-date, 2017 is still ahead of 2016, but the lead shrank to under $30 million at $5.64 billion to $5.61 billion. More...

Revised Weekend Estimates: Despicable Shrinks to $72.41 million

July 3rd, 2017

Despicable Me 3

The combination of Canada Day and Independence Day has resulted in some studios not releasing the weekend final numbers today. Some are releasing final numbers, some have updated Sunday’s estimates, while others are just waiting until Wednesday for final results. Despicable Me 3 is in the middle category, as Universal revised its estimate downwards to $72.41 million. This is still a great opening, but it is also a troubling trajectory, as it has fallen a lot from Friday’s Estimates, when it looked like it was going to hit $83 million. Granted, this is still the sixth-biggest opening of the year, so Universal has reason to celebrate, but its internal multiplier suggests short legs for a family film. I think this is a case of franchise fatigue, as its reviews were good, even if they were not as good as the previous Despicable Me films. More...

Weekend Estimates: Despicable Me’s Solid $75 Million Starts July 4 Holiday Week

July 2nd, 2017

Despicable Me 3

With July 4 falling on a Tuesday this year, this is less a holiday weekend, and more the beginning of a holiday week, and it’s bookended by new releases from two of the industry’s most reliable franchises. Despicable Me 3 starts off festivities this weekend with a solid-but-unspectacular $75.4 million from a record-setting 4,529 theaters. Breaking The Twilight Saga: Eclipse’s record for widest opening weekend of all time is no small feat for Universal, but it’s an ominous sign for the franchise that the only film to open in close to this number of theaters and pull in similar numbers at the box office was Shrek Forever After, which opened with $70.8 million in 4,359 theaters back in 2010. That was the last Shrek movie, and this might be a good time for Gru to call it a day. More...

Friday Estimates: Despicable Me 3’s $29.2 million Debut is Top Animated Day of the Year

July 1st, 2017

Despicable Me 3

As expected, Despicable Me 3 earned first place at the box office on Friday with $29.2 million. This is the best single day for an animated film this year. To emphasize, this isn’t just the best opening day, but the best single day, and it should top that on Saturday. The previous record was $23.00 million, earned by The Lego Batman Movie. This film’s reviews are not as good as The Lego Batman Movie’s reviews are (they both earned A minuses from CinemaScore) so it won’t have the same legs. That said, an $83 million opening is still a great start and roughly on par with Despicable Me 2. More...

Thursday Night Previews: Despicable Me 3 Finds $4.1 million During Previews

June 30th, 2017

Despicable Me 3

Despicable Me 3 earned $4.1 million during previews last night, which is both good and bad. It is the best previews for an animated film this year, topping the $2.8 million Cars 3 earned earlier this month. However, it is weaker than the $4.7 million Despicable Me 2 earned and that film was a Wednesday release, so that would have depressed its previews even more, which makes this comparison even worse for Despicable Me 3. The Secret Life of Pets opened on a Friday and earned $5.3 million during its previews. If we use that film as a gauge, then Despicable Me 3 will earn $81 million over the weekend. Despicable Me 3 has earned weaker reviews than those The Secret Life of Pets earned, while it is also a sequel, which tends to hurt legs. We predicted $82 million, but that might be a little optimistic now. It should come close, on the other hand. More...

Weekend Predictions: Can Despicable have a Picable Opening?

June 29th, 2017

Despicable Me 3

Despicable Me 3 should dominate the box office this weekend, which is good news, because the last few weeks have been underwhelming. In fact, we haven’t had a monster hit since Wonder Woman started the month off with a bang. The House is an R-rated comedy, but since the last such film to come out bombed, I’m a little worried about its chances. Baby Driver opened on Wednesday and its early numbers are promising. It won’t be a $100 million hit, but it should earn a solid profit for Sony. This weekend last year, there were no monster hits at the box office, but there was solid depth. This weekend, we should be much stronger on top, while the depth won’t be that much weaker, leading to 2017 ending its mini-losing streak. More...

Contest: Me Me Me

June 23rd, 2017

Despicable Me 3

Despicable Me 3 is going to win next weekend’s box office race. There’s no doubt about that. In fact, it will make more than Baby Driver and The House will make combined. Because of this, it is the only real choice for the target film in this week’s box office prediction contest. In order to win, one must simply predict the opening three-day weekend box office number for Despicable Me 3.

Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a Frankenprise consisting of their choice of either one TV on DVD release, two movies, or a kids package (could be a theatrical release, a couple of single-disc TV on DVD releases, or a full season TV on DVD release). Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will also win a Frankenprize, as described above. Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will win the final Frankenprize, as described above.

Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay! More...

2017 Preview: June

June 1st, 2017

Despicable Me 3

May was a really soft month with only one unqualified hit, Guardians of the Galaxy, Vol. 2, which is climbing towards $375 million domestically. The second biggest hit of the month will be Pirates of the Caribbean: Dead Men Tell No Tales and I would be surprised if it tops $150 million by any serious margin. June looks a lot more profitable. There are five weeks and every week there is at least one film with a great shot at $100 million or more. In fact, there are four films with at least a decent shot at $200 million and we could double the number of $300 million hits released so far this year. Wonder Woman is widely expected to start the month with an explosive debut and pulling in more than $100 million during its opening weekend is more and more likely. That said, Despicable Me 3 will probably end up being the biggest hit overall with over $300 million. Meanwhile, Cars 3 and Transformers: The Last Knight are both aiming for $200 million. Last June was not particularly strong, outside of one hit. Finding Dory earned nearly $500 million domestically, while the second best film, Central Intelligence, barely earned a quarter of that. I don’t think any film will come close to Finding Dory, but there’s a lot more depth this time around and I have high hopes 2017 will extend its lead. More...

The House Trailer

May 23rd, 2017

Comedy starring Will Ferrell and Amy Poehler opens June 30 ... Full Movie Details. More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

RecordRankRevenue
All Time Domestic Box Office (Rank 3,301-3,400) 3,319 $25,584,504
All Time Domestic Inflation Adjusted Box Office (Rank 4,101-4,200) 4,189 $30,747,039
All Time Domestic Non-Sequel Box Office (Rank 2,701-2,800) 2,717 $25,584,504
Top 2017 Movies at the Domestic Box Office 91 $25,584,504
All Time Domestic Box Office for Original Screenplay Movies (Rank 1,601-1,700) 1,633 $25,584,504
All Time Domestic Box Office for Live Action Movies (Rank 2,801-2,900) 2,882 $25,584,504
All Time Domestic Box Office for Contemporary Fiction Movies (Rank 1,701-1,800) 1,725 $25,584,504
All Time Domestic Box Office for Comedy Movies (Rank 601-700) 666 $25,584,504
All Time Domestic Box Office for R Movies (Rank 1,101-1,200) 1,121 $25,584,504
All Time Domestic Box Office for Warner Bros. Movies (Rank 501-600) 516 $25,584,504

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Jun 30, 2017 6 $8,724,795   3,134 $2,784   $8,724,795 1
Jul 7, 2017 7 $4,778,272 -45% 3,134 $1,525   $18,593,950 2
Jul 14, 2017 10 $1,732,777 -64% 1,633 $1,061   $23,067,335 3
Jul 21, 2017 15 $430,021 -75% 453 $949   $24,456,269 4
Jul 28, 2017 24 $193,334 -55% 225 $859   $24,908,762 5
Aug 4, 2017 33 $97,859 -49% 124 $789   $25,129,761 6
Aug 11, 2017 33 $130,071 +33% 148 $879   $25,319,339 7
Aug 18, 2017 37 $88,313 -32% 138 $640   $25,469,904 8
Aug 25, 2017 46 $47,153 -47% 95 $496   $25,563,273 9

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Jun 29, 2017 P $800,000     0     $800,000  
Jun 30, 2017 5 $3,353,026     3,134 $1,070   $3,353,026 1
Jul 1, 2017 6 $2,945,371 -12%   3,134 $940   $6,298,397 2
Jul 2, 2017 6 $2,426,398 -18%   3,134 $774   $8,724,795 3
Jul 3, 2017 6 $1,668,229 -31%   3,134 $532   $10,393,024 4
Jul 4, 2017 6 $1,512,056 -9%   3,134 $482   $11,905,080 5
Jul 5, 2017 6 $983,421 -35%   3,134 $314   $12,888,501 6
Jul 6, 2017 6 $927,177 -6%   3,134 $296   $13,815,678 7
Jul 7, 2017 7 $1,525,012 +64% -55% 3,134 $487   $15,340,690 8
Jul 8, 2017 7 $1,914,774 +26% -35% 3,134 $611   $17,255,464 9
Jul 9, 2017 7 $1,338,486 -30% -45% 3,134 $427   $18,593,950 10
Jul 10, 2017 7 $640,377 -52% -62% 3,134 $204   $19,234,327 11
Jul 11, 2017 7 $922,142 +44% -39% 3,134 $294   $20,156,469 12
Jul 12, 2017 7 $673,194 -27% -32% 3,134 $215   $20,829,663 13
Jul 13, 2017 7 $504,895 -25% -46% 3,134 $161   $21,334,558 14
Jul 14, 2017 10 $562,274 +11% -63% 1,633 $344   $21,896,832 15
Jul 15, 2017 9 $707,382 +26% -63% 1,633 $433   $22,604,214 16
Jul 16, 2017 9 $463,121 -35% -65% 1,633 $284   $23,067,335 17
Jul 17, 2017 9 $246,773 -47% -61% 1,633 $151   $23,314,108 18
Jul 18, 2017 9 $333,655 +35% -64% 1,633 $204   $23,647,763 19
Jul 19, 2017 9 $247,267 -26% -63% 1,633 $151   $23,895,030 20
Jul 20, 2017 9 $131,218 -47% -74% 1,633 $80   $24,026,248 21
Jul 21, 2017 14 $133,451 +2% -76% 453 $295   $24,159,699 22
Jul 22, 2017 13 $183,772 +38% -74% 453 $406   $24,343,471 23
Jul 23, 2017 14 $112,798 -39% -76% 453 $249   $24,456,269 24
Jul 24, 2017 14 $64,521 -43% -74% 453 $142   $24,520,790 25
Jul 25, 2017 13 $81,942 +27% -75% 453 $181   $24,602,732 26
Jul 26, 2017 13 $61,456 -25% -75% 453 $136   $24,664,188 27
Jul 27, 2017 14 $51,240 -17% -61% 453 $113   $24,715,428 28
Jul 28, 2017 - $62,137 +21% -53% 225 $276   $24,777,565 29
Jul 29, 2017 - $82,422 +33% -55% 225 $366   $24,859,987 30
Jul 30, 2017 - $48,775 -41% -57% 225 $217   $24,908,762 31
Jul 31, 2017 - $30,140 -38% -53% 225 $134   $24,938,902 32
Aug 1, 2017 - $38,880 +29% -53% 225 $173   $24,977,782 33
Aug 2, 2017 - $31,104 -20% -49% 225 $138   $25,008,886 34
Aug 3, 2017 - $23,016 -26% -55% 225 $102   $25,031,902 35
Aug 4, 2017 - $27,867 +21% -55% 124 $225   $25,059,769 36
Aug 5, 2017 - $38,914 +40% -53% 124 $314   $25,098,683 37
Aug 6, 2017 - $31,078 -20% -36% 124 $251   $25,129,761 38
Aug 7, 2017 - $17,824 -43% -41% 124 $144   $25,147,585 39
Aug 8, 2017 - $17,645 -1% -55% 124 $142   $25,165,230 40
Aug 9, 2017 - $13,763 -22% -56% 124 $111   $25,178,993 41
Aug 10, 2017 - $10,275 -25% -55% 124 $83   $25,189,268 42
Aug 11, 2017 - $40,163 +291% +44% 148 $271   $25,229,431 43
Aug 12, 2017 - $57,284 +43% +47% 148 $387   $25,286,715 44
Aug 13, 2017 - $32,624 -43% +5% 148 $220   $25,319,339 45
Aug 14, 2017 - $15,659 -52% -12% 148 $106   $25,334,998 46
Aug 15, 2017 - $18,007 +15% +2% 148 $122   $25,353,005 47
Aug 16, 2017 - $15,125 -16% +10% 148 $102   $25,368,130 48
Aug 17, 2017 - $13,461 -11% +31% 148 $91   $25,381,591 49
Aug 18, 2017 - $26,117 +94% -35% 138 $189   $25,407,708 50
Aug 19, 2017 - $37,461 +43% -35% 138 $271   $25,445,169 51
Aug 20, 2017 - $24,735 -34% -24% 138 $179   $25,469,904 52
Aug 21, 2017 - $11,625 -53% -26% 138 $84   $25,481,529 53
Aug 22, 2017 - $12,671 +9% -30% 138 $92   $25,494,200 54
Aug 23, 2017 - $10,390 -18% -31% 138 $75   $25,504,590 55
Aug 24, 2017 - $11,530 +11% -14% 138 $84   $25,516,120 56
Aug 25, 2017 - $14,827 +29% -43% 95 $156   $25,530,947 57
Aug 26, 2017 - $17,792 +20% -53% 95 $187   $25,548,739 58
Aug 27, 2017 - $14,534 -18% -41% 95 $153   $25,563,273 59
Aug 28, 2017 - $4,986 -66% -57% 95 $52   $25,568,259 60
Aug 29, 2017 - $5,882 +18% -54% 95 $62   $25,574,141 61
Aug 30, 2017 - $5,176 -12% -50% 95 $54   $25,579,317 62
Aug 31, 2017 - $5,187 n/c -55% 95 $55   $25,584,504 63

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Jun 30, 2017 6 $13,815,678   3,134 $4,408   $13,815,678 1
Jul 7, 2017 7 $7,518,880 -46% 3,134 $2,399   $21,334,558 2
Jul 14, 2017 10 $2,691,690 -64% 1,633 $1,648   $24,026,248 3
Jul 21, 2017 14 $689,180 -74% 453 $1,521   $24,715,428 4
Jul 28, 2017 23 $316,474 -54% 225 $1,407   $25,031,902 5
Aug 4, 2017 32 $157,366 -50% 124 $1,269   $25,189,268 6
Aug 11, 2017 33 $192,323 +22% 148 $1,299   $25,381,591 7
Aug 18, 2017 36 $134,529 -30% 138 $975   $25,516,120 8
Aug 25, 2017 45 $68,384 -49% 95 $720   $25,584,504 9

Box Office Summary Per Territory

Territory Release
Date		 Opening
Weekend		 Opening
Weekend
Screens		 Maximum
Screens		 Theatrical
Engagements		 Total
Box Office		 Report
Date
Australia 6/30/2017 $1,252,137 225 228 915 $3,467,437 8/10/2017
Bulgaria 6/30/2017 $11,952 0 0 0 $41,892 2/26/2019
New Zealand 6/30/2017 $113,885 60 60 172 $292,698 7/17/2017
Slovakia 6/30/2017 $24,180 53 53 86 $49,485 7/21/2017
United Kingdom 6/30/2017 $633,583 407 407 868 $1,424,721 7/19/2017
 
Rest of World $331,688
 
International Total$5,607,921 2/26/2019

International Cumulative Box Office Records

RecordRankRevenue
All Time International Box Office (Rank 6,201-6,300) 6,297 $5,607,921
All Time International Non-Sequel Box Office (Rank 5,401-5,500) 5,442 $5,607,921
All Time International Box Office for Original Screenplay Movies (Rank 3,301-3,400) 3,316 $5,607,921
All Time International Box Office for Live Action Movies (Rank 5,201-5,300) 5,238 $5,607,921
All Time International Box Office for Contemporary Fiction Movies (Rank 3,201-3,300) 3,222 $5,607,921
All Time International Box Office for Comedy Movies (Rank 1,001-1,100) 1,076 $5,607,921
All Time International Box Office for R Movies (Rank 1,501-1,600) 1,584 $5,607,921
All Time International Box Office for Warner Bros. Movies (Rank 401-500) 452 $5,607,921

Worldwide Cumulative Box Office Records

RecordRankRevenue
All Time Worldwide Box Office (Rank 4,201-4,300) 4,283 $31,192,425
All Time Worldwide Non-Sequel Box Office (Rank 3,501-3,600) 3,547 $31,192,425
Top 2017 Movies at the Worldwide Box Office (Rank 101-200) 166 $31,192,425
All Time Worldwide Box Office for Original Screenplay Movies (Rank 2,101-2,200) 2,162 $31,192,425
All Time Worldwide Box Office for Live Action Movies (Rank 3,601-3,700) 3,683 $31,192,425
All Time Worldwide Box Office for Contemporary Fiction Movies (Rank 2,201-2,300) 2,210 $31,192,425
All Time Worldwide Box Office for Comedy Movies (Rank 701-800) 774 $31,192,425
All Time Worldwide Box Office for R Movies (Rank 1,301-1,400) 1,324 $31,192,425
All Time Worldwide Box Office for Warner Bros. Movies (Rank 501-600) 525 $31,192,425

Weekly US DVD Sales

DateRankUnits
this
Week		% ChangeTotal
Units		Spending
this
Week		Total
Spending		Weeks
in
Release
Oct 15, 2017734,469 34,469$275,063$275,0633
Oct 22, 20171512,168-65% 46,637$97,101$372,1644

Weekly US Blu-ray Sales

DateRankUnits
this
Week		% ChangeTotal
Units		Spending
this
Week		Total
Spending		Weeks
in
Release
Oct 15, 2017627,571 27,571$633,865$633,8653
Oct 22, 2017207,673-72% 35,244$174,188$808,0534

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.