Slovakia Box Office for Gods of Egypt (2016)

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Gods of Egypt poster
Theatrical Performance (US$)
Slovakia Box Office $260,335Details
Worldwide Box Office $138,836,756Details
Home Market Performance
North America DVD Sales $8,851,730 Details
North America Blu-ray Sales $9,367,027 Details
Total North America Video Sales $18,218,757
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

The survival of mankind hangs in the balance as an unexpected mortal hero Bek undertakes a journey to save the world and rescue his true love. In order to succeed, he must enlist the help of the powerful god Horus in an unlikely alliance against Set, the merciless god of darkness, who has usurped Egypt’s throne, plunging the once peaceful and prosperous empire into chaos and conflict. As their battle against Set and his henchmen takes them into the afterlife and across the heavens, both god and mortal must pass tests of courage and sacrifice if they hope to prevail in the final confrontation.

Metrics

Movie Details

Production Budget:$140,000,000
Slovakia Releases: February 25th, 2016 (Wide)
Video Release: May 17th, 2016 by Lionsgate Home Entertainment
October 24th, 2016 by Universal Pictures UK
MPAA Rating: PG-13 for fantasy violence and action, and some sexuality.
(Rating bulletin 2405 (Cert #50034), 12/23/2015)
Running Time: 127 minutes
Keywords: Gods and Goddesses, Rescue, Whitewashed Casting, 3-D, 3-D - Post-production Conversion, Digital Cinematography, Visual Effects, Sword and Sandal, Motion Capture Performance, IMAX: DMR, Heroic Adventure
Source:Original Screenplay
Genre:Adventure
Production Method:Live Action
Creative Type:Fantasy
Production/Financing Companies: Summit Entertainment, Thunder Road Film, Mystery Clock Cinema
Production Countries: United States
Languages: English

Home Market Releases for May 31st, 2016

May 29th, 2016

Veggies Tales

It's a big week for first-run releases with four such films coming out. However, none of them are top-notch releases. Race is the best, but even then it is only worth a rental. Sadly, none of the limited releases, TV on DVD releases, catalog releases, etc. are really big releases either. Hello, My Name is Doris is a great movie, but it is only coming out on Video on Demand this week. I'm going with Veggie Tales: And Now It's Time for Silly Songs with Larry: The Complete Collection on DVD as the Pick of the Week. It really is a slow week for new releases. More...

Home Market Releases for May 17th, 2016

May 17th, 2016

Dark Passage

The Deadpool Blu-ray arrived last Tuesday, which is par for course for Fox, as their screeners always seem to arrive as late as possible while still technically not being late. There are updates below with the extras. On a side note, the film is so good, I was tempted to make it the Pick of the Week for the second week in a row. However, in the end I went with Dark Passage, a classic Film Noir with a famous hook. The Blu-ray is the Pick of the Week. More...

International Box Office: Zootopia Goes Global with $83.1 million

March 17th, 2016

Zootopia

Zootopia rose to first place with $83.1 million in 45 markets over the weekend for totals of $288.7 million internationally and $432.7 million worldwide. The film's biggest market was China, where it grew to $59.44 million over the weekend for a ten-day total of $112.83 million. It became only the second animated film to earn $100 million in China and should top Kung Fu Panda 3's record-breaking run of $151.74 million. The film opens in Brazil this weekend and the U.K. next weekend, so its run is far from over. More...

International Box Office: Ip Man 3 has First Place Debut with $75.0 million, maybe.

March 10th, 2016

Ip Man 3

It's a really bad week for international numbers, but not because the box office numbers are low. Ip Man 3 reportedly opened in first place with $75.0 million in three markets over the weekend for a total of $76.5 million. This includes $71.28 million in its native China. I say "reportedly" because this week this story broke. If this is true, then we will have to doubt any box office number coming out of China. This is a mess. Chinese films regularly reach the top five on the international chart, so if we can't trust the official reports, it makes these figures nearly useless. More...

Weekend Wrap-Up: Zootopia Wins Weekend With Record-breaking Result of $75.06 million

March 8th, 2016

Zootopia

As expected Zootopia dominated the weekend box office earning $75.06 million. This is half of what The Hunger Games opened with, but it was still the fifth Biggest March Opening. It also broke a couple of smaller records, but more on that down below. Second place went to London Has Fallen, but it was way, way back with just $21.64 million. This is terrible for a film that cost more than $100 million to make. Overall, the box office was $159 million. This is 41% more than last weekend and 77% more than the same weekend last year. 2016's lead over 2015 rose to just a hair under 10% at $1.97 billion to $1.79 billion. Granted, by this time in 2015, none of the year's $1 billion hits had been released, so things can change rapidly, but this is still a great start so far. More...

Thursday Night Previews: Zootopia Hopps to the Top - Update

March 4th, 2016

Zootopia

Judy Hopps and the rest of the cast of Zootopia got off to a great start earning $1.7 million during its Thursday previews. This doesn't sound like a lot compared to Deadpool, which earned more than $12 million just a few weeks ago. However, family films rarely do this well during previews. In fact, Kung Fu Panda 3 didn't even bother with previews. A good comparison is Home, which opened this month last year. That film earned $650,000 during its previews and its reviews were only mixed. As expected, Zootopia is no longer earning 100% positive reviews, but its Tomatometer Score is still a stunning 99% positive. This should help its word-of-mouth and a record-breaking run is still well within reach. More...

Weekend Predictions: Zootopia Hopes to Have a Wild Debut

March 4th, 2016

Zootopia

March begins with three wide releases and there is a potential record-breaker in that list, sort of. Zootopia isn't going to challenge The Hunger Games for Biggest March Opening, but it has a good shot at topping The Lorax for biggest opening for an animated film in March. London Has Fallen needs to make close to $30 million this weekend, if it is to have any real shot at breaking even any time soon. This isn't going to happen. Meanwhile, Whiskey Tango Foxtrot is just hoping to come close to $10 million over the weekend. This weekend last year, the box office was led by Chappie with just $13.35 million. Zootopia will earn way more than that on opening night. It should be a great weekend for 2016 in the year-over-year comparison. More...

International Box Office: Deadpool Has Double-Milestone Weekend with $40.2 million

March 3rd, 2016

Deadpool

Deadpool reached two milestones this weekend topping $300 million internationally and $600 million worldwide. Over the weekend, the film added $40.2 million in 74 markets to its running tally, which now sits at $324.1 million internationally and $609.4 million worldwide. At this pace, the film will have no trouble getting to $400 million internationally and $700 million worldwide. It is massively profitable, but I am worried the studio will double, or triple, the production budget of the sequel and then insist on more control over the process, because the stakes are higher. More...

Contest: Got to have Faith: Winning Announcement

March 3rd, 2016

Gods of Egypt

The winners of our Got to have Faith contest were determined and the entrants with the closest predictions for Gods of Egypt opening weekend were... More...

Weekend Wrap-Up: Deadpool Remains Immortal pulling in $31.12 million

February 29th, 2016

Deadpool

As anticipated, Deadpool easily won the weekend with $31.12 million. This was more than double its nearest competitor, Gods of Egypt, which earned $14.12 million. Unfortunately, those were the only two films that earned more than $10 million over the weekend. The overall box office was $112 million, which was 21% lower than last weekend. This was still 5.1% more than the same weekend last year, while 2016's year-to-date advantage crept up ever so slightly to 3.9% at $1.78 billion to $1.71 billion. Hopefully March can continue this pace. More...

Weekend Estimates: Deadpool Enjoys Third Weekend Win

February 28th, 2016

Deadpool

This is shaping up to be a triumphant weekend for 20th Century Fox. The studio will take three out of the top five spots at the box office this weekend, with Deadpool claiming a third straight win with $31.5 million, taking it to a huge (for the time of year) $285.6 million by close of business on Sunday. The studio’s Kung Fu Panda 3 will be down just 28% to $9 million in third place, for $128.5 million to date, and their new release Eddie the Eagle will land in fifth with a slightly disappointing, but not horrible, $6.3 million. Oh, and The Revenant is still in the top ten in its tenth weekend in release, and is the hot favorite to win Best Picture at the Oscars this evening (more on that in a moment).

All of which is a roundabout way of saying that Gods of Egypt had a horrible opening weekend… More...

Friday Estimates: Deadpool Delivers a Mortal Blow to Gods of Egypt

February 27th, 2016

Deadpool

Deadpool will again earn first place at the box office, and with more than anticipated. It earned $8.95 million on Friday, which is 45% lower than last Friday's box office. If it maintains this run, then it will earn $31 million over the weekend for a total of $285 million. By this time next weekend, it will be over $300 million domestically. I don't think the studio was expecting $300 million worldwide when it gave the film the greenlight. More...

Thursday Night Previews: Gods off to a Mortal Start

February 26th, 2016

Gods of Egypt

Gods of Egypt had the best showing among new releases from its Thursday previews; however, best is being used as a relative term, as it only managed $800,000. By comparison, 13 Hours pulled in $900,000 earlier this year. If the film’s reviews hurt its word of mouth, and I can’t imagine they won’t, then we are looking at a domestic total of about $40 million on a $140 million production budget. In fact, it will likely make less during its opening weekend than the $15.3 million reportedly spend on TV ads leading up to its release. More...

Weekend Predictions: Gods of Egypt Eye Top Spot

February 26th, 2016

Gods of Egypt

There are three wide releases looking to overtake Deadpool at the box office. I seriously doubt any of them will be able to do so. In fact, all three combined might not top Deadpool over the weekend. Gods of Egypt is by far the biggest costing $140 million, but it likely won't earn 10% of that over the weekend. Triple 9 is a rather generic action film that bombed in its debut in the U.K., which doesn't bode well for its run here. Finally, Eddie the Eagle is a feel-good inspirational sports movie based on a real life story. Unfortunately, the sport in question is ski-jumping, which isn't popular enough to expect the movie will find an audience in theaters. This weekend last year, Focus was the top film, but Deadpool will likely beat it by $10 million over the weekend. It should be a relatively good week for 2016. More...

Contest: Race to the Top: Winning Announcement

February 25th, 2016

Race

The winners of our Race to the Top contest were determined and the entrants with the closest predictions for Race opening weekend were... More...

Contest: Got to have Faith

February 19th, 2016

Gods of Egypt

There are three wide releases next week, but Gods of Egypt is the overwhelming favorite. ... Well, to be more accurate, Deadpool is the overwhelming favorite, but Gods of Egypt should be the biggest hit of the three new releases. Therefore, it is the target film in this week's Box Office Prediction contest. In order to win, one must simply predict the opening weekend box office number for Gods of Egypt.

Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a Frankenprize consisting of either two movies, one full-season TV on DVD release, or three single-disc kids shows. Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will win a Frankenprize consisting of either two movies, one full-season TV on DVD release, or three single-disc kids shows. Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will also win a Frankenprize consisting of either two movies, one full-season TV on DVD release, or three single-disc kids shows. Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay! More...

2016 Preview: February

February 1st, 2016

Deadpool

As expected, January was dominated by holdovers with Star Wars: The Force Awakens and The Revenant leading the way. That's not to say there were no new releases that did well, as Ride Along 2 and Kung Fu Panda 3 were hits with moviegoers. Looking forward, there is only one film that looks like a sure hit, Deadpool. There's a slim chance it could be a surprise $200 million hit. There's a much better chance it will be the only $100 million hit. Conversely, last February started with a $100 million hit coming out, The SpongeBob Movie: Sponge Out of Water, while there were two other $100 million movies to come out that month, Fifty Shades of Grey and Kingsman: The Secret Service. Looks like 2016 is going to lose in the year-over-year comparison. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2016/02/26 1 $125,085   73 $1,713   $125,085 1
2016/03/04 2 $48,100 -62% 31 $1,552   $201,274 2
2016/03/11 4 $25,926 -46% 27 $960   $238,524 3
2016/03/18 7 $13,162 -49% 20 $658   $260,335 4

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 2/25/2016 $0 0 34 63 $515,068 11/30/2018
Australia 2/26/2016 $642,657 198 200 780 $1,819,134 6/9/2016
Belgium 3/30/2016 $253,903 96 96 257 $657,259 6/9/2016
Bolivia 2/25/2016 $91,333 19 22 85 $410,020 12/31/2018
Brazil 2/25/2016 $1,887,100 636 636 1651 $4,737,278 6/9/2016
Bulgaria 2/26/2016 $134,495 47 47 223 $594,864 2/26/2019
Central America 2/25/2016 $391,242 158 158 308 $800,459 3/29/2016
Chile 2/25/2016 $279,052 92 92 201 $729,604 12/31/2018
China 3/10/2016 $19,250,000 51743 51743 69261 $35,598,524 3/12/2019
Colombia 2/25/2016 $501,789 278 278 544 $1,487,881 12/31/2018
Croatia 2/25/2016 $69,745 47 47 133 $166,423 12/31/2018
Czech Republic 2/25/2016 $206,305 116 116 263 $500,699 12/31/2018
Denmark 2/25/2016 $0 0 26 26 $280,018 6/9/2016
Ecuador 2/26/2016 $0 0 38 82 $992,747 12/31/2018
Egypt 3/2/2016 $39,360 1 1 3 $77,216 12/31/2018
Estonia 2/26/2016 $30,996 7 11 18 $60,805 6/9/2016
Finland 4/1/2016 $18,298 34 34 54 $37,086 6/9/2016
France 4/6/2016 $1,369,190 285 285 570 $3,443,003 8/17/2018
Greece 2/25/2016 $143,466 54 54 118 $393,877 6/9/2016
Hong Kong 3/3/2016 $756,292 50 84 192 $1,847,480 6/9/2016
Hungary 2/25/2016 $199,845 58 58 290 $537,158 12/31/2018
Iceland 3/11/2016 $12,541 7 7 12 $28,231 12/31/2018
Iraq 2/25/2016 $8,458 4 4 12 $43,481 12/31/2018
Italy 2/25/2016 $737,822 350 350 597 $1,281,571 6/9/2016
Japan 9/9/2016 $1,593,291 0 0 0 $4,982,433 8/20/2018
Lebanon 2/25/2016 $46,713 8 8 29 $298,338 12/31/2018
Lithuania 2/26/2016 $46,824 12 45 93 $116,772 6/9/2016
Malaysia 2/25/2016 $1,005,752 267 267 619 $2,329,446 6/9/2016
Mexico 2/26/2016 $1,580,036 0 315 315 $4,564,695 6/9/2016
Netherlands 2/24/2016 $352,539 86 86 314 $890,801 6/9/2016
New Zealand 2/26/2016 $108,859 44 48 182 $386,882 6/9/2016
North America 2/26/2016 $14,123,903 3,117 3,117 10,965 $31,153,464
Norway 4/1/2016 $26,286 110 110 135 $60,626 6/9/2016
Peru 2/25/2016 $0 0 169 325 $2,176,087 12/31/2018
Philippines 2/24/2016 $1,719,524 146 146 231 $3,068,942 12/31/2018
Poland 2/26/2016 $0 0 87 87 $652,294 12/31/2018
Portugal 2/25/2016 $116,743 65 65 167 $268,575 6/9/2016
Russia (CIS) 2/25/2016 $4,349,509 1176 1176 3606 $11,358,404 12/31/2018
Serbia and Montenegro 2/25/2016 $20,765 22 22 73 $69,710 12/31/2018
Singapore 2/25/2016 $583,036 37 37 114 $1,276,147 6/9/2016
Slovakia 2/25/2016 $125,085 73 73 151 $260,335 6/9/2016
Slovenia 2/25/2016 $19,328 18 18 52 $50,186 6/9/2016
South Africa 2/26/2016 $0 0 70 118 $354,476 6/9/2016
South Korea 3/3/2016 $3,147,979 618 618 1528 $6,383,432 6/9/2016
Spain 6/24/2016 $642,158 364 364 1177 $2,251,143 11/17/2018
Switzerland 4/6/2016 $52,765 15 15 15 $52,765 6/9/2016
Thailand 2/25/2016 $1,419,802 280 280 606 $3,030,188 6/9/2016
Turkey 2/26/2016 $564,232 287 291 863 $1,628,059 12/31/2018
Ukraine 2/25/2016 $404,648 230 230 249 $1,088,373 12/31/2018
United Arab Emirates 2/25/2016 $0 0 51 87 $1,526,961 12/31/2018
United Kingdom 6/17/2016 $692,096 405 405 741 $1,288,806 9/8/2018
Uruguay 2/25/2016 $24,839 11 11 30 $64,595 12/31/2018
Venezuela 2/26/2016 $45,068 54 54 155 $163,935 6/9/2016
 
Worldwide Total$138,836,756 3/12/2019

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Lead Ensemble Members

Nikolaj Coster-Waldau    Horus
Brenton Thwaites    Bek
Chadwick Boseman    Thoth
Elodie Yung    Hathor
Courtney Eaton    Zaya
Rufus Sewell    Urshu
Gerard Butler    Set
Geoffrey Rush    RA
Abbey Lee    Astarte
Yaya Deng    Anat

Supporting Cast

Paula Arundell    Fussy Older Maidservant
Alia Seror O'Neill    First Young Maidservant
Emily Wheaton    Second Younger Maidservant
Rachael Blake    Isis
Bryan Brown    Osiris
Michael Anthony Taylor    Priest
Emma Booth    Nephthys
Felix Williamson    Nobleman
Alexander England    Mnevis
Ian Robert    Urshu Guard 1
Matt Ruscic    Urshu Guard 2
Elvis Sinosic    Urshu Guard 3
Danny Mifsud    Urshu Guard 4
Goran D. Kleut    Anubis
Markus Hamilton    Set's Mortal General
Kenneth Ransom    Sphinx
Robyn Nevin    Sharifa
Bruce Spence    Head Judge
Tiriel Mora    Rich Man
Keala Pringley    Female Child
Lindsay Farris    Older Bek Voice

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Alex Proyas    Director
Matt Sazama    Screenwriter
Burk Sharpless    Screenwriter
Basil Iwanyk    Producer
Alex Proyas    Producer
Stephen Jones    Executive Producer
Topher Dow    Executive Producer
Kent Kubena    Executive Producer
Peter Menzies Jr.    Director of Photography
Owen Paterson    Production Designer
Richard Learoyd    Editor
Liz Palmer*    Costume Designer
Marco Beltrami    Composer
Eric Durst    Senior Visual Effects Supervisor
John Papsidera    Casting Director
Glenn Boswell    Stunt Supervisor
Tim Wong    Fight Choreographer
Ric Anderson    Stunt
Bo Shen    Associate Co-Producer
Yang Rong    Associate Co-Producer
Jack Geist    Visual Effects Producer
Toby Pease    Production Manager
Ian Gracie    Supervising Art Director
Nicki Gardiner    Set Decorator
Adam Wills    Additional Editor
Kasra Rassoulzadegan    First Assistant Editor
Matthew Wigg    First Assistant Editor
Henry Karjalainen    Post-Production Supervisor
Karen Mansfield    Script Supervisor
Peter Grace    Sound Mixer
Michael Turner    Senior Art Director
Sophie Nash    Art Director
Mara Garanzini    Set Designer
Nick Sargent    Set Designer
Alanna Baudinet    Set Designer
Dan Oliver    Special Effects Supervisor
Helen (Mel) Dykes*    Costume Supervisor
Anita Morgan    Make-up and Hair Designer
Kimble Rendall    Second Unit Director
Drew Bailey    First Assistant Director-Second Unit
Joshua Watkins    Second Assistant Director-Second Unit
Brad Shield    Second Unit Director of Photography

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.