Synopsis
Johnny Saxby works long hours in brutal isolation on his family’s remote farm in the north of England. He numbs the daily frustration of his lonely existence with nightly binge-drinking at the local pub and casual sex. When a handsome Romanian migrant worker arrives to take up temporary work on the family farm, Johnny suddenly finds himself having to deal with emotions he has never felt before. An intense relationship forms between the two which could change Johnny’s life forever.
Metrics
Movie Details
| Production Budget: | $1,260,000 |
| Netherlands Releases: |
March 30th, 2018 (Wide) |
| Video Release: |
January 30th, 2018 by Samuel Goldwyn |
| MPAA Rating: |
Not Rated |
| Running Time: |
104 minutes |
| Keywords: |
Addiction, Dysfunctional Family, Life on a Farm, Immigration, LGBTQ+, Romance, Medical and Hospitals, Sundance Film Festival 2017 |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: |
BFI, Creative England, Shudder Films, Inflammable Films, Met Film Production |
| Production Countries: |
United Kingdom |
| Languages: |
English, Romanian |
February 13th, 2018
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It’s not a good week in terms of box office numbers, as the biggest box office hit to come out this week is Wonder. It is also one of the best new releases of the week and a contender for Pick of the Week. Other contenders for Pick of the Week include Blade of the Immortal, Night of the Living Dead, The Silence of the Lambs, and The Sinner: Season One. In the end, it was a coin toss between Blade of the Immortal and Night of the Living Dead and the former won.
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January 31st, 2018
This is one of the worse times of year for the home market. Until we start getting the holiday blockbusters landing on DVD / Blu-ray, there’s not much to talk about. That’s not to say there are no good releases, as God’s Own Country, The Square, and Steven Universe: Season One are all easily worth picking up. There are just no big releases. For example, the Pick of the Week goes to Professor Marston & The Wonder Women on Blu-ray, which was sadly ignored by moviegoers when it first hit theaters.
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January 11th, 2018
The BAFTA nominations were announced and this time The Shape of Water led the way with 12 nominations. The same films appear on many of the lists of nominees, but so far no one film has come to dominate the list. This makes it interesting, to say the least. There’s a good chance no one film will win the majority of prestige awards and that multiple films will have lots of reason to celebrate on February 18th when the awards are handed out.
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November 1st, 2017
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The Square was the only film in the $10,000 club this past weekend. The latest from Ruben Ostlund earned an average of $18,558 in four theaters. This is a better opening than his last film, Force Majeure, which earned more than $1 million domestically. Hopefully this one will do the same.
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October 27th, 2017
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We don’t have a long list of limited releases this week, but there are a few that stand out as worth checking out and might actually do well in theaters. These include Bill Nye: Science Guy, God’s Own Country, The Square. The Square has the advantage, at least for the opening weekend, but I would be surprised if any of them expanded significantly over the coming weeks.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|
| 2018/03/30 |
11 |
$75,092 |
|
28 |
$2,682 |
$120,585 |
1 |
| 2018/04/06 |
12 |
$41,494 |
-45% |
28 |
$1,482 |
$190,862 |
2 |
| 2018/04/13 |
17 |
$33,388 |
-20% |
28 |
$1,192 |
$247,990 |
3 |
| 2018/04/20 |
- |
$11,485 |
-66% |
31 |
$370 |
$269,326 |
4 |
| 2018/04/27 |
- |
$20,153 |
+75% |
27 |
$746 |
$297,354 |
5 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue
are available through our research services. For more information, please contact us at research@the-numbers.com.
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
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